| It Is What It Is | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 3, 2020 (2020-04-03) | |||
| Genre | ||||
| Length | 37:38 | |||
| Label | Brainfeeder | |||
| Producer |
| |||
| Thundercat chronology | ||||
| ||||
| Singles from It Is What It Is | ||||
It Is What It Is is the fourthstudio album by American musicianThundercat, released throughBrainfeeder on April 3, 2020.[8] It was preceded by five singles: "King of the Hill," which was released as a single from the label's compilation albumBrainfeeder X in 2018, and "Black Qualls," "Dragonball Durag," "Fair Chance," and "Innerstellar Love," the latter four being released in 2020. The track "Unrequited Love" had previously been used in an episode of the animeCarole & Tuesday in 2019. The album was executive produced by Thundercat andFlying Lotus,[9] and features guest appearances fromLouis Cole,Steve Lacy,Steve Arrington,Childish Gambino,Ty Dolla Sign,Lil B,Kamasi Washington,BadBadNotGood, andZack Fox.[10]
It Is What It Is received critical acclaim, with critics praising Thundercat's typical sense of humor in his lyrics and bass playing, as well as Thundercat's way of expressing emotions - in particular, his grief over the loss of long-time close friend and collaboratorMac Miller, which feeds into many of the musical and lyrical elements of the album.[11][12][13] The title track of the album contains a vocal sample from the late Miller; Thundercat also dedicated the album in his memory.[14]
The album wonBest Progressive R&B Album at the63rd Annual Grammy Awards, beating out fellow nomineesJhené Aiko,Chloe x Halle,Free Nationals, andRobert Glasper.[15]
| Aggregate scores | |
|---|---|
| Source | Rating |
| AnyDecentMusic? | 7.9/10[16] |
| Metacritic | 84/100[17] |
| Review scores | |
| Source | Rating |
| AllMusic |   [11] |
| Exclaim! | 9/10[12] |
| The Independent |  [13] |
| Mojo | [18] |
| NME | [19] |
| The Observer | [20] |
| Pitchfork | 7.4/10[21] |
| Rolling Stone | [22] |
| The Times | [23] |
| Uncut | 9/10[24] |
It Is What It Is was met with critical acclaim. AtMetacritic, the album received anaverage score of 84, based on 23 reviews.[17] Aggregator AnyDecentMusic? gave it 7.9 out of 10, based on their assessment of the critical consensus.[16]
Writing forAllMusic, Andy Kellman gave the album a positive review, stating that "As on the earlier Thundercat LPs, outer space and homeboy escapades, comic courtship and elusive companionship, and philosophical insights also inform the material." Kellman continued by stating that the album contains "no throwaways or novelty tunes."[11] Emma Finamore ofClash was also positive in her review, stating that the album's "definitely a project rich in contrasts." Finamore further opined that it's "an album embracing difference, accepting highs and lows: just what we need right now."[25]Exclaim!'s reviewer Dylan Barnabe acclaimed the album, saying that "There is perhaps no better album with which to face our current uncertainty than Thundercat'sIt Is What It Is. Filled with gentle reflections on love and loss, mixed in with the star bassist's signature sense of humour and funky beats, it is exactly the record the world needed." Barnabe praised Thundercat's implementation of humor elements on the album, particularly praising the song "Dragonball Durag". Barnabe further stated that the album "manifests as a beautiful ebb and flow of emotional states, philosophical musings and plain old comedy."[12] Roisin O'Connor ofThe Independent favorably compared the album to its predecessor,Drunk, stating that both records "continue to reflect on Thundercat's acceptance of his own mortality, veering away from an almost-claustrophobic grief and into deeper contemplation."[13] Writing forNME, Sam Moore stated that the album's "magic moment comes as Thundercat links up withSteve Lacy,Childish Gambino and '80s funk heroSteve Arrington on 'Black Qualls'; the disco-funk tune should be up for consideration as the best song of 2020. Its inclusion here gives a comforting indication that, for all of the album's heavy rumination on life, death and healing, Thundercat can still kick back when required." Moore commented on the album's lyrics, which depicts a variety of themes, stating that " Thundercat's lyrical reflections on grief, uncertainty and gradual healing are threaded through 'It Is What It Is'."[19]Pitchfork's reviewer Reed Jackson gave the album a positive review, but also criticized the composition and songwriting on a few of the album's tracks. Jackson also called it more "unpolished" than its predecessor, while at the same time praising Thundercat's bass playing.[21]
In a more mixed review, Kitty Empire ofThe Observer stated that "The track-listing also finds ample time for these more dense jazz-funk fusions – hyper-speed snippets like How Sway, where Bruner reminds listeners he isn't from the mainstream, he's just visiting from somewhere altogether gnarlier. It all makes for an album that gently weeps, then does a set of star jumps. Bruner's quick mind and faster fingers dash off on tangents, never quite exploring his grooves to their fullest extents." Empire continued by stating the album's drawback lays with the fact that it switches through emotions too often. She stated that Thundercat "doesn't sit with one emotion, be it high or low, for a sustained length of time. When the title track glides in, at a luxurious five minutes (even if it is in two parts), you wish Thundercat had given all his ideas the benefit of the album's title –It Is What It Is. You wish for a record that allowed Bruner to do less and just… be."[20]
| Publication | Accolade | Rank | Ref. |
|---|---|---|---|
| Billboard | Billboard's 50 Best Albums of 2020 – Mid-Year | N/A | |
| Consequence of Sound | Top 50 Albums of 2020 | 14 | [27] |
| Double J | Top 50 Albums of 2020 | 27 | [28] |
| Exclaim! | Exclaim!'s 50 Best Albums of 2020 | 12 | [29] |
| The Los Angeles Times | Top 10 Albums of 2020 | 4 | [30] |
| NPR | The 50 Best Albums of 2020 | 31 | |
| Paste | Paste's 25 Best Albums of 2020 – Mid-Year | 15 | |
| The 50 Best Albums of 2020 | 15 | [33] | |
| PopMatters | The 60 Best Albums of 2020 | 12 | [34] |
| Stereogum | Stereogum's 50 Best Albums of 2020 – Mid-Year | 15 | |
| The 50 Best Albums of 2020 | 27 | ||
| Vulture | Top 10 Albums of 2020 | 8 | [37] |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Lost in Space / Great Scott / 22-26" | 1:22 | ||
| 2. | "Innerstellar Love" |
|
| 2:41 |
| 3. | "I Love Louis Cole" (featuringLouis Cole) |
|
| 3:24 |
| 4. | "Black Qualls" (featuringSteve Lacy,Steve Arrington, andChildish Gambino) |
|
| 3:09 |
| 5. | "Miguel's Happy Dance" |
|
| 2:11 |
| 6. | "How Sway" |
|
| 1:14 |
| 7. | "Funny Thing" |
|
| 1:56 |
| 8. | "Overseas" (featuringZack Fox) |
|
| 1:28 |
| 9. | "Dragonball Durag" |
|
| 3:01 |
| 10. | "How I Feel" |
|
| 1:08 |
| 11. | "King of the Hill" |
| 2:51 | |
| 12. | "Unrequited Love" |
|
| 3:14 |
| 13. | "Fair Chance" (featuringTy Dolla Sign andLil B) |
|
| 3:57 |
| 14. | "Existential Dread" |
|
| 0:51 |
| 15. | "It Is What It Is" (featuring Pedro Martins) |
|
| 5:02 |
| Total length: | 37:38 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 16. | "Bye for Now" (featuringMichael McDonald) |
|
| 2:16 |
| Total length: | 39:54 | |||
Technical personnel
Artwork
| Additional musicians
|
| Chart (2020) | Peak position |
|---|---|
| Australian Albums (ARIA)[39] | 50 |
| Austrian Albums (Ö3 Austria)[40] | 73 |
| Belgian Albums (Ultratop Flanders)[41] | 28 |
| Canadian Albums (Billboard)[42] | 87 |
| Dutch Albums (Album Top 100)[43] | 66 |
| French Albums (SNEP)[44] | 152 |
| German Albums (Offizielle Top 100)[45] | 30 |
| Irish Albums (IRMA)[46] | 95 |
| Japanese Albums (Oricon)[47] | 25 |
| New Zealand Albums (RMNZ)[48] | 36 |
| Scottish Albums (OCC)[49] | 6 |
| Swiss Albums (Schweizer Hitparade)[50] | 56 |
| UK Albums (OCC)[51] | 23 |
| USBillboard 200[52] | 38 |
| USTop R&B/Hip-Hop Albums (Billboard)[53] | 23 |
