"I Shot Ya" | |
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Song byLL Cool J featuringKeith Murray, andProdigy ofMobb Deep,Fat Joe, andFoxy Brown | |
from the albumMr. Smith | |
A-side | "Hey Lover" |
Released | October 31, 1995 |
Recorded | 1995 |
Studio | Chung King Studios |
Genre | East Coast hip hop,hip hop,gangsta rap |
Label | |
Songwriter(s) | |
Producer(s) | Trackmasters |
Music video | |
"I Shot Ya (remix)" onYouTube | |
"I Shot Ya" is a song by American rapperLL Cool J featuringKeith Murray, from his sixth albumMr. Smith. The remix version, which featuredProdigy ofMobb Deep,Fat Joe, andFoxy Brown, of the song was released as aB-side to "Hey Lover", but received a video directed byHype Williams, leading some to believe the track was an actual single from the album. Produced byTrackmasters, the remix was released in 1995 forDef Jam Recordings, and peaked at number 55 on theHot R&B/Hip-Hop Songs for theBillboard charts.
The song was recorded atChung King Studios, and both versions were created from a sample of "Put it on the Line" by singerLyn Collins. In an interview with the Trackmasters, the beat was originally meant forThe Notorious B.I.G. However, the beat was given to LL Cool J at the insistence ofChris Lighty, who was the manager ofFat Joe at the time. The original version contains three verses from LL and with the chorus provided by Murray, while the remix version was given new verses written and recorded at separate times by LL, Murray,Prodigy, Fat Joe, andFoxy Brown.[1] While LL and theTrackmasters were working on the song, Fat Joe happened to be in another room one day, writing lyrics for his second albumJealous One's Envy. Being managed by Chris Lighty played a part in Joe being able to contribute a verse to the remix version.[2]
Prodigy, who also happened to be at Chung King Studios at some point, was writing rhymes in another room before being asked to contribute a verse.[3] Foxy Brown, then being an up-and-coming artist, would be the last contributor to the record. Brown was secretly brought into the studio by Trackmasters, adding her verse after the song sessions were finished, without LL having any knowledge about her beforehand. Upon hearing her verse for the first time, LL Cool J assumed that Tone & Poke had a little boy to contribute a verse to his record. However, he was impressed when he was told that it was actually a young woman who contributed the verse.
Both the original and remix versions arebraggadocious responses from LL to people who doubted his musical and rhyming abilities, which followed the commercial disappointments of several past releases. Despite the East Coast/West Coast beef that was prominent at the time, none of the artists on the record were taking lyrical shots at Tupac Shakur. However, LL Cool J did take a lyrical aim atKool Moe Dee,MC Hammer, andIce-T, claiming that he emerged triumphant against all three with "To da Break of Dawn", a single that was released from his fourth albumMama Said Knock You Out.[4][5] The song is also an alleged response to a fallen business deal that was proposed by Puff, which was to include him doing a remix to Biggie's "Who Shot Ya."
Despite not being successful or recognized as an actual single, as the case with "Hey Lover", "Doin' It", and "Loungin", the remix version became notable for several reasons. The track was the musical debut of rapperFoxy Brown. The attention brought to her appearing on the record is what led to Trackmasters getting her a deal with Def Jam.[6] The song is also notable for being one of the first-ever hip-hop songs to mention and reference theIlluminati, as well as the existence ofsecret societies—courtesy of Prodigy's verse.[7][8] Fat Joe, who regards LL as his idol, considers the song to be a career highlight for him.[citation needed]
The song may also have somewhat fed theEast Coast–West Coast hip-hop rivalry.Tupac Shakur, infamously shot in November 1994 when approaching a Times Square recording studio, was especially affronted byBiggie's February 1995 release of "Who Shot Ya?" and felt it disrespectful of LL to add "I Shot Ya."[9] Sometime in the following year, Shakur confronted Keith Murray at the CaliforniaHouse of Blues, wanting to know if the record was a diss to him. Upon questioning, Murray made it clear that the record was not about Shakur, and has continued to reiterate this in several interviews over the following years.[10] Ironically, the record does feature a subliminal aim from Prodigy to Murray, continuing friction that started sometime prior with an interlude fromMobb Deep's 1995The Infamous album.[11] The rivalry continued until sometime in 2012, when the two ended their rivalry by taking a picture together.[12]
LL Cool J stated in anInstagram post that he never had anything personal against MC Hammer, for he simply saw their rivalry as part of the fun and overall competitive nature of hip hop, but that he felt that Hammer had beef with him.[13][14]
"I didn’t have a beef with M.C. Hammer. M.C. Hammer had a beef with me. And he knows I love him... That’s my man, and I love him. I think he just said my name [plusRun-DMC's andDoug E. Fresh's]in a record for attention. He did what he had to do. He came out and sold a lot of records and did his thing. But I never had any problems, personally, with Hammer. I lit him up ‘cause that’s what I was supposed to do. But I never had any problems with him at all. In terms of battles, I’ve had so many battles. So many artists have come at me from different directions and it just comes with the territory. That’s the fun part."
The music video was released in December 1995.
Chart (1995) | Peak position |
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U.S.BillboardHot R&B/Hip-Hop Songs | 55 |
Chris Lighty was managing Fat Joe at the time. Joe really wanted to be on an event record and that would have been the staple for him. He was like, 'Yo, lemme just go on. I promise you the rhymes are gonna be amazing.' So we were like, 'Okay.' So he got on the record.
Illuminati want my mind, soul, and my body/Secret society trying to keep they eye on me
That's hip hop. N---- been talking s--- all while I was in jail. "Who Shot Ya?" L.L. got a song "I Shot Ya." Even if it ain't about me, n----, you should be like, I'm not putting it out cause he might think it's about him.
Rest in peace to Tupac. I love and respect Tupac to death. I'm not talking bad about Tupac or nothing like that. It's just an incident. So, he came up. Walked up and he was like 'Nah, I just wanted to know because we had—I got shot five times. You know what I'm saying? In New York, so I thought niggas was talking about me'…I can understand why he did that…We was squaring off. Everybody had knives on 'em. But we diffused it and it was peace after that.
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has generic name (help)That's my man, and I love him. I think he just said my name [plusRun-DMC's andDoug E. Fresh's] in a record for attention. He did what he had to do. He came out and sold a lot of records and did his thing. But I never had any problems, personally, with Hammer. I lit him up 'cause that's what I was supposed to do. But I never had any problems with him at all. In terms of battles, I've had so many battles. So many artists have come at me from different directions and it just comes with the territory. That's the fun part.