| I, Monster | |
|---|---|
 Theatrical release poster | |
| Directed by | Stephen Weeks |
| Written by | Milton Subotsky |
| Based on | Strange Case of Dr. Jekyll and Mr. Hyde byRobert Louis Stevenson |
| Produced by | John Dark Max Rosenberg Milton Subotsky |
| Starring | Christopher Lee Peter Cushing Mike Raven Richard Hurndall George Merritt Kenneth J. Warren |
| Cinematography | Moray Grant |
| Edited by | Peter Tanner |
| Music by | Carl Davis |
| Distributed by | British Lion Films |
Release date |
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Running time | 75 minutes 81 minutes (extended cut) |
| Country | United Kingdom |
| Language | English |
I, Monster is a 1971Britishhorror film directed byStephen Weeks (hisfeature debut) and starringChristopher Lee andPeter Cushing.[1] It was written byMilton Subotsky, adapted fromRobert Louis Stevenson's 1886 novellaStrange Case of Dr. Jekyll and Mr. Hyde, with the main characters' names changed to Dr. Charles Marlowe and Mr. Edward Blake.[2] It was produced byAmicus.
Psychologist Charles Marlowe invents a drug which will release his patients' inhibitions. When he tests it on himself, he becomes the evil Edward Blake, who descends into crime and eventuallymurder. Utterson, Marlowe's lawyer, believes that Blake isblackmailing his friend until he discovers the truth.
It wasphotographed byMoray Grant, withmusic byCarl Davis.[3]
Peter Duffell, who had previously worked for Amicus, was offered the movie to direct, but turned it down.[2] Financing came fromBritish Lion and theNFFC.[4]
It was intended to be shown in3-D utilizing thePulfrich effect, but the idea was abandoned upon release.[5]
Apart from changing the names for the character Henry Jekyll/Edward Hyde to Charles Marlowe/ Edward Blake, as well as changing the character to a Freudian psychotherapist instead of a doctor, the story is fairly faithful to the original novella. The character of Danvers Carew is eliminated, with Marlowe murdering a woman who scorned him and leaving his broken walking stick on her body, similar to Carew's murder in the novella. The final act is also changed. In the original novella, Utterson and Poole smash Jekyll's door to find the body of Hyde dead by suicide, after Jekyll has failed to keep Hyde in check. In the film, Blake goes to kill Utterson at his residence, and in the ensuing struggle Utterson kills Blake by pushing him down the stairs. Blake's face transforms into Marlowe's while Utterson and his maid stare in shock.
The film performed poorly at the box office,[4]
The Monthly Film Bulletin wrote: "Stephen Weeks, here directing his first feature, has worked hard to renew our insight into a plot which has been subjected to so many exotic variations over the years. And his Victorian settings, in contrast to Hammer's more fanciful approach, are full of bizarrely authentic bric-a-brac and accompanied by the heavy ticking of countless clocks. ... Unfortunately, despite its stylised direction and evocative trappings,I, Monster is dogged by an extremely repetitive script, and some of the performances (most noticeably from Mike Raven as Enfield) are highly stilted. Because of this and the lack of resources, the film never really has much hope of becoming anything more than a curious, stylistic exercise."[6]
Leslie Halliwell said: "Interesting minor work."[7]
TheRadio Times Guide to Films gave the film 2/5 stars, writing: "Dr Jekyll and Mr Hyde become Dr Marlowe and Mr Blake in a vapid attempt to give a Freudian psychological interpretation to the oft-told tale. Christopher Lee is convincing as the doctor meddling with a dangerous formula, and the Victorian London atmosphere is well captured, but director Stephen Weeks's inexperience means that any complex themes are quickly abandoned, and the end result is flatter than you might expect."[8]
Some reviews have praised the film for its faithful direction from the source material.[9]
Drew Hunt ofChicago Reader listed it as one of Christopher Lee's five best roles.[10]