Thehorseshoe arch (Arabic:قوس حدوة الحصان;Spanish:arco de herradura), also called theMoorish arch and thekeyhole arch, is a type of arch in which the circular curve is continued below the horizontal line of its diameter, so that the opening at the bottom of the arch is narrower than the arch's full span.[1][2][3] Evidence for the earliest uses of this form are found inLate Antique andSasanian architecture, and it was then used in Spain by theVisigoths. But in the 19th century, perhaps when these earlier uses had not been realized, it became emblematic ofIslamic architecture, especiallyMoorish architecture andMozarabic art inIberia. It also made later appearances inMoorish Revival andArt Nouveau styles. Horseshoe arches can take rounded, pointed orlobed form.
Another possible origin of the horseshoe arch motif is India, whererock-cut temples with mildly incurved horseshoe arches survive from early periods, though these were sculpted in rock rather than constructed, and probably imitate earlier forms in wood.[10][4] For example, horseshoe arch shapes are found in parts of theAjanta Caves andKarla Caves dating from around the 1st century BCE to 1st century CE.[11]
Horseshoe arches made of baked brick have been found in the so-called Tomb of the Brick Arches inAksum (present-dayEthiopia), built during theKingdom of Aksum and tentatively dated to the 4th century CE.[10][12] In a 1991 publication, archeologist Stuart C. Munro-Hay suggests that these could be evidence that transmission of architectural ideas took place via routes not previously considered by scholars. He suggests that the brick-built horseshoe arches could have been an Aksumite innovation based on ideas transmitted via trade with India.[10]
According to Giovanni Teresio Rivoira, an archeologist writing in the early 20th century, the pointed variant of the horseshoe arch is of Islamic origin.[25] According to Rivoira, this type of arch was first used in theIbn Tulun Mosque,[25] completed in 879.[26]Wijdan Ali also describes this as the first systematic use of the pointed variant.[27] Horseshoe arches of a slightly pointed form were also used inAghlabid architecture of the 9th century,[28]: 45 including theGreat Mosque of Kairouan (circa 836) and theMosque of Ibn Khayrun (866).[29][30]
Development in the Iberian Peninsula and the Maghreb
It was inAl-Andalus (on theIberian Peninsula) and westernNorth Africa (theMaghreb) that horseshoe arches developed their characteristic form. Prior to theMuslim invasion of Spain, theVisigoths of the Iberian Peninsula used them intheir architecture.[31][7][32] Although it is possible that Andalusi architecture borrowed the horseshoe arch from Umayyad Syria, these local precedents make it just as likely that it developed locally instead.[33]: 43 The "Moorish" arch, however, was of a slightly different and more sophisticated form than the Visigothic arch, being less flat and more circular.[28]: 163–164 [33]: 43
TheUmayyads of Al-Andalus, starting with theEmirate period, used horseshoe arches prominently and ubiquitously, often enclosing them in analfiz (rectangular frame) to accentuate the effect of its shape.[28]: 45 This can be seen at a large scale in their major work, theGreat Mosque of Córdoba.[29] Its most distinctive form, however, was consolidated in the 10th century during theCaliphal period, as seen atMadinat al-Zahra, where the arches consist of about three quarters of a circle and are framed in analfiz.[34] The Córdoban style of horseshoe arch spread all over the Caliphate and adjacent areas, and was adopted by the successor Muslim emirates of the peninsula, thetaifas, as well as by the architecture of the Maghreb under subsequent dynasties. Its use remained especially consistent in the form of mosquemihrabs.[28]: 232
In the northern Iberian Peninsula, whereAsturias and other Christian kingdoms ruled, the use of horseshoe arches continued under the influence of previous Visigothic architecture and of contemporary Islamic architecture.[35] The addition of analfiz around horseshoe arches was one detail more specifically borrowed from Islamic styles.[35] Starting in the 9th century, someMozarabs (Christians living under Muslim rule) left al-Andalus and settled in the northern Christian territories,[b] where they contributed to popularizing this form locally, as exemplified bySan Miguel de Escalada (10th century).[36][37][38] The Mozarabs also incorporated horseshoe arches into their art, such as inilluminated manuscripts.[39][40]
Under theAlmoravids (11th-12th centuries), the first pointed horseshoe arches began to appear in the region and then became more widespread during theAlmohad period (12th-13th centuries). This pointed horseshoe arch is likely of North African origin.[28]: 234 Art historianGeorges Marçais attributed it in particular toIfriqiya (present-dayTunisia), where it was present in earlier Aghlabid andFatimid architecture.[28]: 234
As Muslim rule retreated in Al-Andalus, theMudéjar style, which developed from the 12th to the 16th centuries under Spanish Christian rule, continued the tradition of horseshoe arches in the Iberian Peninsula.[41] Horseshoe arches also continued to be used in the Maghreb, in thearchitecture of Morocco,Algeria, andTunisia.[42][28]
Church of Santa Eulalia de Bóveda near Lugo, Spain (4th-5th century),[43] early Christian or Visigothic period
Horseshoe arches were also common inGhurid andGhaznavid architecture (11th-13th centuries) inCentral Asia, though in this region they had sharp pointed apexes, in contrast with those of the western Islamic world. Sometimes they were cusped or given multifoil flourishes.[48] Around the same time or not long afterward, they begin to appear as far east asIndia,[48] inIndo-Islamic architecture, such as in theAlai Darwaza gatehouse (dating from 1311) at theQutb Complex inDelhi,[49] though they were not a consistent feature in India.
Some pointed arches with a slightly horseshoe shape appear inAyyubid architecture in Syria.[50] It appears, exceptionally, in some instances ofMamluk architecture. For example, it appears in some details of theSultan Qalawun Complex in Cairo, built in 1285.[51] Andalusi-style horseshoe arches are also found alongside the minaret of the Mosque of Ibn Tulun in Cairo, probably dating from 13th-century renovations ordered bySultan Lajin to the older 9th-century mosque.[52]
In addition to their use across the Islamic world, horseshoe arches became popular in Western countries inMoorish Revival architecture, which became fashionable in the 19th century. They were widely used in Moorish Revival synagogues.[54][55] They were employed in theNeo-Mudéjar style in Spain, another type of Moorish Revival style.[56] They are used in some forms ofIndo-Saracenic Revival architecture, a 19th-century style associated with theBritish Raj.[56]
^In a 1997 study, art historians Thomas F. Mathews and Annie-Christine Mathews Daskalakis argued that this feature of Cappadocian architecture was likely derived later from contemporary architecture in the neighboring Islamic world.[16][17] Historians J. Eric Cooper and Michael J. Decker expressed a similar view in which the use of arcades of horseshoe arches on Cappadocian façades was inspired by Islamic architectural models, reflecting the cosmopolitan nature of Cappadocia in this era.[18] Multiple other scholars, such as Nicole Thierry, Robert Ousterhout, and Philipp Niewöhner cite Mathews and Mathews Daskalakis in their discussion of horseshoe arches in the region but they suggest that the evidence points instead to earlier antecedents inLate Antique architecture.[13][14][15]
^The term "Mozarabic" is also applied to the culture of communities outside Al-Andalus, in the northern Christian territories, where Christians from al-Andalus immigrated and resettled, particularly in the 10th century. However, the termreboplación, among other alternatives, can be used to refer to this culture.[35]
^Weber, Elizabeth Dolly; Lamontagne, Manon (2014-03-05)."Aksum". In Ring, Trudy; Watson, Noelle; Schellinger, Paul (eds.).Middle East and Africa: International Dictionary of Historic Places. Routledge. p. 35.ISBN978-1-134-25986-1.
^abcM. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Mozarabic".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN9780195309911.
^M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Mudéjar".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN9780195309911.
^de Palol, Pere (1998). "From Antiquity to the Middle Ages, Christianity and the Visigothic World". In Barral i Altet, Xavier (ed.).Art and Architecture of Spain. Bulfinch Press. p. 64.ISBN0821224565.
^Borrás Gualís, Gonzalo M.; Lavado Paradinas, Pedro; Pleguezuelo Hernández, Alfonso; Pérez Higuera, María Teresa; Mogollón Cano-Cortés, María Pilar; Morales, Alfredo J.; López Guzman, Rafael; Sorroche Cuerva, Miguel Ángel; Stuyck Fernández Arche, Sandra (2019)."IX.1.c Church of San Roman".Mudéjar Art: Islamic Aesthetics in Christian Art. Museum With No Frontiers, MWNF (Museum Ohne Grenzen).ISBN978-3-902782-15-1.
^abM. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Architecture; V. c. 900–c. 1250; A. Eastern Islamic lands.; 3. Afghanistan, Pakistan and India, c. 1050–c. 1250.".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN9780195309911.
^M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Delhi".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN9780195309911.
^M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Architecture; V. c. 900–c. 1250; B. Central Islamic lands.; 5. Syria, the Jazira and Iraq.".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN9780195309911.
^M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Architecture; V. c. 900–c. 1250; C. Central Islamic lands.; 1. Egypt and Syria.".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN9780195309911.