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Homoerotic themes in Greek and Roman mythology

From Wikipedia, the free encyclopedia

Part of a series on
LGBTQ themes in mythology

Homoeroticism is a prominent theme inGreco-Roman mythology, with many myths depictingintimate and romantic relationships between men. These are accompanied by related motifs such ascross-dressing,androgyny, and fluid expressions of gender and identity.

These myths have been described as being crucially influential on WesternLGBTQ+ literature, with the original myths being constantly re-published and re-written, and the relationships and characters serving as icons.[1] In comparison,lesbian relationships are rarely found in classical myths.[2]

Homosexuality and bisexuality

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Apollo, the god of music and prophecy, was often invoked to bless homosexual unions.[3]. Due to his numerous same sex relationships, in modern times he's considered a patron of homosexual love. Apollo was also called "the champion of male love" by Andrew Callimach.[4] Other gods are sometimes considered patrons of homosexual love between males, such as the love goddessAphrodite and gods in her retinue, such as theErotes:Eros,Himeros,Anteros andPothos.[5] Eros is also part of a trio of gods that played roles in homoerotic relationships, along withHeracles andHermes, who bestowed qualities of beauty (and loyalty), strength, and eloquence, respectively, onto male lovers.[6]Sappho's poetry contained strong devotion to Aphrodite as well as same sex love between women, leading to Aphrodite being identified as a patron goddess of lesbians.[7]

List of homosexual lovers

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Sex and gender

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Transgender

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The gender-change theme also occurred in classical mythology. The reason for the transformation varies, as in the case ofSiproites (Σιπροίτης), a hunter fromCrete, who was transformed to a woman byArtemis after having seen the goddess bathing/nude.[67][68]

There was also a motif of a woman needing to disguise herself as a male and later being transformed into a biological male by mysterious forces (mainly thegods). In the cases ofIphis andLeucippus, the woman's mother was pressured (by her husband) to bear a male child so the protagonist was forced to impersonate a male from birth.[69] Later in life, manhood was "granted" through the blessing of a deity (Juno/Hera in Iphis' case andLeto in Leucippus').

Caeneus andMestra, each of whom was a mate of a god (Caeneus was a rape victim ofPoseidon/Neptune and Mestra was a lover of the same god), were granted manhood by the said god. Mestra, however, had the ability tochange her shape voluntarily, instead of staying in male form like Caeneus and other instances above.

Tiresias, on the other hand, became female because he struck a couple of copulating snakes, displeasingHera, who punished him by transforming Tiresias into a woman. Later the sentence was remitted, due to either trampling on the mating snakes or avoiding them, and he became male again. In another version, Tiresias' sex-change was caused by an argument betweenZeus and Hera, on which they debated whether a male or a female had greater pleasure insex, so they transformed him into a female to experiment.

Androgynes and intersex

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According toLeah DeVun, a "traditionalHippocratic /Galenic model of sexual difference – popularized by the late antique physicianGalen and the ascendant theory for much of the Middle Ages – viewed sex as a spectrum that encompassed masculine men, feminine women, and many shades in between, including hermaphrodites, a perfect balance of male and female".[70] DeVun contrasts this with anArtistotelian view of intersex, which argued that "hermaphrodites were not an intermediate sex but a case of doubled or superfluous genitals", and this later influenced Aquinas.[70]

Hermaphroditus (also the namesake of the wordhermaphrodite), the son of Hermes and Aphrodite, is considered the god of hermaphrodites and intersex people. Hermaphroditus was depicted as a winged youth with both male and female features, that is, usually female thighs, breasts, and style of hair, and male genitalia.

Dionysus has been dubbed "a patron god of hermaphrodites and transvestites" by Roberto C. Ferrari in the 2002Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture.[71] He is referred to as effeminate, which is sometimes linked to his being dressed in girl's clothes during his childhood. InOrphic Hymn 41, the goddess Mise is referred to as an aspect of Dionysus, who is described as "male and female" (ἄρσενα καὶ θῆλυν).

Apollo was another god with effeminate features. His cheeks and chin are said to be soft and tender.[72][73] He was beardless and kept his hair long, giving him a feminine appearance. In one of his myths, he is mocked for draping himself in women's clothing, while his twin sisterArtemis was made fun of for appearing manly and rough.[74]

In addition to Dionysus/Mise, several gods are referred to as "both male and female" or "both female and male" in theOrphic Hymns, includingSelene,[75]Athena,[76] andAdonis.[77] In Cyprus and Athens, an aspect ofAphrodite with male genitals and in some cases a beard, calledAphroditos, was worshipped.Macrobius (c. 400s AD) wrote in hisSaturnalia, at 3.8.2:

There's also a statue ofVenus on Cyprus, that's bearded, shaped and dressed like a woman, withscepter and male genitals, and they conceive her as both male and female.Aristophanes calls her Aphroditus, andLaevius says: Worshipping, then, the nurturing god Venus, whether she is male or female, just as the Moon is a nurturing goddess. In hisAtthis,Philochorus, too, states that she is the Moon and that men sacrifice to her in women's dress, women in men's, because she is held to be both male and female.[78]

See also

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References

[edit]
  1. ^abPequigney (2002), p. 1
  2. ^Crompton (2006), p. 97, "Rome and Greece: Lesbianism"
  3. ^Christine Downing,Myths and mysteries of same sex love
  4. ^Andrew Callimach,Lovers' Legends: The Gay Greek Myths
  5. ^Conner, Sparks & Sparks (1998), p. 64, "Aphrodite"; p.133, "Erotes"
  6. ^Conner, Sparks & Sparks (1998), p. 132, "Eros"
  7. ^Conner, Sparks & Sparks (1998), p. 64, "Aphrodite"
  8. ^Philostratus,Imagines, (2.7.1)
  9. ^abPequigney (2002), p. 5
  10. ^Clement of Alexandria,Protrepticus II.38.2
  11. ^Callimachus, 'Hymn to Apollo'
  12. ^Ptolemy Hephaestion, New History Book 4 (summary from Photius, Myriobiblon 190)
  13. ^Valerius Flaccus,Argonautica 4.465
  14. ^Conon, 33
  15. ^Pausanias,Description of Greece, 3.13.4–5
  16. ^Ovid'sMetamorphoses, 10
  17. ^'Photius', Bibliotheca
  18. ^abcPequigney (2002), p. 2
  19. ^Virgil,Aeneid, 391-394
  20. ^Lucian Gallus 3. For the myth, see also the scholiast to Aristophanes Av. 835; Eustathius, Ad Odysseam 1.300; Ausonius, 26.2.27; Libanius, Progymnasmata 2.26.
  21. ^Pseudo-Hyginus,De Astronomica2.1.1.
  22. ^Clement of Alexandria,Clementina Homilia, V, 15.
  23. ^abLicht, Hans (2009).Sexual Life In Ancient Greece. Oxon; New York: Routledge. p. 443.ISBN 9780710307026.
  24. ^Servius' Commentary onVirgil,Aeneid 4.402
  25. ^Ovid'sMetamorphoses, 5
  26. ^Strabo,Geography10.2.9
  27. ^Photius, Bibliotheca, 190.33
  28. ^Pausanias 9.26.7
  29. ^Ovid,Metamorphoses, 2, 367 sqq.
  30. ^Antoninus Liberalis,Metamorphoses, 12
  31. ^Virgil,Aeneid 10.325
  32. ^abcPequigney (2002), p. 3
  33. ^Aldrich, Robert (1993).The seduction of the Mediterranean: writing, art, and homosexual fantasy. London; New York: Routledge. p. 231.ISBN 9780415093125.
  34. ^Suda s.v.Enekheis: "Stafulos o eromenos Dionusou"
  35. ^Antoninus Liberalis,Metamorphoses, 8
  36. ^Plutarch,Amatorius 20
  37. ^abcAthenaeus,Deipnosophists,13.80
  38. ^abcdPequigney (2002), p. 4
  39. ^Photius, Bibliotheca, 190.10
  40. ^Philostratus the Elder,Imagines 1. 10
  41. ^Miller & Strauss Clay 2019, p. 133.
  42. ^Pseudo-Hyginus,De Astronomica 2.12.
  43. ^Photius, Bibliotheca excerpts - GR
  44. ^Serv. Ecl. 8.30
  45. ^Licymnius,Fragment 771 (from Athenaeus, Scholars at Dinner) (trans. Campbell, Vol. Greek Lyric V)
  46. ^Morales, Helen (2007).Classical mythology. Very short introductions. Oxford; New York: Oxford University Press. p. 93.ISBN 9780192804761.
  47. ^abNonnus,Dionysiaca
  48. ^Pseudo-Plutarch,On Music, 7.
  49. ^Philostratus,Lives of the Sophists, 2.5.5.
  50. ^Pausanias 1.30.1
  51. ^abPseudo-Apollodorus,3.1.2
  52. ^abAthenaeus,Deipnosophists,13.77
  53. ^abAntoninus Liberalis,Metamorphoses, 30
  54. ^Fratantuono, Lee (2007).Madness unchained: a reading of Virgil's Aeneid. Lanham, MD: Lexington Books. p. 139.ISBN 9780739122426.
  55. ^Lucian,Erotes
  56. ^Lycophron,Alexandra 134.
  57. ^Euripides,The Cyclops580—585.
  58. ^Aelian,On Animals, 14. 28
  59. ^Hoffmann, Herbert (1997).Sotades: symbols of immortality on Greek vases. Oxford: Clarendon Press. p. 16.ISBN 9780198150619.
  60. ^Suda s.v. Theta 41.Θάμυρις.
  61. ^Pepin, Ronald E. (2008).The Vatican Mythographers. New York: Fordham University Press. p. 17.ISBN 9780823228928.
  62. ^abPseudo-Apollodorus, 1. 3.3.
  63. ^"OVID, HEROIDES IV - Theoi Classical Texts Library".www.theoi.com. Retrieved2022-09-11.
  64. ^Ovid'sHeroides,4
  65. ^Kerenyi 1951, p. 95.
  66. ^Downing (1989), p. 198
  67. ^Antoninus Liberalis, cited by Francis Celoria.The Metamorphoses of Antoninus Liberalis: A Translation with Commentary,pp.71.
  68. ^Orion: The Myth of the Hunter and the Huntress,pp.125-126. University of California Press.
  69. ^Markantes, Georgios K.; Barouti, Konstantina; Stamou, Maria I.; Georgopoulos, Neoklis A. (June 2021)."Leucippus, either male or death: a case of sex reversal by divine intervention".Hormones.20 (2):405–407.doi:10.1007/s42000-020-00239-1.ISSN 1109-3099.PMID 32935304.
  70. ^abDeVun, Leah (June 2018). "Heavenly hermaphrodites: sexual difference at the beginning and end of time".Postmedieval.9 (2):132–146.doi:10.1057/s41280-018-0080-8.ISSN 2040-5960.S2CID 165449144.
  71. ^Ferrari, Roberto C. (September 19, 2002)."Subjects in the Visual Arts: Dionysus". glbtq.com. Archived fromthe original on July 12, 2009. RetrievedApril 8, 2015.
  72. ^Callimachus,Hymn to Apollo
  73. ^Lucian,Dialogues of the gods
  74. ^"ARTEMIS MYTHS 3 WRATH - Greek Mythology".www.theoi.com. Retrieved2025-01-27.
  75. ^Orphic Hymn 8
  76. ^Orphic Hymn 31
  77. ^Orphic Hymn 55
  78. ^Macrobius; Kaster, Robert A. (2011),Saturnalia, Volume 2, Harvard University Press; p. 58ISBN 0674996712

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