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Homeric Greek

From Wikipedia, the free encyclopedia
Form of the Greek language found in Homer
Homeric Greek
Early form
Greek alphabet
Language codes
ISO 639-3
grc-hom

Homeric Greek is the form of theGreek language that was used in theIliad,Odyssey, andHomeric Hymns. It is aliterary dialect ofAncient Greek consisting mainly of an archaic form ofIonic, with someAeolic forms, a few fromArcadocypriot, and a written form influenced byAttic.[1] It was later namedEpic Greek because it was used as the language ofepic poetry, typically indactylic hexameter, by poets such asHesiod andTheognis of Megara. Some compositions in Epic Greek date fromas late as the 5th century [AD], and it only fell out of use by the end ofclassical antiquity.

Main features

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In the following description, only forms that differ from those of later Greek are discussed. Omitted forms can usually be predicted from patterns seen in Ionic Greek.

Phonology

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Homeric Greek is likeIonic Greek, and unlikeClassical Attic, in shifting almost all cases of long toη.

Examples of Homeric Greek phonology
HomericAtticEnglish
ΤροίηΤροίᾱTroy (nominative singular)
ὥρηὥρᾱan hour (nominative singular)
πύλῃσιπύλαις/πύλαισιgates (dative plural)

Exceptions include nouns likeθεᾱ́ ("a goddess"), and the genitive plural of first-declension nouns and the genitive singular of masculine first-declension nouns.For exampleθεᾱ́ων ("of goddesses"), andἈτρεΐδᾱο ("of the son of Atreus").

Nouns

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First declension[2]
Thenominative singular of most feminine nouns ends in, rather than long-ᾱ, even afterρ,ε, andι (an Ionic feature):χώρη forχώρᾱ. However,θεᾱ́ and some names end in long-ᾱ.
Some masculine nouns have a nominative singular in short-ᾰ rather than-ης (ναύτης,Ἀτρεΐδης):ἱππότᾰ for Atticἱππότης.
The genitive singular of masculine nouns ends in-ᾱο or-εω (rarely - only after vowels -), rather than-ου:Ἀτρεΐδᾱο for AtticἈτρείδου.[note 1]
Thegenitive plural usually ends in-ᾱων or-εων:νυμφᾱ́ων for Atticνυμφῶν.[note 2]
Thedative plural almost always ends in-ῃσι(ν) or-ῃς:πύλῃσιν for Atticπύλαις.
Second declension
Genitive singular: ends in-οιο, as well as-ου. For example,πεδίοιο, as well asπεδίου.
Genitive and dative dual: ends in-οιϊν. Thus,ἵπποιϊν appears, rather thanἵπποιν.
Dative plural: ends in-οισι(ν) and-οις. For example,φύλλοισι, as well asφύλλοις.
Third declension
Accusative singular: ends in-ιν, as well as-ιδα. For example,γλαυκῶπιν, as well asγλαυκώπιδα.
Dative plural: ends in-εσσι and-σι. For example,πόδεσσι orἔπεσσι.
Homeric Greek lacks thequantitative metathesis present in later Greek (except in certain α-stem genitive plurals and certain masculine α-stem genitive singulars):
  • Homericβασιλῆος instead ofβασιλέως,πόληος instead ofπόλεως
  • βασιλῆα instead ofβασιλέᾱ
  • βασιλῆας instead ofβασιλέᾱς
  • βασιλήων instead ofβασιλέων
Homeric Greek sometimes uses different endings:
  • πόληος alternates withπόλιος

A note on nouns:

  • After short vowels, the reflex of Proto-Greek *ts can alternate between-σ- and-σσ- in Homeric Greek. This can be of metrical use. For example,τόσος andτόσσος are equivalent;μέσος andμέσσος;ποσί andποσσί.
  • A relic of the Proto-Greek instrumental case, the ending-φι(ν) (-οφι(ν)) can be used for the dative singular and plural of nouns and adjectives (occasionally for the genitive singular and plural, as well). For example,βίηφι (...by force),δακρυόφιν (...with tears), andὄρεσφιν (...in the mountains).

Pronouns

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First-person pronoun (singular "I", dual "we both", plural "we")
SingularDualPlural
Nominativeἐγώ, ἐγώννῶι, νώἡμεῖς, ἄμμες
Genitiveἐμεῖο, ἐμέο, ἐμεῦ, μεῦ, ἐμέθεννῶινἡμείων, ἡμέων, ἀμμέων
Dativeἐμοί, μοιἡμῖν, ἄμμι(ν)
Accusativeἐμέ, μενῶι, νώἡμέας, ἧμας, ἄμμε
Second-person pronoun (singular "you", dual "you both", plural "you")
SingularDualPlural
Nominativeσύ, τύνησφῶϊ, σφώὑμεῖς, ὔμμες
Genitiveσεῖο, σέο, σεῦ, σευ, σέθεν, τεοῖοσφῶϊν, σφῷνὑμέων, ὑμείων, ὔμμέων
Dativeσοί, τοι, τεΐνὑμῖν, ὔμμι(ν)
Accusativeσέσφῶϊ, σφώὑμέας, ὔμμε
Third-person pronoun (singular "he, she, it", dual "they both", plural "they")
SingularDualPlural
Nominativeσφωέσφεῖς
Genitiveοὗ, εἷο, ἕο, εὗ, ἕθενσφωΐνσφείων, σφέων
Dativeἑοῖ, οἱσφι(ν), σφίσι(ν)
Accusativeἕ, ἑέ, μινσφωέσφε, σφέας, σφας
  • Third-person singular pronoun ("he, she, it") (the relative) or rarely singular article ("the"):ὁ, ἡ, τό
  • Third-person plural pronoun ("they") (the relative) or rarely plural article ("the"): nominativeοἰ, αἰ, τοί, ταί, dativeτοῖς, τοῖσι, τῇς, τῇσι, ταῖς.
Interrogative pronoun, singular and plural ("who, what, which")
Nominativeτίς
Accusativeτίνα
Genitiveτέο, τεῦ
Dativeτέῳ
Genitiveτέων[clarification needed]

Verbs

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Person endings
appears rather than-σαν. For example,ἔσταν forἔστησαν in the third-person plural active.
The third plural middle/passive often ends in-αται or-ατο; for example,ἥατο is equivalent toἧντο.
Tenses
Future: Generally remains uncontracted. For example,ἐρέω appears instead ofἐρῶ orτελέω instead ofτελῶ.
Present or imperfect: These tenses sometimes take iterative form with the suffix-σκ- before the ending. For example,φύγεσκον: 'they kept on running away'
Aorist or imperfect: Both tenses can occasionally drop their augments. For example,βάλον may appear instead ofἔβαλον, andἔμβαλε may appear instead ofἐνέβαλε.
Homeric Greek does not have ahistorical present tense, but rather usesinjunctives. Injunctives are replaced by the historical present in the post-Homeric writings ofThucydides andHerodotus.[3]
Subjunctive
The subjunctive appears with a short vowel. Thus, the formἴομεν, rather thanἴωμεν.
The second singular middle subjunctive ending appears as both-ηαι and-εαι.
The third singular active subjunctive ends in-σι(ν). Thus, we see the formφορεῇσι, instead ofφορῇ.
Occasionally, the subjunctive is used in place of the future and in general remarks.
Infinitive
The infinitive appears with the endings-μεν,-μεναι, and-ναι, in place of-ειν and-ναι. For example,δόμεναι forδοῦναι;ἴμεν instead ofἰέναι;ἔμεν,ἔμμεν, orἔμμεναι forεἶναι; andἀκουέμεν(αι) in place ofἀκούειν.
Contracted verbs
In contracted verbs, where Attic employs an-ω-, Homeric Greek will use-οω- or-ωω- in place of-αο-. For example, Atticὁρῶντες becomesὁρόωντες.
Similarly, in places where-αε- contracts to-α- or-αει- contracts to-ᾳ-, Homeric Greek will show eitherαα orαᾳ.

Adverbs

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Adverbial suffixes
-δε conveys a sense of 'to where';πόλεμόνδε 'to war'
-δον conveys a sense of 'how';κλαγγηδόν 'with cries'
-θεν conveys a sense of 'from where';ὑψόθεν 'from above'
-θι conveys a sense of 'where';ὑψόθι 'on high'

Particles

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ἄρα, ἄρ, ῥα 'so' or 'next' (transition)
τε 'and' (a general remark or a connective)
Emphatics
δή 'indeed'
'surely'
περ 'just' or 'even'
τοι 'I tell you ...' (assertion)

Other features

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In most circumstances, Homeric Greek did not have available a truedefinite article.,,τό and their inflected forms do occur, but they are in origin and usually used asdemonstrative pronouns.[4]

Vocabulary

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Homer (in theIliad and theOdyssey) uses about 9,000 words, of which 1,382 areproper names. Of the 7,618 remaining words 2,307 arehapax legomena.[5][6] According to classical scholarClyde Pharr, "theIliad has 1097hapax legomena, while theOdyssey has 868".[7] Others have defined the term differently, however, and count as few as 303 in theIliad and 191 in theOdyssey.[8]

Sample

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TheIliad, lines 1–7

Μῆνιν ἄειδε, θεά, Πηληϊάδεω Ἀχιλῆος
οὐλομένην, ἣ μυρί’ Ἀχαιοῖς ἄλγε’ ἔθηκε,
πολλὰς δ’ ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν
ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν
οἰωνοῖσί τε δαῖτα· Διὸς δ’ ἐτελείετο βουλή·
ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε
Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς.

Theodore Alois Buckley (1860):

Sing, O goddess, the destructive wrath of Achilles, son of Peleus, which brought countless woes upon the Greeks, and hurled many valiant souls of heroes down to Hades, and made themselves a prey to dogs and to all birds but the will of Jove was being accomplished, from the time when Atrides, king of men, and noble Achilles, first contending, were disunited.

Authors

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Poets of theEpic Cycle

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See also

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For a list of words relating to Epic Greek, see theEpic Greek category of words inWiktionary, the free dictionary.

Notes

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  1. ^Some suggest that-ᾱο may have originally been the more expected-ηο, with-ηο later being transcribed-ᾱο under the influence of other (literary) dialects, whilst others suggest that-ᾱο may have been an Aeolic form.Alternatively, it may be that as of the Homeric period, original ᾱ had not yet merged with η in front of ο or ω, and was instead still pronounced [æː]. Then, in later Ionic, when vernacular [æːo] and [æːɔː] had disappeared via metathesis to [eɔː], the metrically-constrained ᾱο of epic poetry came to be pronounced [aːo]. (Seeλᾱός andΠοσειδᾱ́ων for expectedληός andΠοσειδήων.)
  2. ^-ᾱων for expected-ηων would occur for the reasons given in Note 1.

References

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  1. ^Stanford 1959, pp. lii, liii, the Homeric dialect
  2. ^Stanford 1959, pp. lvii–lviii, first declension
  3. ^Carroll D. Osburn (1983). "The Historical Present in Mark as a Text-Critical Criterion".Biblica.64 (4):486–500.JSTOR 42707093.
  4. ^Goodwin, William W. (1879).A Greek Grammar (pp 204). St Martin's Press.
  5. ^The Iliad: A Commentary: Volume 5, Books 17-20, Geoffrey Stephen Kirk, Mark W. Edwards, Cambridge University Press, 1991,ISBN 978-0-521-31208-0 p53, footnote 72
  6. ^Kirk, G. S.; Edwards, Mark W.; Janko, Richard; Hainsworth, John Bryan; Richardson, Nicholas James (1985).The Iliad: A Commentary: Volume 5, Books 17-20. Cambridge University Press.ISBN 978-0-521-31208-0.
  7. ^Pharr, Clyde (1920).Homeric Greek, a book for beginners. D. C. Heath & Co., Publishers. p. xxii.
  8. ^Reece, Steve (2011-01-01)."Homeric Encyclopaedia: Digressions; Epithets; Hapax Legomena; Hospitality; Metacharacterism; Type-Scenes".Homeric Encyclopedia (Oxford: Blackwell, 2011).

Bibliography

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Further reading

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Library resources about
Homeric Greek
  • Bakker, Egbert J., ed. 2010.A companion to the Ancient Greek language. Oxford: Wiley-Blackwell.
  • Christidis, Anastasios-Phoivos, ed. 2007.A history of Ancient Greek: From the beginnings to Late Antiquity. Cambridge, UK: Cambridge University Press.
  • Colvin, Stephen C. 2007.A historical Greek reader: Mycenaean to the koiné. Oxford: Oxford University Press.
  • Edwards, G. Patrick. 1971.The language of Hesiod in its traditional context. Oxford: Blackwell.
  • Hackstein, Olav. 2010. "The Greek of epic." InA companion to the Ancient Greek language. Edited by Egbert J. Bakker, 401–23. Oxford: Wiley-Blackwell.
  • Horrocks, Geoffrey C. 1987. "The Ionian epic tradition: Was there an Aeolic phase in its development?"Minos 20–22: 269–94.
  • ––––. 2010.Greek: A history of the language and its speakers. 2nd ed. Oxford: Wiley-Blackwell.
  • Janko, Richard. 1982.Homer, Hesiod, and the Hymns: Diachronic development in epic diction. Cambridge, UK: Cambridge University Press.
  • ––––. 1992. "The origins and evolution of the Epic diction." InThe Iliad: A commentary. Vol. 4, Books 13–16. Edited by Richard Janko, 8–19. Cambridge, UK: Cambridge University Press.
  • Lord, Albert B. 1960.The singer of tales. Cambridge, MA: Harvard University Press.
  • Nagy, Gregory. 1995. "An evolutionary model for the making of Homeric poetry: Comparative perspectives." InThe ages of Homer. Edited by Jane Burr Carter and Sarah Morris, 163–79. Austin: University of Texas Press.
  • Palmer, Leonard R. 1980.The Greek language. London: Faber & Faber.
  • Parry, Milman. 1971.The making of Homeric verse: The collected papers of Milman Parry. Edited by Adam Parry. Oxford: Clarendon.
  • Reece, Steve. 2009.Homer's Winged Words: the Evolution of Early Greek Epic Diction in the Light of Oral Theory. Amsterdam: Brill.
  • West, Martin L. 1988. "The rise of the Greek epic."Journal of Hellenic Studies 108: 151–72.
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