| Home on the Range | |
|---|---|
 Theatrical release poster | |
| Directed by |
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| Written by |
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| Story by |
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| Produced by | Alice Dewey Goldstone |
| Starring | |
| Edited by | H. Lee Peterson |
| Music by | Alan Menken |
Production company | |
| Distributed by | Buena Vista Pictures Distribution[a] |
Release dates |
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Running time | 76 minutes |
| Country | United States |
| Language | English |
| Budget | $110 million[1] |
| Box office | $145.3 million[1] |
Home on the Range is a 2004 American animatedWesterncomedy film produced byWalt Disney Feature Animation. Written and directed byWill Finn and John Sanford, it stars the voices ofRoseanne Barr,Judi Dench,Jennifer Tilly,Cuba Gooding Jr.,Randy Quaid, andSteve Buscemi. It features original songs written byAlan Menken andGlenn Slater, and an originalmusical orchestral score also composed by Menken.
Home on the Range is set in the Old West, and centers on a mismatched trio ofdairy cows—brash, adventurous Maggie; prim, proper Mrs. Calloway; and ditzy, happy-go-lucky Grace. The three cows must capture an infamous rustler named Alameda Slim for hisbounty in order to save their idyllic farm from foreclosure. Aiding them in their quest is Lucky Jack, a feisty, peg-legged rabbit, and a selfish horse named Buck, eagerly working in the service of Rico, a famous bounty hunter, who seeks the glory for himself.
Home on the Range premiered at theEl Capitan Theatre in Los Angeles on March 21, 2004, and was released in the United States on April 2. The film received mixed reviews from critics and was a box office failure, grossing $145.3 million worldwide against a production budget of $110 million.
In 1889, amidst theOld West, wantedcattle rustler Alameda Slim steals most of Dixon Ranch's cattle. The ranch owner, Mr. Dixon, sells the remaining cow, Maggie, ashow cow, to Pearl, a kind, aging woman who runs a small farm called Patch of Heaven.
Sam, the local Sheriff, arrives to tell Pearl that unless she pays back the bank in three days, her farm will be sold to the highest bidder. Hearing this, Maggie convinces farm cows Grace and Mrs. Calloway to go to town with her to winprize money at a fair. While the cows are in town, abounty hunter named Rico drops off a criminal, collects their reward, and looks for a replacementhorse while his rests. Idolizing him, Sam's horse, Buck, convinces Rico to take him. Upon seeing this and learning the reward for capturing Slim will cover Pearl's debt, Maggie convinces the other cows to help her collect the reward to save Patch of Heaven.
That night, they hide among a large herd ofsteers as they are smitten by twolonghorns Barry and Bob. Slim arrives on the back of hisbison Junior with his nephews, the Willies. Before Maggie can attack him, Slim startsyodeling, which puts all of the cattle except the tone-deaf Grace into a hypnotic trance, allowing Slim to lead them away. Grace brings Maggie and Mrs. Calloway back to their senses, before Slim uses a landslide to cover his escape. Narrowly missing him, Rico and his men discuss their next move, while Buck argues with the cows, with Rico mistakenly believing he is skittish around cows and has him returned him to Sam. However, Buck escapes, determined to capture Slim for himself to prove his worth.
The cows continue their search in the hopes of capturing Slim before Buck, until they lose Buck's trail during aflash flood and have a falling out, with Mrs. Calloway believing Maggie only wants revenge and Patch of Heaven would be better off without her. Along the way, the cows are joined by a peg-leggedjackrabbit named Lucky Jack, who also lost his home, an old mine, to Slim. The cows decide to follow him, with Mrs. Calloway and Maggie making a deal that after the farm is saved, they will go their separate ways. With Lucky Jack's help, the cows discover Slim converted the mine into his hideout and stole cattle from his former patrons to render them unable to support their land. When the subsequent auctions occur, he then disguises himself as respectable businessman "Yancy O'Dell" to buy their land using the money he makes from selling off the stolen cattle.
The cows and Jack capture Slim, and rush back to Patch of Heaven, with the Willies and Rico in pursuit. Learning Rico works for Slim, a devastated Buck helps the cows fight him, setting the stolen cattle free in the process. Slim escapes and dons his disguise to buy Patch of Heaven, but the cows catch up to him and join forces with Buck, Jack, and the rest of Patch of Heaven's farm animals to defeat and expose him. As Sam arrests Slim, Pearl uses the reward money to save her farm.
At first, Mrs. Calloway (who had come to like Maggie) and Grace are sad that Maggie had seemingly left, but their spirits are lifted when they see that Maggie decided to stay. As Lucky Jack and Jeb thegoat finish recounting the story. It is then revealed that Mrs. Calloway, Grace, and the rest of the farm animals won prizes as show livestock in the State Fair. The three cows, along with Barry, Bob, and Junior, celebrate with a square dance.
Before coming up withPocahontas (1995), directorMike Gabriel considered adapting Western legends such asAnnie Oakley,Buffalo Bill andPecos Bill into animated films. While hepitched both projects at the Gong Show meeting, the executives were more interested inPocahontas, which went into production first.[2][3] WhenPocahontas was finished, Gabriel went back to his Western pitch and came up with an "idea that might combineCaptains Courageous with a Western."[4] The initial story involved a young boy from theFar East whose father owns a railroad and sends his son to theWestern United States to teach him maturity. According to Gabriel, "the train gets held up by outlaws over a train trestle, and the little boy gets knocked off the train ... He splashes in the river and ends up on a cattle drive."[5] Gabriel developed his story into a forty-pagefilm treatment, which was well received by then-Feature Animation presidentPeter Schneider. Soon after, the project, then titledSweating Bullets, went into development.[4]
Inspired by the song "Ghost Riders in the Sky",[6] the story was then revised into a supernatural western about a timid cowboy who visits aghost town and confronts an undead cattle rustler named Slim.[7] In this version, he and the Willies rode their ghost herds through the clouds and constantly drove livestock off cliffs to increase their herd.[6] It was later reconceived into a story about a little bull named Bullets,[7] that wanted to be more like the horses that led the herd.[8] In 1999, in an attempt to salvage the production and retain the existing characters and background art, story artist Michael LaBash suggested a different approach to the story with one that involved three cow protagonists who become bounty hunters to save the farm. Building on the idea, fellow story artists Sam Levine, Mark Kennedy, Robert Lence, and Shirley Pierce developed a new storyline.[8] However, by October 2000, Gabriel and co-director Mike Giaimo were removed from the project because of persistent story problems.[9]Will Finn, who had returned to Disney Feature Animation after co-directingThe Road to El Dorado (2000) atDreamWorks Animation, and John Sanford were hired as the new directors.[9][10]
By this point, there were twelve storyboard artists and four screenwriters, includingDavid Reynolds, working on the film. Finn and Sanford decided to downsize the writing team, with Reynolds later being recruited to write theFinding Nemo screenplay.[11] At one point, the story incorporated elements from thePied Piper story. Following a suggestion byAlan Menken, Alameda Slim was reconceived into a cattle rustler who used his yodeling talents to hypnotize and abscond with the herd.[8] The character Pearl Gesner, who was to be voiced bySarah Jessica Parker, was rewritten into an elderly woman.[11] Relatively late into production, the character Maggie was also rewritten to make her an outsider to the other farm animals in order to differentiate the group dynamic.[7]
| Home on the Range: An Original Walt Disney Records Soundtrack | ||||
|---|---|---|---|---|
| Soundtrack album by Various Artists | ||||
| Released | March 30, 2004 | |||
| Recorded | 2003 | |||
| Length | 42:57 | |||
| Label | Walt Disney | |||
| Producer | Alan Menken | |||
| Walt Disney Animation Studios soundtrack chronology | ||||
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In February 1998,Alan Menken had signed a long-term agreement with the Walt Disney Studios to compose songs and/or scores for animated and live-action films.[12] Following this, according to Menken, he was attached to provide music forSweating Bullets "maybe a year and a half afterHercules".[13] Shortly after winning theASCAP Foundation Richard Rodgers New Horizons Award, lyricistGlenn Slater was brought to the attention of Menken, who invited Slater to work with him onSweating Bullets.[14]
Together, they wrote the first of the film's six original songs back in 1999; the first of which was "Little Patch of Heaven" recorded byk.d. lang before Finn and Sanford were brought on board as directors. The villain song "Yodel-Adle-Eedle-Idle-Oo," which incorporates the "William Tell Overture,"Yankee Doodle,Beethoven's Ninth Symphony, and the "1812 Overture" into the yodel dance, was added following several story changes throughout production.[15] Although Randy Quaid did his own singing for "Yodel-Adle-Eedle-Idle-Oo", including the consonants heard during the yodels, the vowel sounds in the yodeling were overdubbed fromghost singers Randy Erwin andKerry Christensen, two world champion yodelers.[16] Following theSeptember 11 attacks, Menken composed the song "Will the Sun Ever Shine Again" in reaction, which was performed byBonnie Raitt.[7]
The soundtrack album of the film was released on March 30, 2004 byWalt Disney Records.[17] It contains vocal songs performed by k.d. lang, Randy Quaid, Bonnie Raitt,Tim McGraw, andThe Beu Sisters along with the film's score composed by Alan Menken.
Original songs performed in the film include:
| No. | Title | Performer(s) | Length |
|---|---|---|---|
| 1. | "(You Ain't) Home On The Range" | Chorus | |
| 2. | "Little Patch of Heaven" | k.d. lang | |
| 3. | "Yodel-Adle-Eedle-Idle-Oo" | Randy Quaid; partial dubbing by Randy Erwin andKerry Christensen | |
| 4. | "Will the Sun Ever Shine Again" | Bonnie Raitt | |
| 5. | "(You Ain't) Home on the Range (Echo Mine Reprise)" | Chorus | |
| 6. | "Wherever the Trail May Lead" | Tim McGraw | |
| 7. | "Anytime You Need A Friend" | The Beu Sisters |
Home on the Range was initially scheduled for a 2003 release,[18] whileBrother Bear was originally slated for a spring 2004 release.[19] However, Disney switched the release dates. Contrary to speculation, news writer Jim Hill stated the release date switch was not becauseHome on the Range was suffering from story rewrites, but to promoteBrother Bear on the Platinum Edition release ofThe Lion King.[20]
Home on the Range was released onVHS andDVD on September 14, 2004.[21] The DVD came with an animated short,A Dairy Tale, a series of 18 little shorts called the Joke Corral, and animated intros to the DVD menu. All three featured the voice cast from the film. The film was released onBlu-ray on July 3, 2012.[22]
On thereview aggregator websiteRotten Tomatoes, 52% of 128 critics' reviews are positive, with an average rating of 5.7/10. The website's consensus reads: "ThoughHome on the Range is likeable and may keep young children diverted, it's one of Disney's more middling titles, with garish visuals and a dull plot."[21] OnMetacritic, the film has a score of 50 out of 100, based on 30 critics, indicating "mixed or average" reviews.[23] Audiences polled byCinemaScore gave the film an average grade of "A–" on an A+ to F scale.[24]
Nathan Rabin, reviewing forThe A.V. Club, praised the film describing it as "a sweet, raucously funny, comic Western that corrects a glaring historical injustice by finally surveying the Old West through the eyes of cows rather than cowboys."[25]Roger Ebert of theChicago Sun-Times gave the film2+1⁄2 stars out of 4, saying that "A movie like this is fun for kids: bright, quick-paced, with broad, outrageous characters. ButHome on the Range doesn't have the crossover quality of the great Disney films likeBeauty and the Beast andThe Lion King. And it doesn't have the freshness and originality of a more traditional movie likeLilo & Stitch. Its real future, I suspect, lies in home video. It's only 76 minutes long, but although kids will like it, their parents will be sneaking looks at their watches."[26] Claudia Puig ofUSA Today wrote favorably in her review that "Home on the Range is a throwback to old Disney cartoons: fun, rather than message-laden, with broad humor and entertaining action. The cheerful, plucky characters have heart and loyalty, and that's enough to make this a worthy family-friendly animated fest."[27]Nell Minow ofCommon Sense Media gave the film four out of five stars, saying that "I love it when Disney doesn't take itself too seriously. No one tried to reach for the stars or make this into a classic.Home on the Range is just a cute little story about some not-so-contented cows who save the day. It modestly aspires to be nothing more than a lot of fun, and it does that job very well."[28]
Elvis Mitchell ofThe New York Times criticized the weak comedy writing that "Unrestrained energy is hardly a bad thing for animation — the best cartoons are built on the contradictory pursuit of meticulously arranged anarchy—but they never seem needy, or desperate for laughs, asHome on the Range does. The film seems hungrier for a pat on the head than a chuckle."[29] Similarly,Los Angeles Times film criticKenneth Turan claimed "Home on the Range may be acceptable on reflection, but its formulaic desire to mix wisecracks for adults with pratfalls for kids is feeling thin, and its overall air of frantic hysteria does not wear well either."[30] Michael Wilmington ofThe Chicago Tribune noted "Satirizing the movie Western can make for a great cartoon, as it does inJiri Trnka's brilliant 1949 Czech shortSong of the Prairie, a puppet version ofStagecoach. ButHome isn't good satire or good slapstick. It does have those lyrical, catchy Menken tunes, and the film perks up whenever Raitt or lang sing one of them. But much of this movie is deadly.Home keeps milking the same gags and throwing the same bull, and after a while you feel cowed watching it."[31]
On its opening box office weekend,Home on the Range grossed about $14 million in box office estimates, opening fourth behindScooby-Doo 2: Monsters Unleashed,Walking Tall, andHellboy.[32] Following the disappointing box office weekend, financial analysts predicted that Disney would be forced to write-down the production costs, which totaled more than $100 million.[33] Following the latter release ofThe Alamo (2004), which also met poor box office returns, it was reported that Disney would have to write-down about $70 million.[34][35] The film ended its box office run with $50 million in domestic earnings and $145.3 million worldwide.[1]
| Award | Date of ceremony | Category | Recipient(s) and nominee(s) | Result |
|---|---|---|---|---|
| Annie Awards | January 30, 2005 | Character Design in an Animated Feature Production | Joseph C. Moshier | Nominated |
| Directing in an Animated Feature Production | Will Finn and John Sanford | Nominated | ||
| Storyboarding in an Animated Feature Production | Chen-Yi Chang | Nominated | ||
| Young Artist Award | April 30, 2005 | Best Family Feature Film - Animation | Home on the Range | Nominated |
A video game forGame Boy Advance, titledDisney presents Home on the Range orDisney's Home on the Range depending on territory, was released in 2004.[36]
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