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Hephthalite silver bowl

Coordinates:35°07′N72°17′E / 35.12°N 72.29°E /35.12; 72.29
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Hunnish bowl from Gandhara
Hephthalite silver bowl
The Hepthalite silver bowl in theBritish Museum.
MaterialSilver
Created460-479 CE
DiscoveredSwat region,Pakistan
35°07′N72°17′E / 35.12°N 72.29°E /35.12; 72.29
Present locationBritish Museum,London
Registration1963, 1210.1
Location
Hephthalite silver bowl is located in South Asia
Hephthalite silver bowl
Show map of South Asia
Hephthalite silver bowl is located in West and Central Asia
Hephthalite silver bowl
Show map of West and Central Asia
Hephthalite silver bowl is located in Pakistan
Hephthalite silver bowl
Show map of Pakistan
Hephthalite silver bowl is located in Gandhara
Hephthalite silver bowl
Show map of Gandhara

TheHephthalite silver bowl is a bowl discovered in theSwat region ofGandhara,Pakistan, and now in theBritish Museum.[1][2] It dates from 460 to 479 CE, and the images represent two differentHuna tribes, suggesting a period of peaceful coexistence between theKidarites and theAlchons.

Description

[edit]

The bowl is dated to 460-479 CE, at the end of Kidarite rule and the beginning of Alchon ruler in northwestern India, although slightly earlier dates have also been suggested.[3][4][5]

The bowl represents a groups of four noble figures on horse, in the process of hunting animals. Despite its former attribution to the "Hephthalites", hence its long-standing name, the bowl is thought to represent twoKidarite noble hunters wearing their characteristic crowns, and twoAlchons, with their characteristicskull deformation, one of the Alchons reappearing in portrait inside a medallion at the bottom of the bowl. This combination of two differentHuna tribes in the same work of art suggests a period of peaceful coexistence between the Kidarites and the Alchons, who may have each been in control of their own territory, although the Alchons would eventually replace the Kidarites in Gandhara.[5] This understanding of the iconography of the Hephthalite silver bowl is the result of a general scholarly consensus.[6]

At one point, the Kidarites withdrew from Gandhara, and the Alchons took over their territory and their mints, from the time ofKhingila.[3] By 520, Gandhara was definitely under Hephthalite (Alchon Huns) control, according to Chinese pilgrims.[7]

Inscription

[edit]

The bowl contains an inscription inBrahmi script, next to the head of one of the Alchon hunters. Scholars have disagreed on the reading, but it has been suggested it could be the name of the Alchon rulerKhingila.[8] The comparison with the Brahmi lettering for his name on the later coinage of Khingila indeed may suggest that the name Khingila is intended in the vase inscription, even though the dot-by-dot engraving is rather clumsy and does not perfectly match standard typography.[8]

Views

[edit]
  • Bowl in full
    Bowl in full
  • Alchon horseman
    Alchon horseman
  • Alchon horseman
    Alchon horseman
  • Kidarite horseman
    Kidarite horseman
  • Kidarite horseman
    Kidarite horseman

Other examples

[edit]
TheChilek bowl, with anAlchon Hun ruler in the central medallion.

Other examples of very similar silver bowls have been found in the area ofSamarkand, including the "Chilek bowl" ("Čilek bowl"), considered as the "best known specimen of Hephthalite art", which is similar in composition with the Hephthalite silver bowl, but represents "six dancers in Indian costume with Iranian ribbons and Hephthalite-short heads". It, too, is considered as an Alchon object, but possibly manufactured in India at the request of the Alchons. It is now in theSamarkand Museum.[9][10][11]

The man in the medallion at the bottom of the Chilek bowl has a clearly elongated skull, characteristic of the Alchons Huns.[12]

See also

[edit]
Wikimedia Commons has media related toHephthalite silver bowl.

References

[edit]
  1. ^British Museum notice
  2. ^Harper, Prudence Oliver; N.Y.), Metropolitan Museum of Art (New York; Meyers, Pieter.Silver Vessels of the Sasanian Period: Royal imagery. Metropolitan Museum of Art. pp. 129–131.ISBN 978-0-87099-248-3.
  3. ^abALRAM, MICHAEL (2014)."From the Sasanians to the Huns New Numismatic Evidence from the Hindu Kush".The Numismatic Chronicle.174:274–275.ISSN 0078-2696.
  4. ^Sims, Vice-President Eleanor G.; Sims, Eleanor; Marshak, Boris Ilʹich; Grube, Ernst J.; I, Boris Marshak.Peerless Images: Persian Painting and Its Sources. Yale University Press. pp. 13–14.ISBN 978-0-300-09038-3.
  5. ^abBakker, Hans T.The Alkhan: A Hunnic People in South Asia. Barkhuis. p. 26.ISBN 978-94-93194-00-7.
  6. ^"There exists to date a general consensus regarding the iconographic interpretation of the bowl from Swat" inBakker, Hans T.The Alkhan: A Hunnic People in South Asia. Barkhuis. p. 26.ISBN 978-94-93194-00-7.
  7. ^The Huns,Hyun Jin Kim, Routledge, 2015p.50 sq
  8. ^abBakker, Hans T.The Alkhan: A Hunnic People in South Asia. Barkhuis. pp. 43–47.ISBN 978-94-93194-00-7.
  9. ^Brentjes, B. (1971)."The Hoard of Hephthalite Silver Vessels Found near Samarkand".East and West.21 (1/2):77–78.ISSN 0012-8376.
  10. ^Kurbanov, Aydogdy (2014)."The hephthalites: iconographical materials"(PDF).Tyragetia. VIII [XXIII]: 328.
  11. ^GRAY, BASIL (1991)."Post-Sasanian Metalwork".Bulletin of the Asia Institute.5: 61.ISSN 0890-4464.
  12. ^Bakker, Hans T.The Alkhan: A Hunnic People in South Asia. Barkhuis. p. 24.ISBN 978-94-93194-00-7.
  13. ^Ancient Iranian metal art(PDF). Arthur M. Sackler Gallery. pp. 165–168. Archived from the original on October 31, 2020.
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