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Henryk Wieniawski

From Wikipedia, the free encyclopedia
Polish composer, violinist, and pedagogue (1835–1880)
Henryk Wieniawski
Photograph by Fritz Luckhardt
Born(1835-07-10)10 July 1835
Died31 March 1880(1880-03-31) (aged 44)
Occupations
  • Composer
  • violinist
EraRomanticism

Henryk Wieniawski (pronounced[vʲɛˈɲafskʲi]; 10 July 1835 – 31 March 1880) was a Polishvirtuoso violinist, composer, andpedagogue, who is regarded amongst the most distinguished violinists in history.[1] His younger brotherJózef Wieniawski and nephewAdam Tadeusz Wieniawski were also accomplished musicians, as was his daughter Régine, who became a naturalised British subject upon marrying into the peerage and wrote music under the namePoldowski.

Life

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Birthplace of Henryk Wieniawski in Lublin

Early life

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Henryk Wieniawski was born inLublin, in present-dayPoland. His father, Tobiasz Pietruszka né Wolf Helman, was the son of aJewish barber named Herschel Meyer Helman, from Lublin's Jewish neighborhood of Wieniawa. Wolf Helman later changed his name to Tadeusz Wieniawski, taking on the name of his neighborhood to blend into the Polish environment. Prior to obtaining his medical degree, he had converted toCatholicism. He married Regina Wolff, the daughter of a noted Jewish physician fromWarsaw, and out of this marriage, Henryk was born.

Henryk's talent for playing the violin was recognized early, and in 1843 he was accepted by theParis Conservatoire taught byLambert Massart, where special exceptions were made to admit him, as he wasn't French and was only eight years old. He attended the Conservatoire from 1843 to 1846 and returned for another year in 1849.

Touring and teaching

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After graduation, he toured extensively and gave many recitals, where he was often accompanied by his brotherJózef on piano.[2] In 1847, he published his first opus, aGrand Caprice Fantastique, the start of a catalogue of 24 opus numbers.

When his engagement to Isabella Hampton was opposed by her parents, Wieniawski wroteLégende, Op. 17; this work helped her parents change their mind, and the couple married in 1860.

Wieniawski was a player in theBeethoven Quartet Society in London, where he also performed onviola.

At the invitation ofAnton Rubinstein, Wieniawski moved toSt. Petersburg, where he lived from 1860 to 1872, taught many violin students and led theRussian Musical Society's orchestra and string quartet. From 1872 to 1874, Wieniawski toured theUnited States with Rubinstein. Wieniawski replacedHenri Vieuxtemps as violin professor at theConservatoire Royal de Bruxelles in 1875.

Decline and death

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During his residence in Brussels, Wieniawski's health declined, and he often had to stop in the middle of his concerts. He started a tour of Russia in 1879 but was unable to complete it, and was taken to a hospital inOdessa after a concert. On 14 February 1880,Pyotr Ilyich Tchaikovsky's patronessNadezhda von Meck took him into her home and provided him with medical attention.[3][4] His friends also arranged a benefit concert to help provide for his family. He died inMoscow a few weeks later from aheart attack and was interred in thePowązki Cemetery inWarsaw.

Grave of Henryk Wieniawski at thePowązki Cemetery inWarsaw
Photograph of Wieniawski by Fritz Luckhardt, Vienna

Daughters

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His daughter Régine Wieniawski, born in Brussels the year before his death, also became a composer. She published her early works as "Irène Wieniawska", but after marrying SirAubrey Dean Paul and becoming a British subject, she used the pseudonym "Poldowski".[5] Another daughter, Henriette, would go on to marry Joseph Holland Loring in 1904, who was among the victims of theTitanic disaster.

Works

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Henryk Wieniawski was considered a violinist of great ability and wrote some very important works in theviolin repertoire, including two technically demanding violin concertos, thesecond of which (in D minor, 1862) is more often performed than thefirst (in F-sharp minor, 1853). One assessment of violin etudes ranks Wieniawski'sOp. 10 L'École moderne: 10 Études-caprices just below the difficulty of thePaganini Caprices.[6]

Legacy

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Wieniawski was given a number of posthumous honors. His portrait appeared on a postage stamp of Poland in 1952 and again in 1957. A 100zloty coin was issued in 1979 bearing his image.

What is commonly called the "Russian bow hold" is sometimes called the "Wieniawski bow hold", as Wieniawski taught his students his own kind of very rigid bowing technique (like the Russian bow hold) that allowed him to play what he called a "devil's staccato" with ease. This "devil's staccato" was used to discipline students' technique.[clarification needed]

The first violin competition named after Wieniawski took place in Warsaw in 1935.Ginette Neveu took first prize,David Oistrakh second, andHenri Temianka third. The InternationalHenryk Wieniawski Violin Competition has been held every five years since 1952.

Compositions

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Published works, with opus numbers

  • Grand caprice fantastique, Op. 1
  • Allegro de Sonate, Op. 2
  • Souvenir de Posen, Op. 3
  • Polonaise de Concert No. 1, Op. 4 (sometimes known asPolonaise brillante)
  • Adagio élégiaque, Op. 5
  • Souvenir de Moscow, 2 Russian Romances, Op. 6 (in this work hequotedAlexander Egorovich Varlamov's songThe Red Sarafan)
  • Capriccio-Valse, Op. 7
  • Grand duo polonais, for violin and piano, Op. 8
  • Romance sans paroles et rondo elegant, Op. 9
  • L'École moderne, 10 Études-Caprices, for violin solo, Op. 10
  • Le Carnaval Russe, Improvisations and Variations, Op. 11
  • 2 Mazurkas de Salon:Sielanka etPiesn Polska (Chanson polonaise), Op. 12
  • Fantasie pastorale, Op. 13 (Lost)
  • Concerto No. 1 in F minor, Op. 14
  • Thème original varié, Op. 15
  • Scherzo-Tarantelle, Op. 16
  • Légende, Op. 17
  • 8 Études-Caprices, for 2 violins, Op. 18
  • 2 Mazurkas caractéristiques:Obertass etDudziarz (Le Ménétrier), Op. 19 (NB.: no 2 is known as both "The Bagpipe Player" [ABRSM Vln Gr VIII Syllabus] and "The Village Fiddler" [Naxos Records])
  • Fantaisie brillante surFaust deGounod, Op. 20
  • Polonaise brillante, Op. 21
  • Concerto No. 2 in D minor, Op. 22
  • Gigue in E minor, Op. 23
  • Fantasie orientale, Op. 24

Unpublished works, and works without opus numbers

References

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  1. ^"Życiorys". Retrieved28 December 2020.
  2. ^Chisholm, Hugh, ed. (1911)."Wieniawski, Henri" .Encyclopædia Britannica. Vol. 28 (11th ed.). Cambridge University Press. p. 623.
  3. ^LLC, Classical Archives."Henryk Wieniawski - Classical Archives".www.classicalarchives.com.
  4. ^Greene, David Mason (11 August 1985).Greene's Biographical Encyclopedia of Composers. Reproducing Piano Roll Fnd.ISBN 9780385142786 – via Google Books.
  5. ^Three pieces; seeUniversity of Southern California collection (Mus.6024 - Mus.6027), with MS dedications to the violinist Paul Kochański noted by Tyrone Greive, "Kochański's Collaborative Work as Reflected in His Manuscript Collection",Polish Music Journal vol. 1 no. 1 (Summer 1998); (on-line textArchived 2012-10-02 at theWayback Machine).
  6. ^"The Étude (Study) Page for Violin. This list suggests the order of study/difficulty of violin etudes". 2 Feb 1998. Archived fromthe original on 2019-03-26. Retrieved1 Sep 2023.
  7. ^Mentioned in Grabkowski'sHenryk Wieniawski (Warsaw : Interpress, 1986)
  8. ^"Prone to Violins".pronetoviolins.blogspot.com.

External links

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