Henry Rider Haggard, generally known as H. Rider Haggard or Rider Haggard, was born atBradenham, Norfolk, the eighth of ten children, to William Meybohm Rider Haggard, a barrister, and Ella Doveton, an author and poet.[3] His father was born inSaint Petersburg, Russia, in 1817 to British parents.[4]
Haggard was initially sent toGarsington Rectory in Oxfordshire to study underReverend H. J. Graham, but, unlike his elder brothers, who graduated from variousprivate schools, he attendedIpswich Grammar School.[6] This was because[7] his father, who perhaps regarded him as somebody who was not going to amount to much,[8] could no longer afford to maintain his expensive private education. After failing his armyentrance exam, he was sent to a privatecrammer in London to prepare for the entrance exam for theBritish Foreign Office,[6] which he never sat. During his two years in London he came into contact with people interested in the study ofpsychic phenomena.[9]
In 1875, Haggard's father sent him to what is now South Africa to take up an unpaid position as assistant to the secretary toSir Henry Bulwer, Lieutenant-Governor of theColony of Natal.[10] In 1876, he was transferred to the staff of SirTheophilus Shepstone, Special Commissioner for the Transvaal. It was in this role that Haggard was present inPretoria in April 1877 for the official announcement of the British annexation of theBoer Republic of theTransvaal. Indeed, Haggard raised theUnion flag and read out much of theproclamation following the loss of voice of the official originally entrusted with the duty.[11]
At about that time, Haggard fell in love with Mary Elizabeth "Lilly" Jackson, whom he intended to marry once he obtained paid employment in Africa. In 1878, he became Registrar of the High Court in the Transvaal, and wrote to his father informing him that he intended to return to England and marry her. His father forbade it until Haggard had made a career for himself, and by 1879 Jackson had married Frank Archer, a well-to-do banker. When Haggard eventually returned to England, he married a friend of his sister, Marianna Louisa Margitson (1859–1943) in 1880, and the couple travelled to Africa together. They had a son named Jack (born 1881, died ofmeasles at age 10) and three daughters, Angela (1883-1973), Dorothy (1884-1946) and Lilias (1892-1968).Lilias Rider Haggard became an author, editedThe Rabbit Skin Cap andI Walked By Night, and wrote a biography of her father entitledThe Cloak That I Left (published in 1951).
Moving back to England in 1882, the couple settled inDitchingham, Norfolk, Louisa Margitson's ancestral home. Later they lived inKessingland and had connections with the church inBungay, Suffolk. Haggard turned to the study of law and wascalled to the bar in 1884. His practice of law was desultory and much of his time was taken up by the writing of novels, which he saw as being more profitable. Haggard lived at 69 Gunterstone Road inHammersmith, London, from mid-1885 to circa April 1888. It was at this Hammersmith address that he completedKing Solomon's Mines (published September 1885).[12]
Haggard was heavily influenced by the larger-than-life adventurers whom he met incolonial Africa, most notablyFrederick Selous andFrederick Russell Burnham. He created hisAllan Quatermain adventures under their influence, during a time when great mineral wealth was being discovered in Africa, as well as the ruins of ancient lost civilisations of the continent such asGreat Zimbabwe.[13][14]
Three of his books,The Wizard (1896),Black Heart and White Heart; a Zulu Idyll (1896), andElissa; the Doom of Zimbabwe (1898), are dedicated to Burnham's daughter Nada, thefirst white child born inBulawayo; she had been named after Haggard's 1892 bookNada the Lily.[15] Haggard belonged to theAthenaeum,Savile, andAuthors' clubs.[16]
H. Rider Haggard in later life; undated picture taken afterc. 1919
Years later, when Haggard was a successful novelist, he was contacted by his former love, Lilly Archer, née Jackson. She had been deserted by her husband, who had embezzled funds entrusted to him and had fled bankrupt to Africa. Haggard installed her and her sons in a house and saw to the children's education. Lilly eventually followed her husband to Africa, where he infected her withsyphilis before dying of it himself. Lilly returned to England in late 1907, where Haggard again supported her until her death on 22 April 1909. These details were not generally known until the publication of Haggard's 1981 biography by Sydney Higgins.[17]
After returning to England in 1882, Haggard published a book on the political situation in South Africa, as well as a handful of unsuccessful novels,[18] before writingKing Solomon's Mines. He accepted a 10 percent royalty rather than £100 for the copyright.[19]
His novels portray many of the stereotypes associated withcolonialism, yet they are unusual for the degree of sympathy with which the native populations are portrayed. Africans often play heroic roles in the novels, although the protagonists are typically European. Notable examples are the heroic Zulu warrior Umslopogaas, and Ignosi, the rightful king of Kukuanaland, inKing Solomon's Mines. Having developed an intense mutual friendship with the three Englishmen who help him regain his throne, he accepts their advice and abolishes witch-hunts and arbitrary capital punishment.
Three of Haggard's novels[which?] were written in collaboration with his friendAndrew Lang, who shared his interest in the spiritual realm and paranormal phenomena.[citation needed]
Haggard also wrote about agricultural and social reform, in part inspired by his experiences in Africa, but also based on what he saw in Europe. At the end of his life, he was a staunch opponent ofBolshevism, a position that he shared with his friendRudyard Kipling. The two had bonded upon Kipling's arrival at London in 1889, largely on the strength of their shared opinions, and remained lifelong friends.[24]
Graham Greene, in an essay about Haggard, stated, "Enchantment is just what this writer exercised; he fixed pictures in our minds that thirty years have been unable to wear away."[40] Haggard was praised in 1965 byRoger Lancelyn Green, one of theOxfordInklings, as a writer of a consistently high level of "literary skill and sheer imaginative power" and a co-originator withRobert Louis Stevenson of theAge of the Story Tellers.[41]
Rider Haggard's works have been criticised for their depictions of non-Europeans. In his non-fiction bookDecolonising the Mind, Kenyan authorNgũgĩ wa Thiong'o refers to Haggard, who he says was one of the canonical authors in primary and secondary school, as one of the "geniuses of racism."[42] Author and academicMicere Mugo wrote in 1973 that reading the description of "an old African woman in Rider Haggard'sKing Solomon's Mines had for a long time made her feel mortal terror whenever she encountered old African women."[42]
Influence on children's literature in the 19th century
During the 19th century, Haggard was one of many individuals who contributed to children's literature.Morton N. Cohen describedKing Solomon's Mines as a story that has "universal interest, for grown-ups as well as youngsters".[43] Haggard himself wanted to write the book for boys, but it ultimately had an influence on children and adults around the world. Cohen explained, "King Solomon’s Mines was being read in the public schools [and] aloud in class-rooms".[43]
James Powell and Sons' presentation drawing for the Rider-Haggard window at Ditchingham Church, Norfolk (1925)
In 1925, his daughter Lilias commissioned a memorial window for Ditchingham Church, in his honour, fromJames Powell and Sons.[45] The design features the Pyramids, his farm in Africa, and Bungay as seen from the Vineyard Hills near his home.[45]
The Rider Haggard Society was founded in 1985. It publishes theHaggard Journal three times a year.[46]
A British-produced version appeared in 1916, and in 1917Valeska Suratt appeared in a production for Fox which is lost.
In 1925 a silent film ofShe, starringBetty Blythe, was produced with the active participation of Rider Haggard, who wrote the intertitles. This film combines elements from all the books in the series.
Allan Quatermain is the lead character in the filmLeague of Extraordinary Gentlemen (2003). Although the plot of this film is not found in any form in any of Haggard's work, the Quatermain in this film is explicitly meant to be Haggard's Quatermain.
Jules Verne (1828–1905), like Boussenard, his French contemporary, also wrote of fantastic worlds, though some of these are considered to be morescience fiction in some of his works than others.Journey to the Center of the Earth andThe Mysterious Island are novels that are similar in structure to the novels of Boussenard and Haggard.
P. C. Wren (1875–1941), British writer of adventure fiction. He is remembered best forBeau Geste, a much-filmed book of 1924 involving theFrench Foreign Legion in North Africa, and its sequels,Beau Sabreur andBeau Ideal.
^Mandiringana, E.; Stapleton, T. J. (1998). "The Literary Legacy of Frederick Courteney Selous".History in Africa.25. African Studies Association:199–218.doi:10.2307/3172188.JSTOR3172188.S2CID161701151.
^H.P. Lovecraft has stated in his essaySupernatural Horror in Literature:The romantic, semi-Gothic, quasi-moral tradition here represented was carried far down the nineteenth century by such authors as Joseph Sheridan LeFanu, Wilkie Collins, the late Sir H. Rider Haggard (whose She is really remarkably good), Sir A. Conan Doyle, H. G. Wells, and Robert Louis Stevenson
^See LeeServer, Encyclopedia of Pulp Fiction Writers (2002), pg.131.
^"TheRepublic Serials were most strongly influenced by Sir Henry Rider Haggard's 'white man explores savage Africa' stories, in particularKing Solomon's Mines (1886)"
^"Based on a 1885 novel by Henry Rider HaggardArchived 5 December 2008 at theWayback Machine, the exploits of Allan Quatermain have long served as a template for the Indiana Jones character. In this particular film, King Solomon's Mines (1950), Quatermain finds himself unwillingly thrust into a worldwide search for the legendary mines of King Solomon. The look and feel of Indiana and his past adventures are quite apparent here, and his new quest follows some very similar through lines. Like Quatermain, Jones is reluctantly forced into helping the Russians find the Lost Temple of Akator and the Crystal Skulls mentioned in the film's title. Both Quatermain and Jones are confronted by angry villagers and a myriad of dangerous booby traps. Look to King Solomon's Mines for a good idea on the feel and tone Lucas and Spielberg are after with their latest Indiana Jones outing".
^Greene, Graham (1969). "Rider Haggard's Secret".Collected Essays. New York: Viking Press. pp. 209–214.
Cohen, Morton Norton (1961).Rider Haggard His life and Works. New York: Walker and Company.
Cox, Noel (2013).Sir Henry Rider Haggard: A collection of commentaries on his novels. Aberystwyth: CreateSpace Independent Publishing Platform.ISBN9781494397746.