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Hanuman Chalisa

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Hindu devotional hymn

Hanuman Chalisa
Hanuman Chalisa Full Text (Book)
Information
ReligionHinduism
AuthorTulsidas
LanguageAwadhi[1]
Verses40

TheHanuman Chalisa (Hindi: हनुमान चालीसा) (Sanskrit: हनुमान् चालीसा) (Hindi pronunciation:[ɦənʊmaːntʃaːliːsaː];Forty chaupais on Hanuman) is aHindu devotional hymn (stotra) in praise ofHanuman, and popularly recited by millions of Hindus every day.[2][3][4][5][6] It is anAwadhi language text attributed toTulsidas,[2] and is his best known text apart from theRamcharitmanas.[7][8] The word 'chālīsā' is derived from 'chālīs' meaning the number 'forty' inHindi, denoting the number of verses in theHanuman Chalisa (excluding the couplets at the beginning and the end).[2]

Hanuman is a Hindu deity and a devotee of the Hindu god,Rama. He is one of the central characters of theRamayana. According to theShaiva tradition, he is also an incarnation ofShiva. TheHanuman Chalisa praises the power and other qualities of Hanuman including his strength, courage, wisdom, celibacy (brahmacharya), and devotion to Rama.[9]

Description

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The authorship of theHanuman Chalisa is attributed toTulsidas, a poet-saint who lived in the 16th century CE.[10] He mentions his name in the last verse of the hymn. It is said in the 39th verse of theHanuman Chalisa that whoever chants it with full devotion toHanuman, will have Hanuman's grace. Among Hindus worldwide, it is a very popular belief that chanting the Chalisa invokes Hanuman's divine intervention in grave problems.

Author

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The most common picture ofTulsidas
Home of Tulsidas on the banks of River GangaTulsi Ghat Varanasi where Hanuman Chalisa was written, a small temple is also located at this site

Tulsidas[11] (1497/1532–1623) was aHindu poet-saint, reformer and philosopher renowned for his devotion forRama. A composer of several popular works, he is best known for being the author of the epicRamcharitmanas, a retelling of theRamayana in the vernacularAwadhi language. Tulsidas was acclaimed in his lifetime to be a reincarnation ofValmiki, the composer of the original Ramayana inSanskrit.[12] Tulsidas lived in the city ofVaranasi until his death.[13] The Tulsi Ghat in Varnasi is named after him.[11] He founded theSankat Mochan Hanuman Temple dedicated to Hanuman in Varanasi, believed to stand at the place where he had the sight of Hanuman.[14] Tulsidas started theRamlila plays, a folk-theatre adaption of the Ramayana.[15] He has been acclaimed as one of the greatest poets inHindi,Indian, andWorld literature.[16][17][18][19] The impact of Tulsidas and his works on the art, culture and society in India is widespread and is seen to date in vernacular language, Ramlila plays,Hindustani classical music, popular music, and television series.[15][20][21][22]

Deity

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TheHindu deity to whom the prayer is addressed isHanuman, an ardent devotee ofRama (the seventhavatar ofVishnu) and a central character in theRamayana. A general among thevanaras, Hanuman was a warrior of Rama in the war against therakshasa kingRavana. Hanuman's exploits are much celebrated in a variety of religious and cultural traditions,[23] particularly in Hinduism, to the extent that he is often the object of worship according to somebhakti traditions,[24] and is the prime deity in many temples known as Hanuman Mandirs.

Text

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The work consists of forty-three verses – two introductorydohas, fortyChaupais, and one doha in the end.[2] The first introductory doha begins with the word 'shrī,' referring to Shiva, who is considered the guru of Hanuman.[25] The auspicious form, knowledge, virtues, powers and bravery of Hanuman are described in the first ten Chaupais.[26][27][28] Chaupais eleven to twenty describe the acts of Hanuman in his service to Rama, with the eleventh to fifteenth Chaupais describing the role of Hanuman in reviving Lakshmana.[26] In the twenty-first Chaupai, Tulsidas describes the need of Hanuman'skripa (transl. divine grace).[29] At the end, Tulsidas greets Hanuman with subtle devotion[30] and requests him to reside in his heart and in the heart of devotees.[31] The concluding doha again requests Hanuman to reside in the heart, along with Rama, Lakshmana, and Sita.[32]

Composition

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Tulsidas ji composing the Chalisa

When Tulsidas first wrote the Hanuman Chalisa, he began by directly praising Hanuman. However, Hanuman, who is very humble and prefers that Rama be honored instead, was not happy with this. That night, Hanuman is said to have come in a dream and destroyed the original verses. Realizing this, Tulsidas changed his approach. He started the hymn by praising Lord Rama and asking for his blessings, while still honoring Hanuman in the rest of the verses. This way, he respected Hanuman’s preference for Rama’s praise and created a hymn that matched Hanuman’s humble nature.[33]

Commentaries

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Depiction ofBharata meeting Rama watched by Hanuman, Sita and Lakshmana. From left – Hanuman, Bharata, Rama, Sita and Lakshmana

Before the 1980s, no commentary had been composed on theHanuman Chalisa, which Rambhadracharya attributes to the work not being included in printed editions of collected works of Tulsidas.[2] Indubhushan Ramayani authored the first brief commentary onHanuman Chalisa.[2] Rambhadracharya'sMahaviri commentary in Hindi, authored in 1983,[2] was called the best commentary onHanuman Chalisa by Rama Chandra Prasad.[34]

In popular culture

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TheHanuman Chalisa is recited by millions of Hindus every day,[5] and a good portion of practising Hindus in India know its text by heart.[35]

Classical and folk music

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TheHanuman Chalisa is one of the best selling Hindu religious books and has been sung by many popular bhajan, classical and folk singers.[35] The rendition ofHanuman Chalisa byHari Om Sharan, originally released in 1974 by theGramophone Company of India and re-released in 1995 bySuper Cassettes Industries,[36] is one of the most popular, and is regularly played at temples and homes across Northern India.[35][37] This rendition is based on traditional melodies in the Mishra Khamaj, araga belonging to theKhamajThat,[36] with the base note taken at the second black key (kali do) of theharmonium.[36] A recording based on the same traditional melodies was released in 1992 by Super Cassettes Industries, withHariharan as the singer andGulshan Kumar as the artiste.[36]

Other notable renditions include those by bhajan singersAnup Jalota andRavindra Jain, Hindustani vocalistsPandit Jasraj andRajan and Sajan Mishra, and the Carnatic vocalistM.S. Subbulakshmi.[36] The renditions byUnni Krishnan,Nithyasree Mahadevan,Pandit Bhimsen Joshi,Ganapathi Sachchidananda Swamiji andMorari Bapu are also popular.[38]

Among western singersKrishna Das has performed the Hanuman Chalisa in both slow and fast formats.[39]

Popular movies

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In the Hindi movie1920 (directed byVikram Bhatt),Hanuman Chalisa is frequently used in different scenes. One of the scenes show the protagonist Arjun Singh Rathod (played byRajneesh Duggal), reciting theHanuman Chalisa in full. It is used in an important sequence inBajrangi Bhaijaan, when the protagonist fights back against child traffickers and rescues a little girl from them.[40]

An animation movie namedShri Hanuman Chalisa directed byCharuvi Agarwal and designed byCharuvi Design Labs is a film on Hanuman.[41][42]

Popular music

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Popular singers who have sung theHanuman Chalisa include Carnatic singerM. S. Subbulakshmi, as well asLata Mangeshkar,Mahendra Kapoor,S. P. Balasubrahmanyam,Shankar Mahadevan,Anuradha Paudwal,Kailash Kher,Sukhwinder Singh,Sonu Nigam,Hariharan, andUdit Narayan.[35]

TheHanuman Chalisa was sung byAmitabh Bachchan in chorus with twenty other singers.[35] This recording was released as a part of theShri Hanuman Chalisa album in 2011 and received an unprecedented response by the releasing music label during November 2011.[43]

A rendition ofHanuman Chalisa sung byHariharan became the firstdevotional song and first onYouTube to cross 3.5 billion views in November 2023.[44]

See also

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References

[edit]
  1. ^Nityanand Misra 2015, p. xviii.
  2. ^abcdefgRambhadradas 1984,pp. 1–8.Archived 3 February 2014 at theWayback Machine
  3. ^"Hanuman Chalisa in digital version". The Hindu Business Line. 26 February 2003.Archived from the original on 21 April 2009. Retrieved25 June 2011.
  4. ^"किसने लिखी थी हनुमान चालीसा, जिसके बारे में कही जाती हैं कई बातें".News18 India. 9 April 2020.Archived from the original on 4 May 2020. Retrieved15 September 2020.
  5. ^abKaran Singh, in Nityanand Misra 2015, p. xvi.
  6. ^Peebles 1986, p. 99
  7. ^"Book Review / Language Books : Epic of Tulasidas".The Hindu. 3 January 2006. Archived fromthe original on 4 March 2010. Retrieved25 June 2011.
  8. ^"Lineage shows".The Hindu. 29 November 2002. Archived fromthe original on 3 January 2004. Retrieved25 June 2011.
  9. ^Peebles 1986, p. 100
  10. ^Lochtefeld, James G. (2002).The Illustrated Encyclopedia of Hinduism. Rosen Publishing Group. p. 272.ISBN 978-0-8239-2287-1.
  11. ^abde Bruyn 2010, p. 471
  12. ^Lutgendorf 2007, p. 293.
  13. ^Prasad 2008, p. 857, quoting Mata Prasad Gupta: Although he paid occasional visits to several places of pilgrimage associated with Rama, his permanent residence was in Kashi.
  14. ^Callewaert 2000, p. 90
  15. ^abHandoo 1964, p. 128: ... this book ... is also a drama, because Goswami Tulasidasa started hisRam Lila on the basis of this book, which even now is performed in the same manner everywhere.
  16. ^Prasad 2008, p. xii: He is not only the supreme poet, but the unofficial poet-laureate of India.
  17. ^Prasad 2008, p. xix: Of Tulsidas's place among the major Indian poets there can be no question: he is as sublime as Valmiki and as elegant as Kalidasa in his handling of the theme.
  18. ^Jones 2007, p. 456
  19. ^Sahni 2000, pp. 78–80
  20. ^Lutgendorf 1991, p. 11: ... – scores of lines from theRāmcaritmānas have entered folk speech as proverbs – ...
  21. ^Mitra 2002, p. 216
  22. ^Subramanian 2008, p. inside cover
  23. ^Orlando O. Espín, James B. NickoloffAn introductory dictionary of theology and religious studies. 2007, page 537
  24. ^Rosen, Steven.Essential Hinduism. 2006, page 67-8
  25. ^Rambhadradas 1984,pp. 11–14Archived 3 February 2014 at theWayback Machine
  26. ^abRambhadradas 1984,pp. 46–47Archived 3 February 2014 at theWayback Machine,48–49Archived 3 February 2014 at theWayback Machine
  27. ^Rao 2009, pp. 393–397
  28. ^Mehta 2007, p. xv
  29. ^Rambhadradas 1984,pp. 56–57Archived 3 February 2014 at theWayback Machine
  30. ^Rambhadradas 1984,pp. 78–79Archived 3 February 2014 at theWayback Machine
  31. ^Rambhadradas 1984,pp. 81–82Archived 3 February 2014 at theWayback Machine
  32. ^Rambhadradas 1984,pp. 83–84Archived 3 February 2014 at theWayback Machine
  33. ^Rao, Cheeni (21 April 2009).In Hanuman's Hands: A Memoir. HarperOne.ISBN 9780060736620.
  34. ^Prasad, Ram Chandra (1999) [First published 1991].Sri Ramacaritamanasa The Holy Lake of the Acts of Rama (Illustrated, reprint ed.). Delhi, India: Motilal Banarsidass.ISBN 978-81-208-0443-2. Retrieved7 June 2013.श्रीहनुमानचालीसा की सर्वश्रेष्ठ व्याख्या के लिए देखें महावीरी व्याख्या, जिसके लेखक हैं प्रज्ञाचक्षु आचार्य श्रीरामभद्रदासजी। श्रीहनुमानचालीसा के प्रस्तुत भाष्य का आधार श्रीरामभद्रदासजी की ही वैदुष्यमंडित टीका है। इसके लिए मैं आचार्यप्रवर का ऋणी हूँ। [For the best explanation of Śrīhanumānacālīsā, refer the Mahāvīrī commentary, whose author is the visually-disabled Ācārya Śrīrāmabhadradāsa. The base for the commentary on Śrīhanumānacālīsā being presented is the commentary by Śrīrāmabhadradāsa, which is adorned with erudition. For this, I am indebted to the eminent Ācārya.]
  35. ^abcdeNityanand Misra 2015, pp. xvii–xxi.
  36. ^abcdeNityanand Misra 2015, pp. 199–212.
  37. ^Manuel, Peter (1993).Cassette Culture: Popular Music and Technology in North India – Chicago Studies in Ethnomusicology (2, illustrated ed.). University of Chicago Press. p. 117.ISBN 978-0-226-50401-8.
  38. ^Kats, Local (11 May 2023)."Hanuman".localkats.com. Retrieved12 May 2023.
  39. ^"Ep. 27 | Spiritual Experiences, Auschwitz and Bernie Glassman". 15 June 2020.Archived from the original on 29 May 2022. Retrieved12 April 2022.
  40. ^"Bajrangi Bhaijaan Plot Summary – Times of India".The Times of India. 24 July 2015.Archived from the original on 1 March 2023. Retrieved1 February 2021.
  41. ^"Charuvi Design Labs release The Second official teaser for "Shri Hanuman Chalisa"". Archived fromthe original on 23 April 2016. Retrieved6 April 2016.
  42. ^"Charuvi Design Labs release The first official teaser for "Shri Hanuman Chalisa"". Archived fromthe original on 23 April 2016. Retrieved6 April 2016.
  43. ^"All in praise of the Almighty".The Times of India. 6 November 2011. Archived fromthe original on 9 November 2011. Retrieved10 June 2012.
  44. ^"Hanuman Chalisa by Gulshan Kumar crosses 3 billion views on YouTube, another World record made by T-series".Infotonline. 27 May 2020.Archived from the original on 20 September 2020. Retrieved27 May 2020.

Bibliography

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  • de Bruyn, Pippa; Bain, Keith; Allardice, David; Joshi, Shonar (2010).Frommer's India. Hoboken, New Jersey: John Wiley and Sons. p. 471.ISBN 978-0-470-60264-5.
  • Callewaert, Winand M.; Schilder, Robert (2000).Banaras: Vision of a Living Ancient Tradition. New Delhi, India: Hemkunt Press. p. 90.ISBN 9788170103028.
  • Chaturvedi, B.K. (1994b).Shri Hanuman Chalisa (Roman). New Delhi: Diamond Pocket Books.ISBN 81-7182-395-5.
  • Jones, Constance; Ryan, James D. (2007).Encyclopedia of Hinduism. Encyclopedia of World Religions. New York: Infobase Publishing. p. 456.ISBN 978-0-8160-5458-9.It can be said without reservation that Tulsidas is the greatest poet to write in the Hindi language. Tulsidas was a Brahmin by birth and was believed to be a reincarnation of the author of the Sanskrit Ramayana, Valmiki.
  • Mehta, Pt. Vijay Shankar (2007).Kripa Karahu Guru Dev Ki Naain (2nd ed.). New Delhi: Radhakrishnan Prakashan. p. 9.ISBN 978-81-8361-041-4.
  • Misra, Munindra (2015).Shri Hanuman Chalisa in English Rhyme with original text. United States: Osmora Inc.ISBN 9782765913702.
  • Misra, Nityanand (2015).Mahāvīrī: Hanumān-Cālīsā Demystified. Mumbai, India: Niraamaya Publishing Services Pvt Ltd.ISBN 9788193114407.
  • Mitra, Swati (2002).Good Earth Varanasi City Guide. New Delhi, India: Eicher Goodearth Limited. p. 216.ISBN 9788187780045.
  • Peebles, Patrick (1986).Voices of South Asia: Essential Readings from Antiquity to the Present. United States: M.E. Sharpe Inc. p. 216.ISBN 978-0-7656-3480-1.
  • Rambhadradas (8 June 1984).संकट तें हनुमान छुड़ावै। मन क्रम बचन ध्यान जो लावै [Shri Hanuman Chalisa (with the Mahaviri commentary)].Jagadgururambhadracharya.org (in Hindi). New Delhi, India: Krishnadas Charitable Trust. Archived fromthe original on 17 November 2013. Retrieved29 May 2013.
  • Rao, Cheeni (2009).In Hanuman's Hands: A Memoir (First ed.). United States: Harper Collins Publishers. p. 393.ISBN 978-0-06-073662-0.
  • Sahni, Bhisham (2000).Nilu, Nilima, Nilofara (in Hindi). New Delhi, India: Rajkamal Prakashan Pvt Ltd. pp. 78–80.ISBN 9788171789603.हिन्दी का सौभाग्य है कि उसके काव्यकुंज की तुलसी-मंजरी की जैसी सुगंध संसार की साहित्य वाटिका में शायद कहीं नहीं। ... आकर्षण दोनों में अत्यधिक है अपने-अपने ढंग पर दोनों ही बहुत बड़े हैं, पर फिर भी सब तरफ़ से केवल काव्य के सौंदर्य पर विचार करने पर तुलसीदास ही बड़े ठहरते हैं – भाषा साहित्य में रवीन्द्रनाथ के संबंध में कहना पड़ता है कि भ्रम त्रुटियाँ मिल सकती हैं पर तुलसीदास के संबंध में कोई शायद ही मिले। ... और यही कारण है निराला जी तुलसीदास को कालिदास, व्यास, वाल्मीकि, होमर, गेटे और शेक्सपियर के समकक्ष रखकर उनके महत्त्व का आकलन करते हैं।
  • Subramanian, Vadakaymadam Krishnier (2008).Hymns of Tulsidas. New Delhi, India: Abhinav Publications. p. inside cover.ISBN 9788170174967.Famous classical singers like Paluskar, Anoop Jalota and MS Subbulakshmi have popularised Tulsidas's hymns among the people of India.
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