Freiherr[a]Hans Guido von Bülow (German:[ˌhansfɔnˈbyːlo]ⓘ; 8 January 1830 – 12 February 1894)[1] was a German conductor, pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especiallyRichard Wagner andJohannes Brahms. AlongsideCarl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, pianist and conductorFranz Liszt; he gave the first public performance of Liszt'sSonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughterCosima, who later left him for Wagner. Noted for his interpretation of the works ofLudwig van Beethoven, he was one of the earliest European musicians to tour the United States.
.jpg)
Bülow was born inDresden into the old and prominentHouse of Bülow. He was the son of novelistKarl Eduard von Bülow [de] (1803–1853) and his wife, Franziska Elisabeth Stoll von Berneck (1800–1888). From the age of nine, he was a student of ProfessorFriedrich Wieck (the father ofClara Schumann). However, his parents insisted that he study law instead of music, and they sent him to Leipzig. There he metFranz Liszt, and on hearing some music ofRichard Wagner—specifically, the premiere ofLohengrin in 1850—he decided to ignore the dictates of his parents and make himself a career in music instead. He studied the piano in Leipzig with the famous pedagogueLouis Plaidy. He obtained his first conducting job in Zürich, on Wagner's recommendation, in 1850.
Bülow had a strongly acerbic personality and a sharp tongue; this alienated many musicians whom he worked with. He was dismissed from his Zurich job for this reason, but at the same time he was beginning to win renown for his ability to conduct new and complex works without a score. In 1851, he became a student of Liszt, marrying his daughterCosima in 1857. They had two daughters: Daniela, born in 1860, and Blandina, born in 1863. During the 1850s and early 1860s he was active as a pianist, conductor, and writer, and became well known throughout Germany as well as Russia. In 1857, he premiered Liszt'sPiano Sonata in B minor in Berlin.
In 1864 he became the Hofkapellmeister in Munich, and it was at this post he achieved his principal renown. He conducted the premieres of two Wagner operas,Tristan und Isolde andDie Meistersinger von Nürnberg, in 1865 and 1868 respectively; both were immensely successful. Meanwhile, however, Cosima had been carrying on an affair with Richard Wagner and gave birth to their daughter Isolde in 1865. Two years later, they had another daughter, Eva. Although Cosima and Wagner's affair was now open knowledge, Bülow still refused to grant his wife a divorce. It was only when she gave birth to a third child, Siegfried, that the conductor at last relented. Their divorce was finalized in 1870, after which Cosima and Wagner married. Bülow never spoke to Wagner again, and he did not see his former wife for 11 years afterwards. However, he apparently continued to respect the composer on a professional level, as he still conducted his works and mourned Wagner's death in 1883. In July 1882 he married the actressMarie Schanzer.[citation needed]
In 1867 Bülow became director of the newly reopenedKönigliche Musikschule in Munich. He taught piano there in the manner of Liszt. He remained as director of the Conservatory until 1869. Bülow's students in Berlin includedAsger Hamerik andJoseph Pache.
In addition to championing the music of Wagner, Bülow was a supporter of the music ofBrahms andTchaikovsky. He was the soloist in the world premiere of the TchaikovskyPiano Concerto No. 1 in B-flat minor inBoston in 1875. He was also a devotee ofFrédéric Chopin's music; he came up with epithets for all of Chopin'sOpus 28 Preludes,[2] but these have generally fallen into disuse. Only theD-flat major Prelude No. 15 is widely known by his title, the "Raindrop".[3]
He was the first to perform (from memory) the complete cycle ofBeethoven's piano sonatas,[4] and withSigmund Lebert, he co-produced an edition of the sonatas.
For the winter season of 1877–1878, he was appointed as conductor of the orchestral subscription concerts presented at the newly opened St Andrew's Hall in Glasgow by Glasgow Choral Union, touring with their orchestra to repeat these programmes in other Scottish cities. Among the works he conducted there was the recently revised version ofBrahms Symphony No 1.
From 1878 to 1880, he wasHofkapellmeister in Hanover but was forced to leave after fighting with a tenor singing the "Knight of the Swan [Schwan]" role inLohengrin; Bülow had called him the "Knight of the Swine [Schwein]". In 1880 he moved toMeiningen where he took the equivalent post, and where he built theMeiningen Court Orchestra into one of the finest in Germany; among his other demands, he insisted that the musicians learn to play all their parts from memory.
It was during his five years in Meiningen that he metRichard Strauss (though the meeting actually took place in Berlin). His first opinion of the young composer was not favorable, but he changed his mind when he was confronted with a sample of Strauss's "Serenade". Later on, he used his influence to give Strauss his first regular employment as a conductor.[5] Like Strauss, Bülow was attracted to the ideas ofMax Stirner, whom he reputedly had known personally. In April 1892 Bülow closed his final performance with theBerlin Philharmonic, where he had been serving as Principal Conductor since 1887, with a speech "exalting" the ideas of Stirner. Together withJohn Henry Mackay, Stirner's biographer, he placed a memorial plaque at Stirner's last residence in Berlin.[b]
Some of his orchestral innovations included the addition of the five-stringdouble bass and the pedaltimpani; the pedal timpani have since become standard instruments in the symphony orchestra. His accurate, sensitive, and profoundly musical interpretations established him as the prototype of the virtuoso conductors who flourished at a later date. He was also an astute and witty musical journalist.
In the late 1880s he settled in Hamburg, but continued to tour, both conducting and performing on the piano.
Bülow suffered from chronicneuralgiform headaches, which were caused by a tumor of the cervical radicular nerves.[8] After about 1890 his mental and physical health began to fail, and he sought a warmer, drier climate for recovery; he died in a hotel inCairo,Egypt, at the age of 64, ten months after his final concert performance.
 |
Notes
References
Sources
Media related toHans von Bülow at Wikimedia Commons Quotations related toHans von Bülow at Wikiquote
Bayerisches Staatsorchester General Music Directors | ||
|---|---|---|
|  | |
| Conductors |
| .svg){kind=logo} |
|---|---|---|
| Groups | ||
| Related | ||
| Complete operas |
| ||||||||
|---|---|---|---|---|---|---|---|---|---|
| Non-operatic music | |||||||||
| Writings | |||||||||
| Other opera |
| ||||||||
| Bayreuth Festival | |||||||||
| Wagner family | |||||||||
| Cultural depictions |
| ||||||||
| Named for Wagner | |||||||||
| Related |
| ||||||||
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
