Ha Seung-moo 하승무 | |
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Born | (1963-10-13)October 13, 1963 (age 61) Sacheon, South Korea |
Occupation | Professor of historical theology, author, poet |
Language | Korean |
Nationality | South Korean |
Education | B.A., Ed.M., M.Div., Th.M., Ph.D.Cand. |
Alma mater | Catholic University of Daegu |
Period | 1991-present |
Literary movement | Christian poetry,South Korean literature |
Notable awards | Pride Korea Awards 2020 The 34thBusan Metropolitan City Citizen Award(2018), 2018 National Theologian Award, others |
Ha Seung-moo | |
Hangul | 하승무 |
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Hanja | 河承武 |
Revised Romanization | Ha Seungmu |
McCune–Reischauer | Ha Sŭngmu |
Art name | |
Hangul | 시학재, 란사 |
Hanja | 詩學齋, 蘭史 |
Revised Romanization | Sihakjae, Ransa |
McCune–Reischauer | Sihakchae, Ransa |
Courtesy name | |
Hangul | 창호, 창우 |
Hanja | 昌浩, 昌優 |
Revised Romanization | Changho, Changu |
McCune–Reischauer | Ch'angho, Ch'angu |
Ha Seung-moo (born October 13, 1963; also spelledHa Seung moo) is a South Korean poet,Presbyterian minister,seminary professor, and theologian.
Ha was born on February 5, 1964, inSacheon, South Korea. Ha is the grandson of Sir Ha Yeon, who is the twenty-first grandson ofJoseon's most notable prime minister,Yeonguijeong.[1]
After his basic education, Ha began to read modern literature. He was motivated by a bookseller who visited the school and purchased a series of books on modernKorean literature. Thereafter, readings of Korean literature sparked his interest in writing and philosophy. In this process, Ha began to question humanity andthing-in-itself. During the high school years, Ha's spiritual journey continued. He pursued truth, the meaning of life and humanity inBuddhism,Hinduism and other major religions. In this spiritual journey, he read manywestern philosophical classics.
Ha was influenced by the works ofSigmund Freud,Carl Gustav Jung,Immanuel Kant andSøren Kierkegaard. Ha experienced spiritual progression recognizing the importance and meaning of human existence, and the 'despair' of Kierkegaard and the 'reason' of Kant became a less serious issue to his life and study. At the end of 12th grade, Ha had a mystical religious experience that made him confess that God is the only answer to his quest for meaning. Ha then became a Christian.[2][3]
His poetry became an artistic stimulus for artists in parts of England and America.[4]
Ha became a Presbyterian minister and a professor of historical theology at Korea Presbyterian Theological Seminary. He teaches Biblical Exposition. Ha established Korea Presbyterian Church and the Korea Presbyterian Seminary, serving as Pastoral General, Christian education, Missions etc., at his own expense.
Ha presented the historical point of view of theOrthodox Church, describing how the confession of faith and the historical context coincide.[5] Ha is a poet, and a reformist theologian. He debuted as a poet by the recommendation of fellow poetPark Jaesam and two others inHankyoreh Literature Magazine in 1994.
Ha began to write poems inHan-Kyoreh Literature (한겨레문학). His poem "Recollections of Homo Sapiens" (호모사피엔스의 기억) introduced him to the public. Ha's work faced difficulties, because it conflicted with traditional Korean literature. Nonetheless, Korean writers and poets generally admired his poetic work.[12][13][14]
Source:[15]
Park Jaesam is a representative of Korea-specific mentality. He evaluated Ha in the examination Review. He found that while Ha's poetry has a deep inner world, life and death, reality and ideal, metaphysics and metaphysics, and self-determination are dominant.
He stated, "Super aesthetic psalm is a manifestation of his poems, and a critical approach is difficult if you do not understand the symbolism of religion and aesthetics to interpret such works."
Professor Kyung-Soo Yoon, among the critics of Ha's poetry, the peculiar one is deepening the symbolic systems of the surreal tendency ofYi Sang (Kim Hae-Kyung) poet, His unique poetical style is considered to be reasonable to see in terms of the mystical experiences and spiritual aspirations that have returned to Christianity.
Since 1994, he announced at the time, such as newspapers, magazines, etc. and has become rather widely known to the general reader rather than a literary background. In particular, while a Christian, religion without being bound to the Christian poetry style, semiotics, and embody the poetic image to deepen the symbolic system of aesthetics. His poems "The sixth tailbone of the Cenozoic era", "The perspiration from the sun comes out" have appeared well.
In the 2000s after is, the poem "Songs of Wildflowers" depicting the lyricism by intuition and There is a "The story of an elephant's hand expelled by the sky", which can be said to be poetry that first introduced allegorical techniques to the work of poetry.
Other common collaborative poetry books are “There is no way to nostalgia” (Bichnam, 1996), “The Southern Poetry” (Busan Poets' Association, 1999), “Flowers bloom, On the bluestem” (Jaggadeul, 2006), “Seihangobi. (Jaggadeul, 2008), “Forest of Sosa Tree” (Jaggadeul, 2011), “My poetry I choose” (Chaegmandeuneun Jib, 2012).
In recent years,Byeon Uisu literary critic wrote Ha Seungmoo's poetry world, and in his special review commented on poetic excellence:[16]
Immanuel Kant thought that he gained knowledge based on time and space. andAlbert Einstein thought that there would be no time beyond the speed of light. of course, "time" of Kant is psychological, and Einstein's "time" is relative. but, in the strict sense that time does not exist as an objective entity, is Kant or Einstein's proposition ultimately an imperfect wisdom of "99.9%" rather than "100%"?Ha Seung-moo evokes the problem of the essentially axioms of the 'Sophist type' of language. The river of time never flows, says time exists. The wisdom of the human writes the “Critique of Pure Reason”, however, discuss the conversion of time and space. But poet say that people don't spend the time they think they do. These views of the Ha poet are extraordinary.