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Grosgrain

From Wikipedia, the free encyclopedia
Plain-woven fabric with weft-wise ribbing, often woven in ribbon widths
A close-up of a piece of grosgrain ribbon. Note the ribs that go across the ribbon.
Grosgrain ribbons in various colors and widths

Grosgrain (/ˈɡrɡrn/GROH-grayn,[1] also sometimes/ˈɡrɒsɡrn/GROS-grayn), or grogram, is a type of fabric or ribbon defined by the fact that itsweft is heavier than itswarp, creating prominent transverse ribs. Grosgrain is aplain weave corded[a] fabric, with heavier cords thanpoplin but lighter thanfaille,[2][3] and is known for being a firm, close-woven, fine-corded fabric.[4] Grosgrain has a dull appearance, with little luster in comparison to many fabric weaves, such assatin, often used for ribbons; however, it is comparatively very strong.[5] Grosgrain fabric is most commonly available in black, but grosgrainribbon comes in a large variety of colors and patterns. The ribbon is very similar toPetersham ribbon in its appearance, but it does not have the ability to follow the curves of a surface or edge the way that the latter does.

"Grosgrain" is commonly used to refer to a heavy, stiff ribbon ofsilk ornylon[6] woven viataffeta weave using a heavy weft, which results in distinct transverse ribs. Historically, grosgrain was made fromwool,silk, or a combination of fibers such as silk and wool or silk andmohair.[2] When a combination of fibers was used, the result was sometimes given the namegrogram,silk mohair,gros de Tours orgros de Naples.[2][7][8]

Etymology

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Grosgrain is both a directFrenchloan word and a folk corruption of the French wordgrogram.[9] Grogram, originallygros gram (appeared in literature in 1562),[citation needed] is defined as a coarse, loosely woven fabric ofsilk, silk andmohair, or silk andwool.[10] The adjectivegros means thick or coarse, originally from theOld Frenchgros, itself derived from theLatingrossus.[11]Grain is derived from Old Frenchgraine, itself derived from the Latingrana (plural ofgranum) – seed or in some contextstexture.[4][12]

Thusgros gram,grogram andgrosgrain are all one and the same: a large grain - hence coarse - texture fabric.[11][13]

The termgrog, meaning alcohol, is related to the termgrogram. In the 1740s, AdmiralEdward Vernon, who was known as "Old Grog" because of the grogram cloak he wore, introduced therum ration in the BritishRoyal Navy. It is from his attire that the naval termgrog is derived.[14][15][16][17]

Moire

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Moire is a waved or watered effect produced especially on grosgrain silk and woolen moreen via engraved rollers and high pressure on carded material. The result is a peculiar luster which works best when made from a corded fabric like grosgrain.[18]

During theMiddle Ages, moire was held in high esteem and was, as currently, used for women's dresses, for capes, and for facings, trimmings, etc.[19]

Use in clothing

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History

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Throughout the 17th century, grosgrainfabric was used as the fabricbody (corpus) for many garments, including waistcoats, jackets, petticoats, breeches, sleeves, jerkins and many other items of clothing, as a cheaper alternative for the lower socio-economic demographic than fine-woven silk or wool.[20] Factories in America started to produce grosgrain silk in the late 19th century.[21][22]

Throughout the 1920s, the termgrosgrain seems to have remained true to original definition as a garment fabric.[23] However, during the 1920s, it fell out of favor as a garment fabric, and was defined identically to contemporary terminology as a grosgrainribbon.

Structural uses

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Lustrous grosgrain is used extensively to join female semi-detached clothing articles such as bodices to skirts and similar, where this necessary joint may be visible.[24] Ribbed grosgrain may be used similarly totwill tape for internalgussets and reinforcements. Grosgrain ribbon is often used for facings and for waistbands.[25][26] McCall'sSewing Book states: "grosgrain ribbon is used with any heavy fabric to reduce bulk", though it may be the word "bulk" is used in the sense of outward appearance, rather than actualmass. McCall elaborates: "grosgrain is used to finish the back of novelty braid or to face the back of any fabric belt."[25][26][27]

Evening wear

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As a more subtle option tolustroussatin, grosgrain is very popular with evening wear, used on thefacings of lapels of mostdress coats and high-enddinner jackets andtuxedos. Grosgrain is traditionally used tohem and highlight thecut oflapels,collars and visible outermost edges of the formalfrock coat and the latermorning coat.[28] Grosgrain is preferred over satin for practicality—it is more durable than silk or satin, as the fabric does not snag as easily.[29] Grosgrain is also used for matching accessories such asbow ties[29] andcummerbunds, though these are often inbarathea to complement the main suiting.

Millinery

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Grosgrain is also used inmillinery. Grosgrain ribbons are popular for use in ribbon decorations forhats, however, grosgrain is most notably used intop hats, fedora hats, andopera hats, or as the trimming band on theHomburg.[30]

Other uses

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Book-binding

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Grosgrain fabric and ribbon are common structural fabrics for the joining or reinforcement ofspines orsheaves in fine commercial and hobbybookbinding and book restoration.[31]

Graduation leis

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When it comes to graduation leis, various types of ribbons can be used to create decorative accents and secure the flowers or other elements together. Grosgrain ribbon has a ribbed texture and is slightly thicker thansatin ribbon. It provides a more textured and structured appearance to the lei. Grosgrain ribbon is available in various colors and patterns.[32]

Cargo and packing use

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A particular characteristic of grosgrain ribbon is that the thicker weft resists longitudinal curling, and so it exerts an even pressure when tied around crushable materials.Nylon grosgrain is often used as heavy-dutywebbing or binding around luggage, packs,messenger bags and other heavy-use "soft" goods. It is also used for securingcargo. It can be dyed and is available in a variety of colours, though it is typically dyed black.

Early seat belts and military webbing duringWorld War II was typically made ofhemp,jute orlinen grosgrain.

Craft

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Grosgrain made out of cotton or low-costsynthetic fibres such aspolyester are very common for gift-wrap ribbons, or for decorating and ornamenting scrapbooks and greeting cards. Grosgrain ribbon is used for a variety of different crafts as well, from bead making,[6] to book-binding,[31] trimming or embellishing,[33] as well as a multitude of other uses. Grosgrain ribbon is the primary ribbon material used in the hair bow industry.[citation needed]

Lanyards

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Grosgrain woven from cotton or low-cost synthetic fibres such aspolyester are very popular for use aslanyard, straps, and are often sold printed for use by large corporate companies as a marketing or branding tool.

Percussion

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Polyester grosgrain in a58 in (16 mm) width can be used as the tensioning material attaching the snares of a snare drum to the throw-off mechanism, with the ribbing providing good insurance against slippage. Some musicians use it in an attempt to lessen sympathetic snare buzz from external sources, as it will hold the tab ends of the snares closer to the head than string, providing more damping than mylar straps.

See also

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Notes

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  1. ^Grosgrain is known as a "corded" fabric as the weft, being thicker than the warp, resembles a fine cord running through the fabric.

References

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  1. ^"grosgrain".Dictionary.com Unabridged (Online). n.d.
  2. ^abcMontgomery, Florence M.; Linda Eaton (2007).Textiles in America, 1650-1870. W. W. Norton & Company. p. 252.ISBN 978-0-393-73224-5. RetrievedJuly 10, 2009.
  3. ^Kate Heinz Watson,Textiles and Clothing American School of Home Economics, Chicago: 1907: pp 91[1]
  4. ^abThompson, Eliza Bailey (1922).Silk. The Ronald press company. pp. 134–135. RetrievedJuly 10, 2009.
  5. ^Banner, Bertha (1898).Household Sewing with Home Dressmaking. Longmans, Green, and co. p. 106. RetrievedJuly 10, 2009.
  6. ^abLockwood, Georgene (1998).The Complete Idiot's Guide to Crafts With Kids. Alpha Books. p. 86.ISBN 0-02-862406-8. RetrievedJuly 10, 2009.
  7. ^Cole, George S. (1892).A Complete Dictionary of Dry Goods and History of Silk, Cotton, Linen, Wool. W.B. Conkey Co. p. 171. RetrievedJuly 10, 2009.
  8. ^Cheney Brothers, James Chittick, Emanuel Anthony Posselt, Berlitz Schools of Languages,A glossary of silk terms, including a short history of silk: its origin, culture and manufacture Cheney Brothers: 1915
  9. ^Joseph Shipley,Origins of English Words, JHU Press: 2001ISBN 0-8018-6784-3, 671 pages: pp 121
  10. ^Merriam-Webster's collegiate dictionary, Merriam-Webster Inc: pp 551
  11. ^abErnest Weekley,An Etymological Dictionary of Modern English, Courier Dover Publications: 1967,ISBN 0-486-21873-2: pp 668
  12. ^"Grosgrain".The Oxford English Dictionary. 2nd ed. 1989.
  13. ^Charles Talbut Onions, George Washington Salisbury Friedrichsen, R. W. Burchfield,The Oxford dictionary of English etymology, Clarendon P.: 1966: 1025 pages
  14. ^Oxford thesaurus of English. Waite, Maurice. (3rd ed.). Oxford: Oxford University Press. 2009.ISBN 978-0-19-956081-3.OCLC 321014234.{{cite book}}: CS1 maint: others (link)
  15. ^Macdonald, J (2004).Feeding Nelson's Navy. Chatham Publishing.
  16. ^Navy Victually Board Regulations and Instructions 14th editio. 1806.
  17. ^Rodger, N (1986).The Wooden World: An Anatomy of the Georgian Navy. William Collins.
  18. ^Textile World Record. Lord & Nagle Co. 1907. p. 118. RetrievedJuly 8, 2009.
  19. ^William Dooley,Textiles for Commercial, Industrial and Domestic Arts Schools, D. C. Heath & Company: 1910: pp. 223[2]
  20. ^de Winkel, Marieke (2006).Fashion and fancy. Amsterdam University Press.ISBN 90-5356-917-0. RetrievedJuly 10, 2009.
  21. ^Field, Jacqueline;Marjorie Senechal; Madelyn Shaw (2007).American silk, 1830-1930. Texas Tech University Press. p. 133.ISBN 978-0-89672-589-8. RetrievedJuly 10, 2009.
  22. ^Zelma Bendure, Gladys Bendure Pfeiffer,America's fabrics: origin and history, manufacture, characteristics and uses, The Macmilln Company: 1946, 688 pages
  23. ^Ellen Beers McGowan, Charlotte Augusta Waite, A..Textiles and clothing, Macmillan: 1919: 268 pages
  24. ^McCall's Sewing Book, Random House: 1968: 198, 224
  25. ^abShaeffer, Claire B. (2001).Couture sewing techniques. Taunton Press.ISBN 1-56158-497-5. RetrievedJuly 10, 2009.
  26. ^abDeckert, Barbara (2002).Sewing for plus sizes. Taunton Press. p. 100.ISBN 1-56158-551-3. RetrievedJuly 10, 2009.
  27. ^McCall's Sewing Book, Random House: 1968, 308 pages: pp 226
  28. ^Natalie Rothstein, Victoria and Albert Museum,Madeleine Ginsburg, Victoria and Albert Museum. Dept. of Textiles and Dress, Avril Hart, Philip Barnard, Valerie D. Mendes,Four hundred years of fashion: The Victoria and Albert Museum: Department of Textiles and Dress, Edition 2, Victoria and Albert Museum: 1992,ISBN 1-85177-116-6, 176 pages, pp 174
  29. ^abEsquire The Handbook of Style. Sterling Publishing Company. 2009. p. 34.ISBN 978-1-58816-746-0. RetrievedJuly 10, 2009.
  30. ^Zelma Bendure, Gladys Bendure Pfeiffer,America's fabrics: origin and history, manufacture, characteristics and uses, The Macmillan Company: 1946, 688 pages.
  31. ^abYoung, Laura S.; Sidonie Coryn; John Hurt Whitehead; Jerilyn Glenn Davis (1995).Bookbinding & conservation by hand. Oak Knoll Press. p. 224.ISBN 1-884718-11-6. RetrievedJuly 10, 2009.
  32. ^What kind of ribbon is used for graduation leis Retrieved 16 February 2021
  33. ^Lee, Linda (2001).Sewing stylish home projects. Taunton Press.ISBN 1-56158-337-5. RetrievedJuly 10, 2009.
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