TheGreat Exhibition of the Works of Industry of All Nations, also known as theGreat Exhibition or theCrystal Palace Exhibition (in reference to the temporarystructure in which it was held), was aninternational exhibition that took place inHyde Park, London, from 1 May to 15 October 1851. It was the first in a series ofworld's fairs, exhibitions ofculture andindustry that became popular in the 19th century. The event was organised byHenry Cole and PrinceAlbert, husband ofVictoria, Queen of the United Kingdom.
The Great Exhibition of the Works of Industry of All Nations was organised by PrinceAlbert,Henry Cole, Francis Henry,George Wallis,Wentworth Dilke, and other members of theRoyal Society for the Encouragement of Arts, Manufactures and Commerce as a celebration of modernindustrial technology and design. It was arguably a response to the highly effectiveFrench Industrial Exposition of 1844: indeed, its prime motive was for Britain to make "clear to the world its role as industrial leader".[4] Prince Albert, Queen Victoria's consort, was an enthusiastic promoter of the self-financing exhibition; the government was persuaded to form theRoyal Commission for the Exhibition of 1851 to establish the viability of hosting such an exhibition. Queen Victoria visited three times with her family, and 34 times on her own.[5] Although the Great Exhibition was a platform on which countries from around the world could display their achievements, Britain sought to prove its own superiority. The British exhibits at the Great Exhibition "held the lead in almost every field where strength, durability, utility and quality were concerned, whether in iron and steel, machinery or textiles."[6] Britain also sought to provide the world with the hope of a better future. Europe had just emerged from "two difficult decades of political and social upheaval," and now Britain hoped to show that technology, particularly its own, was the key to a better future.
Sophie Forgan says of the exhibition that "Large, piled-up 'trophy' exhibits in the central avenue revealed the organisers' priorities; they generally put art or colonial raw materials in the most prestigious place. Technology and moving machinery were popular, especially working exhibits." She also notes that visitors "could watch the entire process of cotton production from spinning to finished cloth. Scientific instruments were found in class X, and included electric telegraphs, microscopes, air pumps and barometers, as well as musical,horological and surgical instruments."[7]
A special building, or "The GreatShalimar",[8] was built to house the show. It was designed byJoseph Paxton with support fromstructural engineerCharles Fox, the committee overseeing its construction includingIsambard Kingdom Brunel, and went from its organisation to the grand opening in just nine months. The building was architecturally adventurous, drawing on Paxton's experience designinggreenhouses for thesixth Duke of Devonshire. It took the form of a massive glass house, 1848 feet long by 454 feet wide (about 563 metres by 138 metres) and was constructed fromcast iron-frame components andglass made almost exclusively inBirmingham[9] andSmethwick. From the interior, the building's large size was emphasized with trees and statues; this served, not only to add beauty to the spectacle, but also to demonstrate man's triumph over nature.[4] The Crystal Palace was an enormous success, considered an architectural marvel, but also an engineering triumph that showed the importance of the exhibition itself.[6] The building was later moved and re-erected in 1854 in enlarged form atSydenham Hill in south London, an area that was renamedCrystal Palace. It was destroyed by fire on 30 November 1936.[8]
Six million people—equivalent to a third of the entire population of Britain at the time—visited the Great Exhibition. The average daily attendance was 42,831 with a peak of 109,915 on 7 October.[10]Thomas Cook arranged travel to the event for 150,000 people and it was important in his company's development. The event made a surplus of £186,000 (£33,221,701.65 in 2023), which was used to found theVictoria and Albert Museum, theScience Museum and theNatural History Museum. They were all built in the area to the south of the exhibition, nicknamedAlbertopolis, alongside theImperial Institute. The remaining surplus was used to set upan educational trust to provide grants and scholarships for industrial research; it continues to do so today.[11]
The exhibition caused controversy as its opening approached. Some conservatives feared that the mass of visitors might become a revolutionary mob.[12] The English-born KingErnest Augustus I of Hanover, shortly before his death, wrote to Lord Strangford about it:
The folly and absurdity of the Queen in allowing this trumpery must strike every sensible and well-thinking mind, and I am astonished the ministers themselves do not insist on her at least going toOsborne during the Exhibition, as no human being can possibly answer for what may occur on the occasion. The idea ... must shock every honest and well-meaning Englishman. But it seems everything is conspiring to lower us in the eyes of Europe.[13]
In modern times, the Great Exhibition is a symbol of theVictorian Age, and its thick catalogue, illustrated with steel engravings, is a primary source for High Victorian design.[14] The Albert Memorial to the exhibition, crowned with a statue ofPrince Albert, is located behind theRoyal Albert Hall.[15] It is inscribed with statistics from the exhibition, including the number of visitors and exhibitors (British and foreign), and the profit made.
A range of medals were produced and awarded to exhibitors, jurists and providers of services.[16]
The official descriptive and illustrated catalogue of the event lists exhibitors not only from throughout Britain but also from its "Colonies and Dependencies" and 44 "Foreign States". Numbering 13,000 in total, the exhibits included aJacquard loom, an envelope machine, kitchen appliances, steel-making displays and a reaping machine that was sent from the United States.[17]
TheMintons stand exhibited ceramics includingmajolica which proved a world-wide success.
TheKoh-i-Noor, meaning the "Mountain of Light", the world's largest known diamond at the time, was one of the most popular attractions of the India exhibit.
TheDaria-i-Noor, one of the rarest pale pink diamonds in the world, was shown.
The early 8th-centuryTara Brooch, discovered only in 1850, the finest Irishpenannular brooch, was exhibited by the Dublin jeweller George Waterhouse along with a display of his fashionableCeltic Revival jewellery.
Alfred Charles Hobbs used the exhibition to demonstrate the inadequacy of several respected doorlocks.
William Chamberlin, Jr. of Sussex exhibited what may have been the world's firstvoting machine, which counted votes automatically and employed an interlocking system to prevent over-voting.[18]
The first modernpay toilets were installed, with 827,280 visitors paying the penny fee to use them. The toilets remained even after the exhibition was dismantled. "Spending a penny" became a euphemism for using a toilet.[19]
TheAmerica's Cup yachting event was instigated with a race held in conjunction with the Great Exhibition.
Gold ornaments and silver enamelled handicrafts fabricated by theSunar caste fromSind,British India.
C.C. Hornung of Copenhagen, Denmark, showed his single-cast iron frame for apiano, the first made in Europe.
"The Trophy Telescope", so called because it was considered the "trophy" of the exhibition, was shown.[20] Its main lens of 11 inches (280 mm) aperture and 16 feet (4.9 m) focal length was manufactured byRoss of London. TheGerman equatorial mounting was made byRansome & May of Ipswich.
The instrument maker J. S. Marratt exhibited a five-footachromatic telescope and a transittheodolite used in surveying, tunnelling, and for astronomical purposes.
Asprey exhibited akingwood andormolu mounted lady's dressing case with silver-gilt contents bearing the "Annie" cipher.
Lane's Telescopic View The Ceremony of Her Majesty Opening the Great Exhibition Inside view grand opening by Queen Victoria
Admission prices to the Crystal Palace varied according to the date of visit, with ticket prices decreasing as the parliamentary season drew to an end and London traditionally emptied of wealthy individuals. Prices varied from twoguineas (£200 in 2015)[22] (three guineas for a man) for a season ticket, or £1 per day (for the first two days only), then reducing to five shillings per day (until 22 May).[23] The admission price was then further reduced to one shilling (£5 in 2015),[22] per day—except on Fridays, when it was set at two shillings and six pence, and on Saturdays when it remained at five shillings.[23] The one-shilling ticket proved most successful among the industrial classes, with four and a half million shillings (£22,000,000 in 2015)[22] being taken from attendees in this manner.[24] Two thousand five hundred tickets were printed for the opening day, all of which were bought.[12]
To attract future customers from the working classes, the newly expanding railways offered highly discounted tickets for people to travel from distant parts of the country, and special rates were offered to parties, often led by the local vicar. Those too poor to travel lined up by the rail tracks to watch the long trains of open carriages steaming past.[25]
The Great Exhibition of 1851 encouraged the production of souvenirs. Several manufacturers producedstereoscope cards that provided a three-dimensional view of the exhibition. These paper souvenirs were printed lithographic cards which were hand-coloured and held together by cloth to give a three-dimensional view of the event. They offered a miniature view of the Crystal Palace when one viewed the cards through the peep holes on the front cover. Visitors purchased these souvenirs so that they could relive the experience of attending.[26]
^"Schweppes Holdings Limited".Royalwarrant.org. Retrieved13 October 2021.the world's first ever soft drink, Schweppes soda water [..] the official sponsor of Prince Albert's Great Exhibition in 1851
^abKishlansky, Mark, Patrick Geary and Patricia O'Brien.Civilization in the West. 7th Edition. Vol. C. New York: Pearson Education, Inc., 2008.
^James Harrison, ed. (1996). "Imperial Britain".Children's Encyclopedia of British History. London: Kingfisher Publications. p. 131.ISBN978-0-7534-0299-3.
Greenhalgh, Paul (1988).Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World's Fairs, 1851–1939. Manchester University Press.ISBN978-0-7190-2299-9.
James, Robert Rhodes.Albert, Prince Consort: A Biography (Hamish Hamilton, 1983), a major scholarly biography
Leapman, Michael (2001).The World for a Shilling: How the Great Exhibition of 1851 Shaped a Nation. Headline Books.ISBN978-0-7472-7012-6.
Dickinson's Comprehensive Pictures of the Great Exhibition of 1851. Dickinson Brothers. London. 1854.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
.jpg)
