| Good Night, and Good Luck. | |
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 Theatrical release poster | |
| Directed by | George Clooney |
| Written by |
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| Produced by | Grant Heslov |
| Starring | |
| Cinematography | Robert Elswit |
| Edited by | Stephen Mirrione |
Production companies | |
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Release dates |
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Running time | 93 minutes |
| Countries |
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| Language | English |
| Budget | $7 million[3] |
| Box office | $54.6 million[3] |
Good Night, and Good Luck (stylized asgood night, and good luck.) is a 2005historical drama film directed byGeorge Clooney from a screenplay by Clooney andGrant Heslov. It starsDavid Strathairn,Patricia Clarkson, Clooney,Jeff Daniels,Robert Downey Jr. andFrank Langella, and portrays the conflict between veteran journalistEdward R. Murrow (Strathairn) andU.S. SenatorJoseph McCarthy ofWisconsin, especially relating to theanti-communist Senator's actions with theSenate Permanent Subcommittee on Investigations.
Although released in black and white, it was filmed on colorfilm stock, but on agrayscale set, and wascolor-corrected to black and white duringpost-production. It focuses on the theme of media responsibility, and also addresses what occurs when U.S. journalism offer voices of dissent from government policy. The movie takes its title (which ends with a period or full stop) from the line with which Murrow routinelysigned off his broadcasts.
The film was a box office success and received critical acclaim for Clooney's direction, the writing, cinematography, production design and performances (particularly Strathairn's). It was nominated for sixAcademy Awards, includingBest Picture,Best Director andBest Actor for Strathairn.
On October 25, 1958, at a gathering entitled 'A Salute toEdward R Murrow', Ed Murrow delivers a speech where he mentions Senator McCarthy among others. The film then reverts to October 14, 1953, in theCBS Studios, with on-screen titles explaining that McCarthy has claimed that there are over 200 Communists in the US government.
Fred Friendly and the news team discuss the latest news stories for the forthcoming episodes, and Murrow declares that he wants to go after the American military, who have tried and convicted a member of the Air Force,Milo Radulovich, because his sister and father have been accused of being communist sympathizers. Murrow mentions that the charges against Radulovich were in a sealed envelope and that nobody saw them, suggesting that they investigate the story to see if it is worth covering.
Five days later Friendly, Murrow, andSig Mickelson, CBS director, watch footage of CBS correspondentJoseph Wershba interviewing Milo Radulovich; Mickelson criticizes the report as being unbalanced and accuses the reporter of editorializing. Military men come to Friendly's office, attempting to persuade him not to broadcast the story, but CBS goes ahead and the segment features on Murrow's showSee It Now.
The focus of the news team shifts to going after McCarthy himself. In one clip, McCarthy accuses a man who was provided with an attorney by theAmerican Civil Liberties Union (ACLU) in 1932 of being a communist.
During the segment on McCarthy, Murrow personally invites the Senator on the show to defend the claims made about his corrupt influence. As the story continues, Murrow challenges McCarthy's questioning techniques, and the untruths he espouses in his hearings. Murrow notes that the ACLU is not on the list that McCarthy claims it to be, and that it has in fact been commended by several U.S. presidents.
Shirley reads out mostly favorable reports from the newspaper, but one journalist, O'Brian, accuses Hollenbeck, a CBS journalist, of being a "pinko", meaning a communist sympathizer. The team is informed that the Air Force has reinstated the wrongfully terminated Radulovich.
McCarthy appears on the show on April 6, 1954, and addresses the camera directly without interruption, accusing Murrow of being a communist, something that Murrow suspected would happen. In the proceeding show, Murrow gives his response, where he unequivocally denies the accusation that he was a member of the Communist party and highlights that anyone who criticizes or opposes Senator McCarthy's methods is accused of being a communist. From this point on, the tide turns on McCarthy and he himself is investigated, due to charges the Army has made against him and his Operation. John Aaron later announces this in the newsroom, but the celebration is cut short when a phone call to Friendly informs the news team that Hollenbeck has committed suicide by gassing himself.
Footage is shown of theArmy–McCarthy hearings, whereJoseph Welch, the Army's special counsel, questions McCarthy's sense of decency. Shortly after, CBS chief executive Paley speaks with Murrow and Friendly in his office and tells them they have lost one of their major sponsors, and as a result, he will only give them five more one-hour episodes and also move their slot from Tuesday night to Sunday afternoon. Paley speaks to Friendly privately and informs him that he needs to fire some people. At the same time, Mickelson calls Wershba and Shirley to his office: He knows they are secretly married, in violation of CBS's policy forbidding marriage between colleagues. With layoffs coming, he asks that one of them choose to be laid off to save face. Wershba volunteers to be let go.
Murrow finishes his speech from the opening scene, extolling the importance of ideas and information, and that television's potential of informing and enlightening its audience shouldn't be discounted, else it will become "merely wires and lights in a box." Murrow concludes his speech with his catchphrase, "Good night, and good luck."
In September 2005, Clooney explained his interest in the story to an audience at theNew York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate."[4] Having majored in journalism in college, Clooney was well-versed in the subject matter. His father,Nick Clooney, was a television journalist for many years, appearing as ananchorman inCincinnati,Ohio;Salt Lake City,Utah;Los Angeles,California; andBuffalo, New York. The elder Clooney also ran for Congress in 2004.
George Clooney was paid $1 each for writing, directing, and acting inGood Night, and Good Luck, which cost $7.5 million to make. Due to an injury he received on the set ofSyriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles to make the film.[5]Dallas Mavericks ownerMark Cuban and formereBay presidentJeffrey Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide.[6]
The CBS offices and studios seen in the movie were all sets on asound stage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license—the CBS executive offices at the time were located at 485 Madison Avenue.[7]CBS News was located in an office building just north ofGrand Central Terminal (demolished and now the site of theMetLife Building);[8] and theSee It Now studio was located inGrand Central Terminal itself, above the waiting room.[9] For dramatic effect, all three areas were depicted as being in the same building.
Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film.[4] A youngRobert F. Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
A small jazz combo starring jazz singerDianne Reeves was hired to record the soundtrack to the movie. This combo (Peter Martin, Christoph Luty,Jeff Hamilton and Matt Catingub) was featured in the movie in several scenes; for example, in one scene the newsmen pass a studio where she is recording with the rest of the band. The CD is Dianne Reeves's second featuring jazz standards (including "How High the Moon", "I've Got My Eyes on You", "Too Close For Comfort", "Straighten Up and Fly Right" and "One for My Baby"), and it won theGrammy Award in 2006 forBest Jazz Vocal Album.
The soundtrack toGood Night, and Good Luck was released on September 27, 2005. The film's score was composed by Jim Papoulis.
| No. | Title | Artist | Length |
|---|---|---|---|
| 1. | "Straighten Up and Fly Right" | Dianne Reeves | 2:44 |
| 2. | "I've Got My Eyes on You" | Dianne Reeves | 2:06 |
| 3. | "Gotta Be This or That" | Dianne Reeves | 3:16 |
| 4. | "Too Close for Comfort" | Dianne Reeves | 3:50 |
| 5. | "How High the Moon" | Dianne Reeves | 2:22 |
| 6. | "Who's Minding the Store?" | Dianne Reeves | 4:31 |
| 7. | "You're Driving Me Crazy" | Dianne Reeves | 1:57 |
| 8. | "Pretend" | Dianne Reeves | 4:01 |
| 9. | "Solitude" | Dianne Reeves | 5:28 |
| 10. | "TV Is the Thing This Year" | Dianne Reeves | 1:43 |
| 11. | "Pick Yourself Up" | Dianne Reeves | 2:38 |
| 12. | "When I Fall in Love" | Dianne Reeves | 3:52 |
| 13. | "Into Each Life Some Rain Must Fall" | Dianne Reeves | 4:08 |
| 14. | "There'll Be Another Spring" | Dianne Reeves | 4:43 |
| 15. | "One for My Baby" | Dianne Reeves | 3:50 |
| Total length: | 51:09[10] | ||
On review aggregatorRotten Tomatoes, the film holds an approval rating of 93% based on 226 reviews, with an average rating of 8.1/10. The website's critics consensus states: "A passionate and concise cinematic civics lesson,Good Night, and Good Luck has plenty to say about today's political and cultural climate, and its ensemble cast is stellar."[11] OnMetacritic, the film has aweighted average score of 80 out of 100 based on 41 critics, indicating "generally favorable" reviews.[12]
Roger Ebert, in hisChicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like amorality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless."[13]Margaret Pomeranz andDavid Stratton from theAustralian Broadcasting Corporation's film review showAt the Movies each gave the film five stars, makingGood Night, and Good Luck the only other film besidesBrokeback Mountain to receive such a score from the hosts in 2005.[14][15] Both described the film as "beautiful", but also praised Clooney for the film's importance. Pomeranz commented that, "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted: "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message."[15]
Jack Shafer, at the time alibertarian-leaning columnist for the online magazineSlate, accused the film of continuing what he characterizes as thehagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some Republicans were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassifiedVenona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce anafter school special".[16]
One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.[17]
The film received sixAcademy Award nominations, includingBest Picture,Director (Clooney), andActor (Strathairn).[18] It was also nominated for six BAFTAs at the2005 BAFTA Awards, and four Golden Globes at the2006 Golden Globe Awards. TheAmerican Film Institute namedGood Night, and Good Luck as one of theTop Ten Movies of 2005.
As of November 2022,AMC is developing a television adaptation withJonathan Glatzer as showrunner and Clooney as executive producer.[19]
In 2024 it was announced Clooney would make his Broadway debut starring in astage adaptation based on the film.[20] The play began previews at theWinter Garden Theatre on March 12, 2025, with an opening night set for April 3. The performance before the closing night show was broadcast live on CNN on June 7, before closing on June 8.[21]
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