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Glenn Ford | |
|---|---|
 Ford at age 39 in 1955 | |
| Born | Gwyllyn Samuel Newton Ford (1916-05-01)May 1, 1916 |
| Died | August 30, 2006(2006-08-30) (aged 90) |
| Resting place | Woodlawn Memorial Cemetery,Santa Monica, California, U.S. |
| Citizenship |
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| Occupation | Actor |
| Years active | 1937–1991 |
| Spouses | |
| Children | Peter Ford |
| Relatives | John A. Macdonald (great-uncle) |
Gwyllyn Samuel Newton Ford (May 1, 1916 – August 30, 2006), known asGlenn Ford, was aCanadian-born American actor. He was most prominent duringHollywood's Golden Age as one of the biggest box-office draws of the 1940s, 1950s, and 1960s, and had a career that lasted more than 50 years.
Ford often portrayed ordinary men in unusual circumstances. Although he starred in many genres of film, some of his most significant roles were in thefilm noirsGilda (1946) andThe Big Heat (1953), and the high school dramaBlackboard Jungle (1955). However, it was for comedies or westerns that he received acting laurels, including threeGolden Globe Award nominations forBest Actor – Motion Picture Musical or Comedy, winning forPocketful of Miracles (1961). He also played a supporting role asSuperman's mild-mannered alter-ego Clark Kent's adoptive farmer father,Jonathan Kent, in the first film of the franchise seriesSuperman (1978).[1]
Five of his films have been selected for theNational Film Registry by theLibrary of Congress as being "culturally, historically or aesthetically" significant:Gilda (1946),The Big Heat (1953),Blackboard Jungle (1955),3:10 to Yuma (1957) andSuperman (1978).
Gwyllyn Samuel Newton Ford was born on May 1, 1916, inSainte-Christine-d'Auvergne, Quebec,Canada[2][3] the son of Hannah Wood (née Mitchell) and Newton Ford, anengineer with theCanadian Pacific Railway.[4][5] Through his father, Ford was a great-nephew ofCanada's firstPrime Minister, SirJohn A. Macdonald,[6] and was also related to America's eighth PresidentMartin Van Buren (1782–1862, served 1837–1841). In 1922, when Ford was age six, the family emigrated southwest across the border into theUnited States, first toVenice, California, and then toSanta Monica, west ofLos Angeles; his father, Newton became amotorman on atram / streetcar for the Venice Electric Tram Company, a job he held until he died at age 50 in 1940, when his son Glenn was age 24.[5]
While attendingSanta Monica High School, Glen was active in school drama productions with other future actors such asJames Griffith. After graduation around 1934, he began working in small theatre groups. While in high school, he took odd jobs, including working for future famous comedian / entertainerWill Rogers, who taught him horsemanship.[2] Ford later commented that his father had no objection to his growing interest in acting, but told him, "It's all right for you to try to act, if you learn something else first. Be able to take a car apart and put it together. Be able to build a house, every bit of it. Then you'll always have something."[7] Ford heeded the paternal advice and decades later during the 1950s, when he was one of Hollywood's most popular actors, he regularly worked on plumbing, wiring, and air conditioning at his home.[7]
At age 23, Ford gave up his status as a subject of the King (Canadian citizenship) and became anaturalized citizen of the United States on November 10, 1939, taking the oath of allegiance.[8]
Ford acted in West Coast stage companies and had a role in the shortNight in Manhattan (1937) before joiningColumbia Pictures in 1939. His stage name came from his father's hometown ofGlenford, Alberta.[9]
His first major movie part was inHeaven with a Barbed Wire Fence (1939) at20th Century Fox studios, written byDalton Trumbo. Ford's first movie for Columbia was a "B",My Son Is Guilty (1939). He went on to other "B" movies such asConvicted Woman (1940),Men Without Souls (1940),Babies for Sale (1940) andBlondie Plays Cupid (1941).
Ford was in the bigger budgetedThe Lady in Question (1940), which co-starredRita Hayworth. This was a well-received courtroom drama in which Ford plays a young man who falls in love with Rita Hayworth when his father,Brian Aherne, tries to rehabilitate her in their bicycle shop. Directed by Hungarian emigreCharles Vidor, the two rising young stars instantly bonded.
Top Hollywood directorJohn Cromwell was impressed enough with his work to borrow him from Columbia for the independently produced drama,So Ends Our Night (1941), where Ford delivered a poignant portrayal of a 19-year-oldGerman exile on the run inNazi-occupied Europe.
Working with Academy Award-winningFredric March and wooing (onscreen) 30-year-oldMargaret Sullivan, (who had been nominated for anAcademy Award "Oscar" for 1938'sThree Comrades), Ford's portrayal of a shy, ardent young refugee riveted attention even in such stellar company. "Glenn Ford, a most promising newcomer," wroteThe New York Times'sBosley Crowther in a review on February 28, 1941, "draws more substance and appealing simplicity from his role of the boy than any one else in the cast."[10]
After the film's highly publicized premiere inLos Angeles and a gala fundraiser inMiami, PresidentFranklin D. Roosevelt saw the film in a private screening at theWhite House, and admired the film greatly. Young Ford was invited to Roosevelt's annual Birthday Ball. Inspired and enthused by the President, he returned to Los Angeles and promptly registered as aDemocrat and a fervent FDR supporter. "I was so impressed when I met Franklin and Eleanor Roosevelt," recalled Glenn Ford to his son decades later, "I was thrilled when I got back to Los Angeles and found a beautiful photograph personally autographed to me. It always held a place of high honor in my home."[11]
After 35 interviews and glowing reviews for him personally, Glenn Ford soon had young female fans begging for his autograph, too. However, the young man was disappointed when Columbia Pictures did nothing with this prestige and new visibility and instead kept plugging him into conventional films for the rest of his 7-year contract. His next pictureTexas was his first Western, a genre with which he would be associated for the rest of his life. Set after theAmerican Civil War, it paired him with another young male star also under contract,William Holden, who became a lifelong friend. More routine films followed, none of them memorable, but lucrative enough to allow Ford to buy his mother and himself a beautiful new home in thePacific Palisades community..
So Ends Our Night also affected the young star in another way: in the summer of 1941, while the United States was still neutral in theSecond World War, he enlisted in theUnited States Coast Guard Auxiliary, though he had a class 3 deferment (for being his mother's sole support). He began his training in September 1941, driving three nights a week to his waterfront unit inSan Pedro and spending most weekends there.
He continued to appear in movies for Columbia such asGo West, Young Lady (1941), andThe Adventures of Martin Eden (1942).
Ten months after Ford's portrait of a young anti-Nazi exile, the United States entered World War II with theImperial Japanese surprise attack on thePearl Harbor naval and air bases inHawaii. After playing a young pilot in his 11th Columbia film,Flight Lieutenant (1942), Ford went on a cross-country 12-city tour to sell war bonds for Army and Navy Relief. In the midst of the many stars also donating their time – fromBob Hope toCary Grant toClaudette Colbert – he met the popular dancing starEleanor Powell. The two soon fell in love; they attended the official opening of theHollywoodUSO canteen together in October.
Ford madeThe Desperadoes (1942), another Western. Then, while making another war drama,Destroyer with ardent anti-fascistEdward G. Robinson, Ford impulsively volunteered for theUnited States Marine Corps Reserve on December 13, 1942. The startled studio had to beg the Marines to give their second male lead four more weeks to complete shooting on their picture.[12] In the meantime, Ford proposed to Eleanor Powell, who subsequently announced her retirement from the screen to be near her fiancé as he started Marine Corps boot camp.
Ford recalled later to his son that his friendWilliam Holden, who had joined theU.S. Army Air Corps, and Ford had "talked about it and we were both convinced that our careers, which were just getting established, would likely be forgotten by the time we got back ... if we got back."[13]
He was assigned in March 1943 to active duty at the Marine Corps Base inSan Diego. With his Coast Guard service, he was offered a position as a Marine Corps officer, but Ford declined, feeling it would be interpreted as preferential treatment for a movie star and instead entered the Marines as a private. He trained at the Marine base in San Diego, whereTyrone Power, the number-one male movie star at the time, was also based. Power suggested Ford join him in the Marines' weekly radio showHalls of Montezuma, broadcast Sunday evenings from San Diego. Ford excelled in training, winning theRifle Marksman Badge, being named "Honor Man" of the platoon and being promoted to sergeant by the time he finished.
Awaiting assignment atCamp Pendleton Marine Corps base, Ford volunteered to play a Marine raider – uncredited – in the filmGuadalcanal Diary, made by Fox, with Ford and others charging up the beaches of Southern California. He later showed this to his little boy Peter, along with his many other black-and-white battle scenes in other films. Frustratingly for Ford, filming battle scenes was the closest he would ever get to any enemy action. After being sent to Marine Corps Schools Detachment (Photographic Section) inQuantico, Virginia, three months later, Ford returned to the San Diego base in February 1944 and was assigned to the radio section of the Public Relations Office, Headquarters Company, Base Headquarters Battalion, where he resumed work on theHalls of Montezuma film.
Just as Eleanor, now his wife, was expecting the birth of their child and Ford himself was looking forward to Officers Training School, he was hospitalized at the U.S. Naval Hospital in San Diego with what turned out to beduodenal ulcers,[14] which afflicted him for the rest of his life. He was in and out of the hospital for the next five months and finally received a medical discharge on the third anniversary ofPearl Harbor, December 7, 1944. Though without the combat duty he had been hoping for, Ford was awarded several service medals for his three years in the Marines Reserve Corps: theAmerican Campaign Medal, theAsiatic-Pacific Campaign Medal, and theWorld War II Victory Medal, created in 1945 for anyone who had been on active duty since December 1941.After the war, Ford continued his military career in the U.S. Naval Reserve well into theVietnam War era, achieving the rank of captain.
The most memorable role of Ford's early career came with his first postwar film in 1946, starring alongsideRita Hayworth inGilda. This was Glenn Ford's second pairing with Hayworth; like the first it was directed by Charles Vidor.
The New York Times movie reviewer Bosley Crowther did not much like or, as he freely admitted, even understand the movie, but he noted that Ford had "just returned from war duty" and did show "a certain stamina and poise in the role of a tough young gambler."[15]
Reviewing the film in 1946, Crowther did not yet have the phrase with whichGilda would soon be associated, a term that French critics had not even invented in 1946:film noir. The erotic sadism and covert homoeroticism were actively encouraged on set by director Vidor, a sophisticated Budapest-born expatriate, though Glenn Ford always denied any awareness of the latter in his character's fervent loyalty to his boss, who had unwittingly married the love of Johnny's life.
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The film was entered in theCannes Film Festival inFrance, then in its first year. Ford went on to be a leading man opposite Hayworth in a total of five films.[3] and after their location romance (his marriage survived, hers did not) the two became lifelong friends and next-door neighbors, and lovers. Beautifully shot in black-and-white by cinematographer Rudolph Mate,Gilda has endured as a classic of film noir. It has a 96% rating on Rotten Tomatoes, and, in 2013, was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[16]
Now established as a star of "A" movies, Ford was borrowed byWarner Bros studios to playBette Davis' leading man inA Stolen Life (1946). Back at Columbia he was inGallant Journey (1946), a biopic ofJohn Joseph Montgomery; then he did a thrillerFramed (1947) and a comedy,The Mating of Millie (1948). He and Hayworth were reunited with Vidor in the expensive color filming of the drama,The Loves of Carmen (1948).
Ford appeared in a comedy,The Return of October (1948) and a popular WesternThe Man from Colorado (1948). The latter co-starred William Holden. Both Ford and his friend William Holden flourished throughout the 1950s and 1960s, but Ford was frustrated that he was not given the opportunity to work with directors of the caliber that Holden did in his Oscar-winning career, such asBilly Wilder andDavid Lean. He missed out onFrom Here to Eternity – as did Rita Hayworth – when production was stalled by Columbia studio headHarry Cohn. He also made the mistake, which he bitterly regretted later, of turning down the lead in the brilliant comedyBorn Yesterday (also planned with Rita Hayworth), which Holden then snatched up.
Columbia kept Ford constantly busy:The Undercover Man (1949), a film noir;Lust for Gold (1949), a Western withIda Lupino; andMr. Soft Touch (1949), withEvelyn Keyes - another crime mystery / film noir.MGM borrowed him forThe Doctor and the Girl (1950), and he went over toRKO Studios forThe White Tower (1950).
Back at Columbia, Ford didConvicted (1950) withBroderick Crawford andThe Flying Missile, aCold War era movie.
Ford went to Paramount forThe Redhead and the Cowboy (1951) and Fox forFollow the Sun (1951) where he playedBen Hogan, and the WesternThe Secret of Convict Lake (1951). At United Artists he starred inThe Green Glove (1952) then MGM called him back forYoung Man with Ideas (1952).
Ford was reunited with Rita Hayworth a third time inAffair in Trinidad (1952). He went to Britain to star in MGM'sTime Bomb (1953) then to Universal for the WesternThe Man from the Alamo (1953).
Ford madePlunder of the Sun (1953) with John Farrow, then was cast in the lead ofThe Big Heat (1953),Fritz Lang's classic crime melodrama withGloria Grahame, at Columbia. AfterAppointment in Honduras (1953) at RKO, Ford reunited with Lang and Grahame inHuman Desire (1954). Ford did two Westerns,The Americano (1955) at RKO andThe Violent Men (1955) at Columbia.
Ford's career went up another notch when cast in the lead ofBlackboard Jungle (1955), a landmark film of teen angst at MGM. Unlike the comparatively white-breadRebel Without a Cause andThe Wild One, Blackboard Jungle tackled racial conflicts head-on. Ford played an idealistic, harassed teacher at an urban high school that included a very youngSidney Poitier and other black and Hispanic cast members.Vic Morrow played a dangerous juvenile delinquent.Bill Haley's "Rock Around the Clock" under the opening credits was the first use of a rock and roll song in a Hollywood film. Richard Brooks, the film's writer and director, had discovered the music when he heard Ford's son Peter playing the record at Glenn Ford's home.
The movie was a huge hit and MGM signed Ford to a long-term contract. They put him inInterrupted Melody (1955) a biopic ofMarjorie Lawrence withEleanor Parker, and another big success; so too were the dramasTrial (1956) andRansom! (1956).
Ford returned to Columbia for the WesternJubal (1956), then back at MGM made another Western, the hugely popularThe Fastest Gun Alive (1956).
Ford's versatility allowed him to star in a number of popular comedies, often as a beleaguered, well-meaning but nonplussedstraight man facing difficult circumstances. InThe Teahouse of the August Moon (1956), he played an American soldier who is sent toOkinawa to convert the occupied island's natives to the American way of life but is instead converted by them.
All of Ford's starring vehicles in this era became hits: the Columbia Western3:10 to Yuma (1957), the MGM military comedyDon't Go Near the Water (1957) andCowboy (1958) with Jack Lemmon at Columbia.
Ford first worked with directorGeorge Marshall inThe Sheepman (1958), a popular MGM Western. They reteamed for the service comedyImitation General (1958) and the war filmTorpedo Run (1958). He and Marshall made two comedies with Debbie Reynolds:It Started with a Kiss (1959) andThe Gazebo (1959). At the end of the 1950s, Ford was among the greatest stars in Hollywood.
Ford's first financial flop since he had reached star status was the epic WesternCimarron (1960). He appeared in some comedies, includingCry for Happy (1961) with Marshall andPocketful of Miracles (1961) with Frank Capra, but neither was as well-received as were his comedies from the previous decade. Ford was cast in the lead ofThe Four Horsemen of the Apocalypse (1961), a notorious box office fiasco.[17]
Ford's box office standing recovered with the thrillerExperiment in Terror (1962) and the comedyThe Courtship of Eddie's Father (1963). Less popular were the comediesLove Is a Ball (1963) andAdvance to the Rear (1964), the latter directed by Marshall. He was in the dramaFate Is the Hunter (1964) and the romantic comedyDear Heart (1964).
Ford made two films with Burt KennedyThe Rounders (1965), andThe Money Trap (1965). He was one of many famous faces inIs Paris Burning? (1966) and went to Mexico forRage (1966).
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Ford was in some Westerns:A Time for Killing (1967),The Last Challenge (1967),Day of the Evil Gun (1968),Smith! (1968), andHeaven with a Gun (1969).
In 1976, Ford played Rear AdmiralRaymond Spruance in the epicMidway alongside Henry Fonda, who portrayed Admiral Chester Nimitz, and Charlton Heston, who played the fictional captain Matt Garth. In 1978, Ford had a supporting role inSuperman asClark Kent's adoptive fatherJonathan Kent.[3]
Following his abbreviated World War II-era service, Ford returned to the military in 1958. He received adirect commission as alieutenant commander in theUnited States Naval Reserve (a nominally junior yet relatively high rank that took Ford's Hollywood imprimatur into consideration, given his conspicuous lack of an undergraduate degree amid the contemporaneousCold War-era emphasis on education in the officer ranks ofUnited States Armed Forces) and was initially assigned as apublic affairs officer (the same role held by his character in the successful comedyDon't Go Near the Water). During his annual training tours, he promoted the Navy through radio and television broadcasts, personal appearances and documentary films.
Ford continued to combine his film career with his military service and was promoted tocommander in 1963. He was again promoted tocaptain in 1968 after visitingSouth Vietnam in 1967 for a month's tour of duty as a location scout for combat scenes in a training film entitledGlobal Marine. In support of PresidentLyndon Johnson's escalation of theVietnam War, he traveled with a combat camera crew from theVietnamese Demilitarized Zone south to theMekong Delta. For his service in Vietnam, the Navy awarded him aNavy Commendation Medal. He retired from the Naval Reserve in the 1970s at the rank of captain.[18] Additionally, he was awarded theArmed Forces Reserve Medal, which recognizes those who complete ten years of honorable reserve service, in 1968.
In 1971, Ford signed withCBS to star in his first television series, a half-hour comedy/drama titledThe Glenn Ford Show. However, CBS headFred Silverman suggested a Western series instead, which resulted in the seriesCade's County. Ford played southwestern Sheriff Cade for one season (1971–1972) in a mix of police mystery and Western drama.
InThe Family Holvak (1975–1976), Ford portrayed aDepression-era preacher in a family drama, reprising the same character that he had played in the TV filmThe Greatest Gift. In 1978, Ford was host, presenter and narrator of the disaster documentary seriesWhen Havoc Struck for theMobil Showcase Network. In 1981, Ford costarred with Melissa Sue Anderson in the slasher filmHappy Birthday to Me.
In 1991, Ford agreed to star in the cable network seriesAfrican Skies. However, prior to the start of the series, he developed blood clots in his legs that required a lengthy stay atCedars-Sinai Medical Center. Eventually he recovered, but at one time his situation was so severe that he was listed in critical condition. Ford was forced to withdraw from the series and was replaced byRobert Mitchum.
In 1950, Ford played the title role inThe Adventures of Christopher London, created byErle Stanley Gardner and directed byWilliam N. Robson. London was a private investigator in the weekly adventure series, which ran on Sundays at 7 p.m. on the NBC radio network from January 22 to April 30, 1950.[19]
Ford's first wife was actress and dancerEleanor Powell (1943–1959), with whom he had his only child, actorPeter Ford (b. 1945). The couple appeared together on screen once in a short film produced in the 1950s titledHave Faith in Our Children. When they married, Powell was more famous than Ford.[3] They divorced in 1959.
Ford did not remain on good terms with his ex-wives. He was a notorious womanizer who had affairs with many of his leading ladies, includingRita Hayworth,Maria Schell,Geraldine Brooks,Stella Stevens,Gloria Grahame,Gene Tierney,Eva Gabor andBarbara Stanwyck. He had a one-night stand withMarilyn Monroe in 1962 and a fling withJoan Crawford in the early 1940s.
Ford datedChristiane Schmidtmer,Linda Christian andVikki Dougan during the mid-1960s, and he also had relationships withJudy Garland,Connie Stevens,Suzanne Pleshette,Rhonda Fleming,Roberta Collins, Susie Lund,Terry Moore,Angie Dickinson,Debbie Reynolds,Jill St. John,Brigitte Bardot andLoretta Young. However, he subsequently married actressKathryn Hays (1966–1969); marriages to Cynthia Hayward (1977–1984) and Jeanne Baus (1993–1994) would later follow. However, all four marriages ended in divorce. He also had a long-term relationship with actressHope Lange in the early 1960s. According to his son Peter Ford's bookGlenn Ford: A Life (2011), Ford had affairs with 146 actresses, all of which were documented in his personal diaries, including a 40-year, intermittent affair with Rita Hayworth that began during the filming ofGilda in 1945. Their affair resumed during the making of their 1948 filmThe Loves of Carmen.[20][21] Ford had also been engaged to Debra Morris in the 1980s and Karen Johnson in the early 1990s.
In 1960, Ford moved to a home next to Hayworth's residence in Beverly Hills; they continued their relationship until the early 1980s.[22][21][23][24][25]
Ford's affair with stripper and cult actressLiz Renay was chronicled by her in the 1991 bookMy First 2,000 Men. She ranked Ford as one of her top five best lovers.
Ford also documented his many relationships by taping every phone conversation with all of his celebrity lovers and friends for 40 years. PresidentsRichard Nixon andRonald Reagan are on these recordings, as well asRita Hayworth,Frank Sinatra,William Holden,John Wayne,Cary Grant,Ava Gardner,Gregory Peck,James Mason,Lucille Ball,James Stewart,Henry Fonda,Angie Dickinson,Joan Crawford,Bette Davis,Charlton Heston andDebbie Reynolds. Ford installed the recording system to eavesdrop on the conversations of his first wife Eleanor Powell, fearing that she would discover his serial cheating and leave him. She divorced him in 1959 on grounds of adultery and mental cruelty.
At the height of his stardom, Glenn Ford supported theDemocratic Party. He supportedFranklin D. Roosevelt in the 1940s,Adlai Stevenson II in 1956 andJohn F. Kennedy in 1960. Ford later switched his support to theRepublican Party. He campaigned for his old friend and fellow actorRonald Reagan in the 1980 and 1984 presidential elections.[26]
In May 1980, Ford attempted to purchase theAtlanta Flames of theNational Hockey League, with the intention of keeping the team in the city. He was prepared to match a $14 million offer made byByron andDaryl Seaman, but was outbid by an investment group led byNelson Skalbania, which included the Seaman brothers. The group acquired the franchise for $16 million on May 23 and eventually moved it toCalgary.[27][28]
Ford lived in Beverly Hills, California, where he illegally raised 140leghorn chickens until he was stopped by the Beverly Hills Police Department.[29]
Ford retired from acting in 1991 at age 75 with heart and circulatory problems. He suffered a series of minorstrokes that left him in frail health in the years preceding his death. He died at his Beverly Hills home on August 30, 2006, at the age of 90.[30]
After being nominated in 1957, 1958 and in 1962, Ford won aGolden Globe Award as Best Actor for his performance inFrank Capra'sPocketful of Miracles, a remake ofLady for a Day (1933) that Ford helped produce.
Ford was listed in Quigley's Annual List of Top Ten Box Office Champions in 1956, 1958 and 1959, topping the list in 1958. For 10 consecutive years from 1955 through 1964, Ford was listed among Quigley's list of the top 25 box-office stars.
In 1958, Ford won theGolden Laurel Award for Top Male Comedy Performance for his role inDon't Go Near the Water.[31]
For his contribution to the motion-picture industry, Ford has a star on theHollywood Walk of Fame at 6933 Hollywood Blvd. In 1978, he was inducted into theWestern Performers Hall of Fame at theNational Cowboy & Western Heritage Museum inOklahoma City, Oklahoma. In 1987, he received theDonostia Award at theSan Sebastian International Film Festival, and in 1992, he was awarded theLégion d'honneur medal for his actions in World War II.
Ford was scheduled to make his first public appearance in 15 years at a 90th-birthday tribute gala in his honor[32] hosted by the American Cinematheque atGrauman's Egyptian Theatre in Hollywood on May 1, 2006. However, at the last minute, it was decided that he was too ill to attend. Anticipating during the previous week that his health might prevent his attendance, Ford had recorded a special filmed message for the audience, which was screened after a series of in-person tributes from friends includingMartin Landau,Shirley Jones,Jamie Farr andDebbie Reynolds.[33]
Asteroid3852 Glennford is named in honour of Ford.
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In a 1981 interview, Ford said his favorites of his own films wereThe Blackboard Jungle,Gilda,Cowboy,3:10 to Yuma,The Sheepman andThe Gazebo. "They may not have been the best pictures I did, but they're the ones I remember most fondly because of the people involved," he said. "People like George Marshall, who directed six pictures with me, and Debbie Reynolds."[35]
For many years, the Quigley Publishing Company's Poll of Film Exhibitors ranked Ford as one of the most popular stars in the US:
| Year | Program | Episode/source | |
|---|---|---|---|
| 1942 | Lux Radio Theatre | A Man to Remember[36] | |
| 1946 | Lux Radio Theatre | Gallant Journey[37] | |
| 1947 | Suspense | "End of the Road"[38][39] | |
| 1947 | Lux Radio Theatre | A Stolen Life[40] | |
| 1949 | Lux Radio Theatre | The Mating of Millie[41] |
