Glen Keane | |
|---|---|
Keane in 2017 | |
| Born | Philadelphia,Pennsylvania, U.S. |
| Occupations |
|
| Years active | 1973–present |
| Employer(s) | Filmation (1973) Walt Disney Animation Studios (1974–2012) |
| Spouse | |
| Children | Claire Keane Max Keane |
| Parents |
|
| Relatives | Jeff Keane (brother) |
| Awards | Academy Award for Best Animated Short Film Dear Basketball (2017) |
| Signature | |
Glen Keane is an American animator, director, author and illustrator. As acharacter animator atWalt Disney Animation Studios for 38 years (1974–2012), he worked on feature films includingThe Little Mermaid,Beauty and the Beast,Aladdin,Pocahontas,Tarzan andTangled. He received the 1992Annie Award for character animation and the 2007Winsor McCay Award for lifetime contribution to the field of animation. He was named aDisney Legend in 2013, a year after retiring from the studio.
In 2017, Keane directedDear Basketball, an animated short film based onKobe Bryant's retirement poem inThe Players' Tribune, for which Keane and Bryant received theAcademy Award for Best Animated Short Film at the90th Academy Awards.
Keane was born inPhiladelphia, the son of cartoonistBil Keane, creator ofThe Family Circus, and Australian-bornThelma Keane (née Carne). He grew up inParadise Valley, Arizona next toScottsdale, as aCatholic.[1][2]
Keane's interest in art developed from observing his father's work as a cartoonist.[3] (Keane's father based hisFamily Circus character of Billy on Glen's younger self.) To encourage Glen to draw, his father gave him a copy ofBurne Hogarth'sDynamic Anatomy, and recommended he observe body forms and practice creative approaches to life drawing.
After graduating from high school atBrophy College Preparatory inPhoenix in 1972,[4] Keane applied to theCalifornia Institute of the Arts School of Art inSanta Clarita, southwest ofPalmdale, rather than accepting a football scholarship to another college. His application was accidentally sent to the Program in Experimental Animation (then called Film Graphics), where he was mentored byJules Engel.[3]

Keane left CalArts in 1974 and joined Disney the same year, where he spent three years working with veteran animatorOllie Johnston on the charactersBernard andPenny inThe Rescuers. He then animated Elliott the Dragon inPete's Dragon, and the climactic bear showdown inThe Fox and the Hound.
In 1982, inspired by the groundbreaking filmTron, Keane collaborated with animatorJohn Lasseter (Toy Story,Toy Story 2) on a 30-second test scene ofMaurice Sendak'sWhere the Wild Things Are, which was optioned for them by Disney executive Tom Wilhite.[5] The test integrated traditional character animation and computer-generated backgrounds (Video onYouTube), and, likeTron, was a collaboration withMAGI. It was Disney's first experiment with digitally-drawn characters.[6] Although the project was revolutionary (and became a predecessor to the famous ballroom scene inBeauty and the Beast), Disney declined to invest further in the featurette due to its cost.
In 1983, Keane left contract employment with Disney and worked as a freelance artist.[3] He animated the character Professor Ratigan in Disney'sThe Great Mouse Detective; the "Boys and Girls of Rock n' Roll" and "Getting Lucky" inThe Chipmunk Adventure; and the charactersFagin,Sykes,Jenny Foxworth, andGeorgette inOliver & Company.
He became a lead character animator, one of the group of young animators mentored by "Disney's Nine Old Men". Keane animated some of Disney's most memorable characters in what has been called the "New "Golden Age" of Disney Animation.[7][self-published source] He designed and animated the character ofAriel in the filmThe Little Mermaid (1989), and the eagleMarahute inThe Rescuers Down Under. He was supervising animator for the title characters of the three Disney hit featuresBeauty and the Beast,Aladdin, andPocahontas. While living with his family inParis for three years, Keane completed work on Disney's 1999Tarzan, for which he drew the eponymous character. He returned to Disney's studio inBurbank, California as the lead animator forJohn Silver inTreasure Planet.
In 2003, he began work as the director of Disney's animated filmTangled (based on theBrothers Grimm storyRapunzel), released in November 2010, where Keane and his team strove to bring the style and warmth of traditional animation to computer animation. In October 2008, due to "non-life-threatening health issues", Keane stepped back as director ofTangled, but remained the film's executive producer and an animating director.[8]
On March 23, 2012, Keane left Walt Disney Animation Studios after 37 years there. In a letter to his coworkers, he said, "I owe so much to those great animators who mentored me–Eric Larson,Frank Thomas, andOllie Johnston –as well as to the many other wonderful people at Disney whom I have been fortunate to work with in the past nearly 38 years. I am convinced that animation really is the ultimate form of our time with endless new territories to explore. I can’t resist its siren call to step out and discover them."[9] He later said that one of the reasons he left Disney was his experience during the production ofTangled, which underwent several storyline and title changes. He felt that in a big studio like Disney, there were too many conflicting interests, with management pulling people "in too many different directions".[10]
In December 2013, it was announced that Keane joinedMotorola's Advanced Technology and Projects Group to help its engineers create interactive hand-drawn animation.[11][12] He released his first animated short,Duet, at theGoogle I/O Conference inSan Francisco on June 25, 2014. It is the first hand-drawn cartoon made at 60frames per second,[13] and the third in a series of shorts, called the Spotlight Stories, designed to explore spatial awareness and the sensory inputs of a mobile device to create distinctive storytelling experiences.[14] When Google sold its Motorola subsidiary in early 2014, Keane and his group remained there.[15]
In 2015, it was revealed that Keane and 16 other prominent artists and filmmakers had been hired by theParis Opera to work on their 3rd Stage project. Keane is the creator of the animated shortNephtali (a reference to Jacob's blessings and Psalm 42), on which he collaborated with choreographer and ballet dancerMarion Barbeau.[16]
In addition to his work as ananimator, Keane has written and illustrated a series ofchildren's books based onBible parables, featuring the characters Adam Raccoon and King Aren the Lion. Keane directed the Chinese animated filmOver the Moon, about a girl who builds a rocket and flies to the moon to meet a legendarymoon goddess. Written byAudrey Wells, produced byPearl Studio, and animated bySony Pictures Imageworks, it was released onNetflix on October 23, 2020.[17][18][19]
At the2018 Academy Awards, Keane shared theAcademy Award for Best Animated Short Film withKobe Bryant forDear Basketball, which was based on a poem Bryant wrote on his retirement.[20] On May 26, 2018 Keane received the 2017 Reuben Award for the Cartoonist of the Year[21] in his hometown of Philadelphia.
In 1975, during the production of his debut film, Keane married Linda Hesselroth. They are the parents of author and illustratorClaire Keane and animatorMax Keane.[22]
Keane has been cited as an artist withaphantasia, a condition characterized by an inability to form mental images.[23][24][25] He is aChristian.[26][27]
| Year | Title | Credits | Characters | Notes |
|---|---|---|---|---|
| 1973 | My Favorite Martians | Layout Artist | TV series byFilmation | |
| Star Trek: The Animated Series | ||||
| Lassie's Rescue Rangers | ||||
| Mission: Magic! | ||||
| 1977 | The Rescuers | Character Animator | Bernard, Miss Bianca and Penny | |
| Pete's Dragon | Elliott the Dragon | |||
| 1979 | A Family Circus Christmas (TV Movie short) | Animator / Models | ||
| 1981 | The Fox and the Hound | Supervising Animator | The Bear, Vixey, Tod, Copper, The Badger, The Porcupine, and Tod's Mother | |
| 1983 | Mickey's Christmas Carol (Short) | Animator | ||
| 1986 | The Great Mouse Detective | Supervising Animator | Professor Ratigan | |
| 1987 | The Chipmunk Adventure | Animator / Storyboard Artist | ||
| 1988 | Oliver & Company | Character Designer / Supervising Animator | Sykes, Georgette, Fagin and Jenny Foxworth | |
| 1989 | The Little Mermaid | Ariel | ||
| 1990 | The Rescuers Down Under | Storyboard Artist / Supervising Animator / Character Designer / Visual Development Artist | Marahute | |
| 1991 | Beauty and the Beast | Supervising Animator | Beast | |
| 1992 | Aladdin | Aladdin | ||
| 1995 | Pocahontas | Story / Supervising Animator / Visual Development Artist / Character Designer | Pocahontas | |
| 1999 | Tarzan | Story / Supervising Animator | Tarzan | |
| 2002 | Treasure Planet | Supervising Animator | Captain Long John Silver | |
| 2003 | Mickey's PhilharMagic (Short) | Animator | Ariel | |
| 2008 | Bolt | Special Thanks | ||
| 2010 | Tangled | Executive Producer / Animation Supervisor / Character Designer / Supervising Animator | Rapunzel | |
| 2011 | Adam and Dog (Short) | Film Consultant | ||
| 2012 | Paperman (Short) | Character Designer | Meg | |
| Wreck-It Ralph | Additional Visual Development Artist | |||
| 2014 | Duet (Short) | Director / Animator | ||
| 2016 | Invasion! (Short) | Special Thanks | ||
| 2017 | Dear Basketball (Short) | Director / Animator | Academy Award for Best Animated Short Film | |
| 2020 | Over the Moon | Director / Executive Producer / Character Designer / Story Artist / Voice Actor (Space Dog and Rail Worker #3) | Feature directorial debut[17] |
• Original illustrations from his children's books atAdamRaccoon.com