| "Girl from the North Country" | |
|---|---|
| Song byBob Dylan | |
| from the albumThe Freewheelin' Bob Dylan | |
| Released | May 27, 1963 |
| Recorded | April 24, 1963 |
| Studio | Columbia, New York City |
| Genre | Folk |
| Length | 3:22 |
| Label | Columbia |
| Songwriter | Bob Dylan |
| Producer | John H. Hammond |
"Girl from the North Country" (occasionally known as "Girlof the North Country"[1]) is asong written byBob Dylan. It was recorded atColumbia Recording Studios in New York City in April 1963, and released the following month as the second track on Dylan's second studio album,The Freewheelin' Bob Dylan.
A large amount of writing and journalistic research has been devoted to trying to ascertain the true identity of who the "Girl" from the North Country might be, and has often been associated with one of Dylan's early girlfriends. It continues to be debated as to whom this song is a tribute to. Some claim former girlfriendEcho Helstrom, and someBonnie Beecher, both of whom Dylan knew before leaving for New York. However, it is suspected that this song could have been inspired by his New York girlfriend,Suze Rotolo.
"Girl from the North Country" has been featured on several different albums by Dylan over the years, in different versions and occasional duets. According to Dylan's own official website, Dylan performed the song 569 times live between 1963 and 2019. The song has had over two dozen covers by significant artists over the decades since its original release. Dylan re-recorded the song as a duet withJohnny Cash in February 1969. This recording became the opening track onNashville Skyline, Dylan's ninth studio album.
The song was written following Dylan's first trip toEngland in December 1962, upon what he thought to be the completion of his second album. It is debated as to whom this song is a tribute: some claim former girlfriendEcho Helstrom,[2] and someBonnie Beecher,[1] both of whom Dylan knew before leaving for New York. However, it is suspected that this song could have been inspired by his then girlfriend,Suze Rotolo.
In an interview withAnthony Scaduto included in his bookThe Dylan Tapes: Friends, Players and Lovers Talkin Early Bob Dylan, Echo Helstrom is quoted as answering:
Dylan left England for Italy to search for Rotolo, whose continuation of studies there had caused a serious rift in their relationship. Unbeknownst to Dylan, she had already returned to the United States, leaving about the same time that he arrived in Italy. It was there that he finished the song, ostensibly inspired by the apparent end of his relationship with Rotolo. Upon his return to New York in mid-January, he persuaded her to get back together, and to move back into his apartment on4th Street. Rotolo is the woman featured on the album cover, walking arm in arm with Dylan downJones Street, not far from their apartment.[4] In her introduction to the Scaduto book of interviews, Stephanie Trudeau states that Rotolo was the likely inspiration for the related Dylan song "Boots of Spanish Leather".[3]
In his book about Dylan, Howard Sounes offers the opinion that Dylan may have been utilizing the largely autobiographical song as a way to gain favor with different girlfriends whom he dated over the years. Sounes states: "... one wondered which girlfriend Bob was singing about... Bob later gave Echo (Helstrom) the impression (that it) was her song. But, no doubt thinking that women were flattered by having songs written about them, Bob led another north country girlfriend, Bonnie Beecher, to think the same... Later in 1963, when he performed the song on a radio show... Bob indicated that the song was about an idealized woman, saying, 'This is dedicated toall the north country girls.'"[5]
While in London, Dylan met several figures in the local folk scene, including English folksingerMartin Carthy. "I ran into some people in England who really knew those [traditional English] songs," Dylan recalled in 1984. "Martin Carthy, another guy named[Bob] Davenport. Martin Carthy's incredible. I learned a lot of stuff from Martin." Carthy exposed Dylan to a repertoire of traditional English ballads, including Carthy's own arrangement of "Scarborough Fair", which Dylan drew upon for aspects of the melody and lyrics of "Girl from the North Country", including the line from the refrain "Remember me to one who lives there, she once was a true love of mine". Musically, this song is nearly identical to his composition "Boots of Spanish Leather",[6] composed and recorded one year later for the albumThe Times They Are a-Changin' (1964).
Todd Harvey notes that Dylan not only took the tune of "Scarborough Fair", which he learned from Martin Carthy in London, but also adapted the theme of that song. "Scarborough Fair" derives from "The Elfin Knight" (Child Ballad Number 2), which was first transcribed in 1670. In the song, a supernatural character poses a series of questions to an innocent, requesting her to perform impossible tasks. Harvey points out that Dylan "retains the idea of the listener being sent upon a task, a northern place setting, and an antique lyric quality".[7]
Carthy actually taught Dylan two English songs that would prove important for theFreewheelin' album. The second was a 19th-century ballad commemorating the death ofSir John Franklin in 1847, "Lady Franklin's Lament", which gave Dylan the melody for his composition "Bob Dylan's Dream". Both songs displayed Dylan's fast-growing ability to take traditional melodies and use them as a basis for highly personal songwriting.[8]
From England, Dylan traveled to Italy, and joinedAlbert Grossman, who was touring with his clientOdetta.[9] Dylan was also hoping to make contact with his girlfriend, Suze Rotolo, unaware that she had already left Italy and was on her way back to New York. Dylan worked on his new material, and when he returned to London, Martin Carthy received a surprise:
When he came back from Italy, he'd written "Girl From the North Country"; he came down to theTroubadour and said, "Hey, here's 'Scarborough Fair'" and he started playing this thing.[10]
Tom Leatham summarizes the lyrics of the song in an article about its duet by Dylan and Johnny Cash stating: "The track tells of a mystery woman and both Cash and Dylan sing of their longing for her. The song had first been written by Dylan when he visited England late in 1962 when he had been completing his second album. Many Dylan fans have deliberated on who the mystery woman in the song really is, with some suggesting it could have been any of his former girlfriends, Echo Helstrom, Bonnie Beecher or Suze Rotolo."[11] The fourth verse was not included in the duet version with Cash from 1969. Instead, the opening verse is repeated twice at the end. The duet version also switches places between verses two and three, compared to the 1963 solo version.[1]
Robert McColl writing forPopular Music History writes of the lyrics as expressing Dylan being divided between his actual memories of having seen his girlfriend and having had an encounter with her, with his later attempt to create a mental reconstruction of her long after the encounter.[12] As McColl states: "The song becomes, in part, about the difference between the mental image and the actual seeing. Among his many attributes, Dylan is an exemplary stopper and cutter-short: what the singer cannot see, here, he desists from imagining. This is a trend best exemplified by the penultimate verse":
McColl continues stating: "If verses two and three project the hanging of remembrance upon a single image—coat, and hair, respectively—we might expect the pattern to continue through the song, reconstructing the girl, so to speak, through parts. But verse four turns the tables, supplying no concrete image and questioning the viability of such a reconstruction, primarily of himself ('if she remembers me at all') but, to some extent, of her as well. We might assume that he prays for her to remember him, but are denied the luxury of that thought."[12]Richard F. Thomas in his book about Dylan commented about the originality of lyrics of the song irrespective of the melody's similarity to British folk songs stating: "The melody and much of the beauty of the song come from... the British folk song Dylan had heard in London... but the lyrics are all Dylan and are what bring this song to life".[13]
In an interview between Dylan,Tony Glover andPaul Nelson, Dylan commented on the meaning of the lyrics of the song to him stating: "You put down (to Glover)... 'Girl From The North Country'. I think 'Girl From The North Country' is beautiful. Not because I wrote it. [Girl: Play it.] I'll play it. I feel very close to that. I wrote that song with somebody else who knew what it was all about [Dylan plays the song]. 'Please see for me if her hair hangs long.' Man, [that]'s a gut-pulling line for me... and I wouldn't write it, if not. I was thinking about the whole thing, I'm not thinking [of] 'yonder sits a little magpie' as a love song. I can't think of a love song as this and that."[14]
All of the songs for the album recording ofFreewheelin' took place from April 1962 to April 1963, and the album was assembled from eight recording sessions atColumbia Records Studio A, located at 799 Seventh Avenue in New York City.[15] According toNat Hentoff, the date for the recording of "Girl from the North Country" was April 24, 1963.[16]
"Girl From the North Country" was released as the second track onThe Freewheelin' Bob Dylan album (May 1963). According to Scaduto, unlike his debut LP, it was an immediate success, selling 10,000 copies per month and bringing Dylan a monthly income of about $2,500[17] (equivalent to $25,700 in 2024). An article by Nat Hentoff on folk music appeared in the June issue ofPlayboy magazine and devoted considerable space to Dylan's achievements, calling him "the most vital of the younger citybillies."[17]
Rolling Stone magazine ranked the song 30th on a list of the "100 Greatest Bob Dylan Songs". In an article accompanying the list,Rolling Stones guitaristKeith Richards wrote: "While theBritish Invasion was going on, Bob Dylan was the man who really pulled the American point of view back into focus. At the same time, he had been drawing on Anglo-Celtic folk songs, and that's certainly true of 'Girl From the North Country'. It's got all the elements of beautiful folk writing without being pretentious. In the lyrics and the melody, there is an absence of Bob's later cutting edge. There's none of that resentment. He recorded it again later withJohnny Cash, but I don't think it's a duo song. Bob got it right the first time".[18]
Clinton Heylin mentions in his book a dispute between Dylan andPaul Nelson for mentioning personal details about his girlfriend in one of his reviews quoting Dylan as stating: "When you reviewed my record you mentioned Dylan wrote this song when his girlfriend went to Italy. I wish you['d] never done that, because that's...too personal. It's like me telling [about] something in your life, that means something to you [but] I know nothing about... It's not right. It's a sickness, and you don't dwell on people's sickness... That's the only thing in the article I disagree with, [pertaining] to me."[19]
According to his official website, Dylan performed the song 569 times live between 1963 and 2019.[20] During a live performance of the song in Oakland in November 1978, Clinton Heylin reports that Dylan "dedicated a live rendition to a north-country girl in the audience... That girl was Bonnie (Beecher)".[21] Live performances by Dylan appear on the albumsReal Live (1984),The 30th Anniversary Concert Celebration (1993; recorded 1992),[1]The Bootleg Series Vol. 13: Trouble No More 1979–1981 (Deluxe Edition) (2017; recorded 1981),Live 1962-1966: Rare Performances From The Copyright Collections (2018; recorded 1964), andThe Bootleg Series Vol. 15: Travelin' Thru, 1967-1969 (Deluxe Edition) (2019; recorded 1969). A February 1964 performance for Canadian television was included on the DVD release ofMartin Scorsese'sPBS television documentary on Dylan,No Direction Home in 2005.
In reference to Dylan's 2013 Rome performance on his European tour,Richard F. Thomas in his book on Dylan commented that: "Two of the songs he performed in Rome, "Girl of the North Country" and "Boots of Spanish Leather", bring in a further dimension. These two songs had been written... in Italy in early 1963, both with rich folk music traditions behind them, and if any single woman is behind 'Girl of the North Country', she probably came from where the song put her, up in... Minnesota. But their lyrics were also inextricably linked to Dylan's relationship with Suze Rotolo, whose absence had helped generate those songs fifty years before the Rome Concerts. Suze dies on February 25, 2011, so perhaps Dylan's performance of 'Boots...' in Rome was also a tribute to her. Whether or not that is so, only one person knows, and we're unlikely to hear from him on that score".[22]
The personnel for the album release is listed as:
Technical
Charts for response to album forThe Freewheelin' Bob Dylan from 1963:
| Chart (1963) | Peak position |
|---|---|
| USBillboard 200[23] | 22 |
| Chart (1965) | Peak position |
| UK Albums Chart[24] | 1 |
| Chart (2020) | Peak position |
| Portuguese Albums (AFP)[25] | 33 |
Charts for response toNashville Skyline in 1969:
| Year | Chart | Peak position |
|---|---|---|
| 1969 | Billboard 200[26] | 3 |
| 1969 | Cash Box Album Charts[27] | 3 |
| 1969 | Record World Album Charts[28] | 1 |
| 1969 | Spanish Albums Chart[29] | 4 |
| 1969 | UK Top 75[30] | 1 |
| Region | Certification | Certified units/sales |
|---|---|---|
| New Zealand (RMNZ)[31] | Gold | 15,000‡ |
‡ Sales+streaming figures based on certification alone. | ||
In 2017, a stage play was written titledGirl from the North Country and performed in England.[45][46] Irish playwrightConor McPherson wrote and directed it, and used Dylan's songs to tell the stories of various characters during theDepression years, set in Dylan's birthplace,Duluth, Minnesota, and features the title song in the second act. The play premiered in London in 2017.[45][46]
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