François Gilbert Léopold Silly[1] (24 October 1927 – 18 December 2001),[1] known professionally asGilbert Bécaud (French pronunciation:[ʒilbɛʁbeko]), was a French singer, composer, pianist and actor, known as "Monsieur 100,000 Volts"[2] for his energetic performances. His best-known hits are "Nathalie" and "Et maintenant", a 1961 release that became an English language hit as "What Now My Love". He remained a popular artist for nearly fifty years, identifiable in his dark blue suits, with a white shirt and "lucky tie"; blue with white polka dots. When asked to explain his gift he said, "A flower doesn't understand botany."[3] His favourite venue was theParis Olympia under the management ofBruno Coquatrix. He debuted there in 1954 and headlined in 1955, attracting 6,000 on his first night, three times the capacity. On 13 November 1997, Bécaud was present for the re-opening of the venue after its reconstruction.
Born inToulon, France, Bécaud learned to play the piano at a young age, and then went to the Conservatoire de Nice.[4] In 1942, he left school to join theFrench Resistance during World War II. He began songwriting in 1948, after meeting Maurice Vidalin, who inspired him to write his early compositions. He began writing forMarie Bizet; Bizet, Bécaud and Vidalin became a successfultrio, and their partnership lasted until 1950.
In 1952, he married Monique Nicholas.[5] They had three children.[6]
While touring withJacques Pills as a pianist, Bécaud metÉdith Piaf, Pills' wife at the time. He began singing at her suggestion in 1953, with "Mes Mains" and "Les Croix". His first performance came the year after. His hits in the later part of the decade included "La Corrida" (1956), "Le Jour où la Pluie Viendra" (1957), and "C'est Merveilleux L'amour" (1958).
In 1962, he completed his largest composition, the 2-act operaL'Opéra d'Aran, which was premiered at theThéâtre des Champs-Élysées on 25 October 1962 (Georges Prêtre conductor).[8] The plot of the opera takes place on theAran Islands, off the west coast of Ireland, although Bécaud had never been to Ireland before.[9]
After the opera's performances, he toured Europe and continued recording a string of pop music hits, including "Crois-moi ça durera" and "Tu le regretteras". He also co-wrote "Love on the Rocks" withNeil Diamond,[2] which was featured on the soundtrack ofThe Jazz Singer and was an international hit. In addition, he co-wrote "September Morn" with Diamond.[4] Other songs he co-wrote with Diamond and are found on the album "The Jazzsinger" are "Summerlove", "On the Robert E. Lee","Hey Louise" and "Songs of Life".
He wrote the song "Nathalie" to the text byPierre Delanoë about a female Moscow guide in 1964. Bécaud visitedMoscow in 1965 allegedly invited by students.[10] The Czech writerBohumil Doležal commented that the song described the guide as aKGB officer.[11] A Russian blogger claimed that guides reported to KGB officers.[12] The song was used to soften the image of the Soviet Union, despite Pierre Delanoë's anti-Soviet views.[13]
His song "Seul sur son étoile" became "It Must Be Him" (with English lyrics byMack David), a hit in 1967 for the American singerVikki Carr,[4] and the following year another Bécaud song, "L'important c'est la rose" was given an English lyric (byNorman Newell) and became a hit for the British singerVince Hill under the title "Importance of Your Love".
Bécaud turned his focus more toward touring than recording in the 1970s. An example was his live performance at the festival TheGolden Orpheus in June 1971 inCommunistBulgaria. He followed this with some acting work and at last finally took time off in 1973, citing exhaustion. In 1974, he was namedChevalier in theLégion d'honneur. The following year, he scored his one and only entry on theUK Singles Chart with "A Little Love and Understanding",[4] which reached number 10 in the spring. The song also became his first and only chart hit in Australia, reaching number 19 in the winter.[15] Later in the century, he began writing with Pierre Grosz and thenNeil Diamond, also penning the Broadway musicalRoza with Julian More.[4]
In 1982, he recorded the duet "L'Amour est mort" withQuébécoise singerMartine St. Clair at the start of her career.
The 1980s and 1990s, saw a slowdown of Bécaud's activity. He released various compilations and toured occasionally.
2011 : Best of Eternel (2 CDs, 46 tracks remastered)
2011 : Anthologie Gilbert Becaud 1953–1959 (edited by Frémeaux & Associés – 2 CDs, 36 tracks chosen by André Bernard)
2011 : Essentiel (12 CD box, 9 studio albums remastered, plus best singles + 2 CDs live (Best of Olympia 1955–1983) + 1 CD of bonus tracks + 64-page booklet of text and rare photos)
2012 : Best of 3 CD (live at l'Olympia + the albumUne vie comme un roman + parts from albumEnsemble andFais-moi signe + 3 bonus tracks in German, Sony Music release)
2012 : 100 Chansons (4 CDs, with 8 unreleased tracks from a concert at L’Olympia in 1960)
^Axel Klein: "Gilbert Bécaud'sL'Opéra d'Aran – A Rapprochement", in: Una Hunt & Mary Pierse (eds.):France and Ireland. Notes and Narratives (Oxford et al: Peter Lang, 2015), pp. 79–90;ISBN978-3-0343-1914-0