Producer Josh Evans toldVariety's Jonathan Cohen[13] that "Seven O'Clock" was pieced together from different portions of a jam early in the recording sessions, and then layered with new elements later on. Eddie Vedder's vocal on the solo acoustic "Comes Then Goes" was captured on the first take, while the 1850s-era pump organ Vedder played on the 2015 demo of "River Cross" was retained for the studio version.[14]
According to the review aggregatorMetacritic,Gigaton received "generally favorable reviews" based on aweighted average score of 80 out of 100 from 26 critic scores.[26]AllMusic criticStephen Thomas Erlewine rated the album 4 out of 5 stars, noting that its three highlights were "Who Ever Said", "Dance of the Clairvoyants" and "Never Destination".[17]Rolling Stone writer Kory Grow also gave the album a positive review, also rating it 4 out of 5 stars. Grow wrote thatGigaton is "an admirable, inspiring example of grown-upgrunge".[2]Spin writer John Paul Bullock was also positive toward the album, writing, "Gigaton has a little something for everyone. It's a complex, dynamic album full of earnest emotion and subtle humor".[25]Mojo, in yet another positive review, wrote, "Strong and loose, political and personal, Pearl Jam get the balance absolutely right".[22]
Kerrang! writer George Garner gave the album a perfect score, and wrote: "it's Pearl Jam's most incensed album since2006. It's their most musically inventive since1998. And, by virtue of its themes, it is their most gravely needed of their entire career. It is, in short, a triumph". Garner also noted thatGigaton "often zips along so quickly that on first listen it's easy to miss the details that make it so special".[21]
Writing forThe A.V. Club, Alex McLevy gave the album a B, criticizing it for being uneven, but praising the band for musical experimentation and writing that it "stands out in comparison to several more recent Pearl Jam albums due to the improved ratio of hits to misses on the back half".[27]Consequence of Sound critic Matt Melis graded the album a B+, noting that the three best songs fromGigaton were "Superblood Wolfmoon", "Quick Escape" and "Retrograde".[19]
Steve Lampiris ofThe Line of Best Fit consideredGigaton the band's most experimental album, and gave it a score of 8 out of 10.[28]Tom Hull was less impressed, giving it a B grade and saying that it is "not bad, nor especially interesting, and by the end I was reminded of how tedious Eddie Vedder's voice is."[29]
On the USBillboard 200,Gigaton debuted at number 5 with 63,000album-equivalent units, marking the band's twelfth top 10 album. Of that sum, it sold 14,000 vinyl copies, the second-largest weekly vinyl sales for a 2020 release.[34]
As of March 2024 the album has earned 172,000 equivalent album units in the US.[35]
Eddie Vedder – vocals, guitar; keyboards on "Seven O'Clock",pump organ on "River Cross", production, concept and layout (credited as Jerome Turner), text
Mike McCready – guitar; percussion on "Dance of the Clairvoyants", keyboards on "Retrograde", production
Stone Gossard – guitar; bass on "Dance of the Clairvoyants", percussion on "Buckle Up", vocals on "Buckle Up", keyboards on "Retrograde", production
Jeff Ament – bass; keyboards and guitar on "Dance of the Clairvoyants" and "Quick Escape", drum loop on "Quick Escape", keyboards on "Alright" and "Seven O'Clock",Mbira on "Alright" and "River Cross", programming on "Seven O'Clock", piano on "Buckle Up",production, layout, concept (credited as Al Nostreet)
Matt Cameron –drums; drum programming on "Dance of the Clairvoyants", guitar on "Alright" and "Take the Long Way", vocals and programming on "Take the Long Way", production
[17]
