| Ghost World | |
|---|---|
 The latest cover art forGhost World | |
| Creator | Daniel Clowes |
| Date | 1997 |
| Publisher | Fantagraphics Books |
| Original publication | |
| Published in | Eightball |
| Issues | 11–18 |
| Date of publication | Sep 7, 1993 – Apr 19, 1997 |
| Language | English |
| ISBN | 1-56097-280-7 (hardcover) 1-56097-427-3 (softcover) |
Ghost World is a graphic novel byDaniel Clowes. It was serialized in issues #11–18 (June 1993 – March 1997) of Clowes'scomic book seriesEightball,[1] and was published in book form in 1997 byFantagraphics Books. It was a commercial and critical success and developed into acult classic.
Ghost World follows the day-to-day lives of best friends Enid Coleslaw and Rebecca Doppelmeyer, twocynical, pseudo-intellectual, and intermittentlywitty teenage girls recently graduated fromhigh school at the end of the 1990s.[2] They spend their days wandering aimlessly around their unnamedAmerican town, criticizingpopular culture and the people they encounter while wondering what they will do for the rest of their days.
A darkly written comic, with intermittently sombre explorations of friendship and modern life,Ghost World has become renowned for its frank treatment of adolescence. The comic's success led to amovie adaptation of the same name, released in 2001 to critical acclaim and numerous nominations, including a nomination for theAcademy Award for Best Adapted Screenplay, written by Clowes andTerry Zwigoff.
Ghost World takes place in an unnamedsuburban town filled withshopping malls,fast food restaurants, andurban sprawl. The town plays a key part in the narrative, as it is constantly mocked and criticized by Enid and Rebecca. As the story progresses, the background changes dramatically. Thephrase "Ghost World" is seen by the characters several times, painted orgraffitied on garage doors, signs, andbillboards for an undeclared reason. The term can also apply to the way in which both Enid and Becky, but especially Enid, are haunted by the past.[3] In the special features of the film adaptation, it is said to refer to the fact that the town's individuality is being encroached upon by franchises that are seen everywhere.
Critical response toGhost World was extensive: many critics praised it for its analysis of teenage life, relationships, and the decay of today's society, while others criticized it for being disconnected and morbid. Some reviews drew comparisons toJ. D. Salinger'sThe Catcher in the Rye (1951).The Village Voice stated that "Clowes spells out the realities of teen angst as powerfully and authentically as Salinger did inCatcher in the Rye for an earlier generation".[4]The Guardian praised the strip's illustrations and visuals, saying "it is beautifully drawn, with subtle and convincing storylines. A classic portrait of teenage life"[citation needed] andTime magazine called it an "instant classic".[citation needed]
Enid Coleslaw (her father had their surname legally changed from "Cohn" before she was born) and Rebecca (Becky) Doppelmeyer are two cynical, intelligent teenage girls who are best friends in the 1990s. They have recently graduated from high school and spend their days wandering around their unnamed town criticizing pop culture and the people they encounter while wondering what they are going to do with the rest of their lives. They are attracted to boys, but also unhappily entertain the possibility that they might be lesbians. Their friendship is very close, but as the book goes on tensions between them build, especially over Enid's plans to move away to college. They also have a quiet friend named Josh; throughout the book the two girls enjoy teasing him, but they are also attracted to him and eventually a romantic triangle forms.
A section in the middle of the story features Clowes (referred to as David Clowes) in a cameo, as a cartoonist that Enid admires and with whom she is infatuated, but finds creepy and a "perv" when she actually sees him. The comic ends with Enid and Rebecca separating; while they speak half-heartedly of "getting together sometime", the easy intimacy they once knew is long gone. Rebecca is now in a relationship with Josh and seems on her way to settling into a normal life, while Enid, having failed to get into college, is as much of a misfit as ever and finally leaves town alone to start a new life.
Impulsive, cynical, foul-mouthed and bitter, the strip's lead character drifts through her life without care, criticizing almost everyone she meets. Enid Coleslaw is an 18-year-old,[5] who has recently graduated from herhigh school, with best friend Rebecca Doppelmeyer. Enid takes an interest in playingpranks on other people, purely for her own benefit, especially a classmate named Josh who she attempts to seduce. Clowes said of Enid's character: "When I started out I thought of her as thisid creature... Then I realized halfway through that she was just more vocal than I was, but she has the same kind of confusion, self-doubts and identity issues that I still have – even though she's 18 and I'm 39!"[3]
Enid (as well as Rebecca) makes a cameo appearance as an old lady in Clowes'sPussey collection of comics. Pussey is a self-important, nerdy superhero comics artist, and the book ends in the future as Pussey dies alone and unloved, with Rebecca and Enid as two bitter crones in his rest home going through his possessions. When they discover his stash of "silly books" (comic books), they wonder, "What would a grown man want with such foolishness?" Enid Coleslaw is also ananagram of "Daniel Clowes".
Rebecca Doppelmeyer is Enid's best friend. Rebecca lives with her grandmother and acts as a caretaker to her. She has a bit more of a mainstream personality – while Enid enjoys more peculiar things in life, Rebecca enjoys things that most teenage girls of her age would take an interest in; for example, she reads a popular teen magazine, and is also more interested in men, and is described by Enid as "a skinny blondeWASP" and therefore embodies "what every guy wants." Rebecca and Enid spend much of the novel hanging out around the town together and making fun of others. In the end of the novel, Rebecca matures into a sensible young woman and pursues a relationship with Josh in place of her friendship with Enid as the two characters grow apart as they mature from teenagers into young adults.
Beyond Enid and Rebecca, there are many minor and recurring characters in the comic strip:
Ghost World was first conceived in the early 1990s by Daniel Clowes.[citation needed] The comic is partially inspired by Clowes's own life; for example, Clowes moved fromLos Angeles toSan Francisco, and he has said that the town in the story is a visual combination of both places.[6] Most of the novel was not written in chronological order. Clowes began writingGhost World on September 9, 1993, and stated that he created the first chapter without any plans to continue it.
Clowes also credits as having drawn some inspiration from the filmThe World of Henry Orient, in which two curious young girls stalk a middle-aged man who is having an affair.[7] In the book, Enid and Rebecca are obsessed with various strange people in the neighborhood, including "The Satanists" and a psychic named Bob Skeetes.
Many readers have tried to interpret where the titleGhost World comes from; Clowes has said it comes from something he saw scrawled on a building in hisChicago neighborhood. A graffito reading "Ghost World" is seen by the characters on the side of a building in an early installment of the comic; Enid actually reads it aloud as they walk past it.[8] Some of the references in the book (Sassy, etc.) date the book very specifically to the 1990s, which Clowes has said was intentional. He wanted to emulate the way that throwaway cultural references inThe Catcher in the Rye root the novel in a time and place.[citation needed]
The series was a major departure for Clowes, who had previously populatedEightball with considerably more outlandish material. Clowes has said in interviews that he chose two teenage girls for his protagonists partly because he could use them to express his more cynical opinions without readers taking the characters as author surrogates.
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Clowes has said he chose the pale blue coloring for the story because he wanted to reflect the experience of walking home in thetwilight, when every house has a television on and the living rooms are bathed in a ghostly blue light.[citation needed]
Clowes made various changes to the artwork between the original issues and the book collection, such as changing Becky's face early in the story so it more closely matches her appearance at the end.
The comics as they originally appeared inEightball employed only two colors; the early chapters were in black and dark blue, then black and a lighter shade of blue later on, and black and light green for the final two chapters. The graphic novel reprint uses this light green and black color scheme throughout. There is one inadvertent exception: inEightball #16, a printing error led to the entire chapter being published in an orange tone instead of a blue one. "No one quite knows how or why this happened," wrote Clowes inThe Complete Eightball, a 2015 compilation of the comic that faithfully reproduces the mistake.
The character design also changed significantly during the original run of the story, with characters' faces becoming cleaner and less detailed, indicative of a shift in Clowes's changing aesthetic in all his comics, eschewing the minute facial details that had long been one of his trademarks, for more simplified designs. The character of John Ellis, for example, had significant shading andcross-hatching on his face in the original comics, where in the book he has a simpler, uncluttered design. Another striking example is a panel on the second page of the first chapter that shows Rebecca reading a magazine. In the original comic, her eyes and chin are shaded in, her hair reaches her shoulders, and she appears to be scowling. In the graphic novel, this panel was redrawn, softening and lightening Rebecca's features. Enid's appearance was also reworked in this panel, and in several others in the first chapter of the book.
The graphic novel includes five new drawings on the copyright, table of contents, acknowledgments, and otherprefatory pages. These new drawings aretableaux of events in the characters' lives that take place prior to the story, including their high school graduation, and a graveyard visit, presumably either for Rebecca's parents (who are never seen or mentioned in the story, though the girl lives with her grandmother) or Enid's mother (who is similarly absent). The graduation scene, which shows the two girls in caps and gowns, and Enidgiving the finger, was recreated in thefilm version.
As withLike a Velvet Glove Cast in Iron, the chapters of the story were given names in the novel, and a table of contents was added to reflect this.
The book was made into a 2001movie,Ghost World, directed by Terry Zwigoff (also known for hisaward-winning documentary about underground cartoonistRobert Crumb).Thora Birch played Enid,Scarlett Johansson played Rebecca, andSteve Buscemi played Seymour (a composite character, based on elements from the comic characters of Bob Skeetes and Bearded Windbreaker). Josh was played byBrad Renfro.
A collection of merchandise and spin-off material forGhost World has been sold since its release, some of it still available today. This includes three alternate versions of dolls of Enid. One is available from Fantagraphics with artwork by Clowes depicting Enid having various adventures, and comes with objects featured in the comic (such as the mask she buys from the pornographic store), another "Little Enid" from the Eightball comic, and an Enid/Rebecca pairing with the likeness of voodoo dolls.
In 2008, Clowes and Fantagraphics published a "special edition" ofGhost World (ISBN 978-1-56097-890-9), which included the original graphic novel, the screenplay for the2001 film adaptation, and "dozens of pages of never-before-collectedephemera, including unused concept drawings, notes, movie posters, foreign edition covers, merchandise, artwork created for the movie by Clowes,Sophie Crumb and the cast, and much more, all annotated by Clowes."[9]
The comic was the influence forAimee Mann's song "Ghost World" on her albumBachelor No. 2 (2000).[10]