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George Soane

From Wikipedia, the free encyclopedia
English writer and dramatist

George Soane (1790–1860) was an English writer and dramatist.

George Soane (left) with his elder brother John, 1805 portrait byWilliam Owen inSir John Soane's Museum, London.

Life

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The younger son ofJohn Soane, he was born in London. He graduated B.A. fromPembroke College, Cambridge, in 1811.[1][2] Shortly afterwards he married Agnes Boaden, against his parents' wishes. His writing career was not enough to earn a living. Soane fell into debt, and was imprisoned. In 1814 he was editing theTheatrical Inquisitor, but also served time for fraud.[3][4] He gave evidence on theKing's Bench Prison, from his experience of it, to a committee of enquiry in 1815.[5]

InThe Champion during September 1815 Soane attacked his father's reputation as an architect, in two anonymous articles. His mother died shortly afterwards. These pieces led to a family rupture, and indirectly to the foundation ofSir John Soane's Museum.[3] Soane attempted to block the private Act of Parliament of 1833 that set up the museum's endowment. The matter was debated in the House of Commons for an hour, withWilliam Cobbett putting Soane's side of the argument, that he would be deprived of a rightful inheritance.Joseph Hume spoke in favour of the act, which was passed.[6]

Soane died on 12 July 1860.[2]

Works

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Drama

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Soane became known as an author ofmelodramas.[2]

"If you call out you are a dead man!": illustration from the published version of George Soane'sThe Inn-Keeper's Daughter. It was Soane's first melodrama, based on the poem "Mary, the Maid of the Inn", byRobert Southey.[7]
  • The Bohemian: a Tragedy, London, 1817.
  • The Falls of Clyde: a Melodrama, London, 1817.
  • The Innkeeper's Daughter, Drury Lane, 1817.[8]
  • Rob Roy, the Gregarach. A romantick drama, in three acts, etc, Drury Lane, 1818.[9]
  • Self-Sacrifice: a Melodrama, London, 1819.
  • The Dwarf of Naples: a Tragi-comedy, London, 1819.
  • The Hebrew: a Drama, London, 1820.
  • Pride shall have a Fall: a Comedy, London, 1824.
  • Faustus, or the Demon of Drachenfels, London, 1825.[10]
  • Aladdin: a Fairy Opera, London, 1826.
  • The Night Dancers: an Opera, London, 1846.
  • The Island of Calypso: an Operatic Masque, London, 1850.

Other works

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Soane's other works included:[2]

Illustration fromSpecimens of German Romance by George Soane
  • Knight Damon and a Robber Chief, London, 1812.
  • The Eve of St. Marco: a Novel, London, 1813.
  • The Peasant of Lucerne, London, 1815.
  • Specimens of German Romance, London, 1826.
  • The Frolics of Puck, London, 1834.
  • Life of the Duke of Wellington, London, 1839–40.
  • The Last Ball and other Tales, Woking, 1843.
  • January Eve: a Tale, London, 1847.
  • New Curiosities of Literature, London, 1847.

Soane also made translations from French, German, and Italian.[2] He translated the novellaUndine byFriedrich de la Motte Fouqué into English in 1818, and there was a stage version by 1821.[11] He supplied letterpress in 1820, translating some extracts ofGoethe's German, when the illustrations byMoritz Retzsch toFaust I were published in London (plates copied byHenry Moses).[12] He was also credited by George Willis as one of the anonymous translators ofPopular Tales and Romances of the Northern Nations (1823).[13]

Notes

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  1. ^"Soane, George (SN806G)".A Cambridge Alumni Database. University of Cambridge.
  2. ^abcdeLee, Sidney, ed. (1898)."Soane, John" .Dictionary of National Biography. Vol. 53. London: Smith, Elder & Co.
  3. ^abPlaskitt, Emma. "Soane, George".Oxford Dictionary of National Biography (online ed.). Oxford University Press.doi:10.1093/ref:odnb/25982. (Subscription orUK public library membership required.)
  4. ^John O. Hayden (1969).The Romantic Reviewers: 1802-1824. Taylor & Francis. pp. 268–.ISBN 9780710060372. GGKEY:SYN12ZCJ3YC.
  5. ^The King's Bench, and Marshalsea Prisons. 1815. pp. 128–9.
  6. ^Hyde, Timothy (2005)."Some Evidence of Libel, Criticism, and Publicity in the Architectural Career of Sir John Soane".Perspecta.37:144–163.ISSN 0079-0958.
  7. ^William Seddinger Dye,A Study of Melodrama in England from 1800 to 1840 (1919), p. 39;archive.org.
  8. ^John C. Greene (2011).Theatre in Dublin, 1745-1820: A Calendar of Performances. Lexington Books. p. 4289.ISBN 978-1-61146-118-3.
  9. ^George Soane (1818).Rob Roy, the Gregarach. A romantick drama, in three acts, etc. Richard Wright.
  10. ^Brodsky Lawrence, Vera (1995).Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 2: Reverberations, 1850-1856. University of Chicago Press. p. 224.ISBN 978-0-226-47011-5.
  11. ^David Blamires (2009).Telling Tales: The Impact of Germany on English Children's Books, 1780-1918. Open Book Publishers. p. 122.ISBN 978-1-906924-09-6.
  12. ^John Michael Cooper (2007).Mendelssohn, Goethe, and the Walpurgis Night: The Heathen Muse in European Culture, 1700-1850. University Rochester Press. p. 174.ISBN 978-1-58046-252-5.
  13. ^A Catalogue of Superior Second-Hand Books. George Willis. 25 April 1853. p. 19.
Attribution

 This article incorporates text from a publication now in thepublic domainLee, Sidney, ed. (1898). "Soane, John".Dictionary of National Biography. Vol. 53. London: Smith, Elder & Co.

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