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| Genesis Climber MOSPEADA | |
Blu-Ray box cover | |
| 機甲創世記モスピーダ (Kikō Sōseiki Mosupīda) | |
|---|---|
| Genre | Adventure,mecha,military science fiction |
| Created by |
|
| Anime television series | |
| Directed by | Katsuhisa Yamada |
| Produced by |
|
| Written by | Sukehiro Tomita |
| Music by |
|
| Studio | Tatsunoko Production |
| Licensed by | Crunchyroll |
| Original network | FNS (Fuji TV) |
| Original run | October 2, 1983 – March 23, 1984 |
| Episodes | 25 |
| Original video animation | |
| Genesis Climber MOSPEADA: Love Live Alive | |
| Directed by | Katsuhisa Yamada |
| Produced by |
|
| Written by | Sukehiro Tomita |
| Music by | Joe Hisaishi |
| Studio | Tatsunoko Production |
| Licensed by | |
| Released | September 21, 1985 |
| Runtime | 50 minutes |
Genesis Climber MOSPEADA (Japanese:機甲創世記モスピーダ,Hepburn:Kikō Sōseiki Mosupīda;lit. 'Armored Genesis MOSPEADA') is ananimescience fiction series created byShinji Aramaki and Hideki Kakinuma. The 25-episode television series ran from late 1983 to early 1984 in Japan. MOSPEADA is an acronym of "Military Operation Soldier Protection Emergency Aviation Dive Armor",[1] one of the transformable motorcycle-armors the series features. The other primary mecha featured in the show is the three-form transformable fighter called the Armo-Fighter AFC-01 Legioss.MOSPEADA was adapted as the third generation of the American seriesRobotech, much likeMacross andSouthern Cross.[1]
In the 21st century, Earth's pollution problems result in the development of a new hydrogen fuel called "HBT" as an alternative to fossil fuels, while mankind colonizes Mars. In 2050, a mysterious alien race called the Inbit invades Earth, the ensuing war leaves only a few pockets of human resistance on the planet's surface. Many of the refugees escape aboard a few remaining shuttles to seek shelter on the Moon. The Inbit set up their main base of operations on Earth, called "Reflex Point", in theGreat Lakes area of North America.
However, the Mars colony, dubbed the Mars Base, does not forget about the plight of Earth. Troops are sent in to fight the Inbit from the Moon, only to fail miserably. The Inbit do not attack Mars and show no interest towards the other planets. Surprisingly, the aliens show no hostility towards humans unless they are directly provoked. The Inbit can also sense the presence of HBT and use of the fuel is limited under their supervision, as HBT is a common component in weapons technology. Mars Base becomes a gigantic military factory, producing vast amounts of advanced weaponry and trained troops. In 2080, Mars Base sends an expeditionary force to liberate the planet from the Inbit - but it is virtually destroyed despite a technological advantage including the deployment of transformable mecha.
A Second Expeditionary Force is dispatched three years but destroyed in a ferocious battle in orbit around the Earth, Legioss pilot Stik Barnard turns out to be the only survivor as he crashlands in South America, but his fiancée, Marlene, is killed in the chaos. A holographic recording of Marlene given to Stik just before the operation began gives him the strength to move on and avenge her death. In his quest to reach Reflex Point, he meets the other main characters of the show, forming a group of ragtag freedom fighters in a quest to rid the planet of the Inbit.[2]
As the plot unfolds, the purpose of the Inbit invasion is revealed: to find a suitable place to evolve into more complex beings. However, the Inbit do not know that their endeavor actually threatens to cause the extinction of both humans and Inbit and thus, it is up to Stik and his group, with the help of humanoid Inbit (Aisha and Solzie), to convince Inbit's hive queen, the Refless, to flee from Earth.[3]
TheRobotech-adapted names are in brackets: [ ].
The English-subtitledMOSPEADA DVD released byHarmony Gold andADV Films uses the inaccurate names (such as "Mint Rubble", "Houquet Emrose", and "Jim Auston") derived from fans on Robotech.com and theRobotech Art I book.[citation needed]
| Original Japanese Air Date | Genesis Climber MOSPEADA Episode | Directed by | Written by | Robotech: The New Generation Episode |
|---|---|---|---|---|
| October 2, 1983 | 1. Prelude to the Offensive (襲撃のプレリュード,Shūgeki no Pureryūdo) | Directed by : Tatsuya Kasahara Storyboarded by : Katsuhisa Yamada | Sukehiro Tomita | 61. The Invid Invasion |
| October 9, 1983 | 2. The Broken-Hearted Girl's March (失恋少女のマーチ,Shitsuren Shōjo no Māchi) | Directed by :Masayuki Kojima Storyboarded by : Katsuhisa Yamada | Sukehiro Tomita | 62. The Lost City |
| October 16, 1983 | 3. Showdown Concert at High Noon (真昼の決闘コンサート,Mahiru no Kettou Konsāto) | Katsuhito Akiyama | Sukehiro Tomita | 63. Lonely Soldier Boy |
| October 23, 1983 | 4. Survival Song Feeling (気分はサバイバル・ソング,Kibun wa Sabaibaru Songu) | Directed by : Masayuki Kojima Storyboarded by : Saburo Nodera | Ryo Yasumura | 64. Survival |
| October 30, 1983 | 5. Live Inn Plunder Operation (ライブ・イン・強奪作戦,Raibu In Gōdatsu Sakusen) | Directed by : Yusaku Saotome Storyboarded by : Hiroyuki Oshii | Satoshi Namiki | 65. Curtain Call |
| November 6, 1983 | 6. Support Girl Blues (突ッ張り少女ブルース,Tsuppari Shōjo Burūsu) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Sukehiro Tomita | 66. Hard Times |
| November 13, 1983 | 7. Fallen Hero's Ragtime (亡き勇者のラグタイム,Naki Yūsha no Ragutaimu) | Directed by : Yusaku Saotome Storyboarded by : Saburo Nodera | Satoshi Namiki | 67. Paper Hero |
| November 20, 1983 | 8. Jonathan's Elegy (ジョナサンのエレジー,Jonasan no Erejī) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Ryo Yasumura | 68. Eulogy |
| November 27, 1983 | 9. Lost World Fugue (ロスト・ワールド遁走曲,Rosuto Wārudo Tonsōkyoku) | Masakazu Yasumura | Sukehiro Tomita | 69. The Genesis Pit |
| December 4, 1983 | 10. Requiem of the Battlefield (戦場のレクイエム,Senjō no Rekuiemu) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Ryo Yasumura | 70. Enter Marlene |
| December 11, 1983 | 11. Lullaby of Distant Hope (遠い希望のララバイ,Tōi Kibō no Rarabai) | Katsuhito Akiyama | Satoshi Namiki | 71. The Secret Route |
| December 18, 1983 | 12. Fortress Breakthrough Boogie (要塞突破ブギ,Yōsai Toppa Bugi) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Kenji Terada | 72. The Fortress |
| December 25, 1983 | 13. Sandstorm Playback (砂嵐プレイバック,Suna-arashi Pureibakku) | Directed by : Yusaku Saotome Storyboarded by : Saburo Nodera | Sukehiro Tomita | 73. Sandstorm |
| January 8, 1984 | 14. Mint's Wedding March (ミントの結婚行進曲,Minto no Kekkonkōshinkyoku) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Kenji Terada | 74. Annie's Wedding |
| January 15, 1984 | 15. The Ballad of Breaking Up (仲間割れのバラード,Nakamaware no Barādo) | Directed by : Tatsuya Kasahara Storyboarded by : Norio Yazawa | Sukehiro Tomita | 75. Separate Ways |
| January 22, 1984 | 16. Trap Reggae (トラップ・レゲエ,Torappu Regē) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Satoshi Namiki | 76. Metamorphosis |
| January 29, 1984 | 17. White Night Serenade (白夜のセレナーデ,Hakuya no Serenāde) | Masakazu Yasumura | Ryo Yasumura | 77. The Midnight Sun |
| February 5, 1984 | 18. The Nature of Old Soldier's Polka (老兵たちのポルカ,Rōhei-tachi no Poruka) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Kenji Terada | 78. Ghost Town |
| February 12, 1984 | 19. Forte of the Glacier City (氷河都市のフォルテ,Hyōga Toshi no Forute) | Directed by : Yusaku Saotome Storyboarded by : Saburo Nodera | Satoshi Namiki | 79. Frost Bite |
| February 19, 1984 | 20. Birthday Song of the Night Sky (夜空のバースディ・ソング,Yozora no Bāsudi Songu) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Sukehiro Tomita | 80. Birthday Blues |
| February 26, 1984 | 21. Arpeggio of Murder (殺しのアルペジオ,Koroshi no Arupejio) | Directed by : Tatsuya Kasahara Storyboarded by : Hiromichi Matano | Kenji Terada | 81. Hired Gun |
| March 4, 1984 | 22. New York Bebop (ニューヨーク・ビーバップ,Nyū Yōku Bībappu) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Kenji Terada | 82. The Big Apple |
| March 11, 1984 | 23. Black Hair's Partita (黒髪のパルティータ,Kokuhatsu no Parutīta) | Directed by : Yusaku Saotome Storyboarded by : Saburo Nodera | Sukehiro Tomita | 83. Reflex Point |
| March 18, 1984 | 24. The Dark Finale (闇のフィナーレ,Yami no Fināre) | Directed by : Mari Kobayashi Storyboarded by : Masayuki Kojima | Sukehiro Tomita | 84. Dark Finale |
| March 25, 1984 | 25. Symphony of Light (光のシンフォニー,Hikari no Shinfonī) | Directed by : Tatsuya Kasahara Storyboarded by : Katsuhisa Yamada | Sukehiro Tomita | 85. Symphony of Light |
The incidental music was composed byJoe Hisaishi, who would later gain renown for incidental music for the movies ofHayao Miyazaki, though it is accidentally credited, because of a misreading of the name characters, to a "Yuzuru Hisaishi." MOSPEADA is the first anime series to have a jazz-based theme song (Blue Rain).[citation needed]
Malaysian indie rock bandHujan made their own cover of the opening song titledLonely Soldier Boy (derived from one of the lyrics' English lines) where the lyrics are entirely translated from Japanese intoMalay, except for the English lines which are left intact. The song was included inthe band's album, also named after the song.
This articleneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Genesis Climber MOSPEADA" – news ·newspapers ·books ·scholar ·JSTOR(October 2020) (Learn how and when to remove this message) |
The original working titles for MOSPEADA were:Kouka Kihei Vector ("Descent Machine Soldier Vector"),Chou Fumetsu Yousai Reflex Point ("Super Immortal Fortress Reflex Point") andAD Patrol: the story of city police where the main character rides a transformable bike that changes into his partner. The main character designs were created byYoshitaka Amano, who would later gain renown for his character artwork for theFinal Fantasy series.
Each of the Japanese episode titles contains a musical reference. This style of titling would later be used byCowboy Bebop.
Mechanical designer Shinji Aramaki came up with the transformablemotorcycle-powered exoskeleton design while working on theDiaclone series (which later became part ofTransformers). When riding hisHonda VT250 250 cc motorbike, he thought to himself that it was the right size for a person to wear. Aramaki mentioned that the idea came to him because of his love for riding motorcycles when he was young.[4]
The bike design was inspired by theSuzuki Katana.[5] The black and white stripes on the Legioss and VR ride armor are a tribute to the Alliedinvasion stripes in World War II.
The series was released in North America by ADV Films with the original Japanese language and English subtitles on June 17, 2003.[6]
Crunchyroll licenses the series.[7]
Most ofMOSPEADA's animation (with edited content and revised dialogue) was adapted for American audiences asRobotech: The New Generation, the third saga of theRobotech compilation series. InRobotech, the Inbit became the "Invid" of the "Third Generation" (also featured inRobotech II: The Sentinels) and the advanced space forces are the returningRobotech Expeditionary Force (REF) that left before the "Second Generation" of Robotech on Earth. Earth's Defense Forces were decimated in the previous saga. Unlike the Invid in the adaptedRobotech, the Inbit inMOSPEADA had nothing to do with the Robotech Masters (their sworn enemies inRobotech) and they were just looking for a good planet on which to evolve and reach perfection. Likewise, the REF forces under Admiral Hunter's command that Barnard frequently referred to were troops from the Mars and Jupiter bases which harassed the Invid, though they were playing a "leave alone" system with humans on Earth.
The show's transformable mecha were also renamed; the Armor Cycles as Veritech Cyclones motorcycles; the AFC-01 Legioss became the VF/A-6 Alpha Veritech; the AB-01 Tlead became the VFB-9 Beta Veritech.[8] LikeMacross andSuper Dimension Cavalry Southern Cross,Genesis Climber MOSPEADA was cut and fitted to be part of theRobotech continuum byHarmony Gold andCarl Macek.
Character names were generally altered without major changes in characterization, makingMOSPEADA the least altered series of the three. Incidentally, it is also the series that has seen the most usage in theexpanded universe ofRobotech II: The Sentinels andRobotech: The Shadow Chronicles, especially in terms of character, mecha, and ship designs, as it was chronologically thelast series used in Robotech. UnlikeMacross, which is owned by Big West, Harmony Gold is free to utilize elements from theTatsunoko-ownedMOSPEADA.
After the original run of the television series, anOVA music video titledGenesis Climber MOSPEADA: Love Live Alive was released in Japan in September 1985. The music video consisted of both old and new footage. The story ofLove Live Alive chronicled the events after the ending ofMOSPEADA, featuring Yellow Belmont as the main character.
The music video focused on Yellow's concert and his flashbacks of past events. In 2013, it was adapted by Harmony Gold intoRobotech: Love Live Alive.[9] Some DVD releases of theRobotech version ofLove Live Alive also include the original Japanese version as bonus content.[10]
Anime News Network wrote: "Mospeada is a work very much of its time, riffing on ideas and tropes that were all the rage when it was made, and doesn't do anything exceptional with them."[11]