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Géza von Radványi

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Hungarian filmmaker (1907–1986)
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Géza von Radványi
Radványi and his wifeMaria von Tasnády
Born
Géza Grosschmid

(1907-09-26)26 September 1907
Died27 November 1986(1986-11-27) (aged 79)
OccupationFilm director
Years active1947–1980
Spouses

Géza von Radványi (bornGéza Grosschmid; 26 September 1907 – 27 November 1986) was a Hungarian film director,cinematographer, producer and writer.

Biography

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Born Géza Grosschmid, he took the name Radványi from his paternal grandmother. His brother was the writerSándor Márai. Géza von Radványi made his debut in journalism before moving to cinema in 1941. He aimed to create a popular cinema in the 1950s and 1960s that would rival Hollywood studios, due to European coproductions.

He began at the end of the 1940s, withSomewhere in Europe andWomen Without Names, neorealist dramas with no concession to the ravages of war and the postwar period. During the 1950s, Radványi changed his style:L'Étrange Désir de monsieur Bard, withMichel Simon andGeneviève Page (1953), and, above all, the success of his remake ofMädchen in Uniform withLilli Palmer and the young rising starRomy Schneider (1958). He also made in the same decadeDouze heures d'horloge [fr], athriller based on a script byBoileau andNarcejac, withLino Ventura andLaurent Terzieff, as well as a slapstick comedy,An Angel on Wheels withRomy Schneider andHenri Vidal (1959).

During the 1960s, he became both more ambitious and more bankable, making70 mm coproductions likeUncle Tom's Cabin withMylène Demongeot andHerbert Lom (1965), andDer Kongreß amüsiert sich withLilli Palmer,Curd Jürgens,Paul Meurisse andFrançoise Arnoul (1966), both of which were rather unsuccessful.

The tomb of Géza von Radványi in Budapest.

In contrast, he surprisingly wrote the script for the successful film produced by[1]Louis de Funès,L'homme orchestre, directed bySerge Korber (1970). His 1961 filmDas Riesenrad was entered into the2nd Moscow International Film Festival.[2] His 1965 filmUncle Tom's Cabin was entered into the4th Moscow International Film Festival.[3]

Géza von Radványi ended his career with a modest production made in his home country,Circus Maximus (1980).

Selected filmography

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Bibliography

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He published many crime novels under the pseudonym Géza Radvany :

  • 16 Heures au Paradis, novel, Éditions de Trévise, Paris, 1974.
  • Troubles, novel, Éditions de Trévise, Paris, 1975.ISBN 2711202895
  • Les Otages de la nuit, novel, Éditions de Trévise, Paris, 1976.ISBN 2-7112-0314-X
  • Chantage sur canapé, novel, Éditions de Trévise, Paris, 1978.ISBN 2-7112-0326-3
  • Drames de dames, novel, Éditions de Trévise, Paris, 1980.ISBN 2-7112-0400-6

Notes

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  • René Barjavel:[4]

    Géza von Radványi est non-seulement un des plus grands créateurs du cinéma mondial, mais avant, et au-dessus, cet être rare, fabuleux, presque invraisemblable : un homme fraternel

    .

References

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  1. ^Papillons de Paris, pas de deux.
  2. ^"2nd Moscow International Film Festival (1961)".MIFF. Archived fromthe original on 20 July 2017. Retrieved13 May 2017.
  3. ^"4th Moscow International Film Festival (1965)".MIFF. Archived fromthe original on 20 July 2017. Retrieved13 May 2017.
  4. ^Extract of the fourth cover page of the novelLes Otages de la nuit.

External links

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Films directed byGéza von Radványi
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