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Fuxi

From Wikipedia, the free encyclopedia
Culture hero in Chinese legend
This article is about the figure in Chinese mythology. For the Chinese Buddhist layman sometimes known as Fuxi, seeFu Dashi.
Fuxi
Fuxi and Nüwa. Hanging scroll. Color on silk. Located at the Chinese History Museum.
Chinese伏羲
Transcriptions
Standard Mandarin
Hanyu PinyinFúxī
Wade–GilesFu2-hsi1
IPA[fǔ.ɕí]
Yue: Cantonese
Yale RomanizationFuhk-hēi
JyutpingFuk6-hei1
IPA[fʊk̚˨.hej˥]
Part ofa series on
Chinese folk religion
Stylisation of the 禄 lù or 子 zi grapheme, respectively meaning "prosperity", "furthering", "welfare" and "son", "offspring". 字 zì, meaning "word" and "symbol", is a cognate of 子 zi and represents a "son" enshrined under a "roof". The symbol is ultimately a representation of the north celestial pole (Běijí 北极) and its spinning constellations, and as such it is equivalent to the Eurasian symbol of the swastika, 卍 wàn.
Internal traditions

Fuxi orFu Hsi (Chinese:伏羲)[a][1] is aculture hero inChinese mythology, credited along with his sister and wifeNüwa withcreating humanity and the invention of music,[2] hunting, fishing, domestication,[3] and cooking, as well as theCangjie system of writingChinese characters around 2900 BC[4] or 2000 BC. He is also said to be the originator ofbagua (the eight trigrams) after observing that there were eight fundamental building blocks in nature: heaven, earth, water, fire, thunder, wind, mountain, and lake. These eight are all made of different combinations of yin and yang, which are what came to be called bagua.[5]

Fuxi was counted as the first mythical emperor of China, "adivine being with a serpent's body" who was miraculously born,[6] aTaoist deity, and/or a member of theThree Sovereigns at the beginning of theChinese dynastic period. Some representations show him as a human with snake-like characteristics, "a leaf-wreathed head growing out of a mountain", "or as a man clothed with animal skins."[6]

Names

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He is also known as Bao Xi (包牺) and Mi Xi (宓羲).[6]

Origin

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Pangu was said to be the creation god inChinese mythology. He was a giant sleeping within anegg of chaos. As he awoke, he stood up and divided the sky and the earth. Pangu then died after standing up, and his body turned into rivers, mountains, plants, animals, and everything else in the world, among which is a powerful being known asHuaxu (華胥). Huaxu gave birth to a twin brother and sister, Fuxi and Nüwa. Fuxi and Nüwa are said to be creatures that have human faces and the bodies of snakes.[7]

However, in some myths, Fuxi was held to be the creator, not Pangu, who worked alone and not with Nüwa.[8]

Fuxi was known as the "original god", and he was said to have been born in the lower-middle reaches of theYellow River in a place called Chengji (成紀) (possibly modernLantian,Shaanxi province, orTianshui,Gansu province).[9]

A possible historical interpretation of the myth is that Huaxu (Fuxi's mother) was a leader during the matriarchal society (c. 2600 BC) as early Chinese developed language skill while Fuxi and Nüwa were leaders in the early patriarchal society (c. 2600 BC) while Chinese began the marriage rituals.[10]

A divinity Taihao (太皞, "The Great Bright One") appears, vaguely, in sources before theHan dynasty, independent from Fuxi. Later, Fuxi is identified with Taihao, the latter being hiscourtesy or formal[6] name.[11]

According to legend, the goddess of theLuo River,Mifei, was the daughter of Fuxi. Additionally, some versions of the legend state that she is Fuxi's consort. She drowned in the Luo River while crossing it and became the spirit of the Luo River.[12]

Creation legend

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According to theClassic of Mountains and Seas, Fuxi and Nüwa were the original humans who lived on the mythologicalKunlun Mountain (today's Huashan). One day they set up two separated piles of fire, and the fire eventually became one. Under the fire, they decided to become husband and wife. Fuxi and Nüwa used clay to create offspring, and with the divine power they made the clay figures come alive.[9] These clay figures were the earliest human beings. Fuxi and Nüwa are commonly recognized by the Chinese as two of theThree Sovereigns (along withShennong) in the early patriarchal society in China (c. 2600 BC), based on the myth about Fuxi establishing marriage ritual in his tribe. The creation of human beings was a symbolic story of having a larger family structure that included the figure of a father.

Social importance

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On one of the columns of the Fuxi Temple in Gansu Province, the following couplet describes Fuxi's importance: "Among the three primogenitors ofHuaxia civilization, Fu Xi in Huaiyang Country ranks first."[9] During the time of his predecessorNüwa, society was matriarchal.

古之時未有三綱、六紀,民人但知其母,不知其父,能覆前而不能覆後,臥之言去言去,起之吁吁,饑即求食,飽即棄余,茹毛飲血而衣皮葦。於是伏羲仰觀象於天,俯察法於地,因夫婦正五行,始定人道,畫八卦以治下。

In the beginning there was as yet no moral (Sangang) or social order. Men knew their mothers only, not their fathers.

[Missing translation of the following three sentences:能覆前而不能覆後 They could only know/trace their offsprings but not their progenitors (promiscuous without family concept),臥之言去言去 They slept whenever they wanted (non-circadian without concept of time),起之吁吁 When awoke, they started yue-ing (repeating/using a single sound to express emotions or communicate without language).]

When hungry, they searched for food; when satisfied, they threw away the remnants. They devoured their food hide and hair, drank the blood, and clad themselves in skins and rushes. Then came Fu Xi and looked upward and contemplated the images in the heavens, and looked downward and contemplated the occurrences on earth. He united man and wife, regulated the five stages of change, and laid down the laws of humanity. He devised the eighttrigrams, in order to gain mastery over the world.

Fuxi taught his subjects to cook and various methods of hunting and fishing,[3] including fishing with nets and hunting with weapons made of bone, wood, or bamboo. He instituted the basic family structure,[3] as well as marriage, and offered the first open-air sacrifices to heaven. A stone tablet, dated AD 160, shows Fuxi with Nüwa.

Traditionally, Fuxi is considered the originator of the methods of divination that were passed down through the ages before theI Ching.[4] In other versions of the story, he is credited to the writing of some of theI Ching itself. His divination powers are attributed to his reading of theHe Map (or theYellow River Map). According to this tradition, Fuxi had the arrangement of thetrigrams of theI Ching revealed to him in the markings on the back of a mythicaldragon horse (sometimes said to be atortoise) that emerged from theLuo River. This arrangement precedes the compilation of theI Ching during theZhou dynasty. This discovery is said to have been the origin of calligraphy. Fuxi is also credited with the invention of theGuqin musical instrument, though credit for this is also given toShennong andYellow Emperor.

TheFigurists viewed Fuxi asEnoch, the Biblical patriarch.[13]Alexander Catcott, aHutchinsonian, identified Fuxi with the BiblicalNoah (A Treatise on theDeluge).

Fuxi and Nüwa were also thought to be gods of silk.[14]

Death

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Fuxi temple inHebei

Fuxi is said to have lived for 197 years altogether and died at a place calledChen (modernHuaiyang,Henan), where a monument to him can still be found and visited as a tourist attraction.[9]

Gallery

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See also

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Notes

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  1. ^also known asPao Xi (包犧, 包羲, 炮犧 or庖犧),Xi Huang犧皇 orHuang Xi皇羲 "August Shepherd".Taihao (太昊;太皞; "Great Brightness"); his tribal surname黄熊氏;Huang Xiong; "Yellow Bear"

References

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  1. ^Theobald, Ulrich.Fu Xi 伏羲 ChinaKnowledge.de - An Encyclopaedia on Chinese History, Literature and Art
  2. ^Fernald, Helen E. (December 1926)."Ancient Chinese Musical Instruments: As Depicted on Some of the Early Monuments in the Museum".The Museum Journal.XVII (4):325–371.
  3. ^abcIvanhoe, Philip J.;Van Norden, Bryan W. (2005).Readings in Classical Chinese Philosophy (2nd ed.). Indianapolis:Hackett Publishing Company. p. 379.ISBN 0-87220-781-1.OCLC 60826646.
  4. ^abCanton, James; Cleary, Helen; Kramer, Ann; Laxby, Robin; Loxley, Diana; Ripley, Esther; Todd, Megan; Shaghar, Hila; Valente, Alex (2016). Canton, James (ed.).The Literature Book. New York:DK. p. 21.ISBN 978-1-4654-2988-9.
  5. ^Wong, Eva (2007).Tales of the dancing dragon: stories of the Tao (1st Shambhala ed.). Boston London: Shambhala. p. 15.ISBN 978-1-59030-523-2.
  6. ^abcdPletcher, Kenneth."Fu Xi".Encyclopedia Britannica. Retrieved2023-05-30.
  7. ^Millidge, Judith (1999).Chinese Gods and Myths. Chartwell Books.ISBN 0-7858-1078-1.
  8. ^Forty, Jo (2004).Mythology: A Visual Encyclopedia. London:Barnes & Noble Books. pp. 196, 210.ISBN 0-7607-5518-3.
  9. ^abcdWorshiping the Three Sage Kings and Five Virtuous Emperors - The Imperial Temple of Emperors of Successive Dynasties in Beijing. Beijing: Foreign Language Press. 2007.ISBN 978-7-119-04635-8.
  10. ^Cotterell, Arthur (1979).A Dictionary of World Mythology. Book Club Associates.ISBN 0-19-217747-8.
  11. ^Birrell, Anne (1993).Chinese Mythology: An Introduction. Baltimore:Johns Hopkins University Press. p. 44.ISBN 0-8018-4595-5.
  12. ^Zhuo, Xinping (2017-12-26).Religious Faith of the Chinese. Springer.ISBN 978-981-10-6379-4.
  13. ^Mungello 1989:321
  14. ^Wood, Frances (2002).The Silk Road: Two Thousand Years in the Heart of Asia. Berkeley, California:University of California Press. p. 29.ISBN 0-520-23786-2.

Further reading

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External links

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  • Media related toFuxi at Wikimedia Commons
  • Quotations related toI Ching at Wikiquote
Fuxi
Regnal titles
Preceded byMythological Sovereign of ChinaSucceeded by
Four Clans
Three Exalted Ones
Four Perils
Five Primal Emperors
Three Perfect Kings
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