Fruit Chan | |
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 Fruit Chan at the Hong Kong Art Centre, 28 July 2017 | |
| Born | Chen Guo (1959-04-15)15 April 1959 (age 66) Guangdong, China |
| Awards | Hong Kong Film Awards –Best Director 1998Made in Hong Kong Best Screenplay 2001Durian Durian Golden Bauhinia Awards –Best Director 1998Made in Hong Kong Best Screenplay 2001Durian Durian Hong Kong Film Critics Society Awards –Best Director 1998Made in Hong Kong 2015The Midnight After Best Screenplay 2003Hollywood Hong Kong Golden Horse Awards –Best Director 1997Made in Hong Kong 2002Hollywood Hong Kong Best Original Screenplay 1997Made in Hong Kong 2000Little Cheung 2001Durian Durian |
| Fruit Chan Gor | |||||||||||
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| Traditional Chinese | 陳果 | ||||||||||
| Simplified Chinese | 陈果 | ||||||||||
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Fruit Chan Gor (Chinese:陳果; born 15 April 1959) is aHong Kong filmmaker who is best known for his style of film reflecting the everyday life ofHong Kong people. He is well known for using amateur actors (such asSam Lee inMade in Hong Kong, Wong Yau-Nam inHollywood Hong Kong) in his films. He became a household name after the success of the 1997 filmMade in Hong Kong, which earned many local and international awards.
Chan was born inGuangdong, China. His English name is acalque (literal translation) of his personal name Guo (果). Growing up, he watched a lot of films fromCommunist countries.[1]
He and his family moved to Hong Kong in July 1971.[1] His family was poor and Chan worked in an electronics factory while finishingForms 1 to 3 atnight school. He later got a job as aprojectionist inJordan, Hong Kong, where he developed an interest ininternational cinema.[1]
He later enrolled in a one-year film studies course at the Film Culture Society, garnering admission by lying about his secondary education experience and working odd jobs to pay for tuition.[1]
He continued his interest in film later on at the Hong Kong Film Culture Centre, a small film club, where he studied script writing and directing. In 1982, after only one year of working at the Hong Kong Film Culture Centre he started his career in the film industry. He began his career as an assistant director to David Lai Dai-Wai in the filmMid-Night Girls. He later worked as an assistant director to mainstream directorsJackie Chan,Kirk Wong,Ronny Yu, andShu Kei.[2]
His break came in 1991 when a film he was working with stopped its production. Chan took this as an opportunity; he used the same studio to directFinale in Blood. However, the outcome of the first of his own films was highly praised by the critics rather than the public. In 1994 he collected a total of 500,000 HKD and film-materials left over by other productions to begin directing his award-winningMade in Hong Kong.[3] AfterMade in Hong Kong came out he was thought of as the hope for Hong Kong cinema by fellow Hong Kong filmmakers for challenging the stable model of Hong Kong filmmaking. He had become the first filmmaker to, independently of the big studios, challenge the genre of Hong Kong films and make realistic films about the political and social situations going on in Hong Kong at the time. The film was the first part to a trilogy that includedThe Longest Summer andLittle Cheung.
In 2002, Chan was a member of the jury at the24th Moscow International Film Festival.[4]
Chan was selected to head the jury for the 2015Taipei Film Festival.[5]
Chan lists Japanese directors, particularlyfrom the 1960s such asNagisa Ōshima, as his primary influences. Ōshima specifically was the influence for Chan's filmMade in Hong Kong (1997).[2]
Chan's films often focus on the "raw, often bleak, view of life of Hong Kong's working class."[1]
