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Friedrich Ludwig Schröder (3 November 1744 – 3 September 1816) was a German actor,manager, dramatist and prominentmasonic leader.
He was born inSchwerin. Shortly after his birth, his mother,Sophie Charlotte Bierreichel (1714–1792), separated from her husband, and, joining a theatrical company, toured with success in Poland and Russia. Subsequently, she marriedKonrad Ernst Ackermann and appeared with his company in many German cities, finally settling inHamburg. Young Schröder early showed considerable talent, but his childhood was rendered so unhappy by his stepfather that he ran away from home and learned the trade of ashoemaker.[1]
He rejoined his parents, however, in 1759, and became an actor. In 1764 he appeared with the Ackermann company in Hamburg, playing leading comedy parts; but these he soon exchanged for the tragic roles in which he became famous. These includedHamlet,King Lear and Philip inSchiller'sDon Carlos.[1]
After Ackermann's death in 1771 Schröder and his mother took over the management of the Hamburg theatre, and he began to write plays, largely adaptations from theEnglish, making his first success with the comedyDie Arglistige. In 1780 he left Hamburg, and after a tour with his wife,Anna Christina Hart, a former pupil, accepted an engagement at theCourt Theatre inVienna. In 1785 Schröder again took over his Hamburg management and conducted the theatre with marked ability until his retirement in 1798. The Hamburg theatre again falling into decay, the master was once more summoned to assist in its rehabilitation, and in 1811 he returned to it for one year. He died in 1816.[2]
As an actor Schröder was the first to depart from the stilted style of former tragedians; as a manager he raised the standard of plays presented and contributed, withAbel Seyler, to introducingShakespeare on the German stage. Schröder'sDramatische Werke, with an introduction byTieck, were published in four volumes (Berlin, 1831).[3]