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Francisco Clapera

From Wikipedia, the free encyclopedia
Spanish artist
Fromchino (the male offspring of abarcino and amulata) and an indigenous woman: a 'genizara'. Denver Museum of Art.

Francisco Clapera (1746–1810) was a Spanish painter who after training in Spain lived and worked inNew Spain. Here he createdcasta paintings, a distinctive Mexican genre that depicts in sets of consecutive images scenes of racial mixing among the Indians, Spaniards and Africans who lived in the Spanish colony.[1]

Life and Art

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Born inBarcelona, Clapera traveled to Peru on a ship headed byViceroy Manuel Guiror.[2] After his arriving in Peru, Clapera traveled to Mexico.[3] There, he metJeronimo Antonio Gil, the first director of theRoyal Academy of San Carlos. Gil, wanting Clapera to become part of his Academy, convinced him to stay in Mexico.[2]

Casta Paintings

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As aSpaniard living in the New World, Clapera's experience at theAcademia de San Fernando in Madrid made him unique.[3] His incorporation of European artistic techniques, such as thecontrapposto, made his casta paintings more dynamic than those of his Mexican contemporaries.[4] Ilona Katzew,art historian and author ofCasta Painting: Images of Race in Eighteenth-Century Mexico, noted that Clapera was one of the few artists who painted a series of castas.[4]

His paintings also incorporated aspects of Colonial Mexican life. Images of dancing, drunkenness and domestic abuse further developed the casta painting genre to appear more dynamic, compared to earlier castas, which were strict in their portrait-like compositions.[1]

See also

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References

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  1. ^abKatzew, Ilona (2004).Casta Painting: Images of Race in Eighteenth-Century Mexico. Yale University Press. p. 31.
  2. ^abKatzew, Ilona (2004).Casta Painting: Images of Race in Eighteenth-Century Mexico. Yale University Press. p. 23.
  3. ^abPierce, Donna (2004).Painting A New World: Mexican Art and Life. Denver: University of Texas. pp. 74–75.
  4. ^abKatzew, Ilona (2004).Casta Painting: Images of Race in Eighteenth-Century Mexico. Yale University Press. p. 26.
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