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François de Troy

From Wikipedia, the free encyclopedia
French painter (1645–1730)

François de Troy
Portrait of Troy from 1703 by his student and Academy memberAlexis Simon Belle
Born9 January 1645
Died1 May 1730(1730-05-01) (aged 85)
Paris, France[1]
Known forPainting
ChildrenJean-François de Troy
PatronsCourts ofJames II of England andJames Francis Edward Stuart in exile, French court
Director of theAcadémie de Peinture et de Sculpture
In office
1708–1711
MonarchLouis XIV
Preceded byJean Jouvenet
Succeeded byCorneille Van Clève

François de Troy (9 January 1645[2] – 1 May 1730[3]) was aFrenchpainter andengraver who became principal painter toKing James II in exile atSaint-Germain-en-Laye and Director of theAcadémie Royale de peinture et de sculpture.

Early life

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One of a family of artists, Troy was born inToulouse, the son of Antoine Troy (bapt. 28 July 1608 – 15 September 1684), a painter in that city,[4] and Astrugue Bordes. François Troy and was the brother of the painterJean de Troy (4 April 1638 – 25 June 1691).[5] Troy was taught the basic skills of painting by his father, and perhaps also by the more worldly Antoine Durand.[4][6]

François de Troy is not to be confused with his son, the portrait painterJean-François de Troy (1679–1752), who studied under him.[7]

Career

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At some time after 1662, Troy went toParis to study portrait painting underClaude Lefèbvre (1633–1675) andNicolas-Pierre Loir (1624–1679].[6] A. P. F. Robert-Dumesnil states that this occurred when Troy was aged twenty-four.[4]

In 1669, Troy married his master Nicolas-Pierre Loir's sister-in-law, Jeanne Cotelle.[6]

In 1671, he was approved (agréé) by theAcadémie Royale de peinture et de sculpture. In 1674, he was received into the Academy as a history painter, with areception piece (morceau de réception) entitledMercure coupant la tête d'Argus ('Mercury cutting off the head ofArgus').[4][6]

Troy's early known works include tapestry designs forMadame de Montespan, one of the many mistresses ofLouis XIV of France, and paintings with religious and mythological subjects.[6]

In the 1670s, he became friendly withRoger de Piles, who introduced him to Dutch and Flemish painting, and after the death of Claude Lefebvre in 1675, Troy changed his direction to become a portrait artist, aiming at commissions from Lefebvre's former clients. In 1679 he was commissioned to paint a portrait of the Swedish ambassadorNils Bielke, and in 1680 that ofMaria Anna Victoria of Bavaria, shortly after her marriage toLouis of France, Dauphin of France, the heir to the French throne, on 7 March 1680.[6] Troy became a successful painter of fashionable single and group portraits.[8] His clients included Madame de Montespan, her son by the king,Louis Auguste, Duke of Maine, and his wifeLouise Bénédicte de Bourbon.[6]

As a result of such commissions, Troy was able to work continuously in court circles for almost fifty years. He was admired for his ability to capture the upper classes and their preoccupation with manners and fashion.[6] Perhaps more importantly, he was said to have the ability to make any woman look beautiful, which made him sought after by all women.[9]

In the 1690s, Troy became the principal painter to the court ofKing James II in exile atSaint-Germain-en-Laye, where he was the master ofAlexis Simon Belle.[10]

By the years 1698 to 1701, a period of peace between France and Great Britain, Jacobites could cross the English Channel carrying portraits ofJames Francis Edward Stuart and his sisterPrincess Louisa Maria. Troy was then James II's only court painter and needed the help of Belle, his best student, to produce the many portraits commissioned from him.[10]

In 1698, he was appointed a Professor of the Académie Royale, and in 1708 became its director.[11][12]

Troy was anengraver as well as a painter. Among his engravings is one of the funeral in 1683 ofMaria Theresa of Austria, the wife of King Louis XIV.[4]

Apart from his son, Jean-François, Troy's other students includedAndré Bouys[4] andJohn Closterman.

He died inParis at the age of eighty-five.[4]

Work

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The portraits painted by Troy include (see image gallery) -

Gallery

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References

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  • Cailleux, Jean,Some Family and Group Portraits by Francois de Troy (1645–1730) inThe Burlington Magazine, vol. 113, no. 817 (April 1971), pp. i-xviii
  • Brême, Dominique,François de Troy 1645-1730 (Paris, ed. Somogy, Editions d'art, 1997, 199 pages,ISBN 978-2-85056-278-5)

Notes

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  1. ^abcPortrait d'un couple en Vénus et Pâris at the web site of theLouvre (accessed 15 February 2008)
  2. ^Maîtres français, 1550-1800: dessins de la donation Mathias Polakovits à l'Ecole des beaux-arts : Ecole nationale supérieure des beaux-arts, 19 avril-25 juin 1989. (1989). France: L'Ecole. Page 134.
  3. ^Benezit Dictionary of Artists. Vol. 13,Sommer–Valverane. Paris:Éditions Gründ. 2006. pp. 1211–1212.
  4. ^abcdefgRobert-Dumesnil, Alexandre Pierre F.,Le peintre-graveur français, ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'ecole française, vol. 7 (1844)p. 337 online at books.google.com (accessed 15 February 2008)
  5. ^Brême, Dominique (1997).François de Troy 1645–1730. Paris. pp. 11–18.{{cite book}}: CS1 maint: location missing publisher (link)
  6. ^abcdefghFrançois de Troy at safran-arts.com (accessed 15 February 2008)
  7. ^François de Troy, French Baroque Era Painter, 1645-1730 at artcyclopedia.com (accessed 15 February 2008)
  8. ^Bordeaux, Jean-Luc,Jean-Francois de Troy, Still an Artistic Enigma: Some Observations on His Early Works inArtibus et Historiae, vol. 10, no. 20 (1989), pp. 143-169
  9. ^Robert-Dumesnil,op. cit.: "Possédant l'art de rendre toutes les femmes belles, son pinceau flatteur le fit rechercher de toutes les dames et lui procura une grande vague à la cour."
  10. ^abCorp, Edward,Belle, Alexis-Simon (1674–1734) inOxford Dictionary of National Biography (Oxford University Press, September 2004
  11. ^Bryan, Michael,Bryan's Dictionary of Painters and Engravers. Volume 5. S-Z (Adamant Media Corporation,ISBN 0-543-93157-9),page 208 online at books.google.com (accessed 16 February 2008)
  12. ^Williams, Hannah (2016).Académie Royale: A History in Portraits. Routledge. p. 45.ISBN 978-1-4094-5742-8.
  13. ^Richard Talbot, 1st Earl of Tyrconnell portrait at npg.org.uk (accessed 15 February 2008)
  14. ^National Trust acquisitions 2003-2004 at findarticles.com (accessed 15 February 2008)
  15. ^Portraits of Jean de la FontaineArchived 29 February 2008 at theWayback Machine at lafontaine.net (accessed 15 February 2008)
  16. ^Notes on the Elisabeth Jacquet de la Guerre PortraitArchived 25 July 2008 at theWayback Machine at earlywomenmasters.net (accessed 15 February 2008)

External links

[edit]
Wikimedia Commons has media related toFrançois de Troy.
Paintings
Related
Foundinganciens (elders)
Foundingacadémistes (academicians)
Directeurs of the Académie
  1. Antoine de Ratabon (1655–1670)
  2. Charles Errard (1675–1683)
  3. Charles Le Brun (1683–1690)
  4. Pierre Mignard (1690–1695)
  5. Noël Coypel (1695–1699)
  6. Charles de La Fosse (1699–1702)
  7. Antoine Coysevox (1702–1705)
  8. Jean Jouvenet (1705–1708)
  9. François de Troy (1708–1711)
  10. Corneille Van Clève (1711–1714)
  11. Antoine Coypel (1714–1722)
  12. Louis de Boullogne (1722–1733)
  13. The fourrecteurs took turns
    acting as director (1733–1735)
    Claude-Guy Hallé
    Nicolas de Largillière
    Guillaume Coustou
    Hyacinthe Rigaud
  14. Guillaume Coustou (1735–1738)
  15. Nicolas de Largillière (1738–1742)
  16. René Frémin (1742–1744)
  17. Pierre-Jacques Cazes (1744–1747)
  18. Charles-Antoine Coypel (1747–1752)
  19. Louis de Silvestre (1752–1760)
  20. Jean Restout (1760–1763)
  21. Jacques Dumont le Romain (1763)
  22. Carle Van Loo (1763–1765)
  23. François Boucher (1765–1768)
  24. Jean-Baptiste Lemoyne (1768–1770)
  25. Jean-Baptiste Marie Pierre (1770–1789)
  26. Joseph-Marie Vien (1789–1793)
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