| Flahooley | |
|---|---|
 Capitol Records Album Cover forFlahooley | |
| Music | Sammy Fain |
| Lyrics | E. Y. Harburg |
| Book | E. Y. Harburg Fred Saidy |
| Productions | 1951Broadway1998Off-Off Broadway |
Flahooley is amusical with a book byE. Y. Harburg andFred Saidy, lyrics by Harburg, and music bySammy Fain.
Theallegorical tale is set infictional Capsulanti, USA, site of the headquarters for B.G. Bigelow, Incorporated, the largesttoycorporation in the world. Puppet designer Sylvester has created laughingdoll Flahooley and is about to unveil it as the company's bigChristmas release to theboard of directors. The meeting is interrupted by anArabian delegation. Their country has run out of oil, the magic lamp upon which they rely is broken, and they hope someone can repair it sogenie Abou Ben Atom, who keeps things running smoothly, will reappear and help them in their time of need. Bigelow, enamored with Princess Najla, agrees and assigns Sylvester to the project. Sylvester's hopes of success are crushed when a rival company produces their own doll at a lower price. By rubbing the lamp with Flahooley's hand, he summons the genie, hoping to become wealthy enough to marry his model Sandy, wishes for every child to have a Flahooley doll. Unfortunately the genie, unclear on the concept ofcapitalism, begins giving away thousands of dolls, causing warehouses to collapse and children to carry them off for free. Before long a full-fledgedwitch-hunt is on for him in an effort to put an end to his misguided generosity. The mob's leader Elsa Bullinger urges citizens to destroy every doll they find. This destructive behavior begins to kill Abou, until Sandy is able to save one doll and fix it again, reviving the genie. The lamp, however, has been captured by Elsa. Abou decides not to return to the lamp, but to become a real-lifeSanta Claus and gives his blessing to Sylvester and Sandy, urging everyone to believe in what Flahooley represents.
Harburg had successfully blendedpolitics withfantasy inFinian's Rainbow four years earlier, but his bitterness at his 1950Hollywoodblacklisting, which prompted him to writeFlahooley, permeated the project. During its evolution he conceded to some adjustments - originally the doll, instead of laughing, yelled "Dirty Red!" when turned upside down - but his convoluted plot still included too many thinly veiled references toJoseph McCarthy and his followers, and his harsh parody of the ongoing rabidanti-Communist sentiment that prompted so many witch hunts was not softened by the inclusion of a genie and singing puppets. It did not help that associate producer/director Harburg saw no need to edit writer Harburg's overstated political views.
TheBroadway production was directed by Harburg and Saidy,choreographed byHelen Tamiris, and orchestrated byTed Royal. It opened on May 14, 1951 at theBroadhurst Theatre, where it closed on June 15, 1951 after 40 performances. This was due toSeventeen taking over the Broadhurst theatre. It was announced that the show would reopen with revisions, but it never did. The cast includedJerome Courtland as Sylvester,Ernest Truex as Bigelow,Barbara Cook (in her Broadway debut) as Sandy,Irwin Corey as Abou Ben Atom, andYma Sumac as Princess Najla, withLouis Nye,Nehemiah Persoff, andTed Thurston in supporting roles.[1]Bil Baird and his wife Cora played small roles in addition to creating and controlling themarionettes that performed "You Too Can Be a Puppet," the opening number that took a swipe at McCarthy's minions and set the tone for the rest of the evening, although by the time the show opened in New York, several songs and much of the more pointed satire was severely toned down or removed during the out of town tryouts.
Anoriginal cast recording was released byCapitol Records.
In 1998, a production ofFlahooley (the first in New York since its original brief run) was mounted at the Theatre At St. Clement's. Adapted and directed by Alisa Roost with choreography and directorial contributions by Al Joyal, and orchestration and musical direction by Peter Jones this 1998 revival production had some participation from the heirs of the original creative team.[2] This allowed restoration of songs and other material, which was excised from the original production during its out of town tryouts (including the melodic and ironic indictment of the commercialization of Christmas, "Sing The Merry"). Following the original book, the doll exclaimed "Dirty Red!" instead of laughing, went to sleep when you fed itphenobarbital, woke up when you fed itbenzedrine (a drug also referenced inFinian's Rainbow) and had the stated purpose of teaching children how to be good Americans. The principal cast of the revival production included April Allen, Mark Cortale, Christopher Budnich, Natalie Buster, Clay Hansen, Alan Semok, Cheryl Walsh, Roxy Becker, Mimi Ferraro, J. Michael Zally and Tiffany Card.
There have been two London productions by theLost Musicals project, aka The Lost Musicals Charitable Trust 1069268. The first was in 1997 at theBarbican Centre. Ian Marshall Fisher, director, Mark Dorell, Music Director, with the cast that included Alan Cox.[3] This was repeated in Sadler's Wells in 2012 ( Music Director and musicologist Mark Warman).
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