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Five Songs, Op. 38 (Sibelius)

From Wikipedia, the free encyclopedia
Collection of art songs by Jean Sibelius (1903–1904)
Five Songs, Op. 38
Song collection byJean Sibelius
The composer (c. 1902)
Opus38
LanguageSwedish
Composed1903 (1903)–1904; Nos. 2–3orch. 1903, No. 1orch. 1904
External audio
Sung byHelena Juntunen,
accompanied byFolke Gräsbeck [fi]
audio iconNo. 1, "Höstkväll"
audio iconNo. 2, "På verandan vid havet"
audio iconNo. 3, "I natten"
audio iconNo. 4, "Harpolekaren och Hans son"
audio iconNo. 5, "Jag ville, jag core I Indialand"

TheFive Songs,Op. 38,[a] is a collection ofSwedish-languageart songs for vocal soloist and piano written from 1903 to 1904 by the Finnish composerJean Sibelius.[b]

Constituent songs

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Ordered by catalogue number, the Op. 38 songs are as follows:

  • "Höstkväll" ("Autumn Evening"), Op. 38/1 (1903); text by the Swedish poetViktor Rydberg[3]
  • "På verandan vid havet" ("On a Balcony by the Sea"), Op. 38/2 (1903); text by Rydberg[4]
  • "I natten" ("In the Night"), Op. 38/3 (1903); text by Rydberg[5]
  • "Harpolekaren och Hans son" ("The Harper and His Son"), Op. 38/4 (1904); text by Rydberg[6]
  • "Jag ville, jag core I Indialand" ("I Wish I Were in India"), Op. 38/5 (1904); text by the Swedish poetGustaf Fröding[7]

The collection was first published by the Helsinki-based firmFazer & Westerlund [fi] (Helsingfors Nya Musikhandel) from 1903 to 1904.

Orchestral versions of Nos. 1–3

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In 1903, Sibelius arranged "På verandan vid havet" and "I natten" for vocalist and orchestra; an arrangement of "Höstkväll" arrived the following year in 1904.

Notes, references, and sources

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Notes

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  1. ^Because Sibelius's Op. 38 songs are sung in Swedish, this article gives preference to each song's native title, rather than the English translation.
  2. ^All but a few of Sibelius's songs are settings of Swedish-language poems (quantitatively, his favorite poets wereErnst Josephson,Johan Ludvig Runeberg,Viktor Rydberg, andKarl August Tavaststjerna [fi])[1] and are with piano accompaniment. While many are of high quality, they largely have been neglected outside theNordic realm, due to the limited coverage (in terms of number of speakers) of Swedish (relative to, for example, German or French).[2]

References

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  1. ^Layton 1993, pp. 160–161.
  2. ^Layton 1993, pp. 159–160.
  3. ^Barnett 2007, pp. 383, 404, 406;Dahlström 2003, pp. 175–177.
  4. ^Barnett 2007, pp. 383, 406;Dahlström 2003, pp. 177–179.
  5. ^Barnett 2007, pp. 383, 406;Dahlström 2003, pp. 179–180.
  6. ^Barnett 2007, p. 406;Dahlström 2003, pp. 181–182.
  7. ^Barnett 2007, p. 406;Dahlström 2003, pp. 182–183.

Sources

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  • Barnett, Andrew (2007).Sibelius. New Haven, Connecticut: Yale University Press.ISBN 978-0-300-16397-1.
  • Dahlström, Fabian[in Swedish] (2003).Jean Sibelius: Thematisch-bibliographisches Verzeichnis seiner Werke [Jean Sibelius: A Thematic Bibliographic Index of His Works] (in German). Wiesbaden: Breitkopf & Härtel.ISBN 3-7651-0333-0.
  • Layton, Robert (1993) [1965].Sibelius. (The Master Musicians Series) (4th ed.). New York: Schirmer Books.ISBN 0028713222.

External links

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