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Finale (music)

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From Wikipedia, the free encyclopedia

Last movement, ending, or final sequence of a musical work

For the music software, seeFinale (software).

"grand finale" redirects here. For other uses, seeGrand Finale (disambiguation).

Afinale is the lastmovement of asonata,symphony, orconcerto; the ending of a piece of non-vocalclassical music which has several movements; or, a prolonged final sequence at the end of an act of anopera or work ofmusical theatre.^[1]

Michael Talbot wrote of the finales typical in sonatas: "Therondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century."^[2]Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their openingthemes."^[3]

In theatrical music,Christoph Willibald Gluck was an early proponent of extended finales, with multiple characters, to support the "increasingly natural and realistic" stories in his operas that "improved continuity and theatrical validity" beyond the earlier works.^[4]

Sources

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^John Alexander Fuller-Maitland, ed. (1890).A Dictionary of Music and Musicians: (A.D. 1450-1889), p. 523, Macmillan and Co.
^Talbot, Michael (2001).The Finale in Western Instrumental Music, p. 2.ISBN 978-0-19-816695-5.
^Talbot (2001), p. 2 & 1 n1. Cites: Czerny, Carl (c. 1848).School of Practical Composition, Vol. I, p. 67-69.
^Koopman, John."Expressivity 1760–1850",A Brief History of Singing, 1999,Lawrence University Conservatory of Music, accessed June 28, 2012

v t e Musical form anddevelopment
Arch form Argument Ausmultiplikation Bar form Binary form Bridge Call and response Cell Coda Conclusion Cycle Cyclic form Developing variation Development Drop Exposition Finale Formula composition Hook Introduction Leitmotif Lick Melody Motif Movement Ostinato Overture Partita Period Phrase Pre-chorus Post-chorus Recapitulation Repetition Reprise Riff Rondo Rondò Section Sonata form Sonata rondo form Song structure Strophic form Ternary form Theme Thirty-two-bar form Through-composed Transition Variation Verse–chorus form

Musical form anddevelopment