Feudal allegiance is one of manythemes in J. R. R. Tolkien's epic fantasyThe Lord of the Rings. Central to some societies in theMiddle Ages, the theme allows Tolkien to structure a complex set of relationships, to illustrate the medieval ideals of selfless courage through loyalty to one's lord, and tocontrast pairs of characters according to how they handle these relationships.

In theMiddle Ages,feudal allegiance was a central element in the structure of society.François Louis Ganshof (1944) described this as a set of reciprocal legal andmilitary obligations between a warriornobleman and hislord.^[2]

J. R. R. Tolkien wrote theheroic fantasyThe Lord of the Rings in 1954–1955. Itembodies many influences, but the Middle Ages in particular give the book much of its social framework.^[3] The book's attitude to time and change, too, is medieval: time evidently passes, there are wars and people die, but the framework of society does not shift: civilisation seems to be static, and the reader does not see changes in feudalism or the structures of government.^[4] In addition, its literary genre of "(heroic) fantasy" has become associated inThomas Honegger's view with medievalheroic romance.^[5]

The Tolkien scholarJane Chance analyses an elaborate web of relationships based on amedieval Germanic worldview. She describes the brothersFaramir andBoromir asa pair of opposites, good and evil. Their father isDenethor, theSteward of Gondor, standing in for the King. There has been no King of Gondor for centuries, but in Gondor's rigidly feudal system, only a man of Gondor's royal line can take its throne.^{[T 1]} Chance likens the pairing of the two brothers to the contrasting rulersThéoden, King of the horse-realm ofRohan, and Denethor, whom she considers a pair of good and evil "Kings".^[6] She explores what she sees as a series of parallel instances offeudal allegiance (a man's oath of service to his lord, in return for protection) and betrayal (the breaking of that oath) involving the hobbitFrodo Baggins.^[1]

The hobbitSam Gamgee serves his master Frodo faithfully, but accidentally betrays him to Faramir, first with the smoke from his cooking fire, and then by mentioning the Ring.^[1]

The monsterGollum's allegiance to Frodo is in the form of an oath sworn on the Ring, to obey Frodo and not to run off. Frodo "betrays" Gollum by luring him into the captivity of Faramir's men. Gollum then swears to Faramir that he will never return to the forbidden pool, which is just outside Faramir's secret stronghold inIthilien.^[1] Gollum may have a distorted morality, but he still expects Frodo to be true to his word, and feels betrayed when Frodo effectively deceives him into Faramir's captivity, however good Frodo's motives may have been. The reader, on the other hand, perceives that Frodo has chosen faithfully and as such is following the feudal code of a good lord and master.^[3]

The last of the parallel allegiance relationships is that Faramir grants Frodo protection, in the manner of a Germanic lord, and in return Frodo offers his service.^[1]

Chance discusses the role of the hobbitsPippin and his friendMerry, in illuminating the contrast between what she calls the "good and bad Germanic lords Théoden and Denethor".^[7]Tom Shippey notes the "antithetical" symmetry in the relationships with the two lords, commenting that this depicts the contrasting cultures of the two kingdoms.^[8] Chance writes that the two leaders each receive the allegiance of a hobbit, but very differently. Denethor, powerful Steward of Gondor, undervalues Pippin because he is small, and binds him with a formal oath, whereas Théoden, King of Rohan, treats Merry with love, which the hobbit responds to in kind.^[7]

Shippey adds that Tolkien uses the two hobbits and their low simple humour as foils for the muchhigher romance to which he was aspiring with the more heroic and kingly figures of Théoden, Denethor, andAragorn: an unfamiliar and old-fashioned writing style that might otherwise, Shippey writes, have lost his readers entirely.^[9]

Feudal loyalty was a Germanic ideal, seen inOld English poems such asBeowulf. Franco Manni writes that Tolkien wanted the ideal to be that "desperate courage" was amoral good provided that it was driven purely by a vassal's loyalty to his lord: it had to be free of any desire for personal advancement or glory.^[4]

Colleen Donnelly writes that medieval-style feudal vassals owe their lord allegiance, but only if the lord actually deserves it. When Denethor seeks to kill himself and his son Faramir, both Pippin and a soldier of the citadel guard, Beregond, see that the time has come to take action. In Beregond's case, that actually involves using force against his lord's wishes, which means breaking his oath of allegiance. Beregond has no option but to make a choice: obey Denethor or save Faramir. When Aragorn becomes King of Gondor, he makes Beregond a servant of Faramir, effectively rewarding him for his wise choice, and accepting that it was not treasonous to disobey Denethor in that situation.^[3]

Both Gollum andWormtongue are distorted characters, and both end up disloyal to their masters. Donnelly notes that they are both "eaten up by desire", but comments that where Wormtongue is irredeemably full of treason against his lord, King Théoden of Rohan, Gollum remains open to kindness and can still intend to do good and honest service. Both characters end up unintentionally doing good through what seems to bean evil act: Wormtongue slits his new masterSaruman's throat, helping to end the harm being done to the hobbits' home,the Shire; while Gollum, desperate to get theOne Ring, bites it off his master Frodo's finger and falls to his death, with the Ring, into the fires ofMount Doom, thus destroying the Ring and ending the Dark Lord Sauron's reign.^[3]

• Chance, Jane (1980) [1979].Tolkien's Art: 'A Mythology for England'.Macmillan.ISBN 978-0-333-29034-7.
• Donnelly, Colleen (2007)."Feudal Values, Vassalage, and Fealty inThe Lord of the Rings".Mythlore.25 (3/4):17–27.
• Ganshof, François Louis (1996) [1944]. "The Classical Age of Feudalism: Introduction".Feudalism. Translated byGrierson, Philip. Canada:University of Toronto Press. p. 65.ISBN 0-8020-7158-9.
• Honegger, Thomas (1 November 2010)."(Heroic) Fantasy and the Middle Ages – Strange Bedfellows or an Ideal Cast?".Itinéraires (2010–3):61–71.doi:10.4000/itineraires.1817. Retrieved20 February 2025.
• Manni, Franco (2009)."Real and imaginary history in The Lord of the Rings".Mallorn (47):28–37.
• Shippey, Tom (2001).J. R. R. Tolkien: Author of the Century.HarperCollins.ISBN 978-0261-10401-3.
• Shippey, Tom (2005) [1982].The Road to Middle-Earth: How J. R. R. Tolkien Created a New Mythology (Third ed.).HarperCollins.ISBN 978-0-261-10275-0.
• Tolkien, J. R. R. (1955).The Return of the King.The Lord of the Rings. Boston:Houghton Mifflin.OCLC 519647821.

• Themes of The Lord of the Rings

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