| "Raging Abe Simpson and His Grumbling Grandson in 'The Curse of the Flying Hellfish'" | |||
|---|---|---|---|
| The Simpsons episode | |||
| Episodeno. | Season 7 Episode 22 | ||
| Directed by | Jeff Lynch | ||
| Written by | Jonathan Collier | ||
| Production code | 3F19 | ||
| Original air date | April 28, 1996 (1996-04-28) | ||
| Episode features | |||
| Couch gag | The family sits on the couch.Homer notices a plug in the middle of the floor and pulls it. Everyone and everything gets sucked down the drain.[1] | ||
| Commentary | Bill Oakley Josh Weinstein Jonathan Collier David Silverman | ||
| Episode chronology | |||
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| The Simpsonsseason 7 | |||
| List of episodes | |||
"Raging Abe Simpson and His Grumbling Grandson in 'The Curse of the Flying Hellfish'", or simply "The Curse of the Flying Hellfish", is the twenty-second episode of theseventh season of the American animated television seriesThe Simpsons. It originally aired on theFox network in the United States on April 28, 1996.
In the episode, one ofAbraham Simpson's fellowWorld War II veterans, Asa Phelps, dies, leaving him andMr. Burns as the only living members of Grampa's war squad, the Flying Hellfish. In the final days of the war, the unit had discovered several paintings and agreed on atontine, placing the paintings in a crate, and the final surviving member would inherit the paintings. As Mr. Burns wants the paintings as soon as possible, he orders Abe'sassassination. To escape death, Abe moves into the Simpsons' house, where the family lets him live inBart's room. Bart eventually joins Grampa in a daring mission to recover the paintings.
Written byJonathan Collier and directed byJeffrey Lynch, the episode was inspired by several stories about lost art surfacing. The staging of several scenes was based onDC Comics'sSgt. Rock andMarvel Comics'sSgt. Fury and his Howling Commandos. The episode scored aNielsen rating of 8.3, making it the second-highest-rated show on the Fox network the week it aired, and received positive reviews from critics, who particularly praised the animation of its action and underwater scenes.
During Grandparents' Day atSpringfield Elementary School,Grampa embarrassesBart with histall tales, straining their relationship. At theretirement home, Grampa receives word that Asa Phelps, one of the men who served under his command in the Army duringWorld War II, has died. Grampa andMr. Burns are now the only two surviving members of their infantry squad, known as the Flying Hellfish. Unwilling to wait for Grampa's natural death, Burns hires anassassin named Fernando Vidal to kill him.After avoiding several attempts on his life, Grampa seeks refuge at the Simpsons' house. He bunks in Bart's room and explains why Burns wants him dead.
In aflashback, he reveals that the Flying Hellfish discovered several priceless paintings in a German castle during the final days of World War II. To avoid being caught stealing the paintings, the soldiers formed atontine and locked them in a strongbox, which was hidden away; the last surviving member of their group would inherit the collection. Each man was given a key, all of which are needed to trigger a mechanism that reveals where the paintings are hidden.
After Grampa ends his story, Burns breaches Bart's bedroom wall with acherry-picker and takes Grampa's key by force. After Bart retrieves Burns's and Grampa's keys using asleight of hand, he and Grampa rush to the Hellfish monument in a local cemetery. After activating the locator mechanism in the monument, they learn that the paintings are hidden at the bottom of a lake. They borrowNed Flanders' motorboat and head to the location.
Bart retrieves the strongbox during a dive. As he and Grampa open it, Burns arrives and takes the paintings at gunpoint. When Bart calls him a coward and an embarrassment to the Hellfish, Burns kicks him into the empty strongbox, which locks and topples back into the lake. After Grampa dives in and rescues Bart, they chase Burns back to shore, where Grampa overpowers him. Rather than killing Burns, Grampa instead gives him adishonorable discharge for trying to kill his commanding officer and his grandson and expels him from the tontine.
Before Grampa and Bart can leave with the paintings, severalState Department agents arrive. They reveal the U.S. government has tried to find the paintings for 50 years to avoid an international incident with Germany. The agents confiscate the paintings and hand them to aEurotrash heir of one of the original owners, leaving Bart and Grampa empty-handed. Despite the loss, Grampa is content, knowing he has proven to Bart that he is not just a pathetic old man. Having reconciled, they hug. The heir then tells them to "get a room". Bart gets embarrassed.
Jonathan Collier, who wrote the episode, got the idea after reading several then-current stories about lost art surfacing.[3] The story then evolved into one involving Grampa and Burns, and it gave the writers a chance to introduce the relatives of some of the recurring characters.[3] The other members of the Flying Hellfish were based on stereotypical war movie characters.[4] The idea of having atontine came fromBill Oakley, who got the idea from "an oldBarney Miller episode".[4] Collier originally named the unit the "Fighting Hellfish" but it was later changed to the "Flying Hellfish".[3] The logo for the unit was designed using the original name and was not subsequently changed when the name was switched.[5]
Supervising directorDavid Silverman describes the directing in the episode as an "amazingly brilliant job". DirectorJeffrey Lynch received help fromBrad Bird, with whom he worked on many complex staging shots. Lynch did not have any other episodes to work on at the time and was able to devote a lot of time to working on the episode. He storyboarded most of it by himself.[5] The episode contains more effects shots than an average episode ofThe Simpsons, many of which were worked on by animator Dexter Reed. Other animators that worked on the episode include Chris Clements, Ely Lester, James Purdum, Tommy Tejeda, and Orlando Baeza.[5]
Much of the staging in the flashback scenes is based onDC Comics'sSgt. Rock andMarvel Comics'sSgt. Fury and his Howling Commandos.[2] Many of the paintings in the episode are based on real paintings thatwent missing during World War II. The animators referenced a book of lost art for the designs.[5] Other cultural references in the episode include Grampa's recollection of his brush with death at the Retirement Castle, which is a reference to Dorothy's return to Kansas inThe Wizard of Oz.[4] Mr. Burns introduces himself to the assassin as "M.B." and is briefly mistaken for former Washington D.C. MayorMarion Barry with the assassin asking "Is it time for another shipment already?", a reference to the mayor's 1990 drug arrest. The sequence where Ox explains the concept of atontine is similar to a scene in theM*A*S*H episode "Old Soldiers". The Flying Hellfish raid on the castle recalls the attack on the château inThe Dirty Dozen. The scene where Grampa tries to assassinate Hitler is based onThe Day of the Jackal.[2] During that scene, Abe says "they'll never save your brain, Hitler", a reference to a 1963 movie calledThey Saved Hitler's Brain. The song played by Baron von Wortzenberger as he drives off isCaterpillar (Rabbit in the Moon mix) byDJ Keoki.[6]
In its original broadcast, "The Curse of the Flying Hellfish" finished 48th in the ratings for the week of April 22 to April 28, 1996, with aNielsen rating of 8.3.[7] The episode was the second-highest-rated show on the Fox network that week, followingThe X-Files.[7]
The authors of the bookI Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide,Gary Russell andGareth Roberts,[8] wrote that the episode is "notable for Mr Burns' impersonation ofMarge, some spectacular action sequences, and some good underwater scenes—but [it is] not especially brilliant".[1] Dave Foster of DVD Times said: "It's easily the highlight of this season in terms of cinematic presence, with wonderful animation, staging and lighting which complements what is essentially a mini action adventure movie superbly realised via Grandpa and Bart. Like numerous episodes this season it also works as another example of family ties being reinforced though never at the sake of entertainment."[9] DVD Movie Guide's Colin Jacobson wrote that "many Grampa episodes tank, but 'Hellfish' provides a very notable exception. It's a lot of fun to see his wartime past, especially since we find precursors of series regulars. I also like the action swing the story takes, as it becomes clever and inventive. This comes out as a terrific show."[10]
Adam Finley ofTV Squad listed "Raging Abe" as one of the most touching episodes ofThe Simpsons, noting that it is "more 'crazy action flick' than emotional, but I list it here because it shows Grandpa Simpson as someone other than a crazy old coot."[11] Florencia Aberastury, Christopher Raley, and Robert Vaux ofComic Book Resources ranked itNo. 25 on their list of the25 Funniest Episodes of The Simpsons, Ranked. They highlighted the relationship between Bart and Abe, stating that it "clearly demonstrates that Grampa Simpson can be a hilarious main character given the right plot."[12] Robert Canning ofIGN gave it an 8.9 ("Great"), saying that "Raging Abe Simpson and His Grumbling Grandson in 'The Curse of the Flying Hellfish' is a hilarious romp. The action and twists may overshadow the jokes, but the episode is still very entertaining."[13] Erik Adams called the episode "a visual feast assembled from scraps of pulpy adventure serials and vintage military comics. Director Jeffrey Lynch goes for flash early and often in this episode, lowering the vantage point of the camera and playing up the leading lines, taking great care in conveying the action in Jonathan Collier’s script. It’s a genre exercise, but one that never strays far from the truth of its main character. Abe stories frequently hinge on the character’s anxieties about obsolescence and death, and he’s given a tangible reason to assert his liveliness here. ... And to bring it back to the small stuff that wasThe Simpsons’ signature, there’s still this tale of Grampa redeeming himself in the eyes of his grandson."[14]
I've just done my first non-fiction book, Oh No It's A Completely Unofficial Simpsons Guide for Virgin, co-authored with Gareth Roberts which has, to be frank, been more of a nightmare than it needed to be [the book was published as I Can't Believe It's An Unofficial Simpsons Guide, with Gary and Gareth writing under the pseudonyms Warren Martyn & Adrian Wood].
