| Familia | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 2 September 2016 (2016-09-02) | |||
| Studio | State of the Ark (Richmond, London) | |||
| Genre | ||||
| Length | 45:25 | |||
| Label |
| |||
| Producer | Ed Harcourt | |||
| Sophie Ellis-Bextor chronology | ||||
| ||||
| Singles from Familia | ||||
| ||||
Familia is the sixth studio album by English singer and songwriterSophie Ellis-Bextor. The album was produced byEd Harcourt, who also produced Ellis-Bextor's previous album,Wanderlust.[1][2] It was released on 2 September 2016, by EBGB LLP and was critically acclaimed. It was preceded bydisco-pop single "Come with Us", which was released on 19 July.
![[icon]](/mt/?noimg=&dark=on&url=http%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aWiki_letter_w_cropped.svg) | This sectionneeds expansion. You can help byadding to it.(July 2016) |
Before work commenced on the album, Sophie visited Mexico, which she claimed influenced the mood of the record: "The last album I wrote with Ed Harcourt was a wintery kind of record... I think we already had a slightly human instinct to do the complete opposite... we had all of that fresh warmth in our minds."[3]
"My new albumFamilia is the bolshier, more extrovert little sister toWanderlust. It sees theWanderlust girl move away fromEastern Europe to the warmer, sunnier climate ofLatin America where she's swappedvodka fortequila."
— Ellis-Bextor speaking about the album.[4][5]
Four singles were released, but none of them saw the success of Ellis-Bextor's previous singles. The four songs were backed with music videos, all of them directed by long-time collaboratorSophie Muller.
The first single from the album, "Come with Us", was released to radio stations on 19 July 2016 and was sent to radio stations across the UK, joining West Hull FM's playlist on 1 August andBBC Radio 2 on 5 August. The single release was in August 2016; it came ahead of the album in September. The release was accompanied with a simple music video,[6] shot during the photoshoot of the album. It consists of Sophie singing and dancing to the song wearing colourful make-up and dresses. The aesthethics of the video take explicit inspiration fromMexican culture imagery.[7] The single received a digital release in some territories and included three additionaldance mixes: the "F9 Radio Edit", "F9 Extended Disco Mix" and "F9 Mixshow Edit".
On 10 October the video for "Crystallise" was released onVevo.[8] The digital single release followed one month later. About the ballad, Ellis-Bextor said: "Everyone has the potential to fall in love and 'Crystallise' is about how easy it is to realize it if you let yourself. The ability to love has been there since the day you were born". In the video we can see her wearing a long black lace dress, wandering through the rooms and gardens of an old house in the countryside of England. Two remixes of the song were released: the "F9 Radio Edit" and "F9 Extended Mix".
The third single was "Wild Forever", a track that was highlighted by specialised reviewers as a stand-out. The video was released onYouTube on 13 January 2017 and the next day the single followed.[9] A music video was filmed inPuerto Vallarta, Mexico. Part of it was filmed in Casa Kimberly, the residence ofElizabeth Taylor andRichard Burton in the sixties. Cinematography was undertaken by John Pérez. As with previous singles, "Wild Forever" was remixed by F9 into the "F9 Radio Edit" and "F9 Extended Mix".
"Death of Love" was the fourth and last single from the album, released on 24 April 2017. The accompanying video was shot inSan Sebastián del Oeste, Mexico, and released earlier the same month.[10] Instead of showing a glamorous and cosmopolitan Sophie, she is characterised as an inhabitant of a traditional Mexican town, shopping in the market, going to the church, walking in the streets and interacting with locals and eventually going to a bar to drink tequila and dance. The "Mariachi version" of the song and video was released less than a week after the official one.[11] It was shot live at theLa Barandilla tavern (that also appears at the end of the official version) with a group of uncredited mariachis.[12]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [13] |
| BBC Radio 2 | [14] |
| Classic Pop | [15] |
| Idolator | [16] |
| London Evening Standard | [17] |
| Renowned for Sound | [18] |
Familia earned critical acclaim. John Aizlewood of theLondon Evening Standard said, "The pop singer brings ice-cold vocals and massive dance beats on her sixth LP. Sophie Ellis-Bextor's startling transformation from well-dressed pop poppet to mistress of imperious doom on 2014'sWanderlust didn't quite receive the acclaim it deserved."[17]
Stephen Sears ofIdolator said, "Ellis-Bextor returns to Harcourt withFamilia (released September 2), an autumnal record, literally and figuratively. The crisp arrangements are organic, built on bass, guitar, piano and drums. But Harcourt and Ellis-Bextor reference a range of pop styles with details like thebubblingsynths on 'The Death of Love' and the power chords that launch the album's galloping opener, 'Wild Forever'. The widescreen love song 'Crystallise', which ranks among Bextor's finest, has a lush chorus ribboned with violin" and praised Sophie for taking the risk with herWanderlust album and this one saying, "WhatFamilia ultimately recalls is the era of female singer-songwriters. Like predecessorCarly Simon, Ellis-Bextor knows that a lifelong career is built on a certain amount of risk-taking. 'Why be so ordinary? Why just conform?' she questions on 'Wild Forever'.Familia, released on her own record label, is the sound of an artist making the music she wants to make."
Sonia de Freitas ofRenowned for Sound referred to the album as "highly enjoyable", saying that "Familia is a successful new release by Sophie Ellis-Bextor. In it, she showcases her skill in writing music in a variety of styles, while showing restraint in the balance ofinstrumentation (usingacoustic,electronic and more traditional timbres). TheLatin American influence on the music is evident without becoming a caricature, which can happen if the music is not well crafted by a meticulous musician. Throughout the album Ellis-Bextor displays her versatility as a singer; her distinctive voice delivers the lyrical content meaningfully and with purpose."[18]
Classic Pop magazine wrote that "It's easy to forget Sophie Ellis-Bextor started out in the late-nineties as singer for theindie-rockersTheaudience. She has always been something of achameleon, however, scoring a massive hit in 2000 withSpiller's immaculate disco-styled 'Groovejet' – which went on to becomethe decade's most played single – and notching up moreelectro-pop hits before drafting in Ed Harcourt for 2014's sophisticated but more low-keyWanderlust." The magazine favoured songs "Here Comes the Rapture", "Unrequited", "Hush Little Voices", "My Puppet Heart" and heralded "Wild Forever" and "Crystallise" as standout tracks. "The former – an effervescent, galloping pop tune, her voice at its sweetest as it rushes towards an ecstatic chorus – remains closest to the dancefloor-friendly Ellis-Bextor template with which we're most familiar. The latter – a lush, mid-paced slice of piano-led elegance – confirms that she remains one of our more refined pop stars. The audience may be forgotten, but Ellis-Bextor's audience has every reason to remain loyal."[15]
The album was released in the following formats; Digital download oniTunes andCD,LP andmp3 download via Ellis-Bextor's official online store.
All tracks are written by and composed bySophie Ellis-Bextor andEd Harcourt. All tracks are produced by Harcourt.
| No. | Title | Length |
|---|---|---|
| 1. | "Wild Forever" | 4:21 |
| 2. | "Death of Love" | 4:20 |
| 3. | "Crystallise" | 3:31 |
| 4. | "Hush Little Voices" | 4:14 |
| 5. | "Here Comes the Rapture" | 4:06 |
| 6. | "Come with Us" | 3:54 |
| 7. | "Cassandra" | 3:38 |
| 8. | "My Puppet Heart" | 4:05 |
| 9. | "Unrequited" (featuringMatthew Caws) | 4:32 |
| 10. | "The Saddest Happiness" | 4:14 |
| 11. | "Don't Shy Away" | 4:30 |
| Total length: | 44:05 | |
Ellis-Bextor and her band toured the album in a number of dates from late 2016 to 2017, mostly in England, but also travelling toContinental Europe (Poland, Russia and Ukraine). The regular setlist consisted on most (if not all) of the songs from the album, balanced with older hits and tracks from her precedent albumWanderlust. She also performed a number of covers, some of which she had previously recorded for compilation albums, such asPulp's "Do You Remember the First Time?",New Order's "True Faith",the Bangles' "Manic Monday" and her former band Theaudience's "A Pessimist Is Never Disappointed".
Signed copies of the vinyl and deluxe CD formats were made available via Ellis-Bextor's website.
| Chart (2016) | Peak position |
|---|---|
| Belgian Albums (Ultratop Flanders)[19] | 164 |
| Scottish Albums (OCC)[20] | 12 |
| UK Albums (OCC)[21] | 12 |
| UK Independent Albums (OCC)[22] | 3 |
