Afacsimile (fromLatinfac simile, "to make alike") is a copy or reproduction of an oldbook,manuscript,map,art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives formedia preservation andconservation. Many are sold commercially, often accompanied by a volume of commentary.
The term "fax" is a shortened form of "facsimile", though most faxes are not reproductions of the quality expected in a true facsimile.
Advances in the art of facsimile are closely related to advances inprintmaking. Maps, for instance, were the focus of early explorations in making facsimiles, although these examples often lack the rigidity to the original source that is now expected.[1] An early example is theAbraham Orteliusmap (1598).[1] Innovations during the 18th century, especially in the realms oflithography andaquatint, facilitated an explosion in the number of facsimiles ofold master drawings that could be studied from afar.[2]
In the past, techniques and devices such as the philograph (tracing an original through a transparent plane),photostat,hectograph, orlithograph were used to create facsimiles. More recently, facsimiles have been made by the use of some form ofphotographic technique. For documents, a facsimile most often refers to document reproduction by aphotocopy machine. In the digital age, animage scanner, apersonal computer, and adesktop printer can be used to make a facsimile.
A separate category consists of the so-called digital facsimiles, which are meant to be stored, viewed, and sometimes edited or annotated on a computer. These are often available online in repositories that consist of manuscripts from a particular location or collection.[3] Such digital facsimiles are considered separate objects from the manuscripts or books that they represent.[4] They are an important research aid, especially for historians.
Importantilluminated manuscripts likeLes Très Riches Heures du duc de Berry are not only on display to the public as facsimiles, but available in high quality to scholars.[5][6] However, unlike normal book reproductions, facsimiles remain truer to the original colors—which is especially important for illuminated manuscripts—and preserve defects.[7]
Facsimiles are best suited to printed or hand-written documents, and not to items such as three-dimensional objects or oil paintings with unique surface texture.[8] Reproductions of those latter objects are often referred to asreplicas.
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