This is an accepted version of this page
| F1 | |
|---|---|
.png) Theatrical release poster | |
| Directed by | Joseph Kosinski |
| Screenplay by | Ehren Kruger |
| Story by |
|
| Produced by |
|
| Starring | |
| Cinematography | Claudio Miranda |
| Edited by | Stephen Mirrione |
| Music by | Hans Zimmer |
Production companies |
|
| Distributed by | |
Release dates |
|
Running time | 155 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $200–300million[2][3] |
| Box office | $631.4 million[4][5] |
F1 (marketed asF1 the Movie) is a 2025 Americansports drama film starringBrad Pitt asFormula One (F1)racing driver Sonny Hayes, who returns after a 30-year absence to save his former teammate'sunderdog team, APXGP, from collapse. The film was directed byJoseph Kosinski from a screenplay byEhren Kruger.Damson Idris,Kerry Condon,Tobias Menzies, andJavier Bardem also star in supporting roles.
Development of the film began in December 2021 with Pitt, Kosinski, Kruger, and producerJerry Bruckheimer attached to the project; the latter three had previously collaborated onTop Gun: Maverick (2022). Supporting cast members were revealed in early 2023, before the start of principal photography atSilverstone that July. Filming also took place duringGrand Prix weekends of the2023 and2024 World Championships, with the collaboration of theFIA, thegoverning body of F1. Racing sequences were adapted from the real-life races, with F1 teams and drivers appearing throughout, includingLewis Hamilton, who was also a producer.Hans Zimmer composed the film's score, while numerous artists contributed toits soundtrack.
F1 premiered atRadio City Music Hall in New York City on June 16, 2025, and was released in the United States byWarner Bros. Pictures on June 27. The film received positive reviews from critics and grossed $631.4 million worldwide against a $200–300 million budget, becoming theseventh-highest-grossing film of 2025, the highest-grossingauto racing film, the highest-grossing film by Apple Studios, and the highest-grossing film ofPitt's career.
Aging formerFormula One (F1) prodigy Sonny Hayes has spent the last 30 years living as a racer-for-hire, following a career-ending crash at the 1993Spanish Grand Prix that has left him burdened by the failure to live up to his potential.[b] After winning the24 Hours of Daytona,[c] he is approached by his former teammate Rubén Cervantes, owner of the struggling APXGP F1 team, who asks him to be their second driver. Rubén explains that unless APXGP wins one of the nine remaining Grands Prix of the season, his investors will sell the team. Sonny reluctantly agrees after Rubén insists that victory will prove he is the "best in the world".
At theSilverstone track, Sonny meets the team, including technical director Kate McKenna and ambitious rookie Joshua Pearce. Joshua fears the failing APXGP could derail his career and aims to attract interest from another team. Sonny struggles with the modernF1 machinery but quickly diagnoses APXGP's weaknesses, proposing that the vehicles be upgraded with enhanced aerodynamics to compensate for their speed disadvantage.
On his return at theBritish Grand Prix, Sonny and Joshua race against each other rather than cooperating, resulting in both crashing out. Acknowledging the team's need to secure apoints finish, Sonny exploits the rules at theHungarian Grand Prix by deliberately colliding with rivals to triggersafety car periods. This allows Joshua to close the gap to the frontrunners and secure APXGP's first top-ten finish.[d] During the rain-affectedItalian Grand Prix, Sonny advises Joshua to remain onslick tires, trading grip for speed and elevating him to second place. Ignoring Sonny's instruction to wait for a straight before overtakingMax Verstappen, Joshua skids off the track, and his car bursts into flames.[e] Although rescued by Sonny, Joshua misses the next three races through injury, while his mother and the press criticize Sonny's high-risk approach. Sonny performs well during Joshua's absence, thanks in large part to Kate's new upgrades improving the car's performance.
An increasingly arrogant Joshua returns at theBelgian Grand Prix and deliberately forces Sonny into a crash. Afterward, Sonny angrily criticizes him for foolishly setting the team back. Seeking to ease tensions, Kate organizes a poker game to highlight their similar backgrounds, after which Sonny and Kate spend the night together. He later admits to her that he races to recapture the rare moments when he feels untouchable.
Following an anonymous tip alleging Kate's car upgrades were illegal,[f] APXGP is forced to remove them, leaving the team at a disadvantage. Frustrated—and realizing he has skipped his ritual of drawing a random playing card—Sonny drives recklessly during theLas Vegas Grand Prix and crashes. While he recovers, Rubén discovers that Sonny's 1993 injuries left him medically unfit for F1, with risks of blindness or death, and fires him for his own safety. APXGP board member Peter Banning then admits to Sonny that he orchestrated both his signing and the anonymous complaint to sabotage the team and force its sale, offering Sonny significant compensation to let APXGP fail. Meanwhile, Joshua begins applying Sonny's racing techniques, admits fault for his earlier crash, and recommits himself to the team over personal glory. Concealing his blurred vision and headaches, Sonny persuades Rubén to let him return, just as theFIA clears Kate and restores her upgrades.
At the season-endingAbu Dhabi Grand Prix, Joshua battlesLewis Hamilton andCharles Leclerc for the lead. After Sonny is caught in a minor crash, the race isred-flagged, allowing APXGP to repair both cars before a three-lap sprint to the finish. On the restart, Sonny overtakes Leclerc and sacrifices his own chance of victory by holding off Hamilton so Joshua can move into first. On the final lap, Hamilton and Joshua collide, clearing the way for Sonny to take his first F1 win and secure APXGP's future. Joshua is offered a seat withMercedes, but declines. As the team celebrates, Sonny quietly prepares to leave, parting on good terms with Joshua and promising to see Kate soon. Some time later, he lines up for theBaja 1000. When asked what he is racing for, Sonny laughs.
Simone Ashley was cast in an undisclosed role, but her appearance was cut to only a cameo, credited as herself.[10][11] Additionally,Craig Dolby andDuncan Tappy acted as stunt drivers, alongside Bacheta.[12]
The film is based on the2023 Formula One season and was filmed during both the 2023 and2024 seasons.[13] As a result, many Formula One drivers and personnel appear—or are credited—in the film as themselves. The drivers are as follows, with the teams and achievements they had at the time:[14][15]
Formula One personnel who appear in the film include:
Sky Sports F1 commentatorsMartin Brundle andDavid Croft provide commentary for races depicted in the film.[16]Leigh Diffey provides commentary for the24 Hours of Daytona scene.[17] Cameo appearances includePorsche factory driverPatrick Long as Sonny's other co-driver at the24 Hours of Daytona race,[18] motorsport presenters Rachel Brookes,Natalie Pinkham, andWill Buxton,[19] Dutch DJTiësto[20] and social media influencersSabrina Bahsoon[21] andSimon Minter.
_(cropped).jpg)
On December 3, 2021, a bidding war commenced for an untitled film starringBrad Pitt, with producerJerry Bruckheimer, directorJoseph Kosinski, and screenwriterEhren Kruger, who previously worked onTop Gun: Maverick (2022), on board in their respective roles. Sources said F1 driverLewis Hamilton was also involved in the film as both a producer and actor. Studios involved in the bidding wereParamount Pictures,Metro-Goldwyn-Mayer,Sony Pictures,Universal Pictures, andWalt Disney Pictures, and streaming platformsNetflix,Apple, andAmazon.[22] Pitt was paid $30 million for his involvement.[23]
In November 2022,Claudio Miranda announced he would be the film's cinematographer.[24] In April 2023,Damson Idris was hired after a lengthy casting process, which included a shortlist of actors driving the car in January 2023.[25]Kerry Condon andTobias Menzies would join the cast in the following months.[26][27]Sarah Niles andSimone Ashley also joined the cast.[28][10] However, in June 2025, Kosinski revealed that Ashley's role had been cut from the film.[11]
On July 5, 2024, the titleF1 was announced. A teaser trailer premiered before the2024 British Grand Prix.[29] Kruger received sole credit for the film's screenplay, along with story credit with Kosinski.Jez Butterworth, Kara Smith,Aaron Sorkin, andChristopher Storer earned off-screen "Additional Literary Material" credit.[30]
In May 2024,Puck'sMatthew Belloni reported the film's budget to be $300 million.[31] Bruckheimer and Kosinski disputed the claim; the former cited rebates and sponsorships as lowering the budget, and the latter said: "I've never had an experience where they were off by this much on a film. I'm not sure where that number came from."[32] In 2025, ahead of the film's theatrical release, some industry sources reported the film's budget to be $200 million, though others still claimed the $300 million figure (Apple would regularly dish out $200 million for its pictures).[33][34][3]
.jpg)
Prior to filming, Pitt and Idris testedFormula Three andFormula Two cars atPaul Ricard in France.[32][35] TheDallara F2 2018 was stretched, widened and modified with a Formula One aerodynamic package created byMercedes Applied Science and run byCarlin Motorsport.[36][32][12] Six visually identical chassis were created in total, some powered by theMecachrome V634, some byGP3 V6 engines, and one by an electric motor, which was used to prevent overheating for shots in thepit lane.[12][37] Another six remote-controlled chassis were used to film crashes.[38]
In July 2023, principal photography began at theSilverstone Circuit in the United Kingdom, including filming during theBritish Grand Prix weekend between July 7–9,[39] outside of the official F1 sessions.[40][41][42] The APXGP team had its own garage and motorhome during the weekend and their car was kept on display alongside other F1 cars during the mandatory "show and tell" session before the track action.[43][44] Pitt was present with the actual drivers at the drivers' briefing and he and Idris stood alongside the drivers during the national anthem before the race. Their two cars were placed at the back of the grid with stunt drivers driving a part of the formation lap.[45][43]
Apple designed a custom onboard camera for the car based oniPhone and powered by itsA-seriessystem on a chip.[46] The camera technology used for the fast-paced shots had evolved sinceTop Gun: Maverick.[47][48] With help fromSony,[37] the cameras were shrunk to about a quarter of the size of those fromMaverick such that up to four cameras could be set up onto the cars at a time, with minimal effect to weight.[48] The camera bodies andRF transmitters were stashed in the floor of the cars.[38]Panavision also designed a special remote control that allowed the cameras on the cars to create panning movements.[48]
Filming also took place at theHungaroring,Spa-Francorchamps,Monza,Zandvoort,Suzuka,Autódromo Hermanos Rodríguez,Las Vegas,Yas Marina,[32] andBrands Hatch—which was used as astand-in for the onboardJerez footage and the fiery crash scene in Italian Grand Prix.[49][50] At the2024 24 Hours of Daytona, the #120Wright MotorsportsPorsche 911 GT3 R competed with alivery of the fictional "Chip Hart Racing" team from the film, with multiple replicas of it and the #96Turner MotorsportBMW M4 GT3 used for filming. A camera-mountedLola B2K/10 was used as a filming car for high-speed shots.[51] The filming car struggled to keep up with the modified F2 cars and by the time filming had shifted to Hungary, the car lost oil pressure and had a pump failure, which led to it being scrapped and replaced by one of the GP3-engined APXGP cars.[12] The APXGP headquarters scenes were filmed at theMcLaren Technology Centre, whileWilliams provided itswind tunnel for some shots, and the racing simulator scenes were filmed at the Mercedes headquarters inBrackley.[52]
Speaking with former F1 driver andSky Sports F1 punditMartin Brundle at the 2023 British Grand Prix, Pitt confirmedJavier Bardem would star.[53] Later that month,ESPN reported that the film was titledApex, but later retracted this claim.[54]
The week after filming had started at the British Grand Prix, theSAG-AFTRA strike began, resulting in the lead actors not being available and a reduced crew consisting of onlyEquity actors sent to races from theHungarian Grand Prix onwards.[55] Filming was then forced to continue through the2024 season to make up for the lost races.[56]
During the2024 Austrian Grand Prix,Hans Zimmer announced he would be composing the score for the film, marking his second collaboration with Kosinski afterTop Gun: Maverick. It is also Zimmer's second Formula One-related score, following theRon Howard-directed filmRush (2013). Zimmer co-composed the score with Steve Mazzaro, creating what Kosinski described as a musical identity that reflects Formula One's dual nature, "a sport that straddles both the past and the present, with its rich history and cutting-edge technology."[57]
Zimmer crafted a "hybrid" score combining orchestra and electronic music. He envisioned the orchestra as "the human that sits inside the machine," while the electronics represented the machine itself. Discussions with producer and F1 championLewis Hamilton helped shape Zimmer's understanding of that relationship, influencing how the music was written.[57] Electronic music, Zimmer noted, was also key to capturing the unpredictability of racing. "With synthesizers, it's the same as in the race – you don't quite know who's going to do what next. There's always the element of surprise built in, and I think that's very important in a film like this: you score for surprise."[57]
The score features guitaristTim Henson, drummerMarco Minnemann and members of Zimmer's touring band. This marks Zimmer's 13th collaboration with Bruckheimer, beginning withDays of Thunder (1990).[57] Central to the score is a recurring motif for Pitt's character, Sonny Hayes, which Zimmer described as a "gunslinger motif."[57] Zimmer and Mazzaro paid attention to the way the score interacts with the film's sound design and visuals.
The film's soundtrack,F1 the Album, was released day-and-date with the film's North American debut.Don Toliver andDoja Cat released the lead single "Lose My Mind" on April 30, 2025, followed byRosé's "Messy" on May 8,Myke Towers's "Baja California" on May 23,Tate McRae's "Just Keep Watching" on May 30, andEd Sheeran's "Drive" on June 20. Additional promotional singles include "No Room for a Saint" byDom Dolla, "Bad as I Used to Be" byChris Stapleton, "OMG!" byTiësto andSexyy Red, and "Underdog" byRoddy Ricch.
Ryan Tudhope was the VFX supervisor,[58] andFramestore providedpost-production services on the film, citing involvement from their studios in Montreal, London and Mumbai.[59] Tudhope returned to collaborate with director Joseph Kosinski, leveraging techniques they used onTop Gun: Maverick to re-skin jets to replace F1 cars captured during real Grands Prix with the fictional black-and-gold APXGP cars.[60]
The film was marketed under the titleF1 the Movie.[61][62][63]
Ahead of its release, Apple gave the film a comedic spotlight at its 2025Worldwide Developers Conference, held on 9 June. The keynote opened withCraig Federighi at the wheel of the APXGP car—complete withApple CarPlay on board—navigating the roof ofApple Park as if running a solo Grand Prix, withTim Cook as his race director.[64]
Two official trailers followed: the debuted during the weekend of the2024 British Grand Prix, and the second premiered ahead of the2025 Australian Grand Prix.[65][66][67] Atelevision spot was also aired duringSuper Bowl LIX.[68]
On June 11, 2025, Apple released a "haptic trailer" for the film; when played on theApple TV app, theTaptic Engine on supported iPhones vibrates and pulses sync with the on-screen action.[69]
Sponsorships from various brands featured in the film brought in at least $40 million, according toForbes estimates.[70] Many of the brands were featured on the APXGP cars and clothing as team sponsors, such asExpensify,GEICO,SharkNinja,MSC Cruises andEA Sports.[70] Other sponsors that featured on the cars such asIWC Schaffhausen released watches themed on APXGP's black and gold colors,Tommy Hilfiger launched a line of clothing, andMercedes-AMG revealed a limited APXGP-editionMercedes-AMG GT 63. TheF1 25 game by EA Sports featured the APXGP livery as it appears in the film alongside scenarios that players can undertake.[71]Peak and GEICO were sponsors of the fictional "Chip Hart Racing" (played by Wright Motorsports in IMSA) team from the 24 Hours of Daytona scenes.[72]Heineken 0.0 released a commercial for their product featuring Pitt and Idris as F1 drivers.[73][74]
At the2025 24 Hours of Le Mans, the #90Manthey RacingPorsche 911 GT3 R ran a livery similar to the one used for filming at the2024 24 Hours of Daytona.[75] At the2025 Sahlen's Six Hours of The Glen the following weekend, the same #120Wright Motorsports Porsche 911 GT3 R used for filming in 2024 ran the race with the livery from the film.[76] The drivers, crew andIMSA personnel were also given a private screening.[76]
Hot Wheels released of a 1:64-scaledie-cast model of the #7 APXGP car driven by Brad Pitt's character in the film.[77] In certain Latin American countries,McDonald's launched a special combo in partnership withF1, where customers had the option to pay extra to get a 1:43 scale APXGP or McDonald's-liveriedBburago model car.[78] Some McDonald's outlets inSão Paulo also had full-size F1 cars on display.[78]
In June 2022, Apple acquired distribution rights in a package deal worth $130–140 million beforeabove-the-line compensation.[79] In June 2024,Warner Bros. Pictures acquired the theatrical, home entertainment and digital purchase distribution rights from Apple[80] The film had an early IMAX screening on June 23, 2025.[81] The film was released in theIMAX format internationally on June 25, 2025, and was released domestically on June 27, 2025.[82] A private screening was held inMonaco during theCannes Film Festival for the drivers of the2025 F1 season.[83] Due to popular demand, the film was re-released in IMAX on August 8, 2025.[84]
The film had its world premiere on June 16, 2025, at theRadio City Music Hall in New York City, with the cast and 2025 F1 drivers in attendance.[85] The European premiere was held on June 23 atEmpire Leicester Square in London.[86] AQatar Airways flight fromMontreal to New York was chartered for the F1 drivers and team principals to attend the premiere following theCanadian Grand Prix.[87]
F1 was released on digital on August 22, 2025, and was released onDVD,Blu-ray andUltra HD Blu-ray on October 7, 2025.[88][89] Apple, who retains the SVOD rights,[80] will release the film on theApple TV streaming service on December 12.[90]
The release of the film coincided with a significant rise incybercrime, as scammers exploited the film's popularity by creating fakelive streaming sites and fraudulent toy giveaways linked to a bogusMcDonald's–Apple promotion, tricking users into sharing personal and financial information. Cybersecurity firmKaspersky confirmed that these scams were widespread.[91]
F1 has grossed $189.5 million in the United States and Canada, and $441.8 million in other territories, for a worldwide total of $631.4 million.[4][5]
Opening to $146.3 million worldwide,[5] the film is considered to beApple Studios's firstbox office hit, and the first film from the studio to top the box office on its opening weekend.[92] It surpassed $200 million in its second weekend.[93] In early August, it became the highest-grossingBrad Pitt film in history, surpassing the $540 million theatrical run ofWorld War Z (2013).[94] In September 2025,Variety reported the film was expected to make a theatrical profit of around $34 million.[95]
In the United States and Canada,F1 was released alongsideM3GAN 2.0, and was projected to gross anywhere from $35 million to $60 million in its opening weekend, with most industry estimates around $40 million.[96][97] The film made $10 million in previews, including $7 million from Thursday showings.[98] It debuted to $57 million, topping the box office.[99] In its second weekend, the film made $26.1 million, dropping 54%, finishing second behind newcomerJurassic World Rebirth, and surpassingNapoleon (2023) to become Apple Studios' highest-grossing film.[100]F1 made $13.1 million in its third weekend, finishing third behindSuperman andJurassic World Rebirth.[101][102]
On thereview aggregator websiteRotten Tomatoes, 82% of 358 critics' reviews are positive. The website's consensus reads: "Driven by Brad Pitt's laidback magnetism and sporting a souped-up engine courtesy of Joseph Kosinski's kinetic direction,F1 the Movie brings vintage cool across the finish line."[103]Metacritic, which uses aweighted average, assigned the film a score of 68 out of 100, based on 56 critics, indicating "generally favorable" reviews.[104] Audiences polled byCinemaScore gave the film an average grade of "A" on an A+ to F scale, while those surveyed byPostTrak gave it a 92% overall positive score, with 78% saying they would definitely recommend the film.[3]
BBC's Nicholas Barber gave the film two stars out of five and wrote: "Formula One enthusiasts may disagree, and they may be delighted that their beloved motorsport has been put on the big screen in such a laudatory fashion. Everyone else: this is not where you want to be."[105] Lovia Gyarkye ofThe Hollywood Reporter described it as "a deft addition to a sturdy lineage of motorsport flicks, fromRush andGran Turismo toFord v Ferrari and, most recently,Ferrari."[106]Manohla Dargis ofThe New York Times deemedF1 to be "an enjoyably arranged collection of all the visual attractions and narrative clichés that money can buy."[107]
Reception within motorsport media was mixed. Ben Hunt ofAutosport said it was "good for non-F1 fans", whereas Mark Mann-Bryans said it was "not good for anyone watching", lauding the production quality and soundtrack but criticising the plot and female character tropes.[108][109] Fred Smith ofRoad & Track said the film was "entertaining, but hardcore racing fans will wince".[110] Phillip Horton ofAutoweek described the film as "solid enough nonsense for a little bit of escapism".[111]
Katy Fairman ofMotor Sport described the film as "comedically unrealistic", adding that "with the level of access they had into [F1] itself, it felt a little like [APXGP] before Sonny Hayes showed up: pointless".[112] Mixed reviews also came from journalists atThe Race, with praise for the racing sequences and criticism for its depiction of women in motorsport and plot.[113]Top Gear's Jason Barlow described it as "a crowd-pleasing, feel-good blockbuster".[114] Chris Medland ofRacer described the racing footage as "spectacular", but criticised the character development—particularly that of Kate McKenna—and added that "for some it might be too hard to get lost in the APXGP world when you know so much about the real one that it was filmed in—as incredible as that world looks".[115]
Defending four-time World Drivers' ChampionMax Verstappen skipped the private screening for F1 drivers and the New York premiere, andCarlos Sainz Jr. cautioned "pure F1 fans" to "be open-minded toHollywood films".[116]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Astra Midseason Movie Awards | July 3, 2025 | Best Picture | F1 | Nominated | [117] |
| Best Actor | Brad Pitt | Nominated | |||
| Best Supporting Actor | Javier Bardem | Nominated | |||
| Best Supporting Actress | Kerry Condon | Nominated | |||
| Best Stunts | F1 | Nominated | |||
| Camerimage | November 22, 2025 | Golden Frog | Claudio Miranda | Nominated | [118][119] |
| Celebration of Cinema and Television | December 9, 2025 | Supporting Actor Award – Film | Damson Idris | Won | [120] |
| Grammy Awards | February 1, 2026 | Best Compilation Soundtrack for Visual Media | F1 the Album | Pending | [121] |
| Best Dance Pop Recording | Tate McRae (for "Just Keep Watching") | Pending | |||
| Best Country Solo Performance | Chris Stapleton (for "Bad As I Used To Be") | Pending | |||
| Hollywood Music In Media Awards | November 19, 2025 | Song – Feature Film | Ed Sheeran,Blake Slatkin, andJohn Mayer (for "Drive") | Nominated | [122] |
| Don Toliver,Doja Cat,Hans Zimmer,Ryan Tedder, and Grant Boutin (for "Lose My Mind") | Nominated | ||||
| Score – Feature Film | Hans Zimmer | Nominated | |||
| Soundtrack Album | Atlantic Records | Won |
Following the early box office success of the film,Variety reported that a sequel was being discussed and theFinancial Times reported on the possibility of afranchise.[123][93]
{{cite AV media}}: CS1 maint: numeric names: authors list (link)
_Dec_2024.jpg){kind=icon}
