| Exorcist: The Beginning | |
|---|---|
 Theatrical release poster | |
| Directed by | Renny Harlin |
| Screenplay by | Alexi Hawley |
| Story by | |
| Based on | Characters byWilliam Peter Blatty |
| Produced by | James G. Robinson |
| Starring | |
| Cinematography | Vittorio Storaro |
| Edited by |
|
| Music by | Trevor Rabin |
Production company | |
| Distributed by | Warner Bros. Pictures |
Release date |
|
Running time | 114 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $50 million[2] |
| Box office | $78.1 million[3] |
Exorcist: The Beginning is a 2004 Americansupernatural horror film directed byRenny Harlin from a screenplay by Alexi Hawley. It is the fourth installment inThe Exorcist film series and serves as aprequel toThe Exorcist (1973). The film starsStellan Skarsgård,Izabella Scorupco, andJames D'Arcy. The film followsFather Lankester Merrin, whose faith has been renounced after his experiences inWorld War II, as he works as an archeologist and discovers dark occurrences while excavating in Kenya.
The film was retooled fromPaul Schrader's already completedDominion: Prequel to the Exorcist, whichMorgan Creek Productions executives feared would be unsuccessful. In addition to Harlin replacing Schrader, Hawley rewroteWilliam Wisher andCaleb Carr's original script,Mark Goldblatt and Todd E. Miller replaced Tim Silano as editors, andAngelo Badalamenti andDog Fashion Disco were dropped as co-composers.
Exorcist: The Beginning was released in the United States on August 20, 2004, byWarner Bros. Pictures. The film received negative reviews from critics and grossed over $78 million against a $50 million production budget.Dominion was released the following year to slightly more favorable reviews.
In the age of theByzantine Empire, an injured priest wanders through the aftermath of a bloody and desolate battlefield. He comes across an impaled priest in his death throes holding aPazuzu head pendant. The priest looks around him and sees hundreds of Byzantine soldiers crucified upside down across the desert.
InCairo, Egypt in 1949, a young Father Lankester Merrin struggles with his shattered faith. He is haunted by an incident in a small village in theoccupied Netherlands duringWorld War II, where he served as parish priest: near the end of the war, a sadisticNaziSS commander, in retaliation for the murder of a German trooper, forced Merrin to participate in arbitrary executions to save a full village from slaughter.
Merrin is approached by a collector of antiquities named Semelier who invites him to come to a British excavation in a valley called Derati in theTurkana region ofBritish Kenya. The dig excavates aChristianByzantine-erachurch built circa 500 A.D. — long before Christianity had reached that region of Africa. Semelier asks Merrin to recover an ancient relic of a demon thought to be in the church, before the British can find it. Merrin agrees and travels to the dig site. Father Francis joins him.
Upon arriving at the site with their translator and guide Chuma, Merrin meets the chief excavator, a British man named Jefferies with visibleboils on his face, and Sarah Novak, a doctor. In addition, Merrin learns that the diggers are disappearing or leaving in droves because the local tribesmen fear the church is cursed. Merrin witnesses a digger inexplicably experience a seizure.
Merrin, Chuma, and Francis visit the dig site and find only thedome uncovered; the rest of the church is buried beneath the earth. Merrin discovers that the church is in perfect condition, as though it had been buried immediately after its construction. The three enter the church through the dome and find the place in near-pristine condition, but note two disturbing oddities; the statues of the angels holding weapons point their spears downward instead of triumphantly toward heaven and someone has vandalized and desecrated the church, placing the cross in an upside-down position. Merrin and Francis deduce that the sculptors were trying to depict the angels restraining something beneath the church.
Determined to learn more about the archaeological dig, Merrin asks to consult with the lead archaeologist, Monsieur Bession. Sarah tells Merrin that Bession went insane three weeks earlier and was transferred to a mental hospital inNairobi. Merrin visits Bession's tent at the dig site and sees dozens of drawings of the same demon artifact the collector had asked Merrin to find. Merrin visits Bession, but when he enters his room, he discovers Bession has carved aswastika on his chest and is speaking in the voice of the sadistic SS commander who tormented Merrin during the war. Bession then slashes his own throat after saying he is "free". Father Gionetti, warden of the asylum, speculates that Bession was not possessed but rather "touched" by a demon, which drove him mad and eventually to suicide. Merrin is very skeptical, but before he returns to the dig site, Father Gionetti gives him the volume of Roman rituals to use in exorcism, although Merrin claims he will never use them.
Upon returning to the village, strange events continue. A local boy is attacked and killed byhyenas that seem to continuously stalk the dig. His younger brother, Joseph, enters a fugue state after watching his brother get ripped to pieces. The local chief's wife gives birth to a stillborn baby who is covered inmaggots, and Jefferies gets attacked in the bar. Around the same time, Merrin discovers a passageway leading to a cave underneath the church that houses an ancient pagan temple with the statue of the demon Pazuzu. He also finds evidence that this temple was used to conduct human sacrifices. Upon his return, he sees the local tribe cremate the stillborn baby. This makes Merrin suspicious because there are stories of an epidemic that wiped out an entire village in the valley 50 years earlier. He had been told that the dead were buried, not cremated, in a graveyard just outside the valley. When he digs up the graves of the supposed victims of this plague, they are empty.
Merrin confronts Father Francis about it, and Francis reveals to him the history of the Derati valley. Agreat army led by two priests came to the valley searching for the origin of evil 1,500 years prior. When they arrived in the valley, the evil presence consumed them and one killed the other. When the lone surviving priest made it back,Emperor Justinian ordered a church be built over the site, and then buried to seal the evil force inside of it. The builders of the church never meant it to be recorded in Vatican documents, however, a vague reference to it was recorded and found in 1893. Four priests subsequently came to Derati and enlisted the local tribe to help them. All of the tribesmen and the priests disappeared. The Vatican then ordered that the false graveyard be built and stories of a plague spread around to keep people away from the valley. Francis reveals that it is believed that the valley in Derati was the traditional spot ofLucifer's fall after thewar in Heaven. Later Merrin, Chuma, and Major Granville discover Jefferies tied up in the Church, with his organs pecked out by crows.
Merrin discovers that Sarah is Bession's wife and is the possessed individual. She kills Francis before Merrin has the demon exorcised from her in the tunnels below the church, and she dies. Merrin and Joseph emerge from the church, (once again buried in the sand) andhistory has repeated itself. Only Father Merrin and the little boy are left as the British soldiers and the local tribes have annihilated each other after blaming each other for the strange occurrences. Sometime later Merrin, once again a priest, returns toRome and meets with Semelier at a café, explaining he was unable to find the relic; Semelier replies: "But you found something... didn't you?"
ProducerJames G. Robinson first began development on an untitledprequel toThe Exorcist (1973) in 1997, with the first draft of the screenplay penned byWilliam Wisher Jr.[5] In October 1999,Morgan Creek Productions hiredTom McLoughlin to helm the film. With a script finally in place, production was slated to occur the following spring inAfrica.[6] McLoughlin departed due to issues with the script.[7] In October 2001, numerous publications reported thatJohn Frankenheimer was on board as director, with a new screenplay revised byCaleb Carr.Liam Neeson was attached to portray the character ofFather Lankester Merrin.William Peter Blatty, author ofThe Exorcist and screenwriter/producer of its film adaptation, was not expected to take part in the production.[8] After a July 2003 release date was slotted, Frankenheimer was forced to step down from the project due to his declining health and was replaced byPaul Schrader.[9]Gabriel Mann joined the cast in April 2002, while shooting was expected to take place in the spring in theUnited Kingdom andSpain.[10] The following month, the film was officially titledExorcist: The Beginning andStellan Skarsgård andBilly Crawford were added to the cast, the former of which replacing Neeson.[11]Principal photography on Schrader's film began on November 11, 2002 inMorocco withVittorio Storaro handling cinematography duties.[12][13] The crew spent six weeks filming in Morocco and then a further two months inRome. By the time filming had wrapped in February 2003, six writers had contributed to the screenplay and the budget had nearly doubled.[14]
An early cut of Schrader's film that ran at 130 minutes was shown to the studio in early 2003.[15] The cut was widely derided due to a lack of scares and gore.[16] The studio at first opted to re-edit the film to make it scarier, which Schrader opposed.Additional photography was then planned, which according to Schrader only grew "bigger and bigger" as time went on. Schrader attested that he faithfully adapted Carr's screenplay on screen and that the studio went through "buyer's remorse" during production.[17] Later reports indicated that Schrader was first given the option to re-edit the film twice, with neither cut managing to satisfy the studio.Sheldon Kahn was brought in to re-cut the film without Schrader's involvement. Schrader was "livid" and reportedly demanded that Kahn leave.[18] By then, the studio had met with other filmmakers to direct new scenes to make the film scarier.[19] Carr was expected for rewrites, but instead the studio opted to fire Schrader and scrap the film entirely in August 2003.[20][21] Morgan Creek searched for a new director starting in October.[22]
Renny Harlin was among the directors who met with Robinson and suggested rewriting the script, casting new actors, and adding more action. The studio was impressed and hired Harlin.[23] Harlin quickly began overseeing rewrites bySkip Woods.[24] Alexi Hawley and Harlin himself penned subsequent revisions.[25][26] Skarsgård and Wadham were the only cast members retained from the original shoot.[27] In November 2003,special makeup effects artistGary J. Tunnicliffe confirmed he would be involved with the film.[28] Filming under Harlin's direction began in the winter of 2003 in Rome. Two weeks into production, the director's leg was shattered after being struck by a car, resulting in a two week hiatus for filming. Harlin shot six weeks on crutches.[29] Production concluded after twelve weeks.[30] By June 2004, work was still being done on the film.[31] The film was finished mere days before its official release.[32] After initially being given a $35 million budget under Schrader's direction, the reshoots andpost-production work ballooned the film's budget to over $90 million.[33]
Exorcist: The Beginning was released theatrically on August 20, 2004, byWarner Bros. Pictures.
The film was released onDVD andVHS on March 1, 2005. The film was released for the first time onblu-ray on September 23, 2014.Sony Pictures Home Entertainment re-released the film on October 13, 2020.
Exorcist: The Beginning grossed $41.8 million in the United States and Canada, and $36.2 million in international territories, for a worldwide total of $78.1 million.[34]
On its opening weekend, the film grossed $18 million, earning the top spot at the box office.[35]
Onreview aggregatorRotten Tomatoes,Exorcist: The Beginning holds an approval rating of 11% from 133 reviews, with an average rating of 3.6/10. The site's consensus reads "A mediocre, gory horror film, nowhere near the quality of the 1973 original".[36] OnMetacritic, the film holds aweighted average of 30 out of 100 based on 22 reviews, indicating "generally unfavorable reviews".[37]
Blatty said that watchingExorcist: The Beginning was his "most humiliating professional experience".[38] On the other hand, Blatty said thatDominion is "a handsome, classy, elegant piece of work".[39]
Roger Ebert wrote: "I've seen both versions and much prefer Schrader's, and yet it must be said that Harlin did not prostitute himself in his version".[40]
Exorcist: The Beginning was nominated for twoGolden Raspberry Awards,Worst Director andWorst Remake or Sequel, but lost to two other Warner Bros. films,Catwoman andScooby-Doo 2: Monsters Unleashed, respectively.[citation needed]
[...]not much for a film that cost a reported $80 million ($30 million for theSchrader version and $50 for the Harlin one
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