Anexhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as amuseum,art gallery,park,library,exhibition hall, orWorld's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions andtrade fairs. They can also foster community engagement, dialogue, and education, providing visitors with opportunities to explore diverse perspectives, historical contexts, and contemporary issues. Additionally, exhibitions frequently contribute to the promotion of artists, innovators, and industries, acting as a conduit for the exchange of ideas and the celebration of human creativity and achievement.
InBritish English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which inAmerican English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are calledtravelling exhibitions, and some areonline exhibitions. Exhibitions featuring especially fragile or valuable objects, or live animals—may be shown only during a formalpresentation, under the close supervision of attendant or educator. Temporary exhibits that are transported from institution to institution aretraveling exhibits.
Though exhibitions are common events, the concept of an exhibition is quite wide and encompasses many variables. Exhibitions range from an extraordinarily large event such as aWorld's fair exposition to small one-artistsolo shows or a display of just one item. Often a team of specialists is required to assemble and execute an exhibition; these specialists vary depending on the type of said exhibit.Curators are sometimes involved as the people who select the items in an exhibition. Writers and editors are sometimes needed to write text, labels and accompanying printed material such as catalogs and books. Architects,exhibition designers,graphic designers and other designers may be needed to shape the exhibition space and give form to the editorial content. Organizing and holding exhibitions also requires effectiveevent planning,management, and logistics.[1]
The exhibition came fully into its own in the 19th century, but various temporary exhibitions had been held before that, especially the regular displays of mostly new art in major cities. TheParis Salon of theAcadémie des Beaux-Arts was the most famous of these, beginning in 1667, and open to the public from 1737. By the mid-18th century this and its equivalents in other countries had become crucial for developing and maintaining the reputation of contemporary artists. In London theRoyal Academy Summer Exhibition has been held annually since 1769, and theBritish Institution ran temporary exhibitions from 1805 to 1867, typically twice a year, with one of new British painting and one of loans ofold masters from theRoyal Collection and the aristocratic collections ofEnglish country houses.
By the mid-19th century many of the new national museums of Europe were in place, and holding exhibitions of their own collections, or loaned collections, or a mixture of objects from both sourcers, which remains a typical mix today. The "Chronology of Temporary Exhibitions at theBritish Museum" goes back to 1838.[2]
Entrance to Horology Exhibition. Paris World Exhibition, 1889
Modern exhibitions may be concerned with preservation, education and demonstration, early exhibitions were designed to attract public interest and curiosity. Before the widespread adoption ofphotography, the exhibition of a single object could attract large crowds.[3] Visitors might even be overcome withStendhal syndrome, feeling dizzy or overwhelmed by the intense sensory experience of an exhibit.[4] Today, there is still tension between the design of exhibits for educational purposes or for the purpose of attracting and entertaining an audience, as atourist attraction.
Fine arts exhibitions typically highlight works of art with generous space and lighting, supplying information through labels or audioguides designed to be unobtrusive to the art itself.
, as in the case withBiennales, triennials and quadrennials. The first art exhibition to be called a blockbuster was allegedly the 1960Picasso show at Tate in London.[5]
"At Last-10th Anniversary of Marriage Equality in Minnesota," exhibition interpretive panels
Interpretive exhibitions are exhibitions that require more context to explain the items being displayed. This is generally true of exhibitions devoted to scientific and historical themes, where text,dioramas,charts,maps and interactive displays may provide necessary explanation of background and concepts. Interpretive exhibitions generally require more text and more graphics than fine art exhibitions do.
Commercial exhibitions, generally calledtrade fairs,trade shows or expos, are usually organized so that organizations in a specific interest or industry can showcase and demonstrate their latest products, service, study activities of rivals and examine recent trends and opportunities. Some trade fairs are open to the public, while others can only be attended by company representatives (members of the trade) and members of the press.
Duluth Lynchings, an online exhibition at the Minnesota Historical Society
Online exhibitions are virtual presentations of artifacts, artworks, and other objects typically found in museums, galleries, and archives.[6] They utilize the internet to display collections and educational content, making them accessible to a wider audience than physical exhibitions. Online exhibitions can take various formats, including digital images, scanned documents, 3D modeling, and even virtual reality experiences.[7]
The rise of online exhibitions is attributed to several factors. The internet's global reach allows museums to share their collections with geographically dispersed audiences.[8] Additionally, online exhibitions can overcome limitations of physical space, allowing for the display of vast collections or large-scale objects that might be difficult to exhibit traditionally. Furthermore, online exhibitions can offer interactive features, educational resources, and accessibility tools not readily available in physical exhibitions.
While online exhibitions offer numerous advantages, they cannot fully replicate the experience of a physical exhibition. The physical presence of objects, the curated layout of a gallery space, and the social interaction of a museum visit are all aspects missing from the online experience. Nevertheless, online exhibitions serve as a valuable complement to physical exhibitions, expanding access to cultural heritage and fostering a deeper appreciation for museums and collections around the world.[9]
Avirtual museum is a digital institution dedicated to exhibiting objects and collections, similar to a physical museum, but existing entirely online. Virtual museum exhibitions utilize digital technologies to present collections and narratives in an online environment. These exhibitions can be permanent or temporary, showcasing a wide range of topics and objects.[10]