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Erotes

From Wikipedia, the free encyclopedia
Greek love deities
For the dialogue by Lucian, seeAmores (Lucian).
Two Erotes, depicted on aCampanianhydria by the Danaid Painter, c. 340–320 BC

InAncient Greek religion andmythology, theErotes (/əˈrtz/;Ancient Greek:ἔρωτες,érōtes) are a collective of winged gods associated with love and sexual intercourse. They are part ofAphrodite'sretinue, along with theCharites.Erotes is the plural ofEros ("Love, Desire"), who as a singular deity has a more complex mythology.

The Erotes became a motif ofHellenistic art, and may appear inRoman art in the alternate form of multipleCupids. In thelater tradition ofWestern art, Erotes become indistinguishable from figures also known as Cupids, amorini, or amoretti.[1][2]

General role and attributes

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The Erotes are a group of winged gods in Classical mythology. They are associated with love and sexual desire, and form part of Aphrodite's retinue. Sometimes the Erotes are regarded as manifestations of a singular god,Eros.[3]: 45 

The Erotes'pranks were a popular theme in Hellenistic art, particularly in the 2nd century CE.[4] Spells to attract or repel Erotes were used, in order to induce love or the opposite.[5]

The Erotes were usually portrayed asnude, handsome, winged youths.[citation needed] The earliest known sculpturedfriezes depicting a group of Erotes and winged maidens driving chariots pulled bygoats, were created to decoratetheatres in ancient Greece in the 2nd century BCE.[6]: 124–125  The representation of Erotes in such friezes became common, including Erotes inhunting scenes.[6]: 126  Due to their role in the classical mythological pantheon, the Erotes' representation is sometimes purelysymbolic (indicating some form of love) or they may be portrayed as individual characters.[7] The presence of Erotes in otherwise non-sexual images, such as of two women, has been interpreted to indicate ahomoerotic subtext.[7] In the cult of Aphrodite inAnatolia,iconographic images of the goddess with three Erotes symbolized the three realms over which she had dominion: the Earth, sky, and water.[8]

Gallery

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See also

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References

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  1. ^Ferguson, John (1970).The Religions of the Roman Empire. Cornell University Press. p. 145.ISBN 9780801405679.
  2. ^Barkan, Leonard (1999).Unearthing the Past: Archaeology and aesthetics in the making of Renaissance culture. Yale University Press. p. 138.
  3. ^[full citation needed]Original citations were <<Younger, p. 45, "Eros/Cupid">> and <<Younger, p. 40, "Desire">> with no other reference to an author or title containingYounger.
  4. ^Strong (1911).Roman sculpture from Augustus to Constantine. Vol. 2. Duckworth and Co. p. 265.
  5. ^Collins, Derek (2008).Magic in the Ancient Greek World. Blackwell. pp. 100, 167.ISBN 978-1-4051-3238-1.
  6. ^abSturgeon, Mary Carol (1977).Sculpture: The reliefs from the theater. ASCSA.ISBN 978-0-87661-092-3.
  7. ^abRabinowitz, Nancy Sorkin; Auanger, Lisa (2002).Among Women: From the homosocial to the homoerotic in the ancient world. University of Texas Press. p. 239.ISBN 978-0-292-77113-0.
  8. ^Ridgway, Brunilde Sismondo (2002).Hellenistic Sculpture: The styles of ca. 100-31 B.C.. University of Wisconsin Press. p. 115.ISBN 978-0-299-17710-2.

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