Eric Idle was born on 29 March 1943 inHarton Hospital, inSouth Shields.[1] His mother, Norah Barron Sanderson,[2] was a nurse,[1] and his father, Ernest Idle,[2][3] served in theRoyal Air Force during the Second World War, only to be killed in a road accident while hitchhiking home for Christmas in December 1945.[4][5] Idle said his mother "disappeared for a while into depression" and consequently he was brought up by his grandmother inSwinton, Lancashire.[6] Idle spent part of his childhood inWallasey,Cheshire,[7] and attended St George's Primary School.[8]
His mother had difficulty coping with a full-time job and bringing up a child, so when Idle was seven, she enrolled him in theRoyal Wolverhampton School as aboarder. At that time the school was a charitable foundation dedicated to the education and maintenance of children who had lost one or both parents.[9] Idle said: "It was aphysically abusive,bullying, harsh environment for a kid to grow up in. I got used to dealing with groups of boys and getting on with life in unpleasant circumstances and being smart and funny and subversive at the expense of authority. Perfect training for Python."[9]
Idle has stated that the two things that made his life at school bearable were listening toRadio Luxembourg under the bedclothes and watching the local football team,Wolverhampton Wanderers.[10] He disliked other sports, and would sneak out of school every Thursday afternoon to the local cinema. He was eventually caught watching the filmBUtterfield 8 (rated as suitable for audiences of age 16 and over under thecontemporary film certificates) and stripped of hisprefecture, though by that time he washead boy. Idle had already refused to be senior boy in the school cadet force, as he supported theCampaign for Nuclear Disarmament and had participated in the yearlyAldermaston March.[9] He says there was little to do at the school, and boredom drove him to study hard and consequently secured a place atCambridge University.[9]
I'd never heard of the Footlights when I got there, but we had a tradition of college smoking-concerts, and I sent in some sketches parodying a play that had just been done. Tim Brooke-Taylor and Bill Oddie auditioned me for theFootlights smoker, and that led to me discovering about and getting into the Footlights, which was great.[11]
Idle wrote for Python mostly by himself,[14] at his own pace, although he sometimes found it difficult to present material to the others and make it seem funny without the back-up support of a partner. The other Pythons usually worked in teams and Cleese admitted that this was slightly unfair – when the Pythons voted on which sketches should appear in a show, "he (Idle) only got one vote". However, he also says that Idle was an independent person and worked best on his own. Idle himself admitted this was sometimes difficult: "You had to convince five others. And they were not the most un-egotistical of writers, either." He occasionally wrote with Cleese.[15]
Idle's work in Python is often characterised by an obsession with language and communication: many of his characters have verbal peculiarities, such as the man who speaks inanagrams, the man who says words in the wrong order, and the butcher who alternates between rudeness and politeness every time he speaks. A number of his sketches involve extended monologues (for example the customer in the "Travel Agency" sketch who won't stop talking about his unpleasant experiences with holidays), and he would frequently spoof the unnatural language and speech patterns of television presenters. Idle is said to be the master of insincere characters, from theDavid Frost-esque Timmy Williams, to small-time crook Stig O'Tracy, who tries to deny the fact thatorganised crime master Dinsdale Piranha nailed his head to the floor.
The second-youngest member of the Pythons, Idle was closest in spirit to the teenagers who made up much of Python's fanbase. Python sketches dealing most with contemporary obsessions likepop music, sexual permissiveness andrecreational drugs are usually Idle's work, often characterised bydouble entendre, sexual references, and other "naughty" subject matter – most famously demonstrated in "Nudge Nudge". Idle originally wrote "Nudge, Nudge" forRonnie Barker, but it was rejected because there was 'no joke in the words'.[16]
After the success of Python in the early 1970s, all six members pursued solo projects. Idle's first solo work was his ownBBC Radio One show,Radio Five (pre-dating the realRadio Five station by 18 years). This ran for two seasons from 1973 to 1974 and involved Idle performing sketches and links to records, playing nearly all the multi-tracked parts himself.
On television, Idle created and wroteRutland Weekend Television (RWT), a sketch show onBBC2 with music byNeil Innes. RWT was 'Britain's smallest television network'. The name was a parody ofLondon Weekend Television, the independent television franchise contractor that provided Londoners with theirITV services at weekends;Rutland had been England's smallest county, but had recently been 'abolished' in an administrative shake-up. To make the joke complete, the programme went out on a weekday. Other regular performers wereDavid Battley,Henry Woolf,Gwen Taylor andTerence Bayler.George Harrison made a guest appearance on one episode.
A legacy of RWT was the creation, with Innes, ofthe Rutles, an affectionate parody ofthe Beatles. The band became a popular phenomenon, especially in the U.S. where Idle was appearing onSaturday Night Live – fans would send in Beatles LPs with their sleeves altered to show the Rutles. In 1978, the Rutles'mockumentary filmAll You Need Is Cash, a collaboration between Python members andSaturday Night Live, was aired onNBC television, written by Idle, with music by Innes. Idle appeared in the film as "Dirk McQuickly" (thePaul McCartney-styled character of the group), as well as the main commentator, while Innes appeared as "Ron Nasty" (the band's stand-in forJohn Lennon). Actors appearing in the film includedSaturday Night Live'sJohn Belushi,Bill Murray andGilda Radner, as well as fellow PythonMichael Palin, and also real musicians of the 1960s such as former BeatleGeorge Harrison, as well asMick Jagger andPaul Simon. Idle wrote and directed the Rutles comeback in 2008 for a live showRutlemania! to celebrate the 30th anniversary.[18] The performances took place in Los Angeles and New York City with a Beatles tribute band.[19]
In 1986, Idle provided the voice of Wreck-Gar, the leader of the Junkions (a race of robots built out of junk that can only speak in film catchphrases and advertising slogans) inThe Transformers: The Movie. In 1987, he took part in theEnglish National Opera production of theGilbert and Sullivancomic operaThe Mikado, in which he appeared in the role of the Lord High Executioner, Ko-Ko; a performance of it was taped by Thames Television for broadcast, directed by John Michael Phillips, and subsequently released on DVD by A&E. In 1989, he appeared in the U.S. comedy television seriesNearly Departed, about a ghost who haunts the family inhabiting his former home; the series lasted for six episodes as a summer replacement series.
"Idle has always, it seemed, been happy to have been a Python, happy to talk about Python, happy to revisit the group's glory days. Even though he has gone on to his own work – dozens of films, plays, TV shows, albums, books and screenplays – he is perhaps the most active standard-bearer for the group. It was Idle who toured extensively in 2000 and 2003, performing Python songs with a band and back-up singers. He went on the road with theEric Idle Exploits Monty Python Tour, then with theGreedy Bastard Tour, which was documented extensively on the Python website he launched in 1996."
Idle received good critical notices appearing in projects written and directed by others – such asTerry Gilliam'sThe Adventures of Baron Munchausen (1989), alongsideRobbie Coltrane inNuns on the Run (1990) and inCasper (1995). He also played Ratty in Terry Jones' version ofThe Wind in the Willows (1996). However, his own creative projects – such as the filmSplitting Heirs (1993), a comedy he wrote, starred in and executive-produced – were mostly unsuccessful with critics and audiences.
In 1994, Idle appeared as Dr. Nigel Channing, chairman of the Imagination Institute and host of an 'Inventor of the Year' awards show in thethree-dimensional filmHoney, I Shrunk the Audience!, which was an attraction at theImagination Pavilion atWalt Disney World'sEpcot from 1994 until 2010 and atDisneyland from 1998 until 2010. The film also starsRick Moranis and other members of the cast of the 1989 feature filmHoney, I Shrunk the Kids. In 1999, he reprised the role in the short-lived second incarnation of theJourney into Imagination ride at Epcot, replacingFigment and Dreamfinder as the host. Due to an outcry from Disney fans, the attraction was reworked in 2001, reintroducing Figment into the ride while also retaining Idle's role as Nigel Channing. Idle is also writer and star of the 3-D filmPirates – 4D for Busch Entertainment Corporation.
In late 2003, Idle began a performing tour of several American and Canadian cities entitledThe Greedy Bastard Tour.[17] The stage performances consisted largely of music from Monty Python episodes and films, along with some original post-Python material. In 2005, Idle releasedThe Greedy Bastard Diary, a book detailing the things the cast and crew encountered during the three-month tour.[17]
Idle (right) andTerry Jones performing the "Nudge Nudge" sketch at the Python reunion in 2014
In 2004, Idle createdSpamalot, amusical comedy based on the 1975 filmMonty Python and the Holy Grail. The medieval production tells the story ofKing Arthur and his Knights of the Round Table as they journey on their quest for theHoly Grail.[17]Spamalot features a book and lyrics by Idle, music by Idle andJohn Du Prez, direction byMike Nichols, and choreography byCasey Nicholaw.[22]
In December 2016, Idle was the writer and co-presenter ofThe Entire Universe, a "comedy and musical extravaganza with the help ofWarwick Davis,Noel Fielding,Hannah Waddingham andRobin Ince, alongside a chorus of singers and dancers", broadcast by BBC Two.[27]
In 2020, it was announced that Idle would adapt his script forSpamalot into a feature film forParamount Pictures, with Nicholaw directing andDan Jinks producing.[28]
In February 2024, Idle made headlines in the UK after revealing that he was still working at the age of 80 for financial reasons, saying "Python is a disaster. I never dreamed that at this age the income streams would tail off so disastrously", but also "I don't mind not being wealthy. I prefer being funny".[30] In July 2025, he toldNME in an interview that his relationship with the other Pythons was "poor to terrible", adding that "they don't talk to me. I haven't seen them for 10 years so it doesn't really matter. Apparently they say rude and nasty things but I don't read them."[31] His first solo UK tour since 1973 was organised for later that year.[32]
Idle has written several books, both fiction and non-fiction. His novels areHello Sailor andThe Road to Mars.[citation needed] In 1976, he produced a spin-off book toRutland Weekend Television, titledThe Rutland Dirty Weekend Book.[citation needed] In 1982, he wrote a West End farcePass the Butler, starringWillie Rushton. During his Greedy Bastard Tour of 2003, he wrote the diaries that would be made intoThe Greedy Bastard Diary: A Comic Tour of America, published in February 2005.[citation needed]
In a 2005 poll to find"The Comedians' Comedian" (UK), he was voted 21 in the top 50 greatest comedy acts ever by fellow comedians and comedy insiders.[33][34]
As Ko-Ko in the 1987English National Opera production ofThe Mikado, Idle wrote his own 'Little List' on "As some day it may happen". In 1989, Idle co-wrote and sang the theme tune to the popular British sitcomOne Foot in the Grave and although the series became immensely popular, the song did poorly in the charts.
When "Always Look on the Bright Side of Life" was adopted as afootball chant in the late 1980s, Idle's then neighbourGary Lineker suggested Idle re-record and release the popular track. With help fromBBC Radio 1 breakfast show hostSimon Mayo, who gave the song regular airplay and also used the chorus within a jingle, it became a hit, some 12 years after the song's original appearance inLife of Brian, reaching number 3 in the UK charts and landing Idle a set onTop of the Pops in October 1991.[36] The following month Idle, accompanied by opera singerAnn Howard, sang the song at theRoyal Variety Performance.[37] He recorded a special version for Mayo's own use on air ("Come on Simon, get another song on now; why don't you put on a niceCliff Richard record?") and changed the line "life's a piece of shit" to "life's a piece of spit" in order to get daytime airplay on radio.[38]
Idle performing "Bruces sketch" in 2014. Involving stereotypical "ocker" Australians, Idle said he based it on his Australian friends from the 1960s "who always seemed to be called Bruce".[39]
In 2004, Idle recorded aprotest song of sorts, the "FCC Song", in which he lambasts the U.S.FCC for fining him $5,000 for saying "fuck" on national radio. The song contains 14 uses of the word.[40]
Idle has been married twice. His first marriage was in 1969 to actressLyn Ashley, with whom he had one son before their divorce in 1975. He met Tania Kosevich, a former model, in 1977 and they married in 1981.[49][50] They had a daughter.[51][52] From 1995 they lived in a five-bedroom, 7,000-square-foot (650 m2) mansion in theHollywood Hills, which they sold in 2023 owing to financial difficulty.[51][30] Idle has heldpermanent residency in the United States since about 1997.[30] During and because ofDonald Trump's second presidency, Idle was strongly critical of Trump in a question-and-answer session, saying, after permanent residents (and citizens) were deported after criticising theTrump presidency, "I'd be proud to be thrown out because I'd be in very select company. The last English comedian to be thrown out of America for political reasons wasCharlie Chaplin."[53]
Idle is anatheist, but does not like using the term and is quoted as saying "I don't like that word, it implies that there's aGod not to believe in."[57]
In 2019, Idle was diagnosed withpancreatic cancer. He was diagnosed early and underwent successful surgery to remove the tumour, needing no further treatment after this procedure.[58]
In 2025, he said that he did not watch comedy and watched very little, mainly Netflix thrillers. "I don't go to the movies because they're very boring and for 12-year-olds. I don't watch news and I don't read newspapers."[53]
The defaultIntegrated development environment (IDE) of theprogramming languagePython is calledIDLE. Although officially IDLE stands for "Integrated DeveLopment Environment", the name has been chosen in allusion to Eric Idle, as the name of the programming language Python itself has been chosen in allusion to Monty Python.[60][61]
^Lutz, Mark & Ascher, David (2004).Learning Python, p. 40. O'Reilly Media, Inc.ISBN0-596-00281-5.
^Hammond, Mark & Robinson, Andy (2000).Python Programming On Win32: Help for Windows Programmers, p. 59. O'Reilly Media, Inc.ISBN978-1565926219.
^abcdefghijkl"Eric Idle (visual voices guide)". Behind The Voice Actors. Retrieved19 October 2023. A green check mark indicates that a role has been confirmed using a screenshot (or collage of screenshots) of a title's list of voice actors and their respective characters found in its credits or other reliable sources of information.
"My Girl Herbert". Archived fromthe original on 4 January 2006. Retrieved16 June 2006. – the 1965 Cambridge Footlights Club revue during the time when Eric Idle was President of the Footlights, as well as being a member of the revue cast