Ephrem is venerated as asaint by all traditional Churches. He is especially revered inSyriac Christianity, both inEast Syriac tradition andWest Syriac tradition, and also counted as a Holy and Venerable Father (i.e., a sainted monk) in theEastern Orthodox Church, especially in the Slovak tradition. He was declared a Doctor of the Church in the Roman Catholic Church in 1920. Ephrem is also credited as the founder of theSchool of Nisibis, which, in later centuries, was the centre of learning of theChurch of the East.
Ephrem wrote a wide variety of hymns, poems, and sermons in verse, as well as proseexegesis. These were works of practical theology for the edification of theChurch in troubled times. Some of these works have been examined by feminist scholars who have analyzed the incorporation of feminine imagery in his texts. They also examine the performance practice of all-women choirs singing his madrāšê, or his teaching hymns. Ephrem's works were so popular that, for centuries after his death, Christian authors wrote hundreds ofpseudepigraphal works in his name. He has been called the most significant of all of the fathers of theSyriac-speaking church tradition.[3] InSyriac Christian tradition, he is considered patron of theSyriac Aramaic people.
Ephrem was born around the year 306 in the city ofNisibis (modernNusaybin,Turkey), in the Roman province ofMesopotamia, that wasrecently acquired by theRoman Empire.[4][5][6][7] Internal evidence from Ephrem's hymnody suggests that both his parents were part of the growing Christian community in the city, although laterhagiographers wrote that his father was a pagan priest.[8] In those days, religious culture in the region of Nisibis included localpolytheism,Judaism and several varieties of theEarly Christianity. Most of the population spoke theAramaic language, whileGreek andLatin were languages of administration. The city had a complex ethnic composition, consisting of "Assyrians, Arabs, Greeks, Jews, Parthians, Romans, and Iranians".[9]
Jacob, the secondbishop of Nisibis,[10] was appointed in 308, and Ephrem grew up under his leadership of the community. Jacob of Nisibis is recorded as a signatory at theFirst Council of Nicea in 325. Ephrem was baptized as a youth and almost certainly became ason of the covenant, an unusual form of Syriac proto-monasticism. Jacob appointed Ephrem as a teacher (Syriacmalp̄ānâ, a title that still carries great respect for Syriac Christians). He was ordained as adeacon either at his baptism or later.[11] He began to compose hymns and write biblical commentaries as part of his educational office. In his hymns, he sometimes refers to himself as a "herdsman" (ܥܠܢܐ, 'allānâ), to his bishop as the "shepherd" (ܪܥܝܐ,rā'yâ), and to his community as a 'fold' (ܕܝܪܐ,dayrâ). Ephrem is popularly credited as the founder of theSchool of Nisibis, which, in later centuries, was the centre of learning of theChurch of the East.[citation needed]
In 337, EmperorConstantine I, who had legalised and promoted the practice of Christianity in the Roman Empire, died. Seizing on this opportunity,Shapur II of Persia began a series of attacks into Roman NorthMesopotamia. Nisibis was besieged in 338, 346 and 350. During the first siege, Ephrem credits Bishop Jacob as defending the city with his prayers. In the third siege, of 350, Shapur rerouted the River Mygdonius to undermine the walls of Nisibis. The Nisibenes quickly repaired the walls while the Persian elephant cavalry became bogged down in the wet ground. Ephrem celebrated what he saw as the miraculous salvation of the city in a hymn that portrayed Nisibis as being likeNoah's Ark, floating to safety on the flood.[citation needed]
One important physical link to Ephrem's lifetime is thebaptistery of Nisibis. The inscription tells that it was constructed under Bishop Vologeses in 359. In that year, Shapur attacked again. The cities around Nisibis were destroyed one by one, and their citizens killed or deported.Constantius II was unable to respond; the campaign ofJulian in 363 ended with his death in battle. His army electedJovian as the new emperor, and to rescue his army, he was forced to surrender Nisibis to Persia (also in 363) and to permit the expulsion of the entire Christian population.[12] Ephrem declined beingordained a bishop byfeigning madness, because he regarded himself unworthy for it.[13][14][15]
Ephrem, with the others, went first to Amida (Diyarbakır), eventually settling inEdessa (Urhay, in Aramaic) in 363.[16] Ephrem, in his late fifties, applied himself to ministry in his new church and seems to have continued his work as a teacher, perhaps in theSchool of Edessa.Edessa had been an important center of the Aramaic-speaking world, and the birthplace of a specificMiddle Aramaic dialect that came to be known as theSyriac language.[17] The city was rich with rivaling philosophies and religions. Ephrem comments that orthodox Nicene Christians were simply called "Palutians" in Edessa, after a former bishop.Arians,Marcionites,Manichees,Bardaisanites and variousgnostic sects proclaimed themselves as the true church. In this confusion, Ephrem wrote a great number of hymns defending Nicene orthodoxy. A later Syriac writer,Jacob of Serugh, wrote that Ephrem rehearsed all-female choirs to sing his hymns set to Syriac folk tunes in the forum of Edessa. In 370 he visited Basil the Great at Caesarea, and then journeyed to the monks of Egypt. As he preached apanegyric on St. Basil, who died in 379, his own death must be placed at a later date.[clarification needed] After a ten-year residency in Edessa, in his sixties, Ephrem succumbed to the plague as he ministered to its victims. He died in 373.[18][19]
Ephrem wrote exclusively in his nativeAramaic language, using the local Edessan (Urhaya) dialect, that later came to be known as theClassical Syriac.[8][20] Ephrem's works contain severalendonymic (native) references to his language (Aramaic), homeland (Aram) and people (Arameans).[21][22][23][24][25] He is therefore known as "the authentic voice of Aramaic Christianity".[26]
One of the early admirers of Ephrem's works, theologianJacob of Serugh (d. 521), who already belonged to the generation that accepted the custom of a double naming of their language not only as Aramaic (Ārāmāyā) but also as "Syriac" (Suryāyā),[33][34][35][36] wrote ahomily (memrā) dedicated to Ephrem, praising him as thecrown orwreath of theArameans (Classical Syriac:ܐܳܪܳܡܳܝܘܬܐ), and the same praise was repeated in early liturgical texts.[37][38] Only later, under the Greek influence already prevalent in the works of the middle fifth century authorTheodoret of Cyrus,[39] did it became customary to associate Ephrem with Syriac identity, and label him only as "the Syrian" (Koinē Greek:Ἐφραίμ ὁ Σῦρος), thus blurring his Aramaicself-identification, attested by his own writings and works of other Aramaic-speaking writers, and also by examples from the earliest liturgical tradition.[citation needed]
Some of those problems persisted up to the recent times, even in scholarly literature, as a consequence of several methodological problems within the field ofsource editing. During the process of critical editing and translation of sources withinSyriac studies, some scholars have practiced various forms of arbitrary (and often unexplained) interventions, including the occasional disregard for the importance of original terms, used asendonymic (native) designations for Arameans and their language (ārāmāyā). Such disregard was manifested primarily in translations and commentaries, by replacement of authentic terms withpolysemic Syrian/Syriac labels. In previously mentionedmemrā, dedicated to Ephrem, one of the terms forAramean people (Classical Syriac:ܐܳܪܳܡܳܝܘܬܐ / Arameandom) was published correctly in original script of the source,[40] but in the same time it was translated in English as "Syriac nation",[41] and then enlisted among quotations related to "Syrian/Syriac" identity,[42] without any mention of Aramean-related terms in the source. Even when noticed and corrected by some scholars,[43][44][45] such replacements of terms continue to create problems for others.[46][47][48]
According to the Catalogues of Syriac Manuscripts in theBritish Library published by Forshall & Rosen (1839) and Wright (1870–72), there are "ninety or so manuscripts which contain works by or attributed to Ephraem."[49]
British Library manuscripts (mss.) containing works by or attributed to Ephrem the Syrian[49]
Over four hundredhymns attributed to Ephrem still exist.[according to whom?] Granted that some have been lost, Ephrem's productivity is not in doubt.[according to whom?] The church historianSozomen credits Ephrem with having written three million verses.[49] Ephrem combines in his writing a threefold heritage: he draws on the models and methods of earlyRabbinic Judaism, he engages skillfully with Greek science and philosophy, and he delights in the Mesopotamian/Persian tradition of mystery symbolism.[50]
The most important of his works are his lyric, teaching hymns (ܡܕܖ̈ܫܐ,madrāšê). These hymns are full of rich, poetic imagery drawn from biblical sources, folk tradition, and other religions and philosophies. Themadrāšê are written in stanzas ofsyllabic verse and employ over fifty different metrical schemes. The form is defined by anantiphon, or congregationalrefrain (ܥܘܢܝܬܐ, 'ûnîṯâ), between each independent strophe (or verse), and the refrain's melody mimics that of the opening half of the strophe.[51] Eachmadrāšâ had itsqālâ (ܩܠܐ), a traditional tune identified by its opening line. All of theseqālê are now lost. It seems thatBardaisan andMani composedmadrāšê, and Ephrem felt that the medium was a suitable tool to use against their claims.[51]
Themadrāšê are gathered into various hymn cycles. In the CSCO critical edition of Beck et al. (1955–1975), these have been given standardised names and abbreviations.[52] By the year 2000, English translations had been published for the following:[53]
Some of these titles do not do justice to the entirety of the collection (for instance, only the first half of theCarmina Nisibena is about Nisibis).[citation needed] Bates (2000) remarked: "[Various] collections of Ephrem's hymns [...] appear to be randomly assembled by later editors and named for the subject of the first hymn in the collection only".[53]
Particularly influential were hisHymns Against Heresies.[54] Ephrem used these to warn his flock of the heresies that threatened to divide the early church. He lamented that the faithful were "tossed to and fro and carried around with every wind of doctrine, by the cunning of men, by their craftiness and deceitful wiles" (Eph 4:14).[55] He devised hymns laden with doctrinal details to inoculate right-thinking Christians against heresies such asdocetism. TheHymns Against Heresies employ colourful metaphors to describe the Incarnation of Christ as fully human and divine. Ephrem asserts that Christ's unity of humanity and divinity represents peace, perfection and salvation; in contrast, docetism and other heresies sought to divide or reduce Christ's nature and, in doing so, rend and devalue Christ's followers with their false teachings.[citation needed]
The most complete, critical text of writings attributed to Ephrem was compiled between 1955 and 1979 by Dom Edmund Beck, OSB, as part of theCorpus Scriptorum Christianorum Orientalium (CSCO).[56] Beck's 1959 critical edition of the madrashe (hymns) and mêmrê (homilies) memre attributed to Ephrem led to much scholarly debate on the authenticity of the madrashe known asOn Epiphany, as Ephrem was certainly not familiar withEpiphany as a feast celebrating Jesus' bapitism on 6 January.[56] Unlike in Europe, where theNativity of Jesus was celebrated on 25 December, but the baptism of Jesus would evolve into a separate feast called "Epiphany" on 6 January, there was only one Christian feast celebrated in winter in the time and place where Ephrem lived, namely the Nativity on 6 January, when baptism was also performed.[57] A 1956 paper written by Beck himself therefore warned researchers not to base their reconstructions of Ephrem's baptismal theology on the contents of these madrashe, given the fact that many of the hymns presuppose that Epiphany and Nativity were two separate feasts celebrated two weeks apart, thereby challenging Ephrem's authorship.[58] While the oldest surviving manuscripts of Ephrem's hymns date to the 6th century and contain hymns on the Nativity that Beck thought were certainly authentic, the contested hymnsOn Epiphany are missing from them.[57] They do not appear in manuscripts until much later, in the 9th century, suggesting that they wereinterpolated.[57] Scholars have largely accepted Beck's arguments that the collection as a whole was established after the 4th century, and that some hymns in them were not written by Ephrem, or at least not in the form that they have been preserved in, but that other hymns should nevertheless be considered authentic.[59]
Ephrem the Syriac in a 16th-century Russian illustration
The relationship between Ephrem's compositions and femininity is shown again in documentation suggesting that the madrāšê were sung by all-women choirs with an accompanying lyre. These women's choirs were composed of members of the Daughters of the Covenant, an important institution in historicalSyriac Christianity, but they weren't always labeled as such.[60] Ephrem, like many Syriac liturgical poets, believed that women's voices were important to hear in the church as they were modeled after Mary, mother of Jesus, whose acceptance of God's call led to salvation for all through the birth of Jesus.[61] One variety of the madrāšê, thesoghyatha, was sung in a conversational style between male and female choirs.[61] The women's choir would sing the role of biblical women, and the men's choir would sing the male role. Through the role of singing Ephrem's madrāšê, women's choirs were granted a role in worship.[60]
Ephrem also wrote verse homilies (ܡܐܡܖ̈ܐ,mêmrê). These sermons in poetry are far fewer in number than the madrāšê. The mêmrê were written in a heptosyllabiccouplets (pairs of lines of seven syllables each).[citation needed]
The third category of Ephrem's writings is his prose work. He wrote a biblical commentary on theDiatessaron (the single gospel harmony of the early Syriac church), the Syriac original of which was found in 1957. HisCommentary on Genesis and Exodus is an exegesis ofGenesis andExodus. Some fragments exist in Armenian of his commentaries on theActs of the Apostles andPauline Epistles.[citation needed]
Ephrem's writings contain a rich variety of symbols and metaphors. Christopher Buck gives a summary of analysis of a selection of six key scenarios (the way, robe of glory,sons and daughters of the Covenant, wedding feast,harrowing of hell,Noah's Ark/Mariner) and six root metaphors (physician, medicine of life, mirror, pearl,Tree of life,paradise).[64]
Ephrem's meditations on the symbols of Christian faith and his stand against heresy made him a popular source of inspiration throughout the church. There is a huge corpus of Ephrem []pseudepigraphy]] and legendaryhagiography in many languages. Some of these compositions are in verse, often mimicking Ephrem's heptasyllabic couplets.[citation needed] Syriac churches still use many of Ephrem's hymns as part of the annual cycle of worship. However, most of these liturgical hymns are edited and conflated versions of the originals.[citation needed] Another one of the works attributed to Ephrem was theCave of Treasures, written in Syriac, but by a much later, unknown author, who lived at the end of the 6th and the beginning of the 7th century.[65]
"It is a mark of Ephraem's enormous reputation that such an extensive corpus of works in Greek was gathered under his name. Where no Syriac original has survived, the question of authenticity arises. (...) The Greek works may not be so much translations as adaptations in the spirit of Ephraem using his favourite images. A widely held judgment is that the corpus is 'sporadically authentic'."
There is a very large number of works by "Ephrem" extant in Greek. In the literature this material is often referred to as "Greek Ephrem", orEphraem Graecus ("Ephrem the Greek", as opposed to the real Ephrem the Syrian), as if it was by a single author. This is not the case, but the term is used for convenience. Some texts are in fact Greek translations of genuine works by Ephrem, but most are not.[66] Ephrem is attributed with writinghagiographies such asThe Life of Saint Mary the Harlot (extant in Greek and Latin), though this credit is called into question.[67] The best known of these writings is thePrayer of Saint Ephrem, which is recited at every service duringGreat Lent and other fasting periods inEastern Christianity.[68][69]
There has been very little critical examination of any of these works. They were edited uncritically by Assemani, and there is also a modern Greek edition by Phrantzolas.[70] Amongst scholars, there is a broad consensus that the Greek corpus attributed to Ephrem is only 'sporadically authentic'.[66]
There are also works by "Ephrem" inLatin,Slavonic andArabic. "Ephrem Latinus" is the term given to Latin translations of "Ephrem Graecus". None is by Ephrem the Syrian. "Pseudo-Ephrem Latinus" is the name given to Latin works under the name of Ephrem which are imitations of the style of Ephrem Latinus. One example is theApocalypse of Pseudo-Ephraem, extant in one Latin and one Syriac version.[citation needed] Also attributed to Ephrem are theParenesis or "precepts", found in the 10th-centuryRila fragments and the early 13th-centuryKyiv Caves Patericon, translated intoOld Church Slavonic.[citation needed]
Soon after Ephrem's death, legendary accounts of his life began to circulate. One of the earlier "modifications" is the statement that Ephrem's father was a pagan priest of Abnil or Abizal. However, internal evidence from his authentic writings suggest that he was raised by Christian parents.[71]
Ephrem is venerated as an example of monastic discipline inEastern Christianity. In theEastern Orthodox scheme of hagiography, Ephrem is counted as a Venerable Father (i.e., a sainted monk). Hisfeast day is celebrated on 28 January and on the Saturday of the Venerable Fathers (Cheesefare Saturday), which is the Saturday before the beginning ofGreat Lent.[72]
The most popular title for Ephrem isHarp of the Spirit (Syriac:ܟܢܪܐ ܕܪܘܚܐ,Kenārâ d-Rûḥâ). He is also referred to as the Deacon of Edessa, the Sun of the Syrians and a Pillar of the Church.[74]
His Roman Catholic feast day of 9 June conforms to his date of death. For 48 years (1920–1969), it was on 18 June, and this date is still observed in the Extraordinary Form.[75]
Sancti Patris Nostri Ephraem Syri opera omnia quae exstant (3 vol), byPeter Ambarach Rome, 1737–1743.
E. Beck,Des heiligen Ephraem des Syrers Hymen De Nativitate (Epiphania), CSCO 186/187, Leuven 1959, 144–191 (131–177). (in German).
French translation based on the edition of Beck:Ephrem le Syrien. Hymnes sur l'Êpiphanie. Hymnes baptismales de l'Orient syrien. Introduction, traduction du texte syriaque, notes et index par François Cassingena, o.s.b .,Spiritualité orientale, no 70, Abbaye de Bellefontaine, Bégrolles-en-Mauges 1997.
Ephrem the SyrianHymns, introduced by John Meyendorff, translated by Kathleen E. McVey. (New York: Paulist Press, 1989)ISBN0-8091-3093-9
St. EphremHymns on Paradise, translated by Sebastian Brock (Crestwood, NY: St. Vladimir's Seminary Press, 1990).ISBN0-88141-076-4
Saint Ephrem's Commentary on Tatian's Diatessaron: An English Translation of Chester BeattySyriac MS 709 with Introduction and Notes, translated by Carmel McCarthy (Oxford: Oxford University Press, 1993).
St. Ephrem the SyrianCommentary on Genesis, Commentary on Exodus, Homily on our Lord, Letter to Publius, translated by Edward G. Mathews Jr., and Joseph P. Amar. Ed. by Kathleen McVey. (Washington, DC: Catholic University of America Press, 1994).ISBN978-0-8132-1421-4
St. Ephrem the SyrianThe Hymns on Faith, translated by Jeffrey Wickes. (Washington, DC: Catholic University of America Press, 2015).ISBN978-0-8132-2735-1
San Efrén de NísibisHimnos de Navidad y Epifanía, by Efrem Yildiz Sadak Madrid, 2016 (in Spanish).ISBN978-84-285-5235-6
Saint Ephraim the SyrianEschatological Hymns and Homilies, translated by M.F. Toal and Henry Burgess, amended. (Florence, AZ: SAGOM Press, 2019).ISBN978-1-9456-9907-8
^abAshbrook Harvey, Susan (June 28, 2018). "Revisiting the Daughters of the Covenant: Women's Choirs and Sacred Song in Ancient Syriac Christianity".Hugoye: Journal of Syriac Studies.8 (2).
^abAshbrook Harvey, Susan (2010). "Singing women's stories in Syriac tradition".Internationale kirchliche Zeitschrift.100 (3):171–183.