 | |
| Industry | Filmed entertainment |
|---|---|
| Genre | |
| Founded | 1983; 42 years ago (1983) |
| Founder | Charles Band |
| Defunct | 1988; 37 years ago (1988) |
| Fate | Bankruptcy, assets sold toEpic Entertainment |
| Successors | Company: Full Moon Features Library: Metro-Goldwyn-Mayer (throughOrion Pictures) Full Moon Features (select films only) |
| Headquarters | Los Angeles, California, US |
Key people | |
| Products | |
| Subsidiaries | Urban Classics |
Empire International Pictures (also known asEmpire Entertainment) was an American independent small-scale theatrical distribution company.Charles Band formed Empire in 1983, prompted by his dissatisfaction with distributors' handling of films made by his previous business, Charles Band International Productions. Empire produced and distributed a number of low-budget horror and fantasy feature films, includingRe-Animator,Troll,Ghoulies,Trancers, andFrom Beyond.
Sensing the emerging theatrical market for independently produced horror and science-fiction films, producer Charles Band decided to create a small production company to compete with the major Hollywood studios. The nameEmpire Pictures first surfaced in May 1983 at theCannes Film Festival, where Band sought funding forParasite II, a proposed sequel to his successful movieParasite (1982).[1]
Initial Empire productions includedSwordkill (akaGhost Warrior) andThe Dungeonmaster, each of which received limited theatrical releases in 1984. Also that year, Empire signed an agreement withVestron Video that granted Vestron worldwide video rights to five of Empire's films.[2]
Empire's first hit came in early 1985, withGhoulies. Released in several major markets, the film had grossed $3,455,018 by February; it made over $1 million in its first weekend in New York City alone.[3] This success paved the way for the company to showcase future cult hitsTrancers andRe-Animator in theaters.
Flush with cash, Band purchased Castello di Giove, a 12th-century castle located inGiove, Italy.[4] His intention was to use the edifice as a European base of operations and a filming location. Around the same time, Band also boughtDino de Laurentiis Cinematografica, which was founded byDino De Laurentiis in 1946. The purchase price of De Laurentiis's studio was reportedly $20 million. Empire also teamed up with Vestron Video subsidiary Lightning Video to create the Force Video banner, under which six action-adventure videocassettes were released in the summer of 1985.[5]
1986 saw Empire's biggest output of theatrical releases, includingEliminators,From Beyond,TerrorVision, andTroll. The last of these proved to be Empire's biggest success that year, grossing $5,450,815 when released in nearly a thousand theaters.[6] The company decided to expand.[7]Albert Band was named production head, a position he held until the company was sold off.[8] Empire's agreement with Vestron Video continued; Vestron bought the worldwide video rights to one of Empire's future releases for $35–$40 million.[9]
With a studio in Italy secured, 1987 saw Empire significantly increase its production. The company arrived at theAmerican Film Market in February touting 36 new releases. Titles produced in this period includedDolls,Ghoulies II,Prison, andRobot Jox. Empire also switched video distributors, from Vestron toNew World Video, which would release titles under the Empire Video label.[10]
Two new divisions of Empire were launched in 1987. The first was Urban Classics, which produced films such asSlave Girls from Beyond Infinity,Galactic Gigolo, andSpace Sluts in the Slammer. Urban Classics released movies both theatrically, and subsequently on home video, marking the first time that Empire had produced its own home video releases, rather than partnering with another company.[11] The second subsidiary was Infinity Film Sales, headed by Maura Hoy. Its purpose was to distribute to the foreign market a set of low-budget films that had been offered toWizard Video, yet another Empire division.[12] Later that year, Australian home video veteran Walter Lehne would purchase Infinity's 14 titles in a $1 million deal that included movies from Filmtrust, Intercontinental Releasing Corporation, and others as well.[13]
Also in 1987, Empire partnered with Cinema Home Video Productions to develop ten films. Most of the movies were planned to have a budget of $1 million each, but at least two would have $2–3 million in funding, and be shot at Empire's Italian studio. Distribution would be handled by Urban Classics domestically, and by Infinity overseas.[14]
On September 8, 1987, Empire reduced the staff of its publicity department from three people to one. The studio planned to outsource the marketing of special projects.[15]
Empire began to collapse in mid-1988, due to financial problems, including long-term debt obligations toCrédit Lyonnais. Once it became clear that the studio could not weather these difficulties, it was seized by the bank, and absorbed into Eduard Sarlui'sEpic Productions in May 1988.[16] As a result, the releases of the titles that were in production, such asStuart Gordon'sRobot Jox, Peter Manoogian'sArena, andDavid Schmoeller'sCatacombs, were delayed by several years.
Band would form a new company,Full Moon Entertainment, in the autumn of 1988. Like Empire, Full Moon specializes in horror and fantasy films.
Since October 1998, most of Empire's library is owned byMGM viaOrion Pictures following its acquisition ofPolyGram Filmed Entertainment's pre-April 1996 catalogue.[17] These films are being released on DVD and Blu-ray by Full Moon, under license from MGM.[18]
The rise and fall of Empire is the subject of the bookEmpire of the 'B's: The Mad Movie World of Charles Band by Dave Jay, Torsten Dewi, and Nathan Shumate, and the upcoming documentaryCelluloid Wizards in the Video Wasteland by Daniel Griffith.[citation needed]