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Electronic publishing

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Publishing and disseminating documents via electronic means
Not to be confused withDesktop publishing.
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Electronic publishing (also referred to ase-publishing,digital publishing, oronline publishing) includes the digital publication ofe-books,digital magazines, and the development ofdigital libraries and catalogues.[1] It also includes the editing of books, journals, and magazines to be read on a screen (computer,e-reader,tablet, orsmartphone).[2]

Overview

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Electronic publishing has become common inscientific publishing, where it has been argued thatpeer-reviewedscientific journals are in the process of being replaced by electronic publishing. It is also becoming common to distributebooks,magazines, andnewspapers to consumers throughtablet reading devices, a market that is growing by millions each year,[3] generated by online vendors such asApple'siTunes bookstore,Amazon's bookstore for Kindle, and books in theGoogle Play Bookstore. Market research suggested that half of all magazine and newspaper circulation would be via digital delivery by the end of 2015[4] and that half of all reading in the United States would be done without paper by 2015.[5]

Although distribution via theInternet (also known as online publishing or web publishing when in the form of a website) is nowadays strongly associated with electronic publishing, there are many non-network electronic publications such asencyclopedias on CD and DVD, as well as technical and reference publications relied on by mobile users and others without reliable and high-speed access to a network. Electronic publishing is also being used in the field oftest-preparation as well as in developing economies for student education (thus partly replacing conventional books), for it enables content and analytics combined for the benefit of students. The use of electronic publishing for textbooks may become more prevalent withApple Books and Apple's negotiation with the three largest textbook suppliers in the U.S.[6]

Electronic publishing is increasingly popular in works of fiction.[7] Since the companies do not have to order printed books and have them delivered, electronic publishers are able to respond quickly to the changing market demand. E-publishing is also making a wider range of books accessible, including books that customers would not find in standard book retailers due to insufficient demand for a traditional "print run". E-publication is enabling new authors to release books that would be unlikely to be profitable for traditional publishers.

While the term "electronic publishing" is primarily used in the 2010s to refer to online and web-based publishers, the term has a history of being used to describe the development of new forms of production, distribution, and user interaction in regard to computer-based production of text and otherinteractive media.[citation needed]

History

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Digitization

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The firstdigitization initiative was in 1971 byMichael S. Hart, a student at theUniversity of Illinois at Chicago, who launchedProject Gutenberg,[8] designed to make literature more accessible to everyone through the internet. It took a while to develop, and in 1989 there were only 10 texts that were manually recopied on computer by Michael S. Hart himself and some volunteers. But with the appearance of the Web 1.0 in 1991 and its ability to connect documents together through static pages, the project quickly moved forward. Many more volunteers helped in developing the project by giving access to public domainclassics.[9]

In the 1970s, theFrench National Centre for Scientific Research digitized a thousand books from diverse subjects, mostlyliterature but alsophilosophy andscience, dating back to the 12th century to present times. In this way were built the foundations of a large dictionary known as theTrésor de la langue française au Québec. This foundation of e-texts, named Frantext, was published on acompact disc under the brand nameDiscotext, and then on theWorld Wide Web in 1998.[10]

Mass-scale digitization

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In 1974, American inventorRaymond Kurzweil founded Kurzweil Computer Products and developed an omni-fontOCR system (i.e., software able to recognise printed text in a wide variety of fonts) which, together with a scanner and a text-to-speech synthesizer, transformed print into spoken-word.[11] The digitization projects could then be more ambitious since the time needed for digitization decreased considerably, and digital libraries were on therise.

During the late 1990s and early 2000s, digital libraries began to appear globally as universities, governments, and cultural institutions digitized their collections and made them accessible online.[12]

The ABU (Association des Bibliophiles Universels), was a public digital library project created by theCnam in 1993. It was the first French digital library in the network; suspended since 2002, they reproduced over a hundred texts that are still available.[13]

In 1992, theBibliothèque nationale de France launched a vastdigitization program. The president François Mitterrand had wanted since 1988 to create a new and innovative digital library, and it was published in 1997 under the name ofGallica.[14] In 2014, the digital library was offering 80 255 online books and over a million documents, including prints and manuscripts.[15]

In 2003,Wikisource was launched, and the project aspired to constitute a digital and multilingual library that would be a complement to the Wikipedia project. It was originally named "Project Sourceberg", as a word play to remind the Project Gutenberg.[16] Supported by theWikimedia Foundation,Wikisource proposes digitized texts that have been verified by volunteers.[17]

In December 2004, Google createdGoogle Books, a project to digitize all the books available in the world (over 130 million books) to make them accessible online.[18] 10 years later, 25 000 000 books, from a hundred countries and in 400 languages, are on the platform. This was possible because by that time, robotic scanners could digitize around 6 000 books per hour.[19]

In 2008, the prototype ofEuropeana was launched; and by 2010, the project had been giving access to over 10 million digital objects. The Europeana library is a European catalog that offers index cards on millions of digital objects and links to their digital libraries.[20] In the same year,HathiTrust was created to put together the contents of many university e-libraries fromUSA and Europe, as well as Google Books andInternet Archive. In 2016, over six millions of users had been using HathiTrust.[21]

Electronic publishing

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The first digitization projects were transferring physical content into digital content. Electronic publishing is aiming to integrate the whole process of editing and publishing (production, layout, publication) in the digital world.

Alain Mille, in the bookPratiques de l'édition numérique (edited by Michael E. Sinatra and Marcello Vitali-Rosati),[22] says that the beginnings of Internet and theWeb are the very core of electronic publishing, since they pretty much determined the biggest changes in the production and diffusion patterns. Internet has a direct effect on the publishing questions, letting creators and users go further in the traditional process (writer-editor-publishing house).[23]

The traditional publishing, and especially the creation part, were first revolutionized by newdesktop publishing softwares appearing in the 1980s, and by the text databases created for the encyclopedias anddirectories. At the same time themultimedia was developing quickly, combining book,audiovisual andcomputer science characteristics. CDs and DVDs appear, permitting the visualization of these dictionaries and encyclopedias on computers.[24]

The arrival and democratization of Internet is slowly giving small publishing houses the opportunity to publish their books directly online. Some websites, likeAmazon, let their users buyeBooks; Internet users can also find many educative platforms (free or not), encyclopedic websites likeWikipedia, and even digital magazines platforms. The eBook then becomes more and more accessible through many different supports, like the e-reader and even smartphones. The digital book had, and still has, an important impact on publishing houses and their economical models; it is still a moving domain, and they yet have to master the new ways of publishing in a digital era.[25]

Online edition

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Based on new communications practices of the web 2.0 and the new architecture of participation, online edition opens the door to a collaboration of a community to elaborate and improve contents on Internet, while also enriching reading through collective reading practices. The web 2.0 not only links documents together, as did the web 1.0, it also links people together through social media: that's why it's called theParticipative (or participatory) Web.[26]

Many tools were put in place to foster sharing and creative collective contents. One of the many is the Wikipedia encyclopedia, since it is edited, corrected and enhanced by millions of contributors.OpenStreetMap is also based on the same principle. Blogs and comment systems are also now renown as online edition and publishing, since it is possible through new interactions between the author and its readers, and can be an important method for inspiration but also for visibility.[27]

Process

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Further information:Desktop publishing

The electronic publishing process follows some aspects of the traditional paper-based publishing process[28] but differs from traditional publishing in two ways: 1) it does not include using anoffset printing press to print the final product and 2) it avoids the distribution of a physical product (e.g., paper books, paper magazines, or paper newspapers). Because the content is electronic, it may be distributed over the Internet and through electronic bookstores, and users can read the material on a range of electronic and digital devices, includingdesktop computers,laptops,tablet computers,smartphones ore-reader tablets. The consumer may read the published content online on a website, in an application on a tablet device, or in aPDF document on a computer. In some cases, the reader may print the content onto paper using a consumer-grade ink-jet or laser printer or via aprint-on-demand system. Some users download digital content to their devices, enabling them to read the content even when their device is not connected to the Internet (e.g., on an airplane flight).

Distributing content electronically assoftware applications ("apps") has become popular in the 2010s, due to the rapid consumer adoption of smartphones and tablets. At first, native apps for each mobile platform were required to reach all audiences, but in an effort toward universal device compatibility, attention has turned to usingHTML5 to createweb apps that can run on any browser and function on many devices. The benefit of electronic publishing comes from using three attributes of digital technology:XML tags to define content,[29]style sheets to define the look of content, andmetadata (data about data) to describe the content forsearch engines, thus helping users to find and locate the content (a common example of metadata is the information about a song's songwriter, composer, genre that is electronically encoded along with most CDs anddigital audio files; this metadata makes it easier for music lovers to find the songs they are looking for). With the use of tags, style sheets, and metadata, this enables"reflowable" content that adapts to various reading devices (tablet, smartphone, e-reader, etc.) or electronic delivery methods.

Because electronic publishing often requires text mark-up (e.g.,HyperText Markup Language or some other markup language) to develop online delivery methods, the traditional roles of typesetters and book designers, who created the printing set-ups for paper books, have changed. Designers of digitally published content must have a strong knowledge of mark-up languages, the variety of reading devices and computers available, and the ways in which consumers read, view or access the content. However, in the 2010s, newuser friendly design software is becoming available for designers to publish content in this standard without needing to know detailed programming techniques, such asAdobe Systems'Digital Publishing Suite and Apple'siBooks Author. The most common file format is.epub, used in manye-book formats. .epub is a free and open standard available in many publishing programs. Another common format is .folio, which is used by the Adobe Digital Publishing Suite to create content for Apple's iPad tablets and apps.

Business models

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See also

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References

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  1. ^Smith, Stephanie A. (March 9, 2018).Careers in Media and Communication. SAGE Publications.ISBN 978-1-5443-2078-6.
  2. ^"E-publishing".MaRS. Archived fromthe original on July 13, 2018. RetrievedJuly 13, 2018.
  3. ^Pepitone, Julianne (April 19, 2011)."Tablet sales may hit $75 billion by 2015".CNN.
  4. ^"Magazines and Newspapers Need to Build Better Apps | Ad Age". January 11, 2020. Archived fromthe original on January 11, 2020. RetrievedMay 12, 2023.
  5. ^Dale Maunu and Norbert Hildebrand,The e-Book Reader and Tablet Market Report,Insight Media, October 2010. As reported by Richard Hart,E-books look to be hit over holiday season,ABC 7 News, November 21, 2010.
  6. ^"Apple jumps into digital textbooks fray - Yahoo! News".Yahoo! News. January 23, 2012. Archived fromthe original on January 23, 2012. RetrievedMay 12, 2023.
  7. ^Elihaki Kanyika, Martin; Sadykova, Raikhan; Tuyenbayeva, Kalima; Wema, Evans (November 10, 2024)."User perspectives on library digitization and its impact on research capabilities".Information Development 02666669241294053.doi:10.1177/02666669241294053.ISSN 0266-6669.
  8. ^Marie Lebert,Les mutations du livre à l'heure de l'internet, Net des études françaises, Montreal, 2007
  9. ^Dacos, Marin; Mounier, Pierre (2010).III. L'édition au défi du numérique (in French). La Découverte.ISBN 978-2-7071-5729-4.
  10. ^"Frantext".frantext.fr. RetrievedJuly 12, 2018.
  11. ^"Raymond Kurzweil | Lemelson".lemelson.mit.edu. RetrievedNovember 3, 2025.
  12. ^Gani, Esther; Magoi, Joshua (October 1, 2014)."The Emergence of Digital Library Services in Northwest Nigerian Universities: Challenges and Prospects".Library Philosophy and Practice (E-journal).
  13. ^Lebert, Marie (2008).Les mutations du livre (in French). Project Gutenberg.
  14. ^"A propos | Gallica".gallica.bnf.fr (in French). RetrievedJuly 12, 2018.
  15. ^Tasrot-Gillery, Sylviane (February 2015)."La BNF et le numérique patrimonial et culturel"(PDF).La Lettre du Coepia (in French). Archived fromthe original(PDF) on January 29, 2017. RetrievedJuly 13, 2018.
  16. ^"Wikisource:What is Wikisource? – Wikisource".wikisource.org. RetrievedJuly 13, 2018.
  17. ^"Wikisource: International Full-Texts | Binghamton University Libraries News and Events".libnews.binghamton.edu. March 12, 2008. Archived fromthe original on July 13, 2018. RetrievedJuly 12, 2018.
  18. ^Somers, James."Torching the Modern-Day Library of Alexandria".The Atlantic. RetrievedJuly 13, 2018.
  19. ^Heyman, Stephen (October 28, 2015)."Google Books: A Complex and Controversial Experiment".The New York Times. RetrievedJuly 12, 2018.
  20. ^"Collections Europeana".Collections Europeana (in French). RetrievedJuly 12, 2018.
  21. ^"14 Million Books & 6 Million Visitors: HathiTrust Growth and Usage in 2016 (pdf)
  22. ^Vitali-Rosati, Marcello; E. Sinatra, Michael (2014).Pratiques de l'édition numérique (in French). Sens Public.ISBN 978-2-7606-3592-0.
  23. ^Sinatra, Michael E.; Vitalli-Rosati, Marcello (2014)."Histoire des humanités numériques".Pratiques de l'édition numérique (in French). Montréal: Presses de l'Université de Montréal. pp. 49–60.ISBN 978-2-7606-3202-8. RetrievedApril 10, 2017.
  24. ^"5. L'édition numérique et le livre numérique". Archived fromthe original on February 22, 2019. RetrievedMay 12, 2023.
  25. ^"EBooks: Evolving markets and new challenges – Think Tank". European Parliament. RetrievedJuly 13, 2018.
  26. ^Bleicher, Paul (August 2006)."Web 2.0 Revolution: Power to the People".Applied Clinical Trials. Applied Clinical Trials-08-01-2006. RetrievedJuly 13, 2018.
  27. ^"5. L'édition numérique et le livre numérique". February 22, 2019. Archived fromthe original on February 22, 2019. RetrievedMay 12, 2023.
  28. ^Chicago Manual of Style, Chapter 1
  29. ^"The Chicago Manual of Style Online: Appendix A". June 15, 2017. Archived fromthe original on June 15, 2017. RetrievedMay 12, 2023.
  30. ^The term "non-subsidy publisher" is used to distinguish an electronic publisher that uses the traditional method of accepting submissions from authors without payment by the author. It is, therefore, to be distinguished from any form of self-publishing. It is traditional publishing, probably using a non-traditional medium, like electronic, orPOD. See also:Subsidy Publishing vs. Self-Publishing: What's the Difference?Archived January 2, 2010, at theWayback Machine

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