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Eiko Ishioka

From Wikipedia, the free encyclopedia
Japanese artist and costume designer (1938–2012)

Eiko Ishioka
refer to caption
Eiko Ishioka byBrigitte Lacombe
Born(1938-07-12)July 12, 1938
Tokyo, Japan
DiedJanuary 21, 2012(2012-01-21) (aged 73)
Tokyo, Japan
Known forArt direction, costume design, graphic design
Spouse
Nicholas Soultanakis
(m. 2011)
AwardsGrammy Award for artwork,Academy Award for Best Costume Design,Costume Designers Guild Award

Eiko Ishioka (石岡 瑛子,Ishioka Eiko; July 12, 1938 – January 21, 2012) was a Japaneseart director,costume designer, andgraphic designer known for her work in stage, screen,advertising, andprint media.[1][2]

Noted for her advertising campaigns for the Japaneseboutique chainParco, she collaborated with sportswear companyDescente in designing uniforms and outerwear for members of the Swiss, Canadian, Japanese, and Spanish teams at the2002 Winter Olympics inSalt Lake City[3] (in collaboration with graphic designerRafael Esquer)[4] and was the director of costume design for theopening ceremony of the2008 Summer Olympics inBeijing.[1] She won theAcademy Award for Best Costume Design for her work inFrancis Ford Coppola's 1992 romantic-horror filmBram Stoker's Dracula, which was based on Bram Stoker's 1897novel, and received aposthumous nomination in the same category for her work inTarsem Singh's 2012 fantasy comedy filmMirror Mirror.[5]

Life and career

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Ishioka was born inTokyo to a commercialgraphic designer father and a housewife mother. Although her father encouraged her interest in art as a child, he discouraged her desire to follow him into the business.[6] She graduated from theTokyo National University of Fine Arts and Music.[7] As director of costume design for opening ceremony of 2008 Beijing Olympics, Ishioka found inspiration from art pieces such as Greek statues and African helmets. As a result, a large number of costumes that are able to visualize fabric texture, actions, and aura were designed under her hands.[vague][8]

Advertising career

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Ishioka began her career with the advertising division of the cosmetics companyShiseido in 1961 and won Japan's most prestigious advertising award four years later. Ishioka was discovered by Tsuji Masuda, who created ParcoIkebukuro from the ailing Marubutsu Department Store. When Parco did well and expanded to aShibuya location in 1973, Ishioka designed Parco Shibuya's first 15-second commercial for the grand opening with "a tall, thin black woman, dressed in a black bikini, dancing with a very small man in a Santa Claus outfit". She became deeply involved in Parco's image. Her last Parco campaign involvedFaye Dunaway as "face of Parco" wearing black, on a black chair against a black wall, and peeling and eating an egg in one minute as "a film for Parco."[9][10] She became its chief art director in 1971; her work there is noted for several campaigns featuring Faye Dunaway and for its open and surreal eroticism. In 1983, she ended her association with Parco and opened her own design firm.

In 2003, she designed the logo for theHouston Rockets.[11][12]

Film career

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In 1985, directorPaul Schrader chose Ishioka to be the production designer for his 1985 filmMishima: A Life in Four Chapters. Her work went on to win her a special award for artistic contribution at theCannes Film Festival that year.[13] Ishioka's work withFrancis Ford Coppola on the poster for the Japanese release ofApocalypse Now led to their later collaboration in Coppola'sDracula, which earned Ishioka anAcademy Award for Best Costume Design.[7] Ishioka also worked on four ofTarsem Singh's films, beginning with the Jennifer Lopez-starrerThe Cell in 2000, and includingThe Fall,Immortals, andMirror Mirror.[1]

Ishioka also designed costumes for theater and the circus. In 1999, she designed costumes forRichard Wagner'sDer Ring des Nibelungen at theDutch Opera. She designed costumes forCirque du Soleil:Varekai, which premiered in 2002, as well as forJulie Taymor'sBroadway musicalSpider-Man: Turn Off the Dark, which premiered in 2011. She also directed the music video forBjörk's "Cocoon" in 2002 and designed costumes for the "Hurricane" tour of singerGrace Jones in 2009.[5]

Ishioka's work is included in the permanent collection of museums throughout the world, including theMuseum of Modern Art in New York.

Awards

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Ishioka won aGrammy Award for Best Recording Package for her artwork forMiles Davis's albumTutu in 1987 and anAcademy Award for Best Costume Design forBram Stoker's Dracula in 1992.[14] She also received twoTony Award nominations in 1988 for the stage and costume design of the Broadway playM. Butterfly.[15] In 1992, she was selected to be a member of the New YorkArt Directors Club Hall of Fame. In 2012, she was nominated for an Academy Award for Best Costume Design forMirror Mirror and won theCDG Award for Excellence in Fantasy Film.[1] On July 12, 2017, she was honored with aGoogle Doodle.[16]

Filmography

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Books

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The 1990 bookEiko by Eiko collects her work in art direction and graphic design.[17] A second book,Eiko on Stage, followed in 2000.[18]

Death

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Ishioka died ofpancreatic cancer inTokyo on January 21, 2012.[19] She married her companion Nicholas Soultanakis in hospital a few months before her death.[7]

Legacy

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Her archive has been given to UCLA Library Special Collections.[20]

References

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  1. ^abcdFox, Margalit (January 26, 2012)."Eiko Ishioka, Multifaceted Designer and Oscar Winner, Dies at 73".The New York Times. RetrievedJanuary 27, 2012.
  2. ^"Costume designer Eiko Ishioka, recently known for Broadway's 'Spider-Man,' has died at 73".The Washington Post. Archived fromthe original on February 5, 2012. RetrievedJanuary 27, 2012.
  3. ^Pearlman, Chee (January 20, 2002)."The Way We Live Now: In-the-Zone Outerwear".The New York Times Magazine. RetrievedMarch 21, 2016.
  4. ^Rutnik, Alixandra (March 12, 2021)."Eiko Ishioka: The Boldness & The Brillance".The One Club for Creativity. RetrievedMay 17, 2025.
  5. ^ab"The genius of Eiko Ishioka".HT Mint. February 22, 2013. RetrievedFebruary 22, 2013.
  6. ^Horwell, Veronica (January 29, 2012)."Eiko Ishioka obituary".The Guardian. London. RetrievedFebruary 22, 2013.
  7. ^abc"The Image Maker".W Magazine. April 2012. Archived fromthe original on January 14, 2013. RetrievedFebruary 22, 2013.
  8. ^"UCLA Library News | UCLA Library".www.library.ucla.edu. Archived fromthe original on January 27, 2022. RetrievedMarch 22, 2019.
  9. ^The Brothers by Leslie Downer pp 239–240
  10. ^"Kazumi Kurigami - Parco - Faye Dunaway Hard Boiled Egg".Archived from the original on December 21, 2021. RetrievedJuly 11, 2017 – via YouTube.
  11. ^"The Next BIG Thing". Houston Rockets. RetrievedAugust 26, 2012.
  12. ^"Red's in fashion again / Web sales put Rockets' sleek new look before public".Houston Chronicle. RetrievedAugust 26, 2012.
  13. ^"Oscar-winning costume designer Eiko Ishioka dies".bbc. January 27, 2012.Archived from the original on July 7, 2017. RetrievedFebruary 3, 2021.
  14. ^Hirschberg, Lynn (April 1, 2012)."The Late Eiko Ishioka Was a Costume Designer, Art Director, and Provocateur".W Magazine.Archived from the original on May 14, 2018. RetrievedFebruary 3, 2021.
  15. ^"List of Nominations for 1988 Tony Awards With PM-Tony Nominations".AP News. May 10, 1988.Archived from the original on January 27, 2022. RetrievedFebruary 3, 2021.
  16. ^Rajamanickam Antonimuthu (July 11, 2017)."Eiko Ishioka (石岡瑛子) Google Doodle".Archived from the original on December 21, 2021 – via YouTube.
  17. ^"Eiko by Eiko". RetrievedFebruary 22, 2013.
  18. ^Ishioka, Eiko; Coppola, Francis Ford (2000).Eiko on Stage. Callaway.ISBN 9780935112535. RetrievedFebruary 22, 2013.
  19. ^"Costume designer Eiko Ishioka Dies at 73". Asia Pacific Arts. January 27, 2012. Archived fromthe original on January 16, 2016. RetrievedFebruary 1, 2012.
  20. ^Haley, Melissa (February 13, 2018)."Eiko Ishioka".Los Angeles Archivists Collective. RetrievedJanuary 23, 2019.

External links

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Awards for Eiko Ishioka
1948–1956
1957–1958
1959–1960
1961–1966
1967–1980
1981–2000
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2021–present
  • Black and White / Color separate (1948–1956, 1959–1966)
Note: The years are listed as per convention, usually the year of film release; the ceremonies are usually held the next year.
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