Edmond O'Brien | |
|---|---|
_(cropped).png) O'Brien in 1955 | |
| Born | Eamon Joseph O'Brien (1915-09-10)September 10, 1915 |
| Died | May 8, 1985(1985-05-08) (aged 69) Inglewood, California, U.S. |
| Occupations |
|
| Years active | 1936–1974 |
| Spouses | |
| Children | 3, includingBrendan O'Brien |
| Relatives | Liam O'Brien (brother) |
| Awards | Hollywood Walk of Fame |
| Website | edmondobrien |
Eamon Joseph O'Brien (Irish:Éamonn Ó Briain; September 10, 1915 – May 8, 1985), known professionally asEdmond O'Brien, was an American actor of stage, screen, and television, and film director. His career spanned almost 40 years, and he won oneAcademy Award, twoGolden Globe Awards, and two stars on theHollywood Walk of Fame.
O'Brien was bothleading man and acharacter actor of American cinema, with his co-starring performances inThe Barefoot Contessa (1954) andSeven Days in May (1964) each earning him the nomination for anAcademy Award for Best Supporting Actor; he won for his role inThe Barefoot Contessa. His other notable films includeThe Hunchback of Notre Dame (1939),The Killers (1946),A Double Life (1947),White Heat (1949),D.O.A. (1950),The Hitch-Hiker (1953),Julius Caesar (1953),1984 (1956),The Girl Can't Help It (1956),The Man Who Shot Liberty Valance (1962),Fantastic Voyage (1966),The Wild Bunch (1969), andThe Other Side of the Wind (2018).
O'Brien was born inBrooklyn,New York,[1][2] the seventh and youngest child of Agnes (née Baldwin) and James O'Brien. His parents were natives ofTallow, County Waterford, Ireland.[3] His father died when he was four years old.
O'Brien performed magic shows for children in his neighborhood, spelling his last name backwards and billing himself as "Neirbo the Great". An aunt who taught high school English and speech took him to the theatre from an early age and he developed an interest in acting.[2][4] He began acting in plays at school.
After attendingFordham University[5] for six months, O'Brien went toNeighborhood Playhouse School of the Theatre on a scholarship.[2] O'Brien studied for two years under such teachers asSanford Meisner; his classmates includedBetty Garrett. "It was simply the best training in the world for a young actor, singer or dancer," O'Brien said, adding that "(w)hat these teachers encouraged above all was getting your tools ready – your body, your voice, your speech."[6]
O'Brien took classes with the Columbia Laboratory Players group, which emphasized training inShakespeare.[6]
O'Brien began working insummer stock inYonkers. He made his first Broadway appearance at age 21 inDaughters of Atreus.[7]
He played a grave digger inHamlet, toured inParnell, and then appeared in Maxwell Anderson'sThe Star Wagon with starsLillian Gish andBurgess Meredith. In 1940, O'Brien performed withRuth Chatterton inJohn Van Druten'sLeave Her to Heaven on Broadway. Twelve years later, O'Brien appeared in Van Druten'sI've Got Sixpence.
O'Brien's theatre work attracted the attention ofPandro Berman at RKO. Berman offered O'Brien the role of a romantic lead inThe Hunchback of Notre Dame (1939).
O'Brien returned to Broadway to play Mercutio oppositeLaurence Olivier andVivien Leigh inRomeo and Juliet.
RKO offered O'Brien a long-term contract.Harold Lloyd was then producing comedies for RKO, and co-starred O'Brien withLucille Ball andGeorge Murphy inA Girl, a Guy, and a Gob (1941). O'Brien co-starred withNancy Kelly, whom O'Brien would later marry, inParachute Battalion (1941).
O'Brien went back to the Harold Lloyd unit, which continued to function after the producer's departure, and displayed a breezy sense of humor in the farce comedyObliging Young Lady (1942), a vehicle for the young Broadway starJoan Carroll. In May 1942,Universal bought out O'Brien's RKO contract so he could star oppositeDeanna Durbin inThe Amazing Mrs. Holliday (1943).[8] After that, O'Brien joined the armed services.
DuringWorld War II, O'Brien served in theU.S. Army Air Forces and appeared in the Air Forces'BroadwayplayWinged Victory. He was joined in theMoss Hart production byRed Buttons,Karl Malden,Kevin McCarthy,Gary Merrill,Barry Nelson, andMartin Ritt. The play was filmed in 1944 with O'Brien reprising his stage performance andJudy Holliday co-starring. O'Brien toured for two years in the stage production, appearing alongside a youngMario Lanza.[4][6]
O'Brien returned to the screen at Universal, playing insurance investigator Jim Reardon infilm noirThe Killers in 1946. He followed that with the lead inThe Web, and the second lead inA Double Life, both 1947 noirs.
He had a second lead in the screen version ofLillian Hellman's dramaAnother Part of the Forest. He then starred in the romantic comedyFor the Love of Mary (again with Deanna Durbin), the World War II-setFighter Squadron, and the noirAn Act of Murder (all 1948).
In late 1948, O'Brien signed a long-term contract withWarner Bros., which cast him as the undercover police officer inWhite Heat (1949) oppositeJames Cagney. "He [Cagney] said he had only one rule", O'Brien noted. "He would tap his heart and he would say, 'Play it from here, kid.' He always did and I believe it's the best rule for any performer. He could play a scene 90 ways and never repeat himself. He did this to keep himself fresh. I try to do this whenever possible."[6]
In 1949, 3,147 members of the Young Women's League of America, a national charitable organisation devoted to single living,[9] voted that O'Brien had more "male magnetism" than any other man in America. "All women adore ruggedness," league president Shirley Connolly said. "Edmund O'Brien's magnetic appearance and personality most fully stir women's imaginative impulses. We're all agreed that he has more male magnetism than any of the 60,000,000 men in the United States today." (Runners-up wereEzio Pinza,William O'Dwyer andDoak Walker.)[10]
O'Brien's contract with Warner Bros. ended following his appearance as the second lead inBackfire (shot in 1948 but not released until 1950). In the meantime he signed on withCBS Radio for the radio dramaYours Truly, Johnny Dollar, playing the title role of a two-fisted insurance investigator.[11] He remained with the role for exactly 31 months, starring in 103 half-hour episodes from February 3, 1950 to October 3, 1952. His other work in radio includedPhilip Morris Playhouse on Broadway.[12]
O'Brien returned to film noir, where he was a frequent player, and made one of his most famous movies,D.O.A., where he portrays a man investigating his own murder. He followed this with the lead in the noir711 Ocean Drive (1950). Next was a starring role in the comedyThe Admiral Was a Lady, co-starring roles in the noirBetween Midnight and Dawn (1950) and the WesternThe Redhead and the Cowboy (1951), then the leads in the crime filmTwo of a Kind and the WesternsWarpath andSilver City, all in 1951. These were followed by the lead in the WesternDenver and Rio Grande, and second lead in the noirThe Turning Point.
However, even though O'Brien still managed to command leading-man roles, the prestige of his pictures and casts had begun to diminish and his career hit a slump. According to TCM, "In the early '50s, O'Brien started struggling with his weight, which could change significantly between films. He had no problems if that relegated him to character roles, but for a few years, "it was hard to come by anything really first rate."[4]
"The funny thing about Hollywood is that they are interested in having you do one thing and do it well and do it ever after," said O'Brien. "That's the sad thing about being a leading man – while the rewards may be great in fame and finances, it becomes monotonous for an actor. I think that's why some of the people who are continually playing themselves are not happy."[6]
He still made some notable movies, including the lead in two forIda Lupino,The Hitch-Hiker andThe Bigamist, and as a featured player asCasca inJoseph L. Mankiewicz's ensemble film ofJulius Caesar (1953). And the leads again in,China Venture (1953),Shield for Murder (1954), andThe Shanghai Story (1954).
O'Brien also worked heavily in television at this time, on such shows asPulitzer Prize Playhouse,Lux Video Theatre andSchlitz Playhouse of Stars. He announced plans to direct his own films.[13]
In 1951 he was in a well-publicized brawl withSerge Rubinstein at a cafe.[14]
In spite of the ups and downs of his Hollywood career, O'Brien was still capable of greatness, both on the stage and on film. In 1954 Mankiewicz cast O'Brien as press agent Oscar Muldoon inThe Barefoot Contessa,[4] earning him anAcademy Award forBest Supporting Actor.[15]
O'Brien followed this with a number of important roles, including the second lead in the musical crime filmPete Kelly's Blues, the lead in the dystopian political movie1984 and the noirA Cry in the Night (1956), co-lead in the World War II dramaD-Day the Sixth of June (all 1956).
That same year he had a refreshing change of pace as the comedy lead (aRunyonesque gangster who stumbles intorock-and-roll) inThe Girl Can't Help It,[4] alongsideTom Ewell andJayne Mansfield.
In 1957 O'Brien earned the second lead in the WesternThe Big Land, film noirStopover Tokyo, and the second lead in the musical dramaSing, Boy, Sing and lead in the dramaThe World Was His Jury in 1958. In 1959 he co-starred in the World War II dramaUp Periscope and the French-Australian melodramaThe Restless and the Damned.[16]
O'Brien appeared extensively in television, including the 1957 live 90-minute broadcast onPlayhouse 90 ofThe Comedian, a drama written byRod Serling and directed byJohn Frankenheimer in whichMickey Rooney portrayed dictatorial television comedian Sammy Hogarth. O'Brien played Al Preston, the show's headwriter driven to the brink of insanity. Burned out dealing with the volatle Hogarth, unable to come up with new material for the show's comedy sketches, Preston deliberately plagiarizes material authored by a young comedy writer who died in combat during World War II. When the ruse is discovered, Preston is fired, but tells Hogarth his rages are rooted in his inability to find love.
In 1958 he directed and starred in a TV drama written by his brother, "The Town That Slept With the Lights On", about two Lancaster murders that so frightened the community that residents began sleeping with their lights on.
From 1959 to 1960, O'Brien portrayed the title role in the syndicatedcrime dramaJohnny Midnight, about a New York City actor-turned-private detective. The producers refused to cast him unless he shed at least 50 pounds, so he went on a crash vegetarian diet and quit drinking.[6]
"I seldom get very far away from crime," he recalled. "I've found it pays … I tried non-crime films likeAnother Part of the Forest … good picture, good cast, but no good at the box office … But you just put a gun in your hands and run through the streets doing cops and robbers and you're all set."[6]
O'Brien also had his own production company, O'Brien-Frazen.[17]
He made a French film,The Restless and the Damned for a fee more than $200,000. He was cast on the strength of his performance inThe Girl Can't Help It and his Oscar.[18]
O'Brien had roles on many television series, including an appearance onTarget: The Corruptors!,The Eleventh Hour,Breaking Point andMission: Impossible.
O'Brien walked off the set ofThe Last Voyage in protest at safety issues during the shoot. He later came back and found out that his co-starring role had been trimmed.[citation needed] He was cast as American reporterJackson Bentley inLawrence of Arabia (1962), but had a heart attack during filming and was replaced in the co-starring role byArthur Kennedy.
O'Brien recovered to direct his first featureMan-Trap (1961), aneo-noir starringJeffrey Hunter andStella Stevens, co-starred in theDisney comedyMoon Pilot (1962), and in the star-studded ensemble cast of the World War II epicThe Longest Day (1962).
He continued to receive good roles, co-starring inThe Man Who Shot Liberty Valance (1962) and as the author of theRobert Stroud biography theBirdman of Alcatraz (1962) was based upon.
"I've never made any kind of personality success," he admitted in a 1963 interview. "People never say 'that's an Eddie O'Brien part.' They say, 'That's a part Eddie O'Brien can play.'"[19]
"I'd like to be able to say something important," he added. "To say something to people about their relationship with each other. If it touches just one guy, helps illustrate some points of view about living, then you've accomplished something."[19]
Though his star would soon begin to dim, and his name occasionally slip further down in the billing, O'Brien could still deliver in the right role. His sweaty performance as a heroic U.S. senator in the tense political dramaSeven Days in May (1964) earned him a second Oscar nomination.
In the mid-'60s, O'Brien co-starred withRoger Mobley andHarvey Korman in the "Gallegher" episodes ofNBC TV'sWalt Disney's Wonderful World of Color. From 1963 to 1965, he co-starred in theNBClegal dramaSam Benedict.
O'Brien worked steadily in both film and television throughout the late 1960s and early 1970s, however his memory problems were beginning to take their toll. A heart attack forced him to drop out ofThe Glass Bottom Boat (1966). He had a memorable role as the decrepit but boisterous Freddie Sykes inSam Peckinpah's groundbreaking revisionist westernThe Wild Bunch (1969).
"It would be awfully hard to do a series again," he said in a 1971 interview. "I wouldn't go for an hour show again. They don't have much of a chance against the movies."[20]
He was a cast member ofThe Other Side of the Wind,Orson Welles' unfinished 1970s movie that finally was released in 2018.
In 1971, he was hospitalized with a "slight pulmonary condition."[21]
His last works, both in 1974, were an episode of the television seriesPolice Story and main role in the film99 and 44/100% Dead.
In 1957 O'Brien recorded a spoken-word album ofThe Red Badge of Courage (Caedmon TC 1040).Billboard said, "Edmond O'Brien brings intensity in the narrative portions and successfully impersonates the varied characters in dialog."[22]
O'Brien was first married to actressNancy Kelly from 1941 until 1942.[23] He married his second wife, actressOlga San Juan in 1948.[24] San Juan was the mother of his three children, television producer Bridget O'Brien and actors Maria O'Brien andBrendan O'Brien.[24] The marriage ended in divorce in 1976.[24]
In the late 1970s, O'Brien fell ill withAlzheimer's disease. In a 1983 interview, his daughter Maria remembers seeing her father in a straitjacket at a Veterans' Hospital: "He was screaming. He was violent. I remember noticing how thin he'd gotten. We didn't know, because for years he'd been sleeping with all his clothes on. We saw him a little later and he was walking around like all the other lost souls there."[19]
Edmond O'Brien died on May 9, 1985, at St. Erne's Sanitorium inInglewood, California, of complications from Alzheimer's disease at age 69.[2][19]
For his contribution to the motion picture industry, Edmond O'Brien has a star on theHollywood Walk of Fame at 1725 Vine Street, and a second star at 6523 Hollywood Blvd. for his contribution to the television industry. Both were dedicated on February 8, 1960.[25]
Sculthorpe, Derek (March 4, 2018).Edmond O'Brien: Everyman of Film Noir. McFarland & Co.ISBN 978-1-4766-7443-8.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1939 | The Hunchback of Notre Dame | Gringoire | |
| 1941 | A Girl, a Guy, and a Gob | Stephen Herrick | |
| Parachute Battalion | William "Bill" Mayberry Burke | ||
| 1942 | Obliging Young Lady | "Red" Reddy, aka Professor Stanley | |
| Powder Town | J. Quincy "Penji" Pennant | ||
| 1943 | The Amazing Mrs. Holliday | Tom Holliday | |
| 1944 | Winged Victory | Irving Miller | Credited as Sgt. Edmond O'Brien |
| 1946 | The Killers | Jim Riordan | |
| 1947 | The Web | Bob Regan | |
| A Double Life | Bill Friend | ||
| 1948 | Another Part of the Forest | Benjamin "Ben" Hubbard | |
| For the Love of Mary | Lt. Tom Farrington | ||
| Fighter Squadron | Major Ed Hardin | ||
| An Act of Murder | David Douglas | ||
| 1949 | Task Force | Radio Announcing Pearl Harbor Attack | Voice, uncredited |
| White Heat | Hank Fallon Vic Pardo | ||
| Under Capricorn | Narrator | Voice, uncredited | |
| D.O.A. | Frank Bigelow | ||
| 1950 | Backfire | Steve Connelly | Filmed in 1948 |
| 711 Ocean Drive | Mal Granger | ||
| The Admiral Was a Lady | Jimmy Stevens | ||
| Between Midnight and Dawn | Officer Dan Purvis | ||
| 1951 | The Redhead and the Cowboy | Maj. Dunn Jeffers | |
| Two of a Kind | Michael "Lefty" Farrell | ||
| Warpath | John Vickers | ||
| Silver City | Larkin Moffatt | ||
| 1952 | The Greatest Show on Earth | Midway Barker at End | Uncredited |
| Denver and Rio Grande | Jim Vesser | ||
| The Turning Point | John Conroy | ||
| 1953 | The Hitch-Hiker | Roy Collins | |
| Man in the Dark | Steve Rawley | ||
| Cow Country | Ben Anthony | ||
| Julius Caesar | Casca | ||
| China Venture | Capt. Matt Reardon | ||
| The Bigamist | Harry Graham Harrison Graham | ||
| 1954 | Shield for Murder | Detective Lt. Barney Nolan | Also co-directed |
| The Shanghai Story | Dr. Dan Maynard | ||
| The Barefoot Contessa | Oscar Muldoon | Academy Award for Best Supporting Actor Golden Globe Award for Best Supporting Actor – Motion Picture New York Film Critics Circle Award for Best Actor(3rd Place) | |
| 1955 | Pete Kelly's Blues | Fran McCarg | |
| 1956 | 1984 | Winston Smith of the Outer Party | |
| D-Day the Sixth of June | Lt. Col. Alexander Timmer | ||
| A Cry in the Night | Capt. Dan Taggart | ||
| The Rack | Lt. Col. Frank Wasnick | ||
| The Girl Can't Help It | Marty "Fats" Murdock | ||
| 1957 | The Big Land | Joe Jagger | |
| Stopover Tokyo | George Underwood | ||
| 1958 | The World Was His Jury | David Carson | |
| Sing, Boy, Sing | Joseph Sharkey | ||
| 1959 | Up Periscope | Commander Paul Stevenson | |
| The Restless and the Damned | Mike Buchanan | akaL'Ambitieuse | |
| 1960 | The Last Voyage | Second Engineer Walsh | |
| The 3rd Voice | The Voice | Voice | |
| 1961 | The Great Impostor | Capt. Glover – HMCS Cayuga | |
| Man-Trap | Voice of Photographer | Uncredited, O'Brien is the director of this film | |
| 1962 | Moon Pilot | McClosky ("Mac") | |
| The Man Who Shot Liberty Valance | Dutton Peabody | Western Heritage Award for Best Theatrical Motion Picture | |
| Birdman of Alcatraz | Tom Gaddis | ||
| The Longest Day | Maj. Gen. Raymond D. Barton | ||
| 1964 | Seven Days in May | Sen. Raymond Clark | Golden Globe Award for Best Supporting Actor – Motion Picture Nominated—Academy Award for Best Supporting Actor |
| Rio Conchos | Col. Theron Pardee | ||
| The Hanged Man | Arnie Seeger | ||
| 1965 | Sylvia | Oscar Stewart | |
| Synanon | Chuck Dederich | ||
| 1966 | Fantastic Voyage | General Alan Carter | |
| The Doomsday Flight | The Man | TV movie | |
| 1967 | The Viscount | Ricco Barone | |
| To Commit a Murder | Sphax (publisher) | ||
| The Outsider | Marvin Bishop | TV movie | |
| 1968 | Flesh and Blood | Harry | TV movie |
| 1969 | The Wild Bunch | Freddie Sykes | |
| The Love God? | Osborn Tremaine | ||
| 1970 | The Intruders | Col. William Bodeen | TV movie filmed in 1967 |
| Dream No Evil | Timothy MacDonald | ||
| 1971 | River of Mystery | R.J. Twitchell | TV movie |
| What's a Nice Girl Like You...? | Morton Stillman | TV movie | |
| 1972 | Jigsaw | Det. Ed Burtelson | TV movie |
| They Only Kill Their Masters | George | ||
| 1973 | Isn't It Shocking? | Justin Oates | TV movie |
| Lucky Luciano | Commissioner Harry J. Anslinger | Credited as Edmund O'Brien | |
| 1974 | 99 and 44/100% Dead | Uncle Frank Kelly | |
| Juicio de Socrates | Socrates | Short | |
| 2018 | The Other Side of the Wind | Pat | Filmed in the 1970s |
| Year | Series | Role | Episode(s) |
|---|---|---|---|
| 1951 | Pulitzer Prize Playhouse | Ben Jordan | "Icebound" |
| 1953–1958 | Schlitz Playhouse of the Stars | Captain Simpson Rick Saunders Jim Reardon | "The Long Shot" (1953) "Lineman's Luck" (1953) "The Net Draws Tight" (1954) "Tower Room 14-A (1957)" "The Town That Slept with the Lights On" (1957) |
| 1954 | The Ford Television Theatre | Captain Joyce | "Charlie C Company" |
| 1954–1956 | Climax! | Joel Flint Leo Waldek | "An Error in Chemistry" (1954) "Figures in Clay" (1956) |
| 1955 | Stage 7 | Clinton Sturgess | "Debt in Honor" |
| The Red Skelton Show | Grizzled Old Prospector | Episode #4.23 | |
| Damon Runyon Theater | Duke Martin | "Old Em's Kentucky Home" | |
| Playwrights '56 | Sidney | "The Heart's a Forgotten Hotel" | |
| The Star and the Story | Ray Ericson | "Dark Stranger" | |
| 1956 | Screen Directors Playhouse | Thaddeus Kubaczik | "A Ticket for Thaddeus" |
| 1957–1959 | Playhouse 90 | Al Preston Joe Ferguson Roy Brenner | "The Comedian" (1957) "The Male Animal" (1958) "The Blue Men" (1959) |
| Zane Grey Theatre | Russ Andrews Marshal Ben Clark | "A Gun Is for Killing" (1957) "Lonesome Road" (1959) | |
| 1958 | Suspicion (TV series) | Sgt. Miles Odeen | "Death Watch" |
| Lux Playhouse | Big Jim Webber | "Coney Island Winter" | |
| 1959 | Laramie | Captain Sam Prado | "The Iron Captain" |
| 1960 | Johnny Midnight | Johnny Midnight | 39 episodes |
| 1961 | The Dick Powell Show | Sid Williams | "Killer in the House" |
| Target: The Corruptors! | Ollie Crown | "The Invisible Government" | |
| 1962–1963 | Sam Benedict | Sam Benedict | 28 episodes |
| 1964 | The Greatest Show on Earth | Mike O'Kelley | "Clancy" |
| Breaking Point | Roger Conning | "The Tides of Darkness" | |
| The Eleventh Hour | Buck Denholt | "The Color of Sunset" | |
| 1965 | Walt Disney's Wonderful World of Color | Jefferson Crowley | 6 episodes |
| The Long, Hot Summer | Will "Boss" Varner | 13 episodes | |
| 1967 | The Virginian | Thomas Manstead | "Ah Sing vs. Wyoming" |
| 1968 | Mission: Impossible | Raymond Halder | The Counterfeiter |
| 1969 | The Bold Ones: The Protectors | Warden Millbank | "If I Should Wake Before I Die" |
| 1970 | Insight | Houseworthy – Tycoon | "The 7 Minute Life of James Houseworthy" |
| The Young Lawyers | MacGillicuddy | "MacGillicuddy Always Was a Pain in the Neck" | |
| 1971 | The Name of the Game | Bergman | "LA 2017" |
| The High Chaparral | Morgan MacQuarie | "The Hostage" | |
| 1972 | Cade's County | Clint Pritchard | "The Brothers" |
| The Streets of San Francisco | Officer Gustav "Gus" Charnovski, SFPD | "The Thirty-Year Pin" | |
| McMillan & Wife | Mr. Fontaine | "Cop of the Year" | |
| 1973 | The New Temperatures Rising Show | Dr. Banning | "Super Doc" |
| 1974 | Police Story | Chief Frank Modeer | "Chain of Command" |
