| East of Eden | |
|---|---|
.jpg) Theatrical release poster | |
| Directed by | Elia Kazan |
| Screenplay by | Paul Osborn |
| Based on | East of Eden 1952 novel byJohn Steinbeck |
| Produced by | Elia Kazan |
| Starring | |
| Cinematography | Ted D. McCord |
| Edited by | Owen Marks |
| Music by | Leonard Rosenman |
Production company | |
| Distributed by | Warner Bros. Pictures |
Release date |
|
Running time | 117 minutes |
| Country | United States |
| Language | English |
| Box office | $5 million[1] |
East of Eden is a 1955 Americanepicperiod drama film directed byElia Kazan and written byPaul Osborn, adapted from the fourth and final part ofJohn Steinbeck'sepic 1952 novel.
It starsJames Dean as a wayward young man who, while seeking his own identity, vies for the affection of his deeply religious father against his favored brother, thus retelling the story ofCain and Abel. Appearing in supporting roles areJulie Harris,Raymond Massey,Burl Ives,Richard Davalos, andJo Van Fleet.
Although set in early 20th centuryMonterey, California, much of the film was actually shot on location inMendocino, California. Some scenes were filmed in theSalinas Valley. Of the three films in which James Dean played the lead, this is the only one to have been released during his lifetime.[2]
East of Eden, along with Dean's other filmsRebel Without a Cause (1955) andGiant (1956), was named one of the 400 best American films of all time by theAmerican Film Institute.[3] In 2016, the film was selected for preservation in the United StatesNational Film Registry by theLibrary of Congress as being "culturally, historically, or aesthetically significant".[4][5]
In 1917, during World War I, in the central California towns of Monterey and Salinas, Caleb "Cal" and Aron are young adultfraternal twins who live in the Salinas Valley with their father Adam Trask, a farmer and wartime draft board chairman. Adam is a deeply religious Christian. Aron is pious, dutiful, and responsible, while Cal is moody, embittered, and thinks that he is sinful. He believes his father loves only his brother Aron. Adam told the boys their mother, Kate, died when they were infants. However, Cal discovers Kate operates a brothel in nearby Monterey, though he keeps this information from Adam and Aron.
Adam's idealistic plan for a long-haul vegetable shipping enterprise ends disastrously, losing his entire fortune. To recoup his father's loss, and to earn his father's love, Cal decides to enter the bean-growing business, knowing that if the United States enters the war, bean prices will skyrocket. Cal borrows the $5,000 capital he needs from Kate. Kate reveals to Cal that she deserted the family because she hated living on the farm, that she never loved Adam, and rebelled against his completely controlling her. She shot Adam in the shoulder when he attempted to stop her leaving. In lending Cal the money, Kate notes the irony that the loan proceeds from her business are intended to preserve Adam's goodness.
Meanwhile, Aron's girlfriend, Abra, is growing attracted to Cal, who seems to reciprocate her feelings. Cal's bean venture is successful, and he intends to give the profits to Adam at a surprise birthday party that he and Abra have planned. As the party begins, Aron suddenly announces that he and Abra are engaged. While Adam is openly pleased, both Abra and Cal are uneasy due to their growing feelings for one another. Cal presents the money to his father; however, Adam refuses it, claiming it is war profiteering and demands he give it back to the farmers he "robbed." Adam adds that Aron's gift, compared to Cal's, is "honest and...good." A confused Cal sees his father's refusal as just another emotional rejection. When a distraught Cal leaves the room, Abra goes after him. Aron follows and orders Cal to stay away from her. Cal angrily tells Aron that their mother is alive, then takes him to her Monterey bordello. Cal roughly shoves the stunned Aron at the elderly Kate, causing her to fall. When Cal arrives home, Adam demands to know where Aron is. Cal initially responds that he is "not hisbrother's keeper" then tells Adam what he did.
The truth about his mother drives the pacifistic Aron to get drunk, lose control, and then board a troop train to enlist in the army. When the sheriff informs Adam, he rushes to the station in a futile attempt to dissuade him. Adam fails and watches helplessly as Aron smashes his head through the rail car window, maniacally laughing as the train pulls away. A shocked Adam suffers a stroke, leaving him paralyzed and unable to communicate. Cal tries talking to Adam, but Adam is unresponsive. Abra pleads with Adam to show Cal some affection before it is too late. When Cal makes his last bid for acceptance before leaving town, Adam manages to speak. He tells Cal to fire the annoying nurse, then whispers something to him. Cal tells Abra that Adam said he wants only Cal to care for him. Cal sits alone by his father's bedside, the emotional chasm between the father and son apparently healing, with Cal presumably staying to care for him.
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The film was originally planned to be made in3-D but Warner Brothers later announced that it was to be made in WarnerSuperScope instead using Warner's new All-Media camera with no mention of 3-D.[7] It was eventually released inCinemaScope.
DirectorElia Kazan first toyed with the idea of castingMarlon Brando as Cal andMontgomery Clift as Aron, but at 30 and 34 years old, respectively, they were simply too old to play teenage brothers.Paul Newman, who was one year younger than Brando, was a finalist for the part of Cal, which eventually was played by James Dean, who was six years younger than Newman.
Newman and Dean, who were up for the part of Cal, screen tested together for the parts of the rival brothers. In the end,Richard Davalos got the part of Aron. This was his screen debut.
Julie Harris was cast as Abra James. Executive producerJack L. Warner was opposed to her casting, because she was ten years older than her character.
Kazan denied rumors that he didn't like Dean: "You can't not like a guy with that much pain in him… You know how a dog will be mean and snarl at you, then you pat him, and he's all over you with affection? That's the way Dean was." Kazan did intervene sternly, however, when Dean started to feel his power as a hotly emerging star and treated crew members disrespectfully.[8]
Locations include:Mendocino County, California;Salinas, California; andSalinas Valley, California.[9]
East of Eden received its world premiere at theAstor Theatre in New York City on March 9, 1955, as a benefit for theActors Studio. The premiere attracted notable celebrities who acted asusherettes, includingMarilyn Monroe,Margaret Truman,Arlene Francis,Carol Channing,Jayne Meadows andEva Marie Saint.[10]
The underlying theme ofEast of Eden is a biblical reference to the brothersCain and Abel. Cal is constantly struggling to earn his father's approval. The relationship between Cal and his father is a stressful one and is not resolved until late in the story, after his father suffers a paralyzing stroke. In his paralyzed state and with the help of Julie Harris' character, Abra, Cal's father finally expresses his suppressed love for the boy.[11]
Other themes touched upon in the film includeanti-Germanxenophobia, specifically as wrought against a local German immigrant as resentment about United States entry intoWorld War I grew. The themes of young love andsibling rivalry are also present in the film, as Aron's girlfriend finds herself increasingly drawn to the more rebellious Cal.[citation needed]
Bosley Crowther, writing forThe New York Times, described the film as having "energy and intensity but little clarity and emotion"; he notes:
In one respect, it is brilliant. The use that Mr. Kazan has made ofCinemaScope and color in capturing expanse and mood in his California settings is almost beyond compare. His views of verdant farmlands in the famousSalinas "salad bowl," sharply focused to the horizon in the sunshine, are fairly fragrant with atmosphere. The strain of troubled people against such backgrounds has a clear and enhanced irony.For the stubborn fact is that the people who move about in this film are not sufficiently well established to give point to the anguish through which they go, and the demonstrations of their torment are perceptibly stylized and grotesque.[12]
Jack Moffitt ofThe Hollywood Reporter, in a review that appeared after the March 1955 premiere, wrote "Beautifully acted, and superbly directed by Elia Kazan, it is bound to be one of the year’s important contributions to screen literature." Of its star, he wrote:
But the box office asset that is most important is the debut, in the leading role, of a handsome and dynamic young actor named James Dean. This is the boy who is apt to captivate the typical movie fans whether or not they like tragic stories. He is that rare thing, a young actor who is a great actor and the troubled eloquence with which he puts over the problems of misunderstood youth may lead to his being accepted by young audiences as a sort of symbol of their generation. He’s the only player I’ve ever seen who’d be completely right for Romeo. It is inevitable that he will be compared to Marlon Brando, though he is no carbon copy of that capable player.[13]
In 1957Truman Capote wrote: "…many critics reviewing [the film] remarked on the well-nigh plagiaristic resemblance between [Dean's] acting mannerisms and[Marlon] Brando's."[14] Bosley Crowther called Dean's performance a "mass of histrionic gingerbread" which clearly emulated the style of Brando.[12] Kate Cameron, of theNew York Daily News, on the other hand, proclaimed Dean "a new star" who had "walked away with most of the honors." While conceding that he did "sound at times like Marlon Brando," she called him "a fine actor" who "plays his first film role with a naturalness that is completely convincing."[15]
Famed film critic of the time, Pauline Kael, wrote that inEast of Eden, Hollywood finally tuned into "American avant-garde" cinema.[16]
In 2005 film criticKenneth Turan of theLos Angeles Times wrote thatEast of Eden is "not only one of Kazan's richest films and Dean's first significant role, it is also arguably the actor's best performance."[17] The film's depiction of the interaction between Dean and Massey was characterized by Turan as "the paradigmaticgenerational conflict in all of American film."[17]
In a short retrospective forThe New Yorker in 2012, criticPauline Kael called the film "An amazingly high-strung, feverishly poetic movie about Cain and Abel as American brothers....It’s far from a dull movie, but it’s certainly a very strange one; it’s an enshrinement of the mixed-up kid. Here and inRebel Without a Cause, Dean seems to go just about as far as anybody can in acting misunderstood."[18]
In 2013,Dave Kehr of theChicago Reader praised the adaptation by Kazan and the "down-to-earth" performances ofJames Dean andRichard Davalos.[19]
As of May 2024East of Eden holds a 86% fresh rating onRotten Tomatoes based on 43 reviews, with an average rating of 8.1/10. The critical consensus reads, "East of Eden strains to swell its story to epic dimensions, but James Dean's riveting performance gives this CinemaScope drama much of its raging heart."[20]Metacritic, which uses aweighted average, assigned the film a score of 72 out of 100, based on 11 critics through May 2024, indicating "generally favorable" reviews.[21]
ActorNicolas Cage said in a 2014 interview that he wanted to go into acting because of Dean and his performance in the film: "I started acting because I wanted to be James Dean. I saw him inRebel Without a Cause,East of Eden. Nothing affected me – no rock song, no classical music – the way Dean affected me inEden. It blew my mind. I was like, 'That's what I want to do'," Cage said.[32]
In a 2019MTV interview, actorLeonardo DiCaprio stated thatEast of Eden was the film that made him "obsessed with movies".[33] Adding in 2016 when asked about which performances stayed with him the most:
"I remember being incredibly moved by Jimmy Dean, inEast of Eden. There was something so raw and powerful about that performance. His vulnerability ... his confusion about his entire history, his identity, his desperation to be loved. That performance just broke my heart."[34]
