In 1969, Maurice White, a formersession drummer forChess Records and former member of theRamsey Lewis Trio, joined two friends in Chicago,Wade Flemons and Don Whitehead, as a songwriting team. They wrote songs and commercials in the Chicago area. The three friends got a recording contract withCapitol Records. Calling themselves The Salty Peppers, they had a marginal hit single in the Midwest titled "La La Time".[12][18]
The Salty Peppers' second single, "Uh Huh Yeah", did not fare as well. Maurice moved from Chicago to Los Angeles. He added singer Sherry Scott[19] and percussionist Yackov Ben Israel, both from Chicago, to the band. He asked his younger brotherVerdine to join and on June 6, 1970, Verdine moved from Chicago to LA to become the band's bassist. Maurice began shopping demo tapes featuringDonny Hathaway to various record labels and the band eventually signed toWarner Bros. Records.[12]
Maurice White'sastrological sign,Sagittarius, has a primaryelemental quality offire and seasonal qualities ofearth andair, according toclassical triplicities. Sagittarius in the northern hemisphere occurs in the autumn, whose element is earth, and in the southern hemisphere, it is spring, whose element is air. Hence the omission ofwater, the fourthclassical element. Based on this, he changed the band's name, to Earth, Wind & Fire. White held further auditions in L.A, adding Michael Beal on guitar, Chester Washington onreeds, and Leslie Drayton on trumpet. White was a percussionist and lead vocalist. Drayton served as the group's arranger. Trombonist Alex Thomas completed the then ten-man lineup. Warner Bros. designatedJoe Wissert to be the band's producer.[6][12][20]
Larry Ridley ofDownBeat, in a 5/5 stars review declared, "(Maurice White) has assembled here a strong musical organization. They are a tight, well- knit instrumental and vocal group...The vocal voicings are somewhat reminiscent of theFifth Dimension, but this is not to imply imitation, for Earth, Wind and Fire are just that...Any further critical analysis is unwarranted and my only other comment at this point is go out and buy this record and keep your eyes and ears open to Earth, Wind and Fire."[24] Bob Talbert of theDetroit Free Press, with praise wrote, "I'm not sure what to call this group. Afro-gospel-jazz-blues-rock? Must there be a label?...could be a forerunner of musical styles-sort of a BlackBlood, Sweat and Tears orChicago. BS&T with soul maybe".[25]
EWF then solely performed on thesoundtrack ofMelvin Van Peebles 1971 feature filmSweet Sweetback's Baadasssss Song. The soundtrack, entirely composed by Van Peebles, was released in June 1971 onStax Records.[26] Ian McCann of udiscovermusic.com found "Today, though, you couldn't find a record, soundtrack, or otherwise, as freewheelin' and funky as this." Jamie Atkins ofRecord Collector also proclaimed the soundtrack is "Well worth checking out...(where their) hippified psych soul...crossed over into relentless, harder-edged funk."[27][28] The album reached No. 13 on theBillboardTop R&B Albums chart.[29]
In November 1971, EWF's second album, titledThe Need of Love, was issued. The LP got to No. 35 on theBillboardTop Soul Albums chart.[30][31] Bruce Lindsay ofJazz Journal said "as evidence of a tight, stylish, band in the early stages of its career this is a worthwhile album".[32] Al Rudis ofThe Chicago Sun-Times wrote "Their second album, The Need of Love again displays some unusual music that might be called avant garde were it not so melodic and entrancing. The nine-member group mixes excellent jazzy instrumentals with harmony singing and chanting, some big band sounds and some free-form parts as well as solid soul beats. It all works beautifully, and while the elements of Earth, Wind and Fire aren't new, this mixture of them is a unique sound".[33]
The band became popular on college campuses, although some members started to become restless and the band eventually split. With only Verdine left, Maurice decided to re-form the group.[12]
The band successfully auditioned for managers Bob Cavallo and Joe Ruffalo. Cavallo's management ofJohn Sebastian led to a series of gigs as his opening act. A performance at New York'sRockefeller Center introduced EWF toClive Davis, then-President ofColumbia Records. Davis was impressed and bought their contract from Warner Bros. Wissert went along with the band.[12][20][36]
Their debut album on CBS/Columbia Records,Last Days and Time, was issued in October 1972. The album got to No. 15 on the USBillboardTop Soul Albums chart and No. 9 on the UKBlues & Soul Top British Soul Albums chart.[37][38][39] Paul Sexton ofRecord Mirror, in a 1979 review proclaimed, "Musical historians and EWF fans alike will welcome (Last Days and Time)".[40] Ovid Goode Jr. ofThe Los Angeles Daily News declared "Last Days and Time, sprouts forth with a fresh sound that sets it apart from many of the ho-hum aggregations around today. The album consists of eight moving tunes".[41]Hip Hop artistNas was also inspired by the album's cover art while British singerGabrielle also named Last Days and Time as one of her favorites.[42][43]
A single called "Mom" got to No. 39 on theCashbox Top R&B Singles chart.[44]
Soon thereafter, Roland Bautista and Ronnie Laws left. Denver native Philip Bailey recommended formerEast High School classmate, saxophonistAndrew Woolfolk, as a replacement for Laws. Woolfolk had been busy in New York studying sax with sax maestroJoe Henderson and was due to start a career in banking at the time. To fill the void created by Bautista's departure, rhythm guitaristsAl McKay and Johnny Graham were added. Graham previously played withNew Birth, while McKay was a former member of theIke and Tina Turner Revue andThe Watts 103rd St. Rhythm Band.[12]
EWF's fourth studio album,Head to the Sky, was released in May 1973. The album rose to No. 2 on theBillboard Top Soul Albums chart and No. 27 on theBillboard 200 chart.[45][46][47]Head to the Sky was certified Platinum in the US by theRIAA.[48]
Vince Aletti ofRolling Stone declared "Been having a lot of music dreams lately but this one's not too surprising since I've been playing the Earth, Wind & Fire album pretty constantly for the past week, certainly beyond all expectations". Aletti also noted EWF "sound like a cosmic choir and generate a Sly Stone effect" on the album.[49] Tony Palermo of thePittsburgh Press wrote "Folks like to compare this bunch withWar, but the first difference that hits you with E,W&F's brand of jazz-rhythm and blues is the smoothness ofJessica Cleaves' vocal work. Then, the extra slug of R&B in their style".[50]
A single off the LP titled "Evil" got to No. 19 on theBillboardAdult Contemporary Songs and No. 25 on theBillboard Hot Soul Songs charts respectively.[51][52] Another single called"Keep Your Head to the Sky" rose to No. 23 on theBillboard Hot Soul Songs chart.[53] Jessica Cleaves left after the album release.[12]
A single from the LP called "Mighty Mighty" reached No. 4 on theBillboard Hot Soul Songs chart and No. 29 on the Billboard Hot 100 chart.[60][61] "Kalimba Story" rose to No. 6 on theBillboard Hot Soul Songs chart.[62] "Devotion" got to No. 23 on theBillboard Hot Soul Songs chart and No. 33 on the Billboard Hot 100 chart.
AfterOpen Our Eyes was issued, Maurice's younger brother, Fred White, joined the band. He had previously played in Chicago clubs as a drummer withDonny Hathaway andLittle Feat.[35]
On April 6, 1974, EWF performed at theCalifornia Jam, a West Coast rock festival that attracted an audience of 200,000. The concert was televised in the US on May 10, 1974, byABC.[63]
In September 1974, a compilation double album titledAnother Time, comprising songs from EWF's first two studio albums, was released by Warner Bros. The album got to No. 29 on theBillboard Top Soul Albums chart.[64][65]
The band collaborated withRamsey Lewis on his albumSun Goddess, which was produced by Maurice and issued in October 1974 by Columbia. The album got to No. 1 on theBillboardTop Soul Albums chart and No. 12 on theBillboard 200 chart.[66][67][68] The LP'stitle track rose to No. 20 on theBillboardHot Soul Songs chart.[69]Sun Goddess was certified US Gold.[70]
During 1975, EWF was approached bySig Shore, producer ofSuper Fly, to record the soundtrack of a new film calledThat's the Way of the World. With a screenplay fromRobert Lipsyte, the film was produced and directed by Shore. The movie starredHarvey Keitel,Ed Nelson, EWF as "The Group" and Maurice as Early, "The Group"'s leader. Keitel played the role of a record producer who's wowed by a performance of "The Group".[35][71]
When the band saw the film they were unimpressed and convinced it would be an eventualbox office bomb.[20] EWF therefore released the soundtrack before the film's premiere. Produced by both White andCharles Stepney, the album was recorded at the Caribou Ranch Studio. Stepney previously worked with artists such asthe Dells,Terry Callier,Minnie Riperton andthe Rotary Connection. His writing and production style also included a more ornate, orchestral flourish, which influenced EWF's sound then onwards.[72]
With the album's success the band could now craft their ownhorn section, entitled thePhenix Horns. They were composed of saxophonistDon Myrick,trombonistLouis Satterfield, and trumpeters Rahmlee Davis andMichael Harris. Both Myrick and Satterfield previously worked with Maurice during his days as a drummer at Chess Records.[83]
After their first European tour, EWF returned to the studio in June 1975. The band eventually came away with an album of mostly live concert material together with some new recorded tunes. As a double albumGratitude was released in November 1975.[84] Gratitude rose to No. 1 on both theBillboard 200 and Top Soul Albums charts respectively.[85][86] Kit Aiken ofUncut called Gratitude "a kicking live album".Greg Kot of theChicago Tribune found "anEllingtonian fusion of styles on this live masterpiece."[87][88] The album was certified US triple platinum.[89]
During 1975, White established a production company called Kalimba Productions. He signed artists such as his former bandleader Ramsey Lewis, singerDeniece Williams, a former member ofStevie Wonder's "Wonderlove" backup singers, andgirl groupthe Emotions. Maurice also loaned out the Phenix Horns and other band members to various musical projects. Artists aligned with Kalimba Productions also regularly toured with EWF.[12]
Alongside Maurice, Stepney began co-producing EWF's next album and Williams's debut LP,This Is Niecy. What's more, Ramsey Lewis'sSalongo, and the Emotions'Flowers, their premiere album onColumbia Records. Suddenly Stepney died of a heart attack on May 17, 1976, in Chicago at the age of 45.[12]
After Stepney's passing, White went on to complete production of the band's new album. Eventually entitledSpirit as a tribute to Stepney, this LP was released in October 1976.[93][94] The LP rose to No. 2 on both theBillboard Top Pop Albums and Top Soul Albums charts.[95][96]Music Week proclaimed "With a more spiritual, ethereal feel than the six albums they had already cut to that point, it really marks a turning point in their career and is crammed with excellent tunes."[97]John Abbey ofBlues & Soul called Spirit "a mighty, mighty album...(displaying) the power of the nine-piece Earth Wind & Fire conglomeration."[98][99]Spirit was certified USdouble platinum.[100]
"Getaway" reached No. 1 on theBillboard Hot Soul Songs chart.[101] The song also rose to No. 12 on both theBillboard Hot 100 and Dance Club Play charts.[102][103] "Saturday Nite" reached numbers 4 and 21 on theBillboard Hot Soul Songs and Hot 100 charts, respectively.[104][105] "Saturday Nite" rose to No. 12 on both theBillboard Dance Club Songs andUK Pop Singles charts, respectively.[106][107] The track "Earth, Wind and Fire" was Grammy nominated forBest Instrumental Composition.[108]
At the time EWF concerts became renowned for lots of pyrotechnics, magic, lasers, levitating guitarists and a flying pyramid. MagicianDoug Henning worked on many of EWF's tours with then assistant and eventual successor,David Copperfield.George Faison also began choreographing their stage shows.[12][109]
In November 1977, EWF releasedAll 'n All, their eighth studio album.[110] This record was inspired by Maurice's month-long trip throughoutArgentina andBrazil. The album rose to No. 1 on theBillboardTop Soul Albums chart and No. 3 on theBillboard 200 chart.[111][112]John Rockwell ofThe New York Times declared "All 'n All shows Maurice White and his cohorts pushing their music ever more in a febrile jazz‐rock direction."[113] Monroe Anderson of theChicago Tribune found "a rare blend of poetry, passion, and artistic progression...All 'N All is a nice indication that EW&F is trying to expose its fans to other forms of American music and take them across international and cultural borders."[114]
In 1978, White established a subsidiary label of CBS titledARC Records (ARC). Alongside sound engineerGeorge Massenburg, he thereafter launched a new recording studio called The Complex, in West Los Angeles.[12] In November 1978, EWF released a compilation album entitledThe Best of Earth, Wind & Fire, Vol. 1 on ARC/Columbia.[125] This album rose to No. 3 on theBillboard Top Soul Albums chart and No. 6 on theBillboard 200 chart.[126][127]The New York Daily News claimed "Since its beginning, Earth Wind and Fire have been one of the slickest soul aggregations around, and this record is a well-paced showcase. Sometimes it's hard to believe that the combination of influences, ranging fromSly Stone andStevie Wonder to the decidedlyChicagoesque horn arrangements, doesn't overcome the group, but its high spirits continually take it over the top."[128] Crispin Cioe ofHigh Fidelity wrote "For pop/r&b mavens, this one's a must."[129] The album was certifiedquintuple platinum in the US by the RIAA.[130]
A new song called "September" was released as a single, peaking to No. 1 on theBillboard Hot Soul Songs chart and No. 8 on theBillboard Hot 100.[131][132] "September" also reached No. 3 on the UK Singles Chart.[107]
During June 1979, EWF issued their ninth studio album,I Am. The LP rose to No. 1 on theBillboard Top Soul Albums chart and No. 3 on theBillboard 200 chart.[136][137]I Am was certified US double platinum.[138]
Earth, Wind, and Fire's Maurice White and Philip Bailey performing in 1979 at the Ahoy Rotterdam, The Netherlands
Eric Sieger ofThe Baltimore Sun calledI Am "faultlessly produced...The album features a horn and string section, synthesizers, congas, and kalimbas and the material ranges from straight boogie to soulful ballads."[139] James Johnson of theEvening Standard hailed the album saying, "On I Am..the band's flashy staccato rhythms, their smooth melodies and precise production adds up to another majestic album".[140]
During October 1980, EWF released a double album entitledFaces. Faces was rooted in the emergingpost-disco style and partly recorded on theCaribbean island ofMontserrat.[146][147] The album rose to No. 2 on theBillboard Top Soul Albums chart and No. 10 on both theBillboard 200 andUK Albums charts.[107][148][149]Faces was certified US gold.[150]
In a 2007 interview, when asked which EWF album was his favorite, Maurice White replied: "ProbablyFaces because we were really in tune...and it gave us the opportunity to explore new areas."[151] Soon after its release, longtime rhythm guitarist Al McKay left the band.[12]
Dennis Hunt of theLos Angeles Times declaredFaces is the R&B album of the year...Faces is expertly written, produced and performed and is considerably better than any of this year's hardcore R&B albums. Just about every song onFaces, which is nearly all upbeat, is high quality. Its danceability rating is as high as any you'll find on an album in thispost-disco era.[152] Chuck Pratt of theChicago Sun Times exclaimed "this fine funk soul group puts its best face forward on this ambitious and generous double pocket set of intricately produced, high gloss funk."[153]
White decided that, given the changing musical landscape, the band needed to incorporate into their work more of theelectronic sound which was popular at the time. As a result, EWF's eleventh album,Raise!, was influenced by this new electronic sound and released in theAutumn of 1981. With this album rhythm guitaristRoland Bautista returned to EWF. Bautista went on to give the band's sound a bit of a hard rock feel with his playing.[12]Raise! rose to No. 1 on theBillboardTop R&B Albums chart and No. 5 on theBillboard 200 chart.[158][159] Raise was certified US Platinum.[160]
Hugh Wyatt of theNew York Daily News found "Earth, Wind & Fire gives new meaning to the wordclassy, and I like it".[171]Tony Prince of theDaily Mirror also called Powerlight the album of the week exclaiming "The worst you can say about Earth, Wind & Fire are their high standards of arrangements are predictable. They just can't get any better!".[172]
EWF went on to appear on the soundtrack of the April 1983 animated feature filmRock & Rule with the song "Dance, Dance, Dance". Artists such asDebbie Harry ofBlondie,Lou Reed andCheap Trick also featured on the soundtrack.LA Weekly noted the "standout track" is "Earth, Wind & Fire's funky club jam Dance, Dance, Dance".[176]Rock & Rule was the first feature film ofNelvana Studios.Spin called Rock & Rule "the greatest oddball scifi musical ever committed to animation cels". Keith Breese ofContact Music described the movie as "a masterpiece of outré animation and wildly ambitious vision and remains a triumph in animated feature film". Rock & Rule has also gone on to become acult classic.[176][177][178]
Matty Karas ofRolling Stone opined "Electric Universe marks Earth, Wind & Fire's leap into the 80s. Horns are out, keyboards and synthesizers are in, and the group's romantic jazz-oriented funk has been dropped in favor of more sensuous, and at times, rock oriented dance material".[182] Pam Lambert ofThe Wall Street Journal exclaimed "After more than a decade together, Earth, Wind and Fire continue to chart new ground". She added, "In Maurice's otherwordly universe of synthesized sound, individual instruments like guitars and keyboards are drowned into the overall sonic mix. But, by way of compensation, this does focus attention on the group's trademark, their multitextured vocals."[183]Don McLeese of theChicago Sun Times also gave Electric Universe an honourable mention in his list of the top ten albums of 1983.[184]
During 1987, Maurice went about reconvening the band. Coming back into the fold were Verdine, Johnson, Bailey and Woolfolk. Whilst new members guitarist/vocalistSheldon Reynolds, keyboardist Vance Taylor and drummerSonny Emory completed the lineup. A new horn section dubbedEarth, Wind & Fire Horns was established, comprisingGary Bias on the saxophone,Raymond Lee Brown on the trumpet, and Reggie Young on flugelhorn and trombone.[12]
Roe Hoeburger ofRolling Stone found "Bailey's falsetto sounds as pure and piercing as ever, but he often needs White's sly, low counterpunch to bring him back from the stratosphere."[216] Pamela Bloom ofHigh Fidelity proclaimed "Touch the World is nothing if not contemporary (but)..the message, as always, is stop, step back, and turn up your light".[217]Touch the World was also nominated for aSoul Train Award in the category ofBest R&B/Soul Album of the Year - Group, Band or Duo.[218]
During February 1990, EWF issued their fifteenth studio album, entitledHeritage. The album rose to No. 19 on theBillboardTop R&B Albums chart and No. 18 on the UKBlues & Soul Top British Soul Albums chart.[227][228][229]
J.D. Considine ofThe Baltimore Sun declared "Earth, Wind & Fire has not only kept its sound current, but on Heritage actually seems invigorated by the process of change".[230] Paul Robicheau ofThe Boston Globe also described Heritage as a "fresh and funky outing".[231] As well Lynden Barber ofThe Sydney Morning Herald placedHeritage at No. 7 on his list of the top ten albums of 1990.[232]
During 1992, EWF issued a compilation album calledThe Eternal Dance. The LP was the band's first everboxset.The Boston Globe placedThe Eternal Dance on their lists of the top ten recordings of both 1992 and 1993.[237][238] On July 30, 1993, former Phenix Horns saxophonistDon Myrick was fatally shot by an officer of the Santa Monica Police Department.[239]
In November 1993, EWF performed at theAmerican Music Awards 20th anniversary special.[254] During 1994, EWF was inducted into theNAACP Image Award Hall of Fame.[255] On September 14 of the following year, the band received another tribute in the form of a star on theHollywood Walk of Fame.[7][256][257] With Maurice, Sonny Emory, Sheldon Reynolds, Bailey, Johnson, Woolfolk and Verdine attending the said inauguration ceremony.[256][257]
During 1996, Maurice launched a new label titledKalimba Records based inSanta Monica,California. With the launch of this said label also came into being a recording studio known as Magnet Vision.[258][259]
EWF's follow-up studio album,In the Name of Love, was released in 1997 onRhino Records. The album went on to be noted as one with a digitisedneo soul sound and style. Phyl Garland ofStereo Review wrote "with this set of skillfully shaped songs, White has positioned Earth, Wind & Fire to move into the next century".[260] Dan Glaister ofThe Guardian describedIn the Name of Love as "a scorching album".[261] The LP reached No. 19 on theUK R&B Albums chart.[262] From the album, a track titled "When Love Goes Wrong" got to No. 33 on theBillboardAdult R&B Songs chart. Another song called "Change Your Mind" was issued as a single in 2006 by Kalimba.[263] "Change Your Mind" rose to No. 26 on theBillboardAdult R&B Songs chart.[264][265]
During the previous year, Maurice stopped regularly touring, but still appeared on stage occasionally. He explained that he wanted rest from the rigors of the road. Bailey took the role of on stage leader. Maurice maintained executive control.[266]
On March 6, 2000, EWF was inducted into theRock and Roll Hall of Fame by hip hop artistLil' Kim to astanding ovation during the 15th annual ceremony held at New York'sWaldorf-Astoria Hotel. Maurice, Bailey, Verdine, and Johnson, as well as former EWF members Al McKay, Larry Dunn, Woolfolk, Fred White and Johnny Graham attended the ceremony. At the gala they performed "Shining Star" and "That's the Way of the World".[6][279]
Within July 2002 a compilation album titledThe Essential Earth, Wind & Fire was issued by Columbia.[291] Howard Dukes ofSoulTracks called the album "a collection that will definitely get the party started". Barry Walters ofBlender, opined "the 34 tracks on The Essential encompass these funky spiritualists' many sides, from preachy ("All About Love") to sensual ("Can't Hide Love") to ecstatic ("Boogie Wonderland")."[292][293] The album was certified US Gold.[294] A remix sampler of both "Can't Hide Love" and "Let's Groove" was released as a single from the LP. The remix sampler got to No. 4 on theUK Dance Singles Chart.[295][296] A live album of the band's 1980 performance inRio de Janeiro, Brazil, titledLive In Rio, was later released in November 2002.
During May 2003, EWF issuedThe Promise.[297] The album peaked at No. 19 on theBillboardTop R&B/Hip-Hop Albums chart and No. 5 on theBillboardTop Independent Albums chart.[298][299] David Peschek ofThe Guardian describedThe Promise as "17 tracks of immaculately smooth, meticulously detailed mid-tempo pop-soul and thoroughly intoxicating in its lushness."[300] Steve Jones ofUSA Today wrote "with horn-kissed ballads and infectious jazz funk grooves, the band seems to have regained its spark".[301]
On April 25, 2007, EWF performed as the opening act at a special edition ofAmerican Idol entitled "Idol Gives Back". At the gala the band performed a medley of "Boogie Wonderland", "Shining Star" and "September".[338] At theNobel Peace Prize Concert inOslo, Norway, on December 11, 2007, EWF performed "Fantasy" and "September". The concert was broadcast to over 100 countries. Artists such asMelissa Etheridge,Alicia Keys,Annie Lennox, andKylie Minogue also performed at the concert.[339]
During February 2008, EWF performed on the opening night of one of the oldest and largest musical festivals in Latin America,Chile'sViña del Mar Festival. The audience at the gala was so impressed by EWF's performance that the band was bestowed with theGaviota de Plata (The Silver Seagull), the festival's highest performance award. EWF's song "In the Stone" has been used for several years as the introductory theme for festival broadcasts.[340][341][342][343]
Earth, Wind & Fire tribute, Munich Olympic Walk of Stars on April 9, 2011
On March 10, 2008, the band was inducted into theMunich Olympic Walk Of Stars.[344] During May 2008 EWF performed at theApollo Theater's fourth annual Hall of Fame induction ceremony.[345] Maurice and Verdine, Johnson, and Bailey each received an honorary degree from the Arts and Media College atColumbia College Chicago's 2008 commencement exercises. During the ceremony Verdine and Johnson both gave acceptance speeches before the four gave an impromptu performance of "Shining Star".[346][347] EWF performed at the opening ceremony of the2008 US Open, which was hosted byForest Whitaker and served to commemorate the 40th anniversary of the founding of tennis' Open Era with a parade of more than 25 former US Open singles champions.[348]
EWF performed at theWhite House on February 22, 2009, for the Governors' Dinner; they were the first musical artists to perform there afterBarack Obama took office.[349] During April 2009 former EWF keyboardistRobert Brookins died from a heart attack, at the age of 46.[350] On April 26, 2009, EWF appeared at the 39thNew Orleans Jazz & Heritage Festival.[351] The band aligned with Chicago once again for a joint tour.[352] In September 2009 EWF were bestowed with the Daniel L. Stephenson award for lifetime achievement in music at the Temecula Valley International Film and Music Festival.[353]
Emerys Baird ofBlues & Soul called the album a "glorious return to form. EW&F have produced an incredibly well balanced body of work, a set full of contrast and colour, sublime stuff."[368] Elias Leight ofPopmatters also wrote "Now, Then & Forever has all the old colors and grooves, an impeccable rhythm section, prominent guitars, and indomitable horns that trace and re-trace motifs, dancing rings around everything."[369]
On September 13, 2014, EWF performed at Proms in the Park at Hyde Park with the BBC Concert Orchestra.[380] On October 21, 2014, EWF released their first ever holiday album, titledHoliday.[381] Randy Lewis of theLos Angeles Times gave the album a 3 out of five stars rating and wrote "The venerable R&B band does what it does best here: lays on the hard and heavy funk with fat horn accents and thick rhythmic riffs to propel a batch of time-tested holiday favorites."[382]Brett Milano ofOffBeat also proclaimed "If you need to funkify your holiday mix..this will do fine."[383] Holiday rose to No. 26 on theBillboardTop R&B/Hip Hop Albums chart and No. 8 on theBillboard Holiday Albums chart.[384][385] On December 8, 2014, EWF performed at the Kennedy Center Honors, honoringAl Green.[386] On December 14, 2014, the band performed at the Christmas in Washington event.[387]
On September 10, 2019, The Los Angeles City Council declared that September 21 would be dedicated Earth, Wind & Fire Day.[396] On November 22 of that year the band received the Portrait of a Nation Prize at theSmithsonian's American Portrait Gala.[397] EWF were one of the inductees at the 42ndKennedy Center Honors that took place on December 7, 2019.[16] EWF became the first Black group to be inducted into Kennedy Honors.[398] The band later guested onMeghan Trainor's October 2020Christmas studio albumA Very Trainor Christmas.[399] A song off the album calledHolidays rose to No. 10 on the Billboard Holiday Digital Song Sales chart and No. 35 on the Billboard Canadian Adult Contemporary chart.
During September 2021, EWF reached the top 10 of Billboard's Adult R&B Airplay chart for the first time in 28 years with their new single "You Want My Love", featuringLucky Daye.[400] On April 24, 2022, former saxophonist Andrew Woolfolk died at the age of 71.[401] The band later embarked on a joint summer tour withCarlos Santana and made a guest appearance on theIsley Brothers' September 2022 albumMake Me Say It Again, Girl.[402][403]
On January 1, 2023, it was announced that former drummer Fred White had died at the age of 67.[404]
In March 2023, Earth, Wind & Fire IP, LLC filed a lawsuit for copyright infringement and trademark dilution against Substantial Music Group and Stellar Communications which had launched an Earth, Wind & Fire Legacy Reunion group.[405] In March 2024, a federal judge in Miami ruled in favor of the trademarked Earth, Wind & Fire group against the tribute group, which contains former side musicians and has no original members.[406]
On August 3, 2025, Earth, Wind & Fire appeared as guests ofSabrina Carpenter during her headline set atLollapalooza, where they sang "Let's Groove" and "September".
Miles Davis described EWF as his "all time favorite band", saying, "they have everything (horns, electric guitar, singers and more) in one band".[448]Quincy Jones proclaimed himself to be the "biggest fan of Earth, Wind & Fire since day one."[449]Dionne Warwick named Earth, Wind & Fire her favorite group of all time.[450]
Hot Feet, ajukebox musical based on the Earth, Wind & Fire song catalog, opened onBroadway in April 2006.[453] It closed in July of that year, losing its entire $8 million investment.[454]
Mulhern, Tom.Bass Heroes: Styles, Stories & Secrets of 30 Great Bass Players: From the Pages of Guitar Player Magazine. Backbeat Books, 1993.ISBN0-87930-274-7
Payne, Jim. Weinger, Harry.The Great Drummers of R&B, Funk & Soul. Mel Bay Publications, 2007.ISBN0-7866-7303-6