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E-mu SP-12

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Computer/sampler
E-mu SP-12

TheE-mu SP-12 is asamplingdrum machine.[1] Designed in 1984, SP-12 was announced byE-mu Systems in 1985.[2] Expanding on the features of E-mu’s affordable and commercially successfulDrumulator, a programmable digital drum machine, SP-12 introduced usersampling, enabling musicians to sample their own drums and other sounds. In August 1987, E-mu replaced SP-12 withSP-1200.[2]


History

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Developed as a successor to theDrumulator, SP-12 was initially advertised as “Drumulator II” byE-mu Systems at theNAMM Winter Music & Sound Market andMusikmesse Frankfurt[3] in February of 1985 before being launched officially at that summer’sNAMM International Music & Sound Expo.[2][4] “SP” is an initialism for “Sampling Percussion,” and 12 is a reference to its 12-bit linear data format.[5]

E-mu made a “Turbo” upgrade available which increased the total memory for user samples to 5 seconds.SP-1200, featuring an integrated disk drive for storage and more RAM allowing for more total user sampling time in place of the preset ROM drum sounds, replaced SP-12 in E-mu’s product line in August 1987.[2][6]

Features

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In contrast to other early sampling instruments integrating piano-style keyboards, such as E-mu’sEmulator series of digital sampling synthesizers,Ensoniq Mirage, orFairlight CMI,[1] SP-12 instead used plastic buttons to play drum sounds on its top panel. Dynamics can be performed using a piezo sensor on the circuit board listening for the button’s impact, a technology invented by E-mu co-founder Scott Wedge.[2][7]

SP-12 uses a 12-bit linear data format and the same 26.04kHz sample rate E-mu previously used inDrumulator and subsequently reused inSP-1200.[2][8][9][10][11][12] The sample rate was chosen early on in Drumulator’s development as a compromise between bandwidth and sampling time.[2][8][13] A reconstruction filter was deliberately omitted, resulting in a brighter sound due to imaging (sounds above the sample rate).[10][13]

SP-12 includes 24 12-bit[2] preset ROM sounds consisting of two bass drum, two snare, two electronic snare, rimshot, cowbell, four toms, four electronic tom, three hi-hat, two clap, two ride cymbal, and crash cymbal sounds. Although the panel legend is marked with 8 positions for user samples, up to 32 user samples can be used.[14]

The original SP-12 had a maximum sampling time of 1.2 seconds while with the Turbo upgrade it has a maximum sampling time of 5 seconds. The SP-12 has a 5000-note memory allowing it to store 100 songs and 100 patterns; with the turbo upgrade, this is increased to 400 songs and 400 patterns.[15]

SP-12 can synchronize to and generate MIDI, SMPTE, and analog click signals; it can also send and receive MIDI note triggers.[2][10]

Trivia

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  • The SP-12 is almost identical in design to the E-mu Emulator II and many of the knobs and buttons are interchangeable.
  • Some of the original SP-12s have "Emulator SP12" written on them.
  • Original SP-12's were known to have "Paul is theWalrus" and "Paul is dead" written on the motherboard.
  • Later SP-12's Had "Loonie Tunes World Tour" written on the motherboards.
  • TheBeastie Boys reference the SP-12 in their song "Putting Shame In Your Game" from their 1998 albumHello Nasty with the line, "Well I'm the Benihana chef on the SP12."Rappin 4 Tay inPlayers Club (1994) says "I got a ho namedreel-to-reel, she got a buddy named SP-12, now you know the deal."Young MC raps in the songAlbum Filler (1991) "It's just me, a mic, and an SP-12."World Class Wreckin' Cru raps inCabbage Patch (1987) "From the three kick drums out the SP-12."
  • Big Grams, the collaboration betweenBig Boi andPhantogram references the SP-12 alongside other famous drum machines and sequencers such as theRoland TR-808 andRoland TR-909 in their song "Drum Machine" featuringSkrillex.

Notable Users

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See also

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References

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  1. ^abVail, Mark (2014).The Synthesizer. Oxford University Press. p. 74.ISBN 978-0195394894.
  2. ^abcdefghiKeeble, Rob (September 2002)."30 Years of Emu".Sound on Sound. SOS Publications Group. Retrieved5 July 2024.
  3. ^Vincent, Biff (October 21, 2022)."E-mu Systems - Frankfurt Music Show 1985".youtube.com. Denise Gallant.
  4. ^Wiffen, Paul (August 1985)."Way Down Yonder".Electronics & Music Maker. Retrieved5 July 2024.
  5. ^Mark Katz (2010).Capturing Sound: How Technology Has Changed Music (revised ed.). University of California Press.ISBN 978-0-520-26105-1.
  6. ^Mellor, David (Oct 1987)."E-Mu SP1200".Sound on Sound (Oct 1987):22–28.
  7. ^Hyland, Simon (2011).SP-1200: The Art and Science. 27Sens. p. 35.ISBN 2953541012.
  8. ^abHyland, Simon (2011).SP-1200: The Art and Science. 27Sens. p. 60.ISBN 2953541012.
  9. ^E-mu Systems Drumulator Service Manual. E-mu Systems. 1983. Retrieved5 July 2024.
  10. ^abcDavies, Steve (1985).SP-12 Sampling Percussion System Service Manual(PDF). E-mu Systems. Retrieved5 July 2024.
  11. ^SP-1200 Sampling Percussion System Service Manual. E-mu Systems. 1987. Retrieved5 July 2024.
  12. ^"SP-1200".Rossum Electro-Music. Archived fromthe original on 5 July 2024. Retrieved5 July 2024.
  13. ^abRossum, Dave."Why do SP-1200 channel outputs feature different filters?".youtube.com. Rossum Electro-Music. Retrieved5 July 2024.
  14. ^Craig Anderton (1985).SP-12 Sampling Percussion System Owners Manual(PDF) (Version 2.3 ed.). E-mu Systems, Inc. Archived from the original on 2006-10-08.{{cite book}}: CS1 maint: bot: original URL status unknown (link)
  15. ^"SP-12 Overview". Emulator Archive. Archived fromthe original on 2008-01-12.
  16. ^Trask, Simon (Dec 1991)."Strange Changes".Music Technology. United Kingdom: Music Maker Publications (UK), Future Publishing. pp. 30–36. Retrieved2023-12-19.
  17. ^Robbie (Jun 2008)."DJ Vicious Lee (Def IV) -- The Unkut Interview".
  18. ^Sorcinelli, Gino (2017-09-20)."Paul C. McKasty: the Legend, the Tragedy, the Story of an Era".Medium. Retrieved2017-09-25.
  19. ^"Exclusive: Prince Paul Breaks Down Gravediggaz "6 Feet Deep" Track-By-Track « HipHopSite.Com". 2017-09-02. Archived fromthe original on 2017-09-02. Retrieved2022-12-15.
  20. ^Fintoni, Laurent (15 September 2016)."15 samplers that shaped modern music – and the musicians who use them".FACT. VF Publishing. Retrieved16 July 2019.

External links

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